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Reviews from the 86th Floor: Barry Reese looks at Howard Chaykin’s The Shadow


THE SHADOW: BLOOD & JUDGMENT
Howard Chaykin
Published by DC Comics

This was the era of Watchmen. Of The Dark Knight Returns. It was the boom of grim and gritty. Howard Chaykin, whose brilliant American Flagg! was already a modern masterpiece, was chosen to bring The Shadow back to life for DC Comics. He elected to bring the character into the 1980s rather than stick to being a period piece and he approached The Shadow with obvious knowledge but not necessarily a fan’s reverence. He had no problem ramping up the sex and violence, while emphasizing the fact that The Shadow himself is a grade-A jerk.

We get to see Kent Allard’s transformation into The Shadow, as well as he met Lamont Cranston, via flashback — and we learn that the real Cranston is a major jerk. A jerk who still hates The Shadow, even in the 1980s. Killing off The Shadow’s old aides in order to draw the mysterious vigilante back to the scene, Cranston is aided by a slutty secretary and an idiotic clone. He hopes to force The Shadow to take him back to the lost city where The Shadow gained his powers but he doesn’t count on treachery in the ranks, nor does he realize just how dangerous his old enemy truly is.

Classic artwork from Chaykin and a story that hits on nearly all cylinders, this is one of my favorite pulp-to-comics transformations. Chaykin avoided being a pastiche by updating the character and refusing to place him on a pedestal. While the ongoing series by Andy Helfer that followed was a piece of steaming dog poo, this kick-off miniseries deserves a place on every pulp fan’s shelf. It’s proof that the classic pulp heroes can work in the modern day.

I give it 5 out of 5 stars.

 


ALL PULP’S OFFICIAL PODCAST-THE BOOK CAVE!
It’s been busy, but that’s no reason why you can’t catch up on THE BOOK CAVE!  Ric Croxton and Art Sippo provide the best in Pulp reviews and discussions, on track and off tangent as well every week!  Here’s the last few weeks of material from these two podcasting legends and be on the lookout for the latest episode on ALL PULP!

 

Thu, 16 June 2011
Russ Anderson, Josh Reynolds, David Boop and Tommy Hancock join Art and Ric to discuss the latest volume in How The West Was Weird. Technical problems cut us off at the end, but we got a full episode in.
http://www.pulpwork.com/2011/05/how-west-was-weird-2-now-available-for.html
Joshua M. Reynolds
argus33@hotmail.com
http://joshuamreynolds.blogspot.com/
David Boop www.davidboop.com

Direct download: Book_Cave_ep_131.mp3
Category:podcasts — posted at: 1:05 PM

 

Thu, 9 June 2011
Perry Constantine returns to the Book Cave to discuss his new novel The Myth Hunter. Art was unable to join us due to be under the weather.
Pulpwork Press – http://www.pulpwork.com


Percival Constantine
Writer, Letterer
percivalconstantine.wordpress.com
pc812.deviantart.com
Direct download: Book_Cave_ep_130.mp3
Category:podcasts — posted at: 2:11 PM

 

Thu, 2 June 2011
Art and Ric go over the Brain Boy comic book series from the early 1960s.
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All Pulp – http://allpulp.blogspot.com/
Direct download: Book_Cave_ep_129.mp3
Category:podcasts — posted at: 6:01 PM

 

Fri, 27 May 2011
The Book Cave is crowded tonight with a cast of thousands. Art and Ric are joined by Barry Reese, Ron Fortier, Bobby Nash, Tommy Hancock, Wayne Reinagel and later in the show, Ken Janssens.
Artwork was given to us by Cari Reese.

