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HANCOCK TIPS HIS HAT TO ‘DEADLINE ZOMBIES!’

Tippin’ Hancock’s Hat- Reviews of All Things Pulp by Tommy Hancock
DEADLINE ZOMBIES-The Adventures of Maxi and Moxie
by Teel James Glenn
Published by BooksforaBuck.com
2010

A good Pulp story must contain several things.  First, it has to have engaging, likable characters, doesn’t matter if they’re white hats or black, they just have to be characters that grab the reader and don’t let go.  It also has to have a pacing that is both relentless and encouraging at the same time, breakneck quick but rousing and rushing enoug to make you want to hang on for the ride.  It doesn’t hurt for there to be fantastic plot elements, twists and turns that keep the reader interested and guessing.  Also, a decent pinch of weirdness along with snappy, witty dialogue also add quite bit of Pulp to tale.  Yeah, a Pulp rock ’em sock ’em tale of derring do must include those things.  

Good thing that Teel James Glenn knows what makes a good Pulp stor.

‘DEADLINE ZOMBIES’ is a collection of New Pulp stories by Glenn that center on the adventures of newspaperman Moxie Dononvan and his actress girlfriend, later wife, Maxi.  The title is slightly misleading due to the fact that although zombies do make an appearance within the book, all five stories do not relate to the undead.  Oh, no, Glenn sprinkles all sorts of oddity throughout the book, including living puppets, little people of the Irish variety, mad alchemists, beastly beings, and even fantastic starring appearances by historical figures, most notably an excellent portrayal of Bela Lugosi.   Themes of all sorts abound throughout the stories as well, including magic versus modernity and transformations and metamorphosis

The latter point is clear not only in what happens to characters in the stories, but in the central pair of heroes as well.  Moxie is a beat reporter and Maxi a B actress as the first story opens, but by the end of the book both of them have gone through job changes and personal development as well, primarily by marrying one another.   These two characters are definitely cut from the Nick and Nora Charles cloth and they have the witty, sometimes caustic banter back and forth to prove it.  Glenn not only paints vivid characters well, but he captures the nuances of nostalgia within his characters just enough to remind you of someone else you once read about.

Another strong point of the collection is the canvas which Glenn creates.  As fully formed as his characters are, his settings and details of action within the stories is ten times as strong.   Many times I lost myself while reading, feeling as I could be standing on Governor’s Island or that I could hear Moxie’s wooden leg (This is a great concept handled well by Glenn!) clomping just behind me.  The entire collection of stories open up like a wide door and welcome the reader in, refusing to let same reader out until the ride is over.

The only putting off point about this entire collection had to do with some editing issues.  There were a couple of instances where I was jarred enough that I was shaken out of the flow of the story, but it was not difficult at all to get back into it.   Overall, DEADLINE ZOMBIES is an excellent set of stories written with the sensibility of classic Pulp and Noir while balancing well the layers of description and characterization that constitute what many New Pulp writers are doing today.

FOUR OUT OF FIVE TIPS OF THE HAT-I’ll go to the newsstands again and again for more Moxie and Maxi. Guaranteed.  Copyboy!

Transformers 3 Star Tops Maxim’s Hot 100

No sooner do we get tired of thumbing through the Sports Illustrated swimsuit issue than Maxim gets temperatures rising with their annual Hot 100 issue. Coming to newsstands next week, we learn that model turned actress Rosie Huntington-Whitely has been crowed the top hot babe. She displaces Megan Fox, who tumbles to #17, in this summer’s not-eagerly-awaited Transformers: Dark of the Moon and has become the new It girl (at least this month). Huntingon-Whiteley tells Maxim that being named number one “is a huge honor.  It’s a great title to have for a year and you can have some fun with it, I think.”

The 100 is listed below and since hotness is in the eye of the beholder, we will all have our quibbles with the order, inclusion or absence of our personal favorites. Me, I have issues with many in the top 10 alone.

Our genre is certainly well represented with Rosie, followed by #2’s Olivia Munn, future Catwoman Anne Hathaway (#7), Thor’s Natalie Portman (#8), Avengers’ Cobie Smulders (#9), and X –Men First Class’ Jennifer Lawrence (#10).

The full list, with comments from the magazine’s editorial staff, is behind the cut and let the debating begin! (more…)

ALL PULP CORRECTION!!

A post was made on 5/1/11 that announced PULP ARK location and schedule.  ALL PULP apologizes as this was a post originally made back in January and had been opened for editing and so ALL PULP could gather information from it.  Somehow it was inadvertently posted as CURRENT news and as a result, has stirred a discussion or two up about the schedule of PULP ARK, which is not all bad.   PULP ARK Coordinator Tommy Hancock stated today that a revised, fixed schedule for PULP ARK will be released later today.  ALL PULP apologizes for any inconvenience or confusion this incident may have caused.

