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NEW COLUMN-DIAGNOSIS: PULP!

DIAGNOSIS: PULP by Tommy Hancock
FIRST, AN EXPLANATION-
If you’ve written or read Pulp for a while, then you’ve been asked the question…Just What is Pulp??  Although there is no definitive answer and likely never will be, the purpose of this column is to look at stories, books, movies, audio shows, etc., and to determine, in this columnist’s opinion if works covered qualify as pulp. If they do, why and of course if they don’t why not?  Now, I am the same individual who put forth a few months ago why the movie THE WIZARD OF OZ could be considered Pulp.  Some of you agreed, some of you were neutral, and some of you still think I should be strung up for such an opinion.   Well, we’ll see if I can please all of you at some point.  Yeah, right.
In order to do this column, though, I had to find or devise a definition, a set of parameters to follow that I could apply to whatever I was looking at and determine its level of Pulpiness.  A newly formed group designed in part to do just that, PULP DEFINED, has come up with a definition that I think fits Pulp well and will be the one I use for this column.  By this definition, Pulp is-
fast-paced, plot-orientated storytelling of a linear nature with clearly defined, larger than life protagonists and antagonists and creative descriptions and clever use of turns of phrase, words, and other aspects of writing that add to the intensity and pacing of the story.

Now, there will be some more specific points I bring out that will flesh out this definition, but overall this is the standard by which DIAGNOSIS: PULP will be looking at various tales of derring do…or don’t…and diagnosing them as Pulp…or something else…. Stay tuned!

DIAGNOSIS: PULP
PULP FICTION OR PULP LITERATURE?
Another question just as myriad and varied as ‘What is Pulp’ came crashing down on me in various ways this weekend. For those who don’t know, among the many hats I wear, I am the Editor in Chief and a partner in Pro Se Productions, a company who is focused on producing quality pulp fiction by various creators.  In pursuit of selling said fiction, Pro Se plans to spend some time at conventions, conferences, and other venues (including our very own PULP ARK).  Our first such event was the Arkansas Literary Festival, held this weekend (April 9-10 for vendors) in Little Rock.  This event, which brings in authors of all sorts from all over, boasted over 7,000 guests last year and expected 9,000 this year.  I didn’t see anywhere near that walk by our badly placed vendors’ table or anyone else’s.  But something I did discover, both from the scattered passers-by we had as well as fellow vendors is that many do not know that a majority of fiction they grew up reading or even read today could qualify as Pulp Fiction AND many of them don’t feel even today that Pulp Fiction should be considered literature. 

Now in all truthfulness, I knew that this mindset of people looking down on Pulp and considering it non literature or worse existed and has since Pulp began.  But discovering it face to face in several people all at once over two days was a bit staggering.   And got me to thinking of the question myself, which leads me to make this the topic, albeit briefly, of my first diagnosis…Pulp- literature or something else?
Instead of giving you in depth analysis and my opinion, I’m going to approach this diagnosis a tad differently.  First, a smattering of comments I heard this weekend.
“Pulp fiction?  You mean stuff that reads like that Travolta movie watches?  That’s mixed up crap!”
“Pulp achieves nothing for the reader except escapism.  There are no levels, there is no higher purpose for Pulp like there is in literary works.”
“Heroes are cool, but Pulp gives us unattainable ideals.  No one can be The Shadow or lives a life that’s as rapid fire as Pulp is.”
“Pulp?  You mean that stuff hack writers wrote so they could eat back in the Depression?  People still like that stuff?”
“Pulp aspires to nothing.  That’s why it can cross so many genres, because in the end, unlike real literature, Pulp aspires to nothing.” (This last comment was made by an author at the Festival who writes detective stories.)

OK, again, no deep philosophy and such on this one, but let me comment on each of these-
1.       Yeah, heard this one a lot.  Even had discussions about why the movie is a Pulp movie beyond its title.  This one won’t go away for awhile.
2.      We don’t read to escape??  I missed the memo.  Also, if Pulp doesn’t have layers, can anyone explain to me how Phillip Jose Farmer pulled enough out of Doc Savage and Tarzan to give birth to the Wold Newton Family (And that’s just one example)
3.      We live in a world where people really are putting on masks and tights and going to try to save their little bit of the world.   And maybe it’s not bullet riddled, but the last time I checked I’m living faster than Lamont Cranston could fly.
4.      Yes, people still like it, as is evidenced by all the new publishers coming out as well as conventions for such work!
5.      Pulp aspires to good storytelling, interesting characters, and fascinating, thought provoking plots.  Much like the blurb on the back of this person’s book read.  Yep, no aspiration here.
I also heard things about Pulp being overly descriptive, too purple prose-y, long on flower and short on substance, etc.
Now in response, I will throw in two different definition of literature-
          Literature is-
•The body of written works of a language, period, or culture.
•Imaginative or creative writing, especially of recognized artistic value: “Literature must be an analysis of experience and a synthesis of the findings into a unity” (Rebecca West). (American Heritage Dictionary)