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Direct download: Book_Cave_ep_128.mp3
Category:podcasts — posted at: 3:58 PM

 


Thu, 26 May 2011
Art Sippo wraps up the last of the specials with his talk on Sun Koh, Germany’s Doc Savage.
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Direct download: Pulp_Ark_Special_-009.mp3
Category:podcasts — posted at: 1:41 PM

Wed, 25 May 2011
Ron Fortier heads a panel talking about popularity of the New Pulp.
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Direct download: Pulp_Ark_Special_-007.mp3
Direct download: Pulp_Ark_Special_-008.mp3
Category:podcasts — posted at: 9:48 PM

Wed, 25 May 2011
Van Plexico and crew talk about writer super hero prose.
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Direct download: Pulp_Ark_Special_-007.mp3
Category:podcasts — posted at: 1:47 AM

Mon, 23 May 2011
Direct download: Pulp_Ark_Special_-006.mp3
Category:podcasts — posted at: 8:31 PM

Sun, 22 May 2011
Direct download: Pulp_Ark_Special_-005.mp3
Category:podcasts — posted at: 8:06 PM

Sat, 21 May 2011
Rob Davis of Airship27 spills all his secrets on how to do art for new Pulps.
http://stores.lulu.com/airship27
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Direct download: Pulp_Ark_Special_-004.mp3
Category:podcasts — posted at: 8:12 PM

Fri, 20 May 2011
Direct download: Pulp_Ark_Special_-003.mp3
Category:podcasts — posted at: 8:56 PM

 

Thu, 19 May 2011
Direct download: Pulp_Ark_Special_-002.mp3
Category:podcasts — posted at: 10:44 PM

Wed, 18 May 2011
In this episode is the All Pulp panel, the first panel for the weekend.
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Direct download: Pulp_Ark_Special_-001.mp3
Category:podcasts — posted at: 6:18 PM

Tue, 17 May 2011
Art and Ric’s adventures in Pulp Ark. The reason this episode is up early this week is because we have all the Pulp Ark panels recorded and we want you to have them as early as we can. I will be adding Book Cave: Pulp Ark Specials this week.
The Clones of Langston
Carol Fullerton-Samsel
Summer Read Publishers
Benton, AR 72018-0592

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Direct download: Book_Cave_ep_127.mp3
Category:podcasts — posted at: 8:35 PM

 

 

Thu, 12 May 2011
Art and Ric chat up a storm before they head to Batesville, Arkansas for Pulp ARK.
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Direct download: Book_Cave_ep_126.mp3
Category:podcasts — posted at: 5:25 PM

 

 

A Brief Look at Iconic Locales for Thrillers

Enchanted forests, haunted hillsides, secluded cabins and the creatures that reside in dark places – have had us biting our nails since the early German Expressionist film era.  Witches, werewolves, monsters and maniacs can be lurking ‘round the corner just about any place you can imagine.  With Nicholas Cage’s Season of The Witch out on DVD and Blu-ray next week, we’re going to take a look at some of the most iconic and eerie locales in thrillers and horror films that make for the best places to splatter, slice and slash.

camp-crystal-lake-300x300-6267771Lakes

Crystal Lake is well-known from the beloved Friday The 13th and even though those films are set in New York, there so happens to be a real Crystal Lake in the San Gabriel’s near Los Angeles that many horror fans like to claim as their own.  Lake Placid is home to a killer crocodile and movies like Eden Lake, Zombie Lake, Rogue, What Lies Beneath, Lake Dead and of course Sleepaway Camp will make you want to go out and purchase a life vest and/or take some self-defense classes.  Deliverance and The Host are set on rivers and Ghost Ship is on the ocean, but we won’t hold it against them.

Cabins & Hotels

Cabin Fever, The Shining, Hostel, and Vacancy are just a few of the great films set in secluded vacation spots. Of more recent fame, Lars Von Teir’s Antichrist took the cabin in “Eden” to a whole new level of crazy.  No one can of course touch the masterpiece Evil Dead, where incantations read in the basement of the cabin wake up some flesh eating demons that no one forgets.

