The Mix : What are people talking about today?

FULL PULP ARK AWARD CEREMONY VIDEO!

That’s right, Pulpsters…here’s just a bit more PULP ARK goodness provided by Derrick Ferguson.  This is an 18 minute video of the FIRST ANNUAL PULP ARK AWARDS Ceremony held on Saturday, May 14th…You will get to see acceptance speeches, laughs, giggles, and even The Pulptress herself!  Click and watch!

BookExpo America: Where is DC Comics?

DC at BookExpo America

Where is DC Comics?

Rizzoli is here with their licensed art books, as you can see at right– the proofs for The Joker look great (you can see the cover over the gentleman’s shoulder). Andrews McMeel Publishing has [[[The Batman Files]]] ready for an October release. Chronicle Books has a preview copy of Michael E. Uslan’s [[[The Boy Who Loved Batman]]], which will be out in time for San Diego Comic-Con and that I’m very much looking forward to reading.

But DC Comics itself is nowhere to be seen, save for one person passing by the Diamond booth. Random House, their distributor to the trade, isn’t pushing their books at all. Marvel is somewhat better represented at the Disney booth, but not well.

Do they think they’ve saturated the market? Or do they just not care about the bookstore and library markets anymore?

Review: Sidekicks

  • Uncategorized
  • May 25, 2011

[[[Sidekicks]]]
By Jack D. Farraiolo
320 Pages, Amulet Books, $16.95

There’s been a lot of material produced about super-heroes for the very young, such as the popular Captain Underpants, and obviously for the young at heart of varying ages. But, there has been precious little prose about people with powers and abilities for the young adult reader so Jack D. Farraiolo’s Sidekicks is a welcome addition. In a world where costumed heroes and villains are commonplace, Phantom Justice is one the most revered crimefighters of all. For years now, he has been battling all manner of foe, aided by the colorfully-clad Bright Boy. The adolescent sidekick, though, is beginning the chafe at being stuck in a costume designed for a much younger boy. His world comes crashing down when, after rescuing a woman from the dreaded Rogue Warrior, his tight outfit reveals just how excited his latest mission has left him.

Embarrased, he demands a new outfit but Phantom Justice refuses, setting up a rift between mentor and ward. Instead, he’s entirely focused on the latest threat from his greatest foe, the deadly Doctor Chaotic, forcing Scott Hutchinson to fend for himself. Upset at seeing his fellow middle schoolers giggle at the video rerunning the moment endlessly on the internet, Scott is a walking timebomb, in need of serious distraction. Fortunately, a conflict with Chaotic and his masked assistant Monkeywrench presents itself but during the battle, he learns Monkeywrench’s secret, rocking his world.

Farraiolo, known for his WordGirl on PBS, doesn’t miss a super-heroic archetype. Brooding avenger of the night. (Normally) happy go lucky sidekick. Butler and confidant. Arch foe. The world in danger. It’s all here. But what the author deftly does is take every cliché and turn it on its collective head so nothing is as it seems (until the final twist, which you see coming 50 pages before). As a result, Sidekicks is a delightful, breezy read that brings school experiences to life. You laugh and cringe along with Scott while the larger story unfolds in original ways.

Yes, it’s good versus evil and the struggles of a teen en route to manhood, but he does it with affection and keeps the plot moving along faster than a speeding bullet. It’s also a story of young love and how deep and enduring it can be, another factor the intended audience will respond to. With summer reading time upon us, kids 10-14 would do well to check out this offering.

INTERVIEW WITH ARTIST MD JACKSON! BY JOSHUA REYNOLDS!

