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Congratulations to Erfworld, Winner of Mix March Madness!

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Big ups to our friends over at Erfworld for taking home the title last week in our first ever ComicMix Mix March Madness webcomic tournament. The wizards, witches, goblins, and noble knights slayed the adorable Gronk, in a bitter battle to the end.

We apologize for not raising Erfworld over our heads in championship glory sooner… but there was April’s Fool, so no one would believe it if we posted, and then we had to wash our hair, and we swear, our dogs ate the first draft of the story!

Anywho… Congratulations to Xin Ye and Rob Balder for besting all their competition. Good work Erf-lovers… you carry the crown– until the next bloody battles!

Twitter Updates for 2011-04-07

Reviews from the 86th Floor: Barry Reese takes a look at YESTERYEAR


YESTERYEAR
Written by Tommy Hancock
Review based on a preview copy

Tommy Hancock is well known in pulp circles, primarily through his work with Pro Se Productions but also because of his associations with Pulp Ark, All Pulp and just about everything else with “pulp” in the title.

Yesteryear is Tommy’s first foray into novels and it is a superhero piece that straddles the line between traditional pulp and a prose version of a comic book. In that way, it’s somewhat reminiscent of Van Plexico’s SENTINELS series, though th subject matter is quite different. Like Plexico, Hancock wears his inspirations proudly but at no point does this book fall into the realms of parody or pastiche. The characters here have obvious jumping-off points that are recognizable to everyone but from there, they become unique individuals.

The story itself focuses around a long-lost history of the Heroes & Villains movement that began in 1929. Secrets lay within this book and there are people willing to kill to keep them from coming to light. Hancock jumps around throughout the text, alternating between the modern day and pieces of the lost book. This is “world building” at its finest as there are numerous characters introduced, with just enough hint of history to set your mind to wondering… but few of them have their stories told in total. This may frustrate some readers but if you look at it as the first in a series, it’s more understandable. Don’t get me wrong — there is a complete story here, but there are questions left unanswered along the way.

The artwork is nice and adds to the story but the real star here is the prose, which is concise and readable. There are times that I was reminded of both MARVELS (because of the common man’s view of the Heroes) and also of WATCHMEN (because of the conspiracy elements and mystery) — both of those books are classics and Hancock could certainly have done worse than illicit comparisons to them.

I enjoyed it quite a lot and think that if you’re a fan of superheroes, you should really check this out. Both Marvel and DC have tried to move their heroes into the prose realm with limited success but both Plexico and Hancock have shown how it can be done — and done very well.

Yesteryear will be released very soon and in all honesty, I can say that you need to put it on your “must read” list… I have a feeling it will be showing up on many ballots in next year’s Pulp Ark Awards and deservedly so.

I give it 5 out of 5 stars.

Review: ‘The Chronicles of Narnia: The Voyage of the Dawn Treader’

It’s fascinating to see the enduring appeal of C.S. Lewis’ [[[The Chronicles of Narnia]]] at a time when people poo-poo the heavy-handed religious imagery and pales in comparison to the far richer world of Middle Earth as envisioned by Lewis’ friend J.R.R. Tolkien. The films based on both series have their fans and detractors and the success of Tolkien’s trilogy paved the way for the long-overdue big budget adaptation of Narnia.

Unfortunately, Walden Media, which has been spearheading these films, has decided to aim squarely for the religious and family audiences, which has led to a look of cheapness and familiarity that has robbed the three films to date of their specialness.

Walt Disney bailed on the series after the so-so reception and box office to Prince Caspian, which many involved felt may have strayed from their targets. 20th Century Fox stepped up and is now the studio behind the franchise and last fall released [[[The Voyage of the Dawn Traeder]]]. That film is coming to DVD on Tuesday in a variety of formats including the Blu-ray + DVD + Digital Copy or component parts. The standard DVD was sent out for review and you will have to decide for yourself if you want the more involved versions.

