Enchanted forests, haunted hillsides, secluded cabins and the creatures that reside in dark places – have had us biting our nails since the early German Expressionist film era.  Witches, werewolves, monsters and maniacs can be lurking ‘round the corner just about any place you can imagine.  With Nicholas Cage’s Season of The Witch out on DVD and Blu-ray next week, we’re going to take a look at some of the most iconic and eerie locales in thrillers and horror films that make for the best places to splatter, slice and slash.

Lakes

Crystal Lake is well-known from the beloved Friday The 13^th and even though those films are set in New York, there so happens to be a real Crystal Lake in the San Gabriel’s near Los Angeles that many horror fans like to claim as their own.  Lake Placid is home to a killer crocodile and movies like Eden Lake, Zombie Lake, Rogue, What Lies Beneath, Lake Dead and of course Sleepaway Camp will make you want to go out and purchase a life vest and/or take some self-defense classes.  Deliverance and The Host are set on rivers and Ghost Ship is on the ocean, but we won’t hold it against them.

Cabins & Hotels

Cabin Fever, The Shining, Hostel, and Vacancy are just a few of the great films set in secluded vacation spots. Of more recent fame, Lars Von Teir’s Antichrist took the cabin in “Eden” to a whole new level of crazy.  No one can of course touch the masterpiece Evil Dead, where incantations read in the basement of the cabin wake up some flesh eating demons that no one forgets.

The Woods

The Blair Witch Project, Wrong Turn, Sleepy Hallow, Dreamcatcher, Shrooms all take us on a journey along streams, mossy banks and haunting willows that creep the living daylights out of you.  Taking it to the jungles, The Ruins and The Island of Dr Morteau receive honorable mentions.  Season of The Witch, out on DVD and Blue-ray June 28^th crosses over into the supernatural into perilous terrain that makes way for a terrifying and powerful force that determines the fate of the world.

This could be why the canny Joss Whedon wrote the forthcoming thriller The Cabin in the Woods. No fool he.

Your House

Scream, Paranormal Activity, The Amityville Horror, The Grudge, The Others, The Haunting in Connecticut and The Last House on the Left are just a few of the films that really take it to the next level and bring the horror and gore way past your comfort zone.   Funny Games could easily fit into the Cabin category but it still hits way too close to home.  And grandpa’s house most certainly counts for The Texas Chainsaw Massacre.

Hills get a runner up location nod due to films like The Hills Have Eyes and the 1959 B Movie Classic, House on Haunted Hill.  And sure Silent Hill even though we know it doesn’t really count.

People occasionally ask me: so how do you fill your days working for ComicMix? Here’s what I did yesterday…

After getting up around 10 AM (because I’d been working overnight on various programming changes for the web site) I went into New York City to have lunch with authors [[[Dave Smeds]]] (X-Men: Law Of The Jungle), [[[Aaron Rosenberg]]] (World Of Warcraft, Eureka), [[[David Alan Mack]]] (Farscape: Scorpius for Boom!, Star Trek: Vanguard) and ComicMix contributors Alexandra Honigsberg and Kim Kindya, among others.

Headed off to a post-lunch survey of comic book stores, where I discussed with the owners about DC’s digital plans, and the meeting that DC will be having on Friday between their executives and various comic book store owners. We expect there to be fireworks a bit early this summer.

At one of the comics stores, also caught up with [[[Michael Uslan]]] (executive producer of the Batman films and author of [[[Archie Marries…]]]) who revealed that he’s in town to speak at the United Nations on Friday with Jerry Robinson (Batman artist and creator of Robin and the Joker) to address political cartoonists from all over the world.

Then after a brief meeting with a possible investor, I hopped a subway to Citifield, where I sat in Joe Quesada-provided seats with Peter David and his family to watch the Mets battle the Oakland A’s. Joe was a gracious host, and Peter and I spent a lot of time discussing an upcoming project of his we’ll tell you more about later this week.

It was a looooong game– started an hour late due to rain, and went to 13 innings. (The Mets won on a bases-loaded hit-by-pitch with two outs.) Between innings, I also played chess with Marvel Senior VP of Publishing, Tom Brevoort. I think it’s mate in seven moves, but I’m not sure for which of us yet.

But after the Mets victory, as I headed towards the number 7 subway station, I saw one more comics tie-in– our Friendly Neighborhood Spider-Man was there, alternately serenading us with Take Me Out To The Ball Game and his own theme song.

Then back here, setting up a few more things for the site before I had to drive a friend to a 5 AM flight. And after I get back from the airport, the morning press releases will be coming in.

So how was your day?

Jason Patric appears to have nabbed the lead in the FX adaptation of Brian Michael Bendis & Michael Avon Oeming’s Powers. Initially, Kyle Chandler was rumored in March to be eyed for the part of Christian Walker but the news of Patric’s signing broke late last night.

Patric would be partnered with British star Lucy Punch, playing Deena Pilgrim, in the pilot which Bendis said should be shooting over the summer. At present, FX has not confirmed its interest beyond the pilot, which Bendis wrote before being rewritten by “Chick” Eglee.

Previously cast was Charles S. Dutton, playing Captain Cross, head of the Homicide Division where Walker and Pilgrim work. Also in the cast is 11-year-old Bailee Madison (Just Go With It.), playing Calista, a girl raised by her stepdad Eagle, a man with powers. She will come to live with Pilgrim after Eagle’s wife is murdered and the stepfather vanishes.

Powers was launched in 2000 from Image Comics where is earned the Eisner Award for Best New Series in 2001. Bendis subsequently won Eisners in 2002 and 2003 as Best Writer. By 2004, Bendis’ value to Marvel was such that they created the Icon imprint for creator-owned material with Powers being the first series to launch under that umbrella.

The book has evolved slowly through the years now publishing its third volume, which launched in November 2009, with just seven issues published since then given the creator’s other obligations. (more…)