ALL PULP INTERVIEW –MD JACKSON, ARTIST
BY GUEST COLUMNIST JOSHUA REYNOLDS
AP: Let’s start off with an easy one…who IS MD Jackson? Is he man? Mystery? Monster? None of the above?
MDJ: Well, that depends on who you ask. If you ask my wife she would probably agree with ‘monster’, although ‘bear’ would probably fit better — you know — big and furry, sometimes cuddly and sometimes grumpy, particularly when he’s hungry (although I have heard the words ‘sexy man’ come out of her mouth and George Clooney was nowhere to be seen so…). I am a human (well, humanoid at any rate) and I fall quite definitely into the male camp as far as gender goes, so, yes I am a man. Logically I am a mystery to people who do not know me, but perhaps not one that anyone cares about. Not like the real mysteries of life like; where does the time go? or Why does only one sock come out of the dryer when you know you put two in?
AP: Your work has a real pulp-tastic vibe to it…was that intentional? Is it a conscious style choice, or is your style more organic?
MDJ:The pulp influence in my work is very intentional. One of the things I love most in the world are old pulp magazines. I love everything about the pulps but particularly the cover art. Those covers virtually had to scream from the newsstand PICK ME! PICK ME! That is the kind of visceral impact I can get behind. I figure, why be subtle? Hit people where it hurts. Make them notice you. I know a lot of people get turned off by that, but I’m not Thomas Kinkade. You want pretty cottages then you might want to avoid my website.
AP:Is it true you’re Canadian? If so, how exactly is British Columbia ‘British’? Who’s your favorite Prime Minister?
MDJ:Yes, I was fortunate enough to be born within Canada’s borders. There are parts of Britisch Columbia that are very British, more British than British — Victoria, BC on Vancouver Island for one — but then there’s other parts that are very German. Some places are very Swiss or Ukranian and there’s even some parts that are Hungarian. On the whole the province is very Old World-y and European-y, except where it is Native Land, then it’s not European at all.
My favorite Prime Minister was John A. MacDonald. He was a drunken old Scots reprobate and was a lot of fun. This one time we went on a bender together. It lasted so long the Toronto Star actually wrote a story that he’d died. We laughed our asses off about that one, I can tell you.
AP: What about influences? What artists (if any) do you (did you) take inspiration from?
MDJ:I’m easily influenced. I cave to peer pressure like a house of cards. Artistically, though my biggest influence is Frank Frazetta. Mind you, all fantasy artists are influenced by Frazetta whether they admit it or not (and if they deny it then they’re big old liars).  Boris Vallejo, obviously and James Bama. Remember those old Doc Savage Paperback covers? Love that stuff! All of them were influenced (as am I) by pulp artists like Walter Baumhoffer, Rafael DeSoto, Norman Saunders and Alan Anderson to name but a few.
AP:Still on the subject of inspiration, what other wells do you draw creative waters from?
MDJ: Actually we don’t use a well. Our water comes from a tap. Just because I’m a Canadian doesn’t mean I’m not a modern guy!
I am also inspired by the architecture of antiquity, ancient ruins, ancient armour, castles, period clothes — these things inspire me. Photography does as well, particularly for lighting and mood. And, of course, hollywood movies with their ubiquitous CGI and 3d spectacle. I used to take inspiration from comic books as well, but not so much anymore.
Really detailed pen-and-ink work is inspiring. I could stare at the work of such artists as Windsor McCay, Willy Pogany, Franklin Booth, or Joseph Clement Coll for hours.
AP: You’re Canadian so you should know this…is the Wendigo real?
MDJ: You’re darn tootin’ she’s real! She was my sister-in-law! (did I say that out loud?)
AP: Are you a life-studies man, or do you free-style it?
MDJ: I go back and forth. I can’t afford models per-se and it is hard convincing people to pose for you (but it can be fun if it’s the wife and there’s lots of costumes and props involved) but the final product is always better (I think, anyway) if there are some solid references, particularly for period clothing and genre specific items like weapons and such.
AP: That’s a suspicious answer if I’ve ever heard one. Are you a wendigo?
MDJ: I said Sister-in-law… not sister, sister IN-LAW…!
AP: Describe the ‘MD Jackson Process’ for us…how do you approach a given project?
MDJ: Once I’ve accepted a commission the first stage is usually PANIC! “How am I supposed to do this? Am I insane? I’m not talented enough to do this! What was I thinking?” that sort of thing.