LITERATURE-literature  (ˈlɪtərɪtʃə, ˈlɪtrɪ-)  — n   written material such as poetry, novels, essays, etc, esp works of imagination characterized by excellence of style and expression and by themes of general or enduring interest  (World English Dictionary)

Hmmm.  Written work of a certain period.  Imaginative and creative writing.  Artistic.  Works of imagination.  Style and expression.  Themes of general or enduring interest.
Wow.  Sounds like Pulp to me.

Rob Granito coming to New York Comic Con?

Well, this is one way to steal focus from this weekend’s MoCCA festival.

Kelly Rowles reports this message from Rob’s wife Alison, who apparently represents “Rob Granito Art Services” and has tried to get people to pay for interviews with Rob. After telling them they won’t pay for any interviews, she got this reply:

I am sorry to hear that. I will give you a scoop though. That is is illegal to ban Rob Granito as a vendor at all conventions. And currently Rob Granito is working on material for a one-man show/panel in which he admits and apologizes for his past mistakes, while at the same time shedding new light on the politics within the comic book community, and lets you know the REAL story. Rob will also be telling jokes and doing humorous sketches on stage, so it will show a whole new side. We are looking towards premiering this at the New York Comic Con in October. The name of the show will possibly be “Controversey Creates Ca$h”. We believe there is a band wagon making it trendy to hate Rob Granito without knowing him, and the claims that he has stolen all his work has been blown out of proportion, thanks to people like Mark Waid, Ethan Van, Bleeding-Cool, and Jammar (sic) Igle. Again, giving us a chance to tell you the WHOLE story would benefit both your website and the comics convention community. Please reconsider. We are open to working out a payment plan if that works better for you.

Call it a hunch, but I bet the nice folks at NYCC are not going to have Rob on any panels, nor rent him a table, nor even let him in the door. Although they could raise a lot of money if they rented a dunk tank for him.

I’ll have to ask “Jammar” this weekend at MoCCA. See y’all there.

ALL PULP PANEL-WHAT MAKES A PULP HERO?

PANEL QUESTION- Pulps, both classic and new, are chock full of heroes.  Larger than life action types who swing in, throw fists, sling bullets or magical blasts or some such, and then swing out having routed the villains, wooed the love interest de jour, and gone on to the next adventure.  But what are these heroic types made of?  What does a character have to have to be a Pulp Hero?   

Send your responses to allpulp@yahoo.com and they will be posted here!  THIS IS YOUR PANEL, TOO!

From Rob Davis-
Pulp heroes must have a strong, overriding sense of justice and/or right and wrong.

From Nancy Hansen-
A pulp hero is always inspiring. This is someone any of us could look up to in awe; a person who rises to the occasion, sacrificing whatever it takes to make sure justice is done. She or he may not be the strongest, smartest, or most skilled warrior in the group, but there is a feeling of competence, a dogged persistence, at least some self-discipline, and enough grit and determination to see a situation through. That is what it takes to keep these larger than life characters in there fighting when all hope is gone, energy is flagging, and the injuries are taking their toll—in essence to the last dying moment and ounce of strength. And because pulp heroes have made at least some kind of bonds with others in the tales, there is generally a supporting cast of characters with more specialized skills and interests who may wade to assist at a critical moment. Add a dash of good luck and a few shakes of quirky yet comfortably predictable behavior, stir well, and you have a rousing good story and the birth of a legend.

From Percival Constantine-
A pulp hero should be larger than life, a character who readers stand in awe of. A pulp hero needs to have style and flair with which he or she goes about their duties. A healthy dose of wit also doesn’t hurt.

From Martin Powell-
That’s best answered, I think, by a pulp hero.  Put in simplest terms, and in the words of Doc Savage himself:

“…Let me think of the right and lend all my assistance to those who need it, with no regard for anything but justice.”

Works for me.

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2011 Eisner Award nominations announced

46cca_20110407192013-9250421The 2011 Eisner Award nominations have just been announced.