Picking up three years after the last film, we find Edmund (Skandar Keynes) and Lucy (Georgie Henley) packed off to stay with family, including their annoying younger cousin Eustace Scrubb (Will Poulter). They long to be in America with Susan and Peter and their parent and chafe at being the youngest, notably Lucy who is on the cusp of womanhood, yearning to be pretty and attractive to the older boys in town.

As has happened before, circumstances in the land of Narnia require their attention and they are summoned through a painting of a boat at sea hanging in their dingy quarters. Eustace, of course, comes along complaining all the way. It’s mildly amusing that he continues to journal about his adventure without acknowledging that any of this is real until he inevitably accepts the situation and embraces it. But first, he has to be turned into a fire-breathing dragon.

The story hews fairly close to the third book in the series but it has a look of cheapness about it, notably the CGI dragon and some of the visual effects. The acting is adequate but none of the leads are given much of anything to do. The thin script by an army of writers provides little substance to the characters so we just move from situation to situation in a quest story to assemble seven swords and lay them at Aslan’s table.

Aslan (voiced by Liam Neeson) remains the comforting deus ex machina Christ figure, a part that is emphasized in the final 15 minutes as we see the barrier between Narnia and Aslan’s lands where the dead reside. Lucy and Edmund, he says, have completed their role and yet what did they really do? It was Eustace who braved the fires of Mount Doom– I mean the less imaginatively named Dark Island.  Frankly, much of the Narnia material pales in comparison, from story to character to film adaptation.

This most decidedly family fare and keep that in mind when deciding to see the film or not. While the Blu-ray disc comes loaded with extras, all you will find on the standard DVD are a commentary and a handful of deleted scenes, none of which were missed.

PULP DEFINED Writer’s Group Formed and YOU could be a part of it!

From Tommy Hancock, one of the founding members of PULP DEFINED-

We all know that Pulp is in the midst of what some call a resurgence, others a renaissance, still others a reawakening.  Whatever you term it, Pulp is probably more discussed, more involved, and more active now than it has been since its heyday.  Due to that, new publishers, new characters, and new concepts are popping up right and left.  One of those is the idea of the internet pulp groups, of which there are some sterling examples, that focus on the works of creators, allow for fan interaction, and simply further the cause of Pulp in exemplary fashion.  The one that comes to mind immediately is THE PULP FACTORY, headed by Ron Fortier and Rob Davis.

With the increase in the pace of the growth of Pulp being as fast as it seems within the last few years, many discussions and conversations have focused on how to legitimize Pulp more, how to appeal to a modern audience, how to stake our claim to being valid literature and to make an impact that everyone will notice.  One way to do that is to improve the craft, to focus on quality and other factors.  Another way is to provide a group that acts as support, advocacy, and encouragement for Pulp creators.   The latter is the dream that started what has now become PULP DEFINED.

PULP DEFINED began as an attempt to form a creator’s organization much like other fields have on a large scale.  Something that those involved in this idea learned very quickly was that was a monumental task and one that Pulp may not be as ready for as it needs to be.   So PULP DEFINED has stepped back and considered what is needed in Pulp right now to move that direction.  And that is a group, a body of writers initially, since the ideas do spring forth from the writer’s pen, to focus on the craft of creating Pulp, to address some key issues about Pulp as a genre and a group unto itself.

In the process, though, of working toward the original big picture plan, a few things had to be defined.  One that was successfully defined was a definition for what Pulp would be for this group.  We all know that if you ask ten pulp writers, artists, publishers, and fans to define Pulp, you’re liable to get answers that share characteristics, but tend to go off in different directions.   To form a cohesiveness for this planned group, we determined it was necessary to set a broad definition for Pulp so at least some differentiation could be made.
So, for that purpose, the definition of what is Pulp as seen by PULP DEFINED is as follows-