Once I calm down I usually sit down in a big comfy chair with a cup of hot tea and my low-tech equipment: A 9″ X 12″ sketchpad and and H or H2 pencil. I will just turn of my brain and let my had do all the work. I start with thumbnails for composition and I will do anywhere up to a dozen or so little sketches until I get two or three that I think will work. If I’m working for someone else I will work these thumbnails up into more detailed sketches and let the client see and decide. If it’s just for me I’ll usually just pick the one I like best and go with it.
After the client chooses one layout then I’ll start collecting references, shoot some photos if I have to, and start narrowing down a colour scheme. After that I start working. I paint digitally using Corel Painter X. I usually work background to foreground and work on each figure individually, blocking in basic shapes and colours and then working each figure with finer and finer detail until it is done. Then I sign it and ship it off.
Easy, right?
AP:  Are you certain you’re not a wendigo? That sounded like a wendigo answer. I’ve heard they’re tricky…
MDJ: Okay, I’m sorry I called my sister-in-law (my EX sister-in-law) a wendigo. She’s not really a Wendigo. A Wendigo eats people. My sister-in-law only ate Snickers bars.
AP:  Black and white or full color? What’s your preference in regards to your own work?
MDJ: I love working in colour. I started with a somewhat limited colour palette but I have recently opened up and begun producing more colourful images. Just right now I’m working in black-and-white which can sometimes be unforgiving. It certainly makes you appreciate the colour when you are forced to work without it.
AP: How’d you get your start? What’s your origin story? Bitten by an artistically inclined spider? Bathed in the fumes of a paint factory? Are you a mutant? Possibly a mutant wendigo?
MDJ: I might be a mutant. I do have freakishly abundant body hair. I’m not a Wendigo. I don’t eat people. I prefer cookies.
I have been drawing for as long as I have been able to hold a pencil. My mother was a landscape painter. I preferred pencils and pen-and-ink for the longest time. I dabbled with oils and water colours but couldn’t find a way to make them medium really sing until I discovered digital painting. My mind was blown and there was no going back. Digitally I could do all the things I wanted to do with brushes but just couldn’t.
Aside from that there is no magic or mutant powers — I just do it as best I can and then try to do it better next time.
AP: Which piece of work of yours has been your favorite? Least favorite?
MDJ: Like most artists my favourite piece is usually “the next one”, but I do have a few pieces that I have a vertain fondness for. IN THE SWAMP is one of my favorites. I like the look in the swamp monster’s eyes. I also love a piece called MARRIED TO THE WIND because I did that for my wife. I have a piece I called GENERIC WESTERN COVER in which I tried to emulate James Bama’s style, which I think I sort of captured. I also have a piece simply called SPACE which encompasses a lot of what I love about classic space opera illustration. Oh yeah, I also did the cover art for a book called DRACULA LIVES! That one turned out alright.
I would prefer not to talk about my least favourite works. If I hadn’t had the temerity to accept money for them and if they weren’t despoiling the covers of some otherwise fine books and magazines, they would have been dumped down the bit-bin never to be seen again.
AP: I understand you also do a bit of writing on the side…give us the lowdown.
MDJ: I don’t write all that much. Jack Mackenzie, on the other hand, he writes a lot of pulpy, fast-paced, action-y stories and he’s been published in Encounters Magazine, Neo-Opsis Magazine, Dark Worlds Magazine and in the anthologies SWORDS OF FIRE and SAILS AND SORCERY among others. Mind you, he’s a fairly unpleasant character. He is boorish and insulting and he smells. He says he is bad tempered because he’s written four novels and none of them have been published yet.
I think it’s just because he’s a bastard.
AP: Where can we find you on the wide, wild interwebs?
MDJ: I have three main online galleries:
Visit them at your peril!
AP: Consider this last bit your designated shilling space. Snake-oil it up and tell us where we can give you money…
MDJ:If you give me money I will make you a nice picture. I’ll do a neato cover for your book or magazine or website, I’ll do a portrait of your favourite child/parent/great aunt/kitty cat — I’ll do anything except for a Velvet Elvis or dogs playing cards. There’s already too many of those in the world.
Contact me at one of my galleries and we can negotiate.