Heading the 2011 nominees with five nominations is Return of the Dapper Men, a fantasy hardcover by writer Jim McCann and artist Janet Lee and published by Archaia, with nominations for Best Publication for Teens, Best Graphic Album–New, Best Writer, Best Artist, and Best Publication Design. Two comics series have four nominations:Morning Glories by Nick Spencer and Joe Eisma (published by Shadowline/Image) and Locke & Key by Joe Hill and Gabriel Rodriguez (published by IDW). A variety of titles have received three nominations, including the manga Naoki Urasawa’s 20th Century Boys(VIZ Media), John Layman and Rob Guillory’s series Chew (Image), Daniel Clowes’s graphic novel Wilson (Drawn & Quarterly), and Mike Mignola’s Hellboy titles (Dark Horse).

The creator with the most nominations is Mignola with five (including cover artist), followed by Spencer and Hill, each with four. Several creators received three nominations: McCann & Lee, Rodriquez, Urasawa, and Clowes, plus writer Ian Boothy (for Comic Book Guy: The Comic Book and other Bongo titles) and cartoonist Jimmy Gownley (for Best Publication for Kids plus coloring and lettering on his Amelia Rules! series). 15 creators have two nominations each, a new record.

Ballots with this year’s nominees will be going out in mid-April to comics creators, editors, publishers, and retailers. A downloadable .pdf of the ballot will also be available online, and a special website has been set up for online voting. The awards will be presented at a ceremony on the evening of Friday, July 22 at Comic-Con International.

Congratulations to all the nominees!

(more…)

Twitter Updates for 2011-04-08

ALL PULP NEWSSTAND NIGHTHAWK EDITION 4/7/11

ALL PULP NEWSSTAND
NIGHTHAWK EDITION
4/7/11
PULP VAULT IS BACK!!

From Doug Ellis-

After a hiatus of 15 years, PULP VAULT returns with its 14th issue, which is by far our largest yet. Clocking in at over 250 pages, it starts off with a full color cover, featuring a previously unpublished Virgil Finlay painting. Inside are a host of articles on, and fiction from, the pulps, including:

BLUE BOOK-THE SLICK IN PULP CLOTHING by Mike Ashley – This in-depth look at Blue Book is the most detailed article ever on one of the longest lived and important pulps. In this 20,000 word essay, Mike Ashley explores the history of Blue Book, from its first issue to its final one nearly 70 years later. Covering a span of 613 issues, this is the definitive study of Blue Book.

THE THRILL BOOK STORY by Will Murray – One of the scarcest of all pulp titles, few magazines have the aura that legendary The Thrill Book does. In a lengthy article, Will Murray sheds light on this unique experiment from Street & Smith. Illustrated with every cover from this rare pulp.

THE STRANGE STORIES THAT NEVER WAS by Robert Weinberg – When the fantasy pulp, Strange Stories, folded after its unlucky thirteenth issue, several manuscripts remained in the inventory. Most eventually saw print in other pulps of the Thrilling chain, such as Thrilling Mystery and Thrilling Adventure. Robert Weinberg dons his pulp detective hat to track down those stories which, had the magazine continued, would have made up the next few issues of Strange Stories.

PULP VAULT #14 includes articles by 3 pulp writers — ONE OLD-TIMER’S VIEW OF THE PULPS by Hugh B. Cave (written shortly before Hugh passed away), THE OUTSIDER—AND NO OTHERS by Robert Barbour Johnson (written by this Weird Tales author in the 1970s and appearing for the first time) and TWENTY-FIVE YEARS+ OF GLORY! by J. Edward Leithead (a little seen look back at the world of western pulps, from 1967).

Our fiction offerings are:

THE GIANT AND THE DINOSAUR by Donald Wandrei – a previously unpublished Cyrus North novelette!

THE FLAMING SKULL by Hugh B. Cave – one of Hugh’s favorite stories, a previously unreprinted novelette from Popular Fiction, November 1931.

THE SPLENDOR OF ASIA by L. Adams Beck – from the September 7, 1922 issue of The Popular Magazine, “The Splendor of Asia” is a complete adventure-packed novel set high in the snowy passes of the Himalayan mountains, featuring lost cities, fabled treasures and the hideous Things that Run.

Also included are:

THE SAGA OF SINGAPORE SAMMY by Rick Lai
ONE HUNDRED YEARS OF NORMAN SAUNDERS by David Saunders
INTRODUCING CYRUS NORTH by D.H. Olson
FRANKLYN E. HAMILTON by Link Hullar – accompanied by several of Frank’s great illustrations
COVERING THE MAN OF BRONZE by Doug Klauba
PAINTING THE MAN OF BRONZE by Tom Roberts
An index to FIGHTING ROMANCES FROM THE WEST AND EAST
Never before published photos from the 1939 World Science Fiction Convention in New York

And more!

PULP VAULT #14 is $24.95 and is available from Black Dog Books (www.blackdogbooks.net) or from Amazon.

And for those attending next week’s Windy City Pulp and Paper Convention, we’ll have copies there!