PULP IS -fast-paced, plot-orientated storytelling of a linear nature with clearly defined, larger than life protagonists and antagonists and creative descriptions and clever use of turns of phrase, words, and other aspects of writing that add to the intensity and pacing of the story.
Using this definition as our parameters, PULP DEFINED wants to establish itself as a Writer’s Group (Again, initially) focused seriously on writing in terms of three areas-
EDUCATION/IMPROVEMENT-We have all been in online writers’ groups that start out with good intentions, that really want to focus on reading each other’s work, offering helpful hints, even discussing key points that are universal to the field we’re writing in.  Then they fizzle out.  I won’t say that won’t happen here, but I will say we don’t want or need that to happen here.  PULP DEFINED will be focused on specifically working with every writer who is a member and wants to sort of put their stuff out there for the group as a whole to help with.   Whether that’s editing, idea generation, or marketing and such after the work is done, PULP DEFINED intends to be a place where a writer can bring their work and from start to finish learn from others in the field ways to improve and be sure the idea gets out there.
QUALITY-Although this ties in somewhat to the first one, PULP DEFINED intends to be a group where not only writers can improve, but hopefully we as a group can establish standards for quality amongst ourselves that raise the bar for us all and while still keeping true to the essence of Pulp, improve our work in ways that will make it appeal to mainstream readers and those markets.   No one is looking to set up rules for how ‘good’ a pulp story should be, but there is enough work out there passing itself off as Pulp that is not of the quality that some of things serious writers are producing.
COMMUNITY-This is as important as the other two.  This group, open to Pulp writers, is open to Pulp writers regardless of medium.   That’s novelists, short story writers, comic writers, audio show writers, film, tv, etc.  Even though the mediums we each use may be different, Pulp work done in any medium only furthers the cause of PULP DEFINED.  We hope this group will become a haven for the Pulp writer, regardless of how they transmit that to the general masses.
With these three things in mind, PULP DEFINED is going to be a group of writers focused on writing.  Other groups exist to handle discussions of Pulp history, fandom, and other aspects.  And those are as needed, if not more needed in some respects than a writer’s group.  But PULP DEFINED intends to be a writer’s group that elevates Pulp, both writer and product.  And this group intends to provide education, support, and whatever is needed as it grows.  Notice, I didn’t say if.  AS it grows.
So, interested in being a member?  First, make sure your work meets the definition above!  Secondly, be ready to work, to share, to help, to give yourself to the group to make it what it needs to be.   This group is not for the writer wanting to try a taste, we are the hoarders at the buffet and are very serious about what we plan to do.  Thirdly, email me at braedenalex@centurytel.net requesting membership.  If I don’t know you, then provide me something that let’s me know your work in Pulp.   Other founding members of this group can put you up for membership as well if you know them.  They are-RON FORTIER, DERRICK FERGUSON, BARRY REESE, PAUL MANNERING, ANDREW SALMON, and JOSHUA REYNOLDS.  Any of the founding members can ‘sponsor’ you so to speak,which simply means bringing you to that core group for approval.   Then you’re invited and PULP DEFINED takes off!
Some will have issues with this concept for a variety of reasons.  The intent of PULP DEFINED is to improve, elevate, publicize, and make Pulp into something that is even longer lasting, even more influential, and could be a career for some of us.   This is not intended to be a fly-by-night exercise.  We are very serious about what we plan to do.
Join us, won’t you?
TOMMY HANCOCK

Doctor Who Invades New York (Again)

We understand there are Doctor Who fans reading this site, so we should give you a heads up: the Doctor and his companions are coming to America earlier than you thought.

Matt Smith, Karen Gillan and Arthur Darvill will be making an in-store appearance this Friday at the Barnes & Noble store at 555 Fifth Avenue, New York, to sign copies of Doctor Who: The Complete Fifth Series boxed set. You will need a wristband to join the signing line for this event. Wristbands will be distributed starting at 9AM on Friday, April 8 with the purchase of the Doctor Who: The Complete Fifth Series boxed set. Call the store at 212-697-3048 for more details.