The Woods

The Blair Witch Project, Wrong Turn, Sleepy Hallow, Dreamcatcher, Shrooms all take us on a journey along streams, mossy banks and haunting willows that creep the living daylights out of you.  Taking it to the jungles, The Ruins and The Island of Dr Morteau receive honorable mentions.  Season of The Witch, out on DVD and Blue-ray June 28th crosses over into the supernatural into perilous terrain that makes way for a terrifying and powerful force that determines the fate of the world.

This could be why the canny Joss Whedon wrote the forthcoming thriller The Cabin in the Woods. No fool he.

Your House

Scream, Paranormal Activity, The Amityville Horror, The Grudge, The Others, The Haunting in Connecticut and The Last House on the Left are just a few of the films that really take it to the next level and bring the horror and gore way past your comfort zone.   Funny Games could easily fit into the Cabin category but it still hits way too close to home.  And grandpa’s house most certainly counts for The Texas Chainsaw Massacre.

Hills get a runner up location nod due to films like The Hills Have Eyes and the 1959 B Movie Classic, House on Haunted Hill.  And sure Silent Hill even though we know it doesn’t really count.

A Day In The Life Of A ComicMix Guy

People occasionally ask me: so how do you fill your days working for ComicMix? Here’s what I did yesterday…

After getting up around 10 AM (because I’d been working overnight on various programming changes for the web site) I went into New York City to have lunch with authors [[[Dave Smeds]]] (X-Men: Law Of The Jungle), [[[Aaron Rosenberg]]] (World Of Warcraft, Eureka), [[[David Alan Mack]]] (Farscape: Scorpius for Boom!, Star Trek: Vanguard) and ComicMix contributors Alexandra Honigsberg and Kim Kindya, among others.

Headed off to a post-lunch survey of comic book stores, where I discussed with the owners about DC’s digital plans, and the meeting that DC will be having on Friday between their executives and various comic book store owners. We expect there to be fireworks a bit early this summer.

At one of the comics stores, also caught up with [[[Michael Uslan]]] (executive producer of the Batman films and author of [[[Archie Marries…]]]) who revealed that he’s in town to speak at the United Nations on Friday with Jerry Robinson (Batman artist and creator of Robin and the Joker) to address political cartoonists from all over the world.

Then after a brief meeting with a possible investor, I hopped a subway to Citifield, where I sat in Joe Quesada-provided seats with Peter David and his family to watch the Mets battle the Oakland A’s. Joe was a gracious host, and Peter and I spent a lot of time discussing an upcoming project of his we’ll tell you more about later this week.

It was a looooong game– started an hour late due to rain, and went to 13 innings. (The Mets won on a bases-loaded hit-by-pitch with two outs.) Between innings, I also played chess with Marvel Senior VP of Publishing, Tom Brevoort. I think it’s mate in seven moves, but I’m not sure for which of us yet.

spider-man-at-citifield-2-1126590But after the Mets victory, as I headed towards the number 7 subway station, I saw one more comics tie-in– our Friendly Neighborhood Spider-Man was there, alternately serenading us with Take Me Out To The Ball Game and his own theme song.

Then back here, setting up a few more things for the site before I had to drive a friend to a 5 AM flight. And after I get back from the airport, the morning press releases will be coming in.

So how was your day?

Jason Patric Signed to Star in “Powers”

Jason Patric appears to have nabbed the lead in the FX adaptation of Brian Michael Bendis & Michael Avon Oeming’s Powers. Initially, Kyle Chandler was rumored in March to be eyed for the part of Christian Walker but the news of Patric’s signing broke late last night.

Patric would be partnered with British star Lucy Punch, playing Deena Pilgrim, in the pilot which Bendis said should be shooting over the summer. At present, FX has not confirmed its interest beyond the pilot, which Bendis wrote before being rewritten by “Chick” Eglee.

Previously cast was Charles S. Dutton, playing Captain Cross, head of the Homicide Division where Walker and Pilgrim work. Also in the cast is 11-year-old Bailee Madison (Just Go With It.), playing Calista, a girl raised by her stepdad Eagle, a man with powers. She will come to live with Pilgrim after Eagle’s wife is murdered and the stepfather vanishes.

