Category: News

BIG BROADCAST’s Stories Behind The Stories

steve-5520045

Nine is the magic number here at ComicMix – nine days until the giant ENTER key is pressed and ComicMix Phase Two launches (sounds like a prop from the old BatCave, huh?). If I said things are busy, that would be an understatement, but we DO have the time to share a few things with you, following up on news heard this week on The Big ComicMix Broadcast:

• If you want to get a copy of that (one time only) Steve Canyon revival, here is the information direct from the folks at the USAF: "People outside the newsstand radius can buy single copies by calling
our customer service department (800.368.5718) or sending e-mail to
order@mil-mall.com. Each issue will cost $3 (plus $1.50 shipping) the
 week the paper is on the newsstand. Thereafter, it’ll cost $5 plus 
shipping."

• Feel an inner flair for clothing design? The place to go might be here, It’s the home for Viper Comics and their new Sketch 86 line of t-shirts, plus it ‘s where you can submit your own designs for cash and prizes.

• Shades of the original “soap" operas! Mobile and broadband content provider GoTV Networks introduced the initial chapter of a 10-episode made-for-broadband series with Tide laundry detergent called Crescent Heights (as in the West LA neighborhood). Available on here among other places. Ther series features the work of writer Mike Martineau from Rescue Me.

This week, look for more previews of the features debuting here free on ComicMix on 10/2. Meanwhile on The Big Broadcast, we’ll let those creators tell you about their projects in their own worlds!  And do we have to tell you it’s going to be a BIG week: Halo 3, the return of Family Guy, Heroes and Smallville and more – and, wait until you see what’s coming to comic stores in justa few days! 

Take a deep breath and meet us right back here for The Big ComicMix Broadcast on Tuesday!

MICHAEL H. PRICE: What’s A Fishhead?

jpg-cobb-irvin-s-7955816jpg-fishhead-title-page-3342739Continued from last week

We had left Robert Bloch hanging in mid-conversation last week, speaking of Irvin S. Cobb as a forerunner of the “bizarre pulp” movement in popular fiction.

Irvin Shrewsbury Cobb (1876–1944) was a crony and occasional collaborator of Will Rogers, and a key influence upon Rogers’ droll sense of humor. He can be seen as an actor in such Rogers-starring films as Judge Priest (1934; deriving from Cobb’s folksier tales) and Steamboat Round the Bend (1935), both directed by John Ford. It was for other works entirely that Robert Bloch remembered Cobb.

“Have you ever read Irvin Cobb’s ‘Fishhead’?” Bloch asked me around 1979-1980. “Well, if it was good enough for Howard Lovecraft to single out as a nightmare-on-paper [in the 1927 essay Supernatural Horror in Fiction], then I was ready and willing to tear into it. Which I did. Changed my entire direction, that one story did.”

I can relate, all right. In 1995, independent publisher Lawrence Adam Shell and I set about to adapt as a graphic novel Cobb’s 1911 tale of righteous vengeance, “Fishhead,” in which a swamp-dwelling hermit of grotesque aspect runs afoul of malicious neighbors. If Irvin Cobb had drawn upon regional folklore to lend his title character a gift of supernatural communion with the wildlife, then our crew reckoned we must treat Cobb’s story itself as folklore – subject to sympathetic re-interpretation and elaboration as a condition of respect.

And otherwise, why adapt at all? Cobb would have done a greater service to scholarship than to popular literature if he had contented himself merely with compiling the various old-time rumors about reclusive souls presumed to possess spiritual bonds with the wastelands. The audacious job that Cobb called “Fishhead” backfired at first, accumulating rejections from one magazine after another on account of its unabashed gruesomeness and its sharp contrast with his gathering reputation as a sure-fire humorist. One editor, Bob Davis, of an adventurous magazine called The Cavalier, wrote to Cobb in 1911: “It is inconceivable how one so saturated with the humors of life can present so appalling a picture.”

But after Davis had relented and published the yarn in 1913, “Fishhead” proved a watershed, helping to trigger the so-called “bizarre pulp” explosion that would gerrymander the boundaries of mass-market fiction during the two-and-a-half decades to follow. By mid-century, when Cobb’s lighthearted and bucolic tales had become by-and-large forgotten, “Fishhead” was still reappearing as a magazine-and-anthology favorite.

(more…)

ajaxfront-6564094

BIG BROADCAST: A Girl and Her Dinosaur

ajaxfront-2884329The Big ComicMix Broadcast starts our Second One Hundred with an exclusive preview of another Phase Two Project cooking up FREE from ComicMix. You take a cute girl, toss in a cartoon dinosaur and stir up a lot of wacky adventures and out pops Andrew Pepoy’s The Adventures of Simon & Ajax!