Then on Monday, BBC America will host a free premiere screening event of the first two episodes at the Village East Cinema, 189 2nd Ave at 7 PM. The event will be hosted by Chris Hardwick, with guests Matt Smith, Karen Gillan, Arthur Darvill, Alex Kingston, Steven Moffat, Piers Wenger and Beth Willis. Following a screening of the two-part season premiere (The Impossible Astronaut and Day of the Moon) Chris will lead a discussion and Q&A, which he’ll record for a special Nerdist Podcast.

Last year, Matt, Karen and Steven Moffat went to New York for a publicity tour to promote Series 5. They attended a ‘Meet the Cast’ event at the Apple store in SoHo and did an episode premiere event, and ComicMix contributor Alan Kistler shamelessly flirted with Ms. Gillan at both events.

And of course, if you can’t make it, BBC America will premiere the show on April 23.

‘Elfquest’: the fan trailer

Paula Rhodes and Stephanie Thorpe, with the tacit approval of original creators Wendy and Richard Pini, have created a live-action trailer for Elfquest.

They’ll be doing a fuller premiere tonight at 6:45 PM PDT. You can find more at http://elfquestfantrailer.com/. And yes, if you look closely at the cast, that is lonelygirl15 Jessica Rose playing Aroree.

Obligatory search engine optimization words: elf, elves, hot elf women frolicking in nature

ALL PULP Introduces Powerful New Feature-BEHIND THE VEIL

Sometimes great minds think alike and even simultaneously.   Two noted modern pulp writers within hours of each other sent ALL PULP an email, one asking to do an interview, the other wanting to submit an essay.  Each of these writers wanted to use these vehicles to dig deeper into their own creative processes, to pull back the shade and show where some of the influences for their characters and some of the reasons behind creative decisions they made came from.  The writer who requested the interview was Mike Bullock and that interview was posted yesterday on MOONSTONE MONDAY.  The writer who’d written the essay is ALL PULP’s very own Barry Reese and it will be posted below to officially kick off BEHIND THE VEIL.

In the coming weeks, Perry Constantine, ALL PULP guest columnist will be contacting some pulp creators with a list of interview questions, not the basic questions, but some real get tough and deep type questions about relationships these writers have with particular characters they have created or have written.   If you prefer, however, to do an essay as Barry did, then please do so and send that to allpulp@yahoo.com  Both interviews and essays will be featured in BEHIND THE VEIL.

Behind the Veil: The Rook & Me
by Barry Reese
I was very young when my parents divorced. As a result, most of my memories of my father are ones where he was either drunk or making my mother cry, or both. He did get me on some weekends, though, and there are two very fond memories that I have of him: on Friday nights, he would let me stay up far too late to watch one of those B-Movie shows at midnight; and he always had those Bantam pulp reprints of Doc Savage and The Avenger lying around. From the former, I think I gained my appreciation of bad cinema and from the latter, I gained a lifelong appreciation for heroes that many of my peers had never heard of. While I could speak comfortably to them about the nuances of Batman, Spider-Man or Nova, I was always conversant in the more obscure realms of Doc Savage, The Shadow, Justice, Inc. and Conan the Barbarian.
Eventually, my father moved to Florida and his appearances in my life became more infrequent.  In 1985 (when I was 13 years old), he showed up unannounced at the house I lived in with my mother and stepfather (the man whom I always think of as my “real” father). He brought me a huge supply of paperback books and spent a couple of hours with me. He made an off-color joke about a girl in my class that I mentioned having a crush on and then he hugged me and said he’d see me again soon.
It’s 2011 and he’s yet to keep that promise.
I grew up, suffered through the typical high school angst, found my future wife and a career as a librarian. Eventually, I kind of stumbled into a career as a writer. One of my creations, the one that I’m most known for, was a pulp-style hero known as The Rook. In this series, young Max Davies loses his father when he’s a young boy and grows up thinking that he has to somehow ensure that others won’t suffer the pain that he did. Eventually, he discovers that his father has controlled his growth, even from beyond the grave, transforming him into the man that he becomes. He’s tormented by conflicting feelings upon encountering his father’s ghost: does he hate this man who has shaped him or does he desperately want his approval? In the fictional world, their relationship heats and cools repeatedly before they finally bury the hatchet as his father is symbolically killed by the son and vanishes into the afterlife, finally at peace.
I never saw The Rook as any reflection upon my life until a reporter doing a story on me kept going back to my relationship with my own father. And then I wondered: did this man who hasn’t seen me in over 25 years still control me? Is The Rook some sort of grotesque parody of my own personal relationship with a man who in some ways is dead to me?
I sent my father a few of my books and he emailed me back, saying he loved them and that he appreciated how I used some of the heroes he used to admire. He also said he loved me. I thanked him for the comments on the books but I’ve never said I love you back.
Just as in The Rook, the grave isn’t always the end. Shortly after my stepfather passed away, my genetic father re-entered my life, through the magic of the Internet and Facebook.   He sometimes posts on my wall and tells me how proud he is of me.
I sometime wonder if it’ll take his death for me to put all the complex issues to rest.
If he does die, will I attend his funeral? Seems strange not to but at the same time, I haven’t seen him in 26 years… how do you vanish from your child’s life for so long? Now that I’m a father, I (like Max in The Rook series) can’t imagine turning my back on my own flesh and blood. I’d gladly die for him… and can’t fathom simply walking away from him.
Sometimes I want to reach out to my father and embrace him but then I think that maybe I just miss my stepfather.
Sometimes I don’t know what I want.