Powers was launched in 2000 from Image Comics where is earned the Eisner Award for Best New Series in 2001. Bendis subsequently won Eisners in 2002 and 2003 as Best Writer. By 2004, Bendis’ value to Marvel was such that they created the Icon imprint for creator-owned material with Powers being the first series to launch under that umbrella.

The book has evolved slowly through the years now publishing its third volume, which launched in November 2009, with just seven issues published since then given the creator’s other obligations. (more…)

ALL PULP INTERVIEWS ANDREW SALMON ON iPULP RELEASE!

Andrew Salmon Secret Agent X iPulp Launch Interview
With the upcoming June 27 release of his Secret Agent X tale, The Icarus Terror, All Pulp sat down with Andrew Salmon to get the skinny on Secret Agent X and the digital revolution.
AP: Tell us a little about yourself and where readers can find out more about you and your work?
AS: All right. I was born in Montreal, Canada but my wife and I now live in Vancouver. I’ve been writing pulp for more than three years now and really feel at home in the genre. I’ve had the great good fortune to have picked up three award nominations for my pulp work in the last couple of years and am still amazed I actually won a Pulp Factory Award for Best Pulp Short Story in ’09 for my contribution to Airship 27’s Sherlock Holmes Consulting Detective Volume One. Folks interested in my output to date can check out my author page on amazon. It’s got it all. Plus you’ll find almost all of my stuff on Airship 27’s various sites.
AP: How did you become involved with Secret Agent X?
AS: When I first hooked up with Airship 27 I was completely new to the pulp genre having read three or four Shadows and a couple dozen Docs. But I fell in love with the genre immediately and leapt at the chance to try my hand writing it. Well, my inexperience led Airship’s Ron Fortier to assign me a Jim Anthony tale since Anthony was a Doc Savage clone and I’d read more Docs than anything else at that point. So I banged out an Anthony tale and had a ball doing it! So much so that when I was done, I was hungry for more! Around the same time, Airship 27 was re-issuing the titles they had originally published with Wild Cat Books during their brief association and their first Secret Agent X anthology was on deck. Thing was, one of the contributors to that release decided, for whatever reason, to bow out of Airship 27’s re-issue of the book. My Anthony tale had not been released at this point and X was the next book they had on the flight deck. Ron knew I was chomping at the bit to officially become part of what has now become the New Pulp movement and offered me the slot – if I could bang out a Secret Agent X tale quickly. I did . They loved it. And I got the spot! I made my pulp debut with Secret Agent X and have loved the Agent ever since! 
AP: Who is Secret Agent X? What makes pulp characters like Secret Agent X appeal to you as a writer and a reader?
AS: X is just a great character! He can be anyone and the fun in writing and reading X tales is to discover where he’s going to turn up next. The mysterious element to the character is what really drew me in. Along with his abilities as a master of disguise, readers are never sure who he really is as his true identity is never revealed. That’s a lot for a pulp writer to play around with and makes X novels and stories a delight to read. X is the Bond of his time and yet has a selfless dedication to duty. He has no time for martinis and fair ladies. He’s got a job to do and he does whatever it takes to get that job done. Also, in a way, he’s the quintessence of what pulp is all about. Very little time is spent on X’s background. Oh, he’s got a regular cast and a love interest, but X tales are all about action, misdirection, gadgets and disguises. Bond meets Mission: Impossible – that’s Secret Agent X!
AP: Digital content has changed the publishing landscape. As a creator, what excites you about digital content? As a reader?
AS: Well, this is the burning question of our time – right across the publishing landscape. The digital world has exploded traditional publishing in a good way. It’s easy to get stuff out there and doing so digitally means you can keep prices down. Everyone is pinching pennies these days and folks are careful about what they spend their money on. People want bang for their buck and tend to stick with content and creators they know to be, in their minds, a sure investment.