Plus Superman has the Deadline Doom, the Top Ten Comics & Graphic Novels are revealed and we play a game of “Where Did I Hear That Before”??

Simone likes people who PRESS THE BUTTON

Happy 25th birthday, Billie Piper!

We want to wish a happy silver birthday to Billie Piper, best known here in the States as Rose Tyler, the recent companion of Doctor Wh– pardon? Why are we covering the birthday of an actress that has nothing to do with comics?

Three reasons: first, there is going to be a Doctor Who comic book from our good friends over at IDW coming out this December. Second, she might be making a return appearance to Whoville.

Third, Because We Want To:

MARTHA THOMASES: Hungry Heart

332903958-3622645Before he started to host The Daily Show, I saw Jon Stewart do his monologue on one of those charity benefits organized by Denis Leary. Comparing Yom Kippur to Lent and, therefore, Jews to Catholics, Stewart said, “You give up something for 40 days. We go one day without eating. Even in sin, you pay retail.”

When this is posted, I’ll be fasting. It’s true that, as a Jew, a woman and a New Yorker, I appreciate a bargain. However, that’s not why I don’t eat. It’s also true that going without a few meals is nothing new to me, being the compulsive bad dieter that I am. Most Saturdays, I eat a piece of fruit for breakfast and then, because I have a zillion chores, nothing else until dinner. So, this Saturday, I won’t have my morning apple. It’s not a big sacrifice.

The sacrifice is forgoing the errands. On Saturdays, I go to the Union Square Green Market. In the fall, it’s a riot of color and smells, with fresh herbs, heirloom tomatoes, summer and winter squash, and dozens of different apples, pears, peaches and pumpkins. For this city girl, it’s a reminder of the natural world, with its cycles of life and death, fertility and harvest. Going to the Green Market is a way for me to forgo the usual cerebral products with which I clutter my day, and to be a mom and a wife, caring for my family and being a part of my community. Plus, I get to talk to farmers, which is a rare and glamorous thing to do in Manhattan.

Yom Kippur, the Day of Atonement, is the culmination of the Days of Awe. I should have spent this time examining my behavior, accepting responsibility for my mistakes, and doing my best to fix them. Instead, I’m thinking about what I’ll be missing for one day. This is something I should fix. Ah, the circle of life.

There are many Jews who are fine people who don’t, for one reason or another, fast on Yom Kippur. There have been years when I haven’t fasted, when I went to work and ignored the holiday. I was in my twenties, determined to recreate myself as an individual separate from my family. For the last two decades, however, I’ve gone to services and enjoyed them. I enjoy them. It feels good to say the prayers on the same cycle every year, as my ancestors did. It’s funny to listen to the stomach grumblings of the people around me, the contrast between our spiritual and biological impulses.

Fasting is supposed to give your body a chance to detoxify, to eliminate the crud we accumulate in our regular lives. Fasting for one day probably doesn’t get rid of many toxins, but it allows me to clear my head, to consider how lucky I am to be able to go without food by choice, instead of being forced to starve by circumstances. Saying ritual prayers and fasting separates me from the mundane, and lets me see life as a glorious blessing.

When I walk out the synagogue doors, the air is usually clean and clear, and Central Park is bathed in sunlight. When the sun sets, and I dip my apple slice into honey, it can sometimes be so unbearably sweet that it makes my cheeks hurt. I’m so grateful to be alive that I know this year will be worthwhile.

Martha Thomases, Media Goddess of all things ComicMix, promises to write about comics next week.

In Search of Jonathan Ross

Bummed out because Jonathan Ross’ BBC4 documentary In Search of Steve Ditko isn’t being shown in the US?  God bless the internets, we say.  Here’s part one:

YouTube has it up in seven parts; here are sections <a href=”

, <a href=”

, <a href=”

, <a href=”

, <a href=”

and <a href=”

.  The documentary also features Alan Moore, Neil Gaiman, Stan Lee, and a veddy English sensibility throughout; enjoy!

 

 

darktower001_cover_1-200-4147663

Happy 60th birthday, Stephen King!

darktower001_cover_1-200-4147663On this day in 1947, Stephen Edwin King, a.k.a. "Richard Bachman", "John Swithen", and "that guy who looks like Frankenstein trying to play rhythm guitar for the Rock Bottom Remainders" was born. Presumably, it was under a full moon with howling wolves and eldritch fog in the distance…

King is best known to comics fans today for the Marvel adaptation of his Dark Tower series, but long time readers know him for the adaptations of Lawnmower Man by Walt Simonson and his adaptation of Creepshow with Berni Wrightson, and his contribution to Heroes For Hope and Heroes Against Hunger.