Being Human Season Three

The BBC adult drama Being Human has always had a strong premise – a werewolf, vampire, and ghost – living together and trying to maintain some semblance of a normal existence. A world filled with such creatures, though, is far from normal and their attempts have consequences. The series’ first season was quite strong, enough so that SyFy bought the premise and produced their own seriously watered-down version of the show (which has also done well enough for a second season).

The show felt a bit lost during its second season, but it built up its audience so the series got an eight-episode third season order. Today, the DVD release allows audiences in America to catch up with Mitchell (Aidan Turner), George (Russell Tovey) and Annie (Lenora Crichlow) and you will be in very good company indeed.

As the second season ended, Mitchell went on a vampiric bender, massacring a subway full of people. The aftermath of that event forms the metastory for the season as police continue to determine who committed the crime, while the Old Ones send agents to express their displeasure to Mitchell, who is also being haunted.

We open with “Lia”, a victim (Lacey Turner) aboard the subway, who takes Mitchell on a journey through the hereafter, seeking Annie, who wound up there after an exorcism at the end of season two. He revisits his past thanks to Lia, who perkily keeps him company before leaving him with the prophecy that a “wolf-shaped” bullet would kill him. As he copes with knowledge, the ages-old enmity between werewolves and vampires is another theme that plays out in most of the episodes.

Annie has returned to the corporeal world, still a ghost but content with her lot. Complicating life at home, though, is that George and his lover Nina (Sinead Keenan), while in wolf form, have conceived a baby which both thrills and freaks them out. They seek others of their kind for information on what this gestation might do to the infant or Nina and come across McNair (Robson Green) and his son Tom (Michael Socha), who have issues of their own to sort through.

We watch Annie and Mitchell also become a romantic couple, brining happiness to Annie, however, briefly. She also recognizes what could have been when a corpse has been scientifically resurrected with disastrous results when the dead woman refuses to acknowledge her condition.

Despite the storylines for the others, this is really Mitchell’s season, especially as his former mentor and one-time enemy Herrick (Jason Watkins) turns up. At first, Herrick has lost the memories of his past but of course that gets undone later on and hysteria follows. Still, Mitchell comes to the realization that he is not your typical vampire and feels a need to atone for his crimes while containing the raging, murdering, blood-lusting beast within. As a result, he asks George to kill him as the final episode winds down and we see the grief-stricken friend do this act of kindness. As it turns out, Turner’s movie career is taking off with The Hobbit so he won’t return when the series comes back for a fourth season in 2012. As a result, we can presume Mitchell really has entered the afterlife.

The strength of the show is in the writing and performances with each hour-long story taking its time to let the characters interact with one another and actually process what is going on to them or around them. Their actions have consequences and how they impact on one another and their corner of the world, which is now a former Hawaiian-themed B&B in Wales. This is a far stronger season than the second one was and makes me eager to see what is to come next.

The series was shot for high-definition and the transfer to Blu-ray is sharp with good sound. Disappointing though is that the rich extras that marked seasons one and two have been reduced to a handful of lesser offerings this time around. There are a handful of deleted scenes which are so-so and you don’t miss a thing. You get canned cast interviews that feel perfunctory and unrevealing. The best of the sad lot is the tour of the new home base, conducted by Keenan.

Monday Mix-Up: “Tonight I’m Frakking You”

I lost track of all the things that got mashed into this one, from Thor, Captain America, and Superman to Battlestar Galactica, Firefly, Doctor Who, The Big Bang Theory, and Leia’s slave girl outfit, all to an Enrique Iglesias tune.

If we could find a way to jam Donald Trump, William, Kate and Pippa in there, it would create a black hole of search engine optimization…

(more…)

Twitter Updates for 2011-05-02

  • Quote of the day: It’s all too easy to confuse the unprecedented with the impossible. — Felix Salmon #
  • @allyngibson Hmm… you may be right, I'll have to check the dates. I'm sure it's the first appearance in comic BOOKS, though. #
  • @jpalmiotti Mazel tov, you crazy kids! #
  • @comixace You're watching it on an iPod patched to a VCR through a magnifying screen? I'm confused… #

Mayday, Mayday! It’s The Wilhelm Scream Compendium!

The Wilhelm Scream is a film and television stock sound effect first used in 1951 for the film Distant Drums. The effect gained new popularity (its use often becoming an in-joke) after it was used in Star Wars and many other blockbuster films as well as television programs and video games. The scream is often used when someone gets shot, falls from a great height, or is thrown from an explosion.

The sound is named for Private Wilhelm, a character in The Charge at Feather River, a 1953 western where the character was shot with an arrow. The scream shows up in hundreds of films– see (or rather hear) what we mean.