HOW THE WEST WAS WEIRD-THE COVER!

 From Pulpwork Press-
 

Two things (and only two things) about How the West Was Weird, Vol. 2:

1) It’s scheduled to appear on July 1, 2011.
2) Jim Rugg has out-awesomed his cover for the first volume. Check it out!

Stay tuned over the coming weeks for more news and pre-release promotions!

ALL PULP NEWSSTAND BULLDOG EDITION 4/7/11

ALL PULP NEWSSTAND
BULLDOG EDITION
4/7/11
THE KITCHEN SINK ON THE BOOKCAVE!
The Book Cave Episode 121: Modern Marvels-Viktoriana! (Posting later today)
Wayne ‘the Kitchen Sink’ Reinagel joins the Book Cave crew to talk about his latest epic-to-beat-all-epics of heroic fiction!! Modern Marvesl Viktoriana!  And of course, ALL PULP NEWS!
 
 
 
 
 
 
THIS WEEK ON THE MASKED GHOST…
From Kevin Paul Shaw Broden-
REVENGE OF THE MASKED GHOST
Chapter 18 – “Preparing For A Ghost”
As Margaret has been comforting her mother, Donald has returned home with more questions than answers. The answers he does have all lead in one direction, and he can’t take them to the police. Will Donald Raymond be forced to do the one thing he’s sworn never to do again. Find out in the latest chapter of REVENGE OF THE MASKED GHOST.
 
ELLIS’ SECRET AGENT X GOES DIGITAL!

Need a shot of pulpy goodness? Noted Pulp Author Sean Ellis’ Secret Agent X novella, Masterpiece of Vengeance is now available for your Kindle. This story also introduces a group of villains that will be appearing in the forthcoming Adventures of Dodge Dalton at the Outpost of Fate. http://tinyurl.com/3pk6wln

And for the NOOK-www.tinyurl.com/3wnjvyl

Classic pulp crime fighter Secret Agent X, the man of a thousand faces, encounters a villain from his past and a deadly brotherhood of assassins who will stop at nothing to destroy him.

 

Biography

Sean Ellis enjoys a lifelong love affair with adventure. His early years were spent chasing the Tom Sawyer dream on the banks of the Siletz River in Oregon. As a teenager, he pursued an elusive pirate legend and combed the Pacific coast for buried treasure. He has searched for Mayan ruins in the jungles of Honduras and chased after the Golden City of Cibola in the American Southwest. Sean enjoys adventure racing, competitive mountain biking and has competed in several off-road triathlons. He is also a decorated combat veteran of Operation Enduring Freedom (Afghanistan 2006-2007) where among other duties performed, he played chauffeur to filmmaker Morgan Spurlock (Super Size Me) during the filming of the documentary Where in the World is Osama bin Laden. If you look real close, you may catch a glimpse. Sean has a Bachelor’s degree in Natural Resources policy, and currently resides in Arizona where he daily experiences his greatest adventure: fatherhood.

Unshaven Comics: Messing Up Super People Because We Love You

unsahven-7840718Call it a bit of shameless cross promotion… but we beardly blokes of Unshaven Comics wanted to hip ya’ll to the craziness we’re spreading on our website this month. In case you missed it, last month we featured “Mixed Up March“, where we lads (well, Matt Wright mostly, but I jumped into the fracas at the end) decided to swap the genders of some of our favorite comic book heroes and villains. And this month? The craziness continues with our newly announced “April Addition Armageddon” where we smash together two characters from different universes.

Want to see some of the fun? Then hop on over to Unshaven Comics’ website and enjoy the laughter.

Spider-Man, Spider-Man, George Takei Should Be Spider-Man

Finally, we have the solution to all the problems currently bedeviling Spider-Man: Turn Off The Dark… we’ll get George Takei to play the lead part.

He certainly has a fan following from his time in Star Trek, Heroes, and the original cowboys and aliens film, Oblivion.

However, while I think Broadway is finally willing to accept a gay lead actor, should we really be adding to the stereotype that gay men are swingers?

Congratulations to Erfworld, Winner of Mix March Madness!

mmm_winner-7281820

Big ups to our friends over at Erfworld for taking home the title last week in our first ever ComicMix Mix March Madness webcomic tournament. The wizards, witches, goblins, and noble knights slayed the adorable Gronk, in a bitter battle to the end.

We apologize for not raising Erfworld over our heads in championship glory sooner… but there was April’s Fool, so no one would believe it if we posted, and then we had to wash our hair, and we swear, our dogs ate the first draft of the story!

Anywho… Congratulations to Xin Ye and Rob Balder for besting all their competition. Good work Erf-lovers… you carry the crown– until the next bloody battles!