However, with digital publishing, readers can now branch out. Whether it be with a tablet, an e-reader or their cell phones thanks to iPulp, content, both good and bad, is now readily available at a great price. Pulp creators and fans have seen the impact the internet has had on creating the New Pulp revolution. Now with the surge in e-readers and the like, it’s not so big a gamble to try something other than whatever is on the Best Seller’s list at any given moment. What once was a $15-$30 roll of the dice can now be had for $3 or even $1 with iPulp. There are a lot of really great writers out there and their voices can now be heard thanks to the digital revolution. Readers can take chances now, branch out and it won’t break the bank. It’s great! I can’t tell you the number of writers I now read regularly that I’d have never heard of if not for the digital explosion. Or, if I’d heard of them, I probably couldn’t afford to take a chance on. No more! Now dabbling is easier than ever and it’s just great to wade into the tidal wave of New Pulp authors and artists. For avid readers, the digital boom is a dream come true!
newholmescovervolume1-3687421
AP: Your Secret Agent X story, “THE ICARUS TERROR” is currently available in print and as an eBook from Airship 27, and soon to be released individually at iPulp Fiction. What can you tell us about this story?
AS: My simple rule for an X tale is to have the thing start pedal to the metal and not let up for a heartbeat. That’s what I did for “The Icarus Terror” and the result is a wild ride. Imagine 1930s New York and an airship festival – airships and blimps hovering over the city, blocking out the sun. Then imagine those ships descending, squeezing between the towering, concrete spires of the city and before anyone can figure out what’s happening, the helium-filled airships begin to explode! How is it being done? Is some evil genius behind it? Is the city being held hostage? Can Secret Agent X get to the bottom of the mystery before more of the airships explode? Talk about bang for your buck! With iPulp offering “The Icarus Terror” for only $1, truer words were never spoken. Edge of your seat thrills await!  
AP: Airship 27 currently has three Secret Agent X anthologies in print and available as eBooks with several of those stories soon to be released individually at iPulp Fiction. What’s next for these pulp heroes?
AS: I’ve got a Secret Agent X tale in the third Airship anthology and I’m hoping it will one day make its way to iPulp along with the other X tales they’ve done to date. X is made for this format. The stories are fast-paced, action-packed – just the sort of thing to read on the go or during brief breaks or down time on the job. They will get your heart pumping! As for the future of the great pulp heroes, the sky really is the limit. Back in the Golden Age of pulp fiction, the exploits of these great heroes were great escapism from the everyday. Folks in the 1930s craved these kinds of adventures and nothing has really changed. Action movies, books, video games and the like are still as popular as ever. Pulp fiction and the great pulp heroes of yesterday and today can still thrill while providing that much needed escapism we all need from time to time. Getting pulp tales out in all different formats means that readers looking for a white-knuckle thrill ride can access these tales however they prefer. A Mount Everest of pulp thrills was compiled during the heyday of pulp fiction and millions of readers enjoyed the terrific exploits of these timeless characters. Most of that stuff is becoming available for today’s readers. But, more importantly, a sister peak is being compiled of New Pulp tales, characters, exploits with a modern sensibility, currently created by talented writers and artists for today’s readers. It’s all breaking at the same time. Tons of great reading you do not want to miss! Whether you’re an old pulp fan or someone coming to the genre for the first time, you will find something you like. I guarantee it. Get your feet wet digitally if your wallet is a little light. Try an Airship PDF for $3 or an iPulp tale for $1. For less than the cost of a cup of coffee, you’re in for a real treat! Once you see what a wonderful reading experience one can have with pulp, you can upgrade to printed books to stock your library if you want or fill up the memory on your tablet with as much pulp as it’ll hold. You won’t be sorry.