ALL PULP NEWSSTAND BULLDOG EDITION 4/5/11

ALL PULP NEWSSTAND
BULLDOG EDITION
4/5/11
PULPWORK PRESS MAKES THE WEST EVEN WEIRDER!
From Pulpwork Press’s site-http://www.pulpwork.com/2011/04/weird-in-west.html?spref=fb

WEIRD IN THE WEST

The TOC for How the West was Weird 2 looks to have been finalized, with ALL of the stories now in editor Russ Anderson’s hands. Included among the roster of contributing authors are Ron Fortier, Tommy Hancock, and Barry Reese, as well as Derrick Ferguson and Joel Jenkins! And with TWENTY-ONE tall tales of western weirdness, this volume doubles the fun of the previous one.

HOW THE WEST WAS WEIRD VOL 1
Be sure to check back soon for a sneak peek of the cover, as well as a look at the stories inside! Too, there’ll be an awesome little pre-order incentive coming in the next month or so, so make ready to crack your wallets wide, weird western fans, because it’ll be a hum-dinger!
Oh, and How the West was Weird 2 has a release date of July 1st, so you have plenty of time to order yourself a copy of How the West was Weird 1 in order to wet your whistle for what’s coming.
 OLD TIME RADIO GOODNESS FOR PULP FANS!
From Tom Johnson-
For those of you that remember the AFRN, and the nights they would play Old Time Radio programs, Don Leary of Seymour has set up a website that you can listen to daily. There is a listing on the Main Page for the weekly schedule (program only, not the title of the episode). The same episode will play in three different  time periods. The hours are listed (Central Standard Time – Texas). There are buttons at the top of the screen for the listening format. Right now, Don doesn’t have it set up for you to download the shows. Some other programs are THE LONE RANGER, JOHNNY DOLLAR, X MINUS ONE, GUNSMOKE, SHERLOCK HOLMES, SUSPENSE, DIMENSION X, and so many more! http://theiotrs.com/ Check out the schedule.

FLYING GLORY-THE LATEST FROM KPSB!

FLYING GLORY AND THE HOUNDS OF GLORY
Special Issue 0 Page 2
You, um, missed the fireworks about that… Debra runs off to tell her band members in the Hounds of Glory the news, only to find something else has happened. What’s going on? Find out in the next page of the prelude story, “Generational Glory,” at http://www.flying-glory.com/ !