Fortier takes on Koontz’s FRANKENSTEIN-LOST SOULS!

ALL PULP Reviews by Ron Fortier
FRANKENSTEIN – Lost Souls
By Dean Koontz
Bantaam Books
381 pages
Released Jan 2011
ISBN 10 – 0553593676
ISBN 13 – 978-0553593679
frank-2008207
About the author –
Dean R. Koontz is the author of many #1 New York Times bestsellers.  He lives in Southern California with his wife, Gerda, their golden retriever, Anna, and the enduring spirit of their golden, Trixie.
Review –
Horror fantasist, Dean Koontz continues his best selling series about the never ending war between Mary Shelly’s mad scientist Victor Frankenstein and his immortal creation, the Monster; now known in these books as Deucalion.  This is the fourth book in the saga and the beginning of a brand new story arc.  In the opening trilogy, which took place in New Orleans, the four hundred year old obsessed genius set about creating an army of super clones who would ultimately replace imperfect humans as the new dominant species on Earth. 
He was foiled by Deucalion and two brave police detectives, Carson O’Connor and Michael Maddison.  By the third book’s climax, they believed he had been killed and the world saved.  What they were not aware of was Frankenstein had cloned himself and this doppelganger came to life upon the death of the original.
“Lost Souls” opens two years later after the first conflict to find Carson and Michael have married, moved to San Francisco, opened a private detective agency and had a child, a beautiful baby girl named Scout.  For the most part their lives couldn’t be any happier.  This is why Deucalion’s reappearance bodes ill tides.  He has learned that his creator is still alive and hiding in the small town of Rainbow Falls, Montana.  What the patchwork  warrior does not know is that his cloned nemesis is completely insane and unlike his predecessor, has but one goal, the total annihilation of all mankind, both originals and replicants.  He dreams of Armageddon.
“Frankenstein – Lost Souls” is Koontz’ most audacious pulp novel to date.  It is a bold, raucous narrative that moves at lightning pacing.  Horror upon horror is visited on the small, peaceful town of Rainbow Falls and Koontz never once spares his readers with his lean and brutal prose.  His fans are going to devour this latest chapter in what has become a truly classic pulp series.  New readers need not have read the first trilogy, although it would add much to their enjoyment of this entry.  And be aware, this is book is only the first part of the story and ends with a suspense laden cliffhanger. Wherein the only real sour note is we now have to wait for several months for part two.  Now that’s torture at its most sophisticated.

RUNEMASTER STUDIOS GOES PULP!

FOR IMMEDIATE RELEASE
For more information contact
Tommy Hancock
PR@Runemasterstudios.com
RUNEMASTER STUDIOS ANNOUNCES RUNEMASTER PULP DIVISION
All-Ages Studios Opens Pulp Fiction Division for Creation of New Pulp Fiction Tales
rune-6157674
AUSTIN, TX  – Runemaster Studios, Inc. is pleased to announce the expansion into the world of New Pulp Fiction with the new Runemaster Pulp imprint.

With the Studios’ growing body of non all-ages works, including a long run on PHANTOM by writer Mike Bullock, letterer/writer/graphic designer Josh Aitken and colorist Bob Pedroza, as well as current runs on original pulp hero BLACK BAT by Bullock and Michael Metcalf and New Pulp creation DEATH ANGEL by Bullock and Metcalf, the timing seemed right to open the new arm of the content creation studio.

“We realize a lot of people have come to know Runemaster Studios as the place where LIONS, TIGERS AND BEARS and TIMOTHY AND THE TRANSGALACTIC TOWEL came to life and we don’t want to mess with that image,” said head Runemaster, Mike Bullock. “So, we thought it best to open a new division dedicated to the creation of New Pulp comics and prose.”

With the launch of Runemaster Pulp, the studio has entered into two new publishing partnerships to enhance the already existing relationships with Moonstone Books, who continues to release new tales of DEATH ANGEL, BLACK BAT, CAPTAIN FUTURE and GLADIATOR under the creative guidance of the Runemasters.

airship27logofinal-6106786
Beginning in 2012, Airship 27 will bring THE RUNEMASTER, a Viking inspired sword and sorcery epic to life in the pages of a full-length novel series authored by Bullock. Forged in the fires of CONAN, BEOWULF and BRAVEHEART, steeped in Norse legendry and baptized in the blood of those who would oppose him comes THE RUNEMASTER.

“Action thriller writer, Mike Bullock has whipped up a rousing fantasy adventure in the grand tradition of Robert E. Howard,” declared Airship 27 EiC Ron Fortier. “It sweeps across the frozen wastes with a new hero sure to capture the imagination of fans everywhere.”

Next up Pro Se Productions will usher in TOTEM, a New Pulp hero with an ancient past and supernatural burdens. Written by Bullock with cover art by Manny Trembley, TOTEM is a New Pulp hero for a New Pulp age. Two Men, Grandfather and Grandson forever linked by a supernatural totem of power that unites them in one body as the Guardian against the Forces of Darkness. TOTEM will join THE ROOK, YESTERYEAR and other original New Pulp tales at Pro Se.

“With TOTEM, Mike Bullock brings his excellent writing ability as well as a concept full of action and adventure to the New Pulp movement and raises the bar for the rest of us. A very good thing indeed,” states Pro Se Editor in Chief Tommy Hancock.

Readers are urged to check out www.pulp.runemasterstudios.com for frequent updates.