Andrew Salmon (on left)



AP: Any upcoming projects you would like to plug?
AS: I’m currently working feverishly on a pulp novel featuring German pulp heroes called All-Men: The Shadow-Line. The book, if I can ever get the darn thing finished, is going to be something very different and, I hope, very eye-opening for pulp fans. I’m going out on more limbs than I can keep track of but I’m risking the fall in the hopes of providing readers with a reading experience they’ve not encountered with pulp to date. The novel is taking up almost all of my writing time these days but that doesn’t mean I don’t have other irons in the fire. I’ve contributed an easter-egg laden, hardboiled detective tale for an anthology Airship 27 is putting together featuring a PI named Rick Ruby and that was a lot of fun. I also collaborated with Mark Halegua crafting the first tale with his hero, the Red Badge, which is forthcoming as part of Airship 27’s Mystery Men & Women Volume Two which should be out before the end of the year. There are a lot of other things on the horizon both with Airship 27 and Pro Se that I’m not at liberty to talk about at the moment. Let’s just say that the pulp world hasn’t seen the last of me yet and leave it at that. I’m having a ton of fun writing pulp and it’s my hope that readers are having as much run reading what I’ve churned out so far. Hang on to your fedoras folks, you ain’t seen nothing yet!
AP: Thanks, Andrew.
For more information on iPulp Fiction’s offerings, please visit www.ipulpfiction.com
For more information on Airship 27 Productions’ offerings, please visit www.gopulp.info

NEW PODCAST FOCUSED ON NEW PULP DEBUTS-Go Get PULPED!

Press Release-
Four New Pulp creators and proclaimed members of what some are calling The New Pulp Movement, announced today that they have united to present the world with the first official New Pulp Podcast!  PULPED!, a podcast focused on the works and trends that comprise and contribute to works created after the heyday of the Pulps that have the sensibilities of classic Pulp works and yet are new tales, debuted with its first episode on June 20th.
Tommy Hancock, Barry Reese, Derrick Ferguson, and Ron Fortier, all noted pulp authors and personalities within New Pulp, make up the core circle behind PULPED!  Functioning as a rotating circle of hosts, the PULPED! Four will spotlight different creators and New Pulp works each week as well as discussing trends in the sub genre.  There will be a News section of the podcast, but it will be slightly different than traditional newscasts.  Each co-host will bring a topic of New Pulp news to the table and then the assembled hosts will discuss and/or debate it.  Also, PULPED! will be the home of reviews done by THE PULPTRESS, the spokesperson for New Pulp!  Each week, she will deliver a review of current New Pulp books, audio, movies, tv, and other things that qualify as New Pulp.
“New Pulp,” said Tommy Hancock, “is a vibrant, relevant part of the fiction Pulp fans love and enjoy.  Edgy at times, traditional at others, New Pulp shows that the fantastic heroic adventure fiction enjoyed by so many in the early 20th Century is not only still alive and well, but is on the verge of being an important part of literature of the 21st Century.  PULPED!’s focus will not simply be on books, but on all aspects of how New Pulp permeates our society. It will also focus on everyone from major players in publishing and other fields right down to the small press publishers and independent creators that truly are the lifeblood of this movement.”
PULPED! will post a new episode every Monday at http://www.pulped.libsyn.com/ and will be available in the coming weeks via ITunes and other providers.
“Anyone who is a writer, artist, publisher,” Hancock stated, “that wants to be a guest on PULPED!, all they need to do is to send an email to braedenalex@centurytel.net or contact any of the four hosts.”
The first episode is now available at http://www.pulped.libsyn.com/ and its description is as follows-
PULPED! The Official New Pulp Podcast-Episode 1-PULPED! For The First Time!

PULPED! is a Podcast dedicated to the creators and fans of New Pulp!  New Pulp, heroic fiction by modern artists written with the sensibility and in the tradition of the Pulp genre!  Pulp creators Barry Reese, Derrick Ferguson, Ron Fortier, and Tommy Hancock kick off this podcast dedicated to the promotion of The New Pulp Movement by explaining what the podcast is about, defining and discussing New Pulp, and letting know listeners what they’re in store for. 