But only the trivia obsessed fan knows about King’s first attempt to break into Marvel. Way back in the 70’s, he pitched a X-Men story about this teenage girl who just discovered her telekinetic abilities, and the story was rejected by editor Marv Wolfman. The teenage girl got written into a stand-alone horror novel named Carrie, and… well, he got pretty well known pretty darn quick. Although, if this is to be believed, not quickly enough:

Skating on Black Ice

black-ice-cover-4349382Neil Kofsky bets his buddies he can jump his motorcycle over a pile of bikes behind a bar. He clips the last cycle in the bunch, and has to escape from its owner through the alleys. He tries to hide in a coal chute when the bottom vanishes and he finds himself falling onto a floating man of war 15,000 feet in the air.

This is no ordinary floating boat. It’s battling fighter planes.

All this happens in the first three pages of Black Ice, the new graphic novel from the legendary Mike Baron and Nick Runge, a new artist whose first work was Mike Baron’s Detonator (October 2005).

Mike Baron has been one of the most innovative and honored creators in comics since he broke into the field with Nexus fifteen years ago with artist Steve Rude.

Mike has written numerous mainstream comics, including Marvel’s The Punisher and DC’s The Flash and Deadman. He is also the co-creator of Badger, Feud, Spyke and a number of other renowned titles.

He has been nominated for Best Writer in the Kirby, Harvey and Eisner Awards numerous times, and has won several Eisners for his work on Nexus. In his spare time, he writes novels, short stories and screenplays, works out, and rides his motorcycle through the countryside.

Nick Runge is 22 years old. His parents are both artists – his father teaching painting, drawing and design at a local college, and his mother is a graphic designer. He was studying art in Fort Collins, CO in 2004, when he met Baron, who saw Runge’s paintings in a gallery. His other work includes inking Gene Simmons’ House of Horrors for IDW and Fear Agent for Image. He’s also penciling and inking the covers for IDW’s new Badger mini-series.

Here’s what the boys have to say about their new project.

CM: Tell us about Black Ice.

MB: Black Ice is a heroic fantasy about an American teen who falls through a wormhole into an alternate universe. Two civilizations are at war: the sky-dwelling Luftar, and the militaristic Helmut. Young Neil finds himself in the middle of the fight, attracted to the captain’s daughter, and forced to fight to the death against a jealous prince. And that’s just the first issue. The series is really about how alien technology (Neil’s) affects civilization. It’s A Connecticut Yankee in King Arthur’s Court for the space age.

(more…)

lolsecretz-6133171

ANDREW’S LINKS: I Can Haz Sekrets

lolsecretz-6133171

What do you get when LOLcats meets PostSecret? Lolsecretz! [via John Scalzi]

Comics Links

Camden New Journal reports on a “market trader” (is that like a day trader, or does it mean a professional?) whose graphic novel Brodie’s Law has been bought by Hollywood for the proverbial pile of money.

Comic Book Resources talks to Daniel Way about the Origins of Wolverine…well, this year’s version, anyway.

A high school teacher in Connecticut has been forced to resign after giving a female first-year student a copy of Eightball #22, which her parents found inappropriate (to put it mildly).

Comics Reporter lists all of the recent firings at Wizard, among other comings and goings at various comics-publishing outfits.

Some guy at Comics2Film is very, very opinionated about what is and isn’t manga.

Comics Should Be Good, anticipating next year’s April Fool’s Day, reports that all indy publishers are now “selling out.”

Comics Reviews

Forbidden Planet International reviews the first collection of The Boys.

Comics Reporter reviews John Callahan’s 1991 cartoon collection Digesting the Child Within.

Newsarama reviews Gods of Asgard by Erik Evensen.

Chris’s Invincible Super-Blog takes on the Haney-riffic “Saga of the Super-Sons” from the early ‘70s.

Brad Curran of Comics Should Be Good reviews the first issue of Umbrella Academy.

Occasional Superheroine is impressed by the high level of emo in Penance: Relentless.

Occasional Superheroine also reviews Booster Gold #2 and Suicide Squad #1.

From The Savage Critics:

And YesButNoButYes also reviews this week’s comics, starting with Jungle Girl #1.

(more…)

Happy 70th birthday, Bilbo Baggins!

thehobbit-6953227No, you geek, I’m not talking about Bilbo’s birthday of September 22, 2890 of the Third Age, being born to Bungo Baggins and Belladonna Took. That’s tomorrow.

But seventy years ago today, George Allen & Unwin, Ltd. of London published the first edition of J.R.R. Tolkien’s The Hobbit in September 1937, illustrated with many black-and-white drawings by Tolkien himself. The original printing numbered a mere 1,500 copies and sold out by December due to smash reviews. Since then, it’s been printed in over 50 editions in English alone, and multiple media adaptions, including a graphic novel by David Wenzel, Chuck Dixon, and Sean Deming.