***
Discover the worlds of New Pulp Fiction at www.newpulpfiction.com
More information regarding Death Angel, The Runemaster, Totem, Union, Mike Bullock, Michael Metcalf, Josh Aitken and Bob Pedroza, Runemaster Pulp, its members, services, properties and other projects can be found at www.pulp.runemasterstudios.com.
More information on Moonstone Books, Black Bat, Captain Future and Gladiator and the rest of the Return of the Originals pulp line can be found at www.moonstonebooks.com
More information on Airship 27, The Runemaster, Ron Fortier and the rest of its properties and other projects can be found at www.airship27.com
More information on Pro Se Productions, Totem, The Rook, Yesteryear and the rest of its properties and other projects can be found at www.proseproductions.com

Review: Page by Paige

[[[Page by Paige]]]
By Laura Lee Gulledge
192 Pages, Amulet Books, $16.95

Thankfully there are a growing number of graphic novels for young adults about subjects way beyond fantasy, science fiction, and superheroics. A new generation of creators are sharing their visions or lives (or both) with us and everyone benefits. The latest such offering is Page by Paige, produced by scenic painter Laura Lee Gulledge. Paige is a stand-in for Laura, whose family has relocated from Virginia to New York and being the new teen in high school is a rough experience. There’s the awkwardness of coming in during the school year coupled with navigating the courses, the hallways and the cliques. Fortunately for Paige, she is accompanied by her sketchbook and in private, she pours out her fears, anxieties, and hopes. She finally meets someone who is drawn to Paige, noticing the newcomer is reading an issue of Locas. Jules befriends Paige and introduces her to brother Longo and their friend Gabe. Suddenly, Paige has a circle of friends.

As Paige gets to know them, she creeps towards revealing her true self, that of a budding artist. Watching her crawl from her cocoon to become a beautiful red-headed butterfly is a joy. Better yet, once her friends see how true talents, they become her accomplices in beautifying their surroundings through Paige’s art, which literally leaps off the page.

The book is a lovely mix of Paige’s escapades and her sketchbook, providing insight and commentary into the first months of her new life in the big city. There’s absolutely nothing larger than life, but the canvass is a large one. There’s friendship, some romance, studying in the city’s great art museums, relating to one’s parents, and expressing one’s self artistically. Page by page, ahem, we are treated to inventive layouts and designs as we get insightful glimpses into Paige’s conscious mind.

Gulledge is an honest artist, laying out her fears and dreams out for all of us to examine. She’s very naturalistic in her character designs and makes certain every character has a distinctive voice. Paige herself is loudest, of course, and readers will truly enjoy getting to know this character.

The book may have just been released but it has already been nominated for a deserving spot on the Young Adult Library Services Association’s Great Graphic Novels for Teens list. This comes highly recommend to people seeking something fresh and different.

Stanley Kubrick Slideshow Celebration

  • Uncategorized
  • May 24, 2011

In celebration of the May 31st release of A Clockwork Orange 40th Anniversary Blu-ray Edition and the Stanley Kubrick: Limited Edition Collection on Blu-ray Warner Home Video provided us with a Stanley Kubrick slide show we wanted to share with you.

BookExpo America, Day 0

  • Uncategorized
  • May 24, 2011

BookExpo America is in town, and there are a few obvious themes, but a lot of it seems to be “more of the same”. Sales efforts seem to be going to the same old licensed properties and celebrity products– I was surprised that IDW didn’t even have any of Darwyn Cooke’s Parker adaptations on display, for example. (And don’t tell me it’s not because the next one is a while off, there’s a nice omnibus edition coming, it’s still one of the more prestigious properties they publish, and there’s a decent amount of backlist titles on display, although not complete by any means.)

E-pub  and blogging seems to be a much bigger deal here, with healthy showings from Google, Overdrive, and Amazon (both Kindle and their new print line) and the concurrent BlogWorld convention going on downstairs. Somehow, I think a lot more people are going to being migrating there over the course of the show.

We expect to be at the CBLDF party later tonight, and we hope to see you there.

Preview: ‘Torchwood: Miracle Day’

Well, this will make Mike Gold happy:

Torchwood: Miracle Day starring John Barrowman, Mekhi Phifer, Eve Myles, Bill Pullman, Lauren Ambrose, Alexa Havins, Arlene Tur, and Kai Owen, premieres July 8th at 10 PM Eastern on Starz and will be endlessly rerun during the week. For more info, visit http://www.starz.com/torchwood

Categories

Archives

Everything you need to make great comics!

comicmix-pro-300x69-2

Nucleus X

Bookshop Zaks