Then Tommy and Barry take off their hosts hats and climb in the guest spotlight to discuss Barry’s latest book, THE ROOK-VOLUME SIX, published by Hancock through the company he’s a partner in, Pro Se Productions.  The origins of the Rook, Reese’s inspirations, and the logic behind Pro Se acquiring the Rook as well as future plans for the well known character are discussed in length.  Following that, our intrepid co-hosts take on the PULPED! News.  Each week, the co-hosts will bring one topic of New Pulp news to the table and they will discuss, analyze, explore, and debate it!  If you like your fiction heroic, if you seek adventure and action in every word you read, then come on in, take a seat, and get PULPED!

PULPED! will post each Monday!

Check out PULPED! and the New Pulp Movement at www.newpulpfiction.com and at the New Pulp forum hosted by Comic Related at
http://www.comicrelated.com/forums/ under NEW PULP!  Also, like New Pulp on Facebook!

Batman Artist Lew Sayre Schwartz Dead at 84

lew-detective-300x410-4944089Lew Sayre Schwartz, one of the lesser known Bob Kane ghosts on Batman, died on June 7 at age 84 after a fall according to his son, Andrew. Schwartz began working for Kane as a ghost in 1948 and remained the principal artist under Kane’s name on the Batman features in Batman and Detective Comics until 1953. Art historians believe he produced at least 120 stories during this period.

Kane signed a new deal with DC in 1948 and hired Schwartz to help handle the workload. Schwartz’s work began with penciling the stories, letting Kane do the actual Batman and Robin faces, then ink the lettered pages. Kane was understood to have made frequent changes to the artwork, altering the main heroic figures and secondary characters.

Without benefit of credits in the stories, art experts can usually identify Schwartz work given the detailed backgrounds and his frequent staging of the action that carried less impact than the ones Kane himself composed. Some, including Eddie Campbell, consider Schwartz one of the finest practitioners ever to work for Kane’s shop.

Schwartz toured Korea in the aftermath of the Korean War, visiting the troops and returned feeling he no longer wanted to draw comic book stories. After leaving Kane’s studio, Schwartz went on to teach at what is now known as the School for Visual Arts.  During this period, he also did ghosting work on several comic strips such as Secret Agent X-9 spelling artist Mel Graff, as well as several weeks of The Saint.

In 1961, Schwartz helped form Ferro, Mogubgub and Schwartz which produced live and animated commercials, earning the company four Emmy Awards and six Clio Awards. Schwartz began drawing storyboards and expanded his creative role over time. They may be best remembered for their animated title design work on Stanley Kubrick’s 1964 masterpiece Dr. Strangelove. Schwartz even went on to direct a Barbra Streisand television special. (more…)

TUNE INTO PULP RETURNS ON A TRIP TO ‘PYTHON ISLE’!

First, some housekeeping.  Yes, it’s been a while since I debuted this column and due to a variety of reasons, this is the first one in awhile.  Do not worry, pulpsters, there will be one a week after this ad infinitum!  Audio Pulp is not only an important part of Pulp history that many are not aware of, but its a growing facet of the genre even today, as you will see in this column today and weeks to come.

You’ll notice an addition to our logo.  Yes, its true, Radio Archives has stepped forward, noticing the trend toward Audio Pulp and entered into an arrangement with All Pulp to sponsor this column.  RA produces top of the line audio material bringing old time classic radio of all varieties to a modern audience.  Fantastic sound quality, tremendous effort to not only preserve material, but also provide new and interesting information on material, and awesome packaging make RA’s offerings top notch.  RA as well is readying itself to be one of the leaders in New Audio Pulp with its foray into audiobooks based on Pulp characters starring in new stories, just like the one I’m about to leap into the middle of.  I will continue to cover all aspects of New Pulp Audio, not simply RA’s contributions, but I do want to thank Harlan Zinck and RA for the support and material and willingness to see the importance of this column enough to sponsor it.

PYTHON ISLE-A Doc Savage Audiobook
Written by Will Murray based on a concept By Lester Dent
Narrated by Michael McConnohie
Directed and Produced by Roger Rittner
Published by Radio Archives (www.radioarchives.com)

Not only has Radio Archives decided to move into New Pulp audio, They have done it by taking giant steps.  The first RA offering in their Pulp Audiobook lineup is not only no lightweight when it comes to Pulp, but instead it is probably the top of the heap, the primo of premium pulp.  And, not to telegraph this review or anything, Radio Archives meets that challenge just the way Doc Savage would have.

PYTHON ISLE is an audiobook version of the novel written in 1991 by Will Murray, based on a concept by Lester Dent.  Directed and produced by Roger Rittner for RA and narrated by Michael Mcconnohie.  The story opens with diamond smugglers catching sight of a plane they believe to be the authorities.  Once the plane is downed, the smugglers discover that not only are there two strangely garbed people aboard, but the plane, once damaged, had been patched and repaired with what appears to be soft, pure gold.  One of the plane passengers, a man who can speak English, is desperate to protect a bamboo tube he has and to make contact with only one man-Doc Savage!

Author Will Murray

What ensues from this tense, in your face opening is the stuff pulp dreams are made of.  From fist fights and gun battles to harrowing chases in various locales all the way to a ride and epic conflict aboard a Zeppelin, PYTHON ISLE delivers all the thrills and chills anyone could want.  Add into that that this is a Doc Savage tale complete with Doc’s stoic presence, supreme intelligence, and skills honed finer than any blade as well as three of the five aides in their finest form ever and what you have in PYTHON ISLE is more than a treat, better than a nice surprise.  It is simply New Pulp storytelling at its best. 

Narrator Michael McConnohie

With material like this, one would think that it would be difficult for an audiobook version to add anything at all to it.  Boy, one would be wrong.  PYTHON ISLE from Radio Archives takes this story from the pinnacle it already reaches in prose to an unbelievable high mark as an audiobook.  Michael McConnohie is more than the ‘reader’ or ‘narrator’ of this adventure.  He brings the exact intensity and passion to this story that any well crafted Doc tale would command.  His mastery of his own voice is phenomenal, switching back and forth from Monk’s high pitched affectation to Renny’s thunderous rumblings and then to Bull Pizano’s gravelly retort.  McConnohie makes this feel like a full cast audio drama and that brings the listener completely into the folds of the story.

Director/Producer Roger Rittner

One issue many audiobooks have, and this is in part due to the fact that they are based on written prose, not scripts, is pacing.  At times, audiobooks lag in the middle and whatever gait had been set previously is lost.  This is definitely an issue with Pulp stories due to the naturally frenetic pacing good Pulp should have.  PYTHON ISLE does not fall victim to this.  Due to McConnohie’s voicing as well as Roger Rittner’s directing, this tale moves along at a good clip from beginning to end.  There are points that I, being both an avid Pulp reader and an audio fan, predicted were going to be those spots where things started to plod and slow down, but every single time due to either a musical sting or a change in inflection or even the speed at which the words were delivered, that plodding never came, nothing slowed down.  Rittner produced a fine piece of roller coaster up and down drama, probably the finest I’ve ever listened to.

Could PYTHON ISLE be better?  Usually I would say that any audiobook could be improved by adding voices and sound effects and changing the leopard’s spots, so to speak, from audiobook to full cast drama.  And don’t get me wrong, I would love to hear this story given that treatment.  Having said that, though, I think that in this case, it would not improve what has been done to make it a full cast drama. I feel like that this audiobook would sit on a shelf right alongside the best possible version of this story as a full drama and still hold its own.   The feeling I got from listening to PYTHON ISLE was much akin to what it must have felt like sitting in a darkened theater in the 1940s waiting to see what Captain Marvel or Gene Autry would do in the next chapter of the latest serial.  It was nail biting, cliff hanging, and inspiring.

Radio Archives has announced that this is only the first of their Pulp Audio books and that future volumes would not only include Doc, but cover other characters as well.  If that’s the case, then I’m one heckuva happy Pulpster.