Category: News

Science Fiction/Fantasy Podcasts

The new episode of The Future And You went up for the beginning of the month; it includes conversations with Battlestar Galactica cast member Bodie Olmos, Walt (The Bananaslug) Boyes from Jim Baen’s Universe magazine, and the authors Robert Buettner, Mike Resnick, Randal L. Schwartz and Stoney Compton. How can you not want to hear what a man named “Bananaslug” has to say?

Episode # 40 of The Sci Phi Show is an introduction to the books and stories of Greg Egan.

The Odyssey Fantasy Workshop has just posted a new podcast, featuring Terry Bisson talking about setting. [via Locus Online]

… Or Is It Donna The Bride?

Donna says According to the BBC, Runaway Bride star Catherine Tate is set to return to the TARDIS for the complete 13 week run of series four (a.k.a. season 30) of Doctor Who, reprising her role as Donna the runaway bride from last year’s Christmas special.

Previously, British media (including the BBC) reported Tom Ellis was going to stay on with the series, possibly in his season-ending role as Doctor Thomas Milligan. These reports have not been discounted – and, of course, it’s also possible that he would visit Torchwood, along with Martha Jones.

In any event, neither Donna the Runaway Bride, Dr. Milligan nor Dr. Jones are expected to be placed between The Doctor and the Titanic this year’s Christmas special. But, to quote Fats Waller, "one never knows, do one?"

Thanks and a tip o’the hat to our pal Lisa Sullivan.

 

Analyzing Amazing

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Marvel Comics announced recently that they will be canceling Friendly Neighborhood Spider-Man and Sensational Spider-Man, while upping Amazing Spider-Man from monthly to three times a month.

Editor Steve Wacker explained to WizardWorld, “It’s a chance to get more Amazing Spider-Man comics out there, quite honestly. It’s because we were already publishing three Spidey books, but what inevitably happens – and it’s happened for decades – is that the books that aren’t Amazing Spider-Man are the first ones that people drop when they need to re-adjust their lists. So the thought was combine what we’re already doing with three titles into one, make them each roll right into one another, almost like a weekly soap opera or television show, and so it’s one-stop shopping for your Spider-Man stuff. You know, historically, from Marvel Team-Up from Web of Spider-Man to Peter Parker to even the current books, no matter how good the stories were within there, they were rarely able to come to the same heights sales-wise as Amazing.”

Taking his lessons from running 52, the summer announcement over the creative team will likely involve key figures running the story and art with built in teams assisting both.  Who they are and how they work will remain to be seen.

But, is the theory a correct one?  Will Amazing, selling at over 100,000 copies a month work at that level?  Or will the average monthly sale be closer to the 50-55,000 a month that the canceled titles were averaging? The Back in Black theme to the three titles these last few months should have bumped Sensation and Friendly closer to the flagship title, but the disparity remains sharp.

Odds are, once the dust settles, some four or five months after the changeover, the title will sell lower, possibly splitting the difference.  If so, that puts it in the 70-75,000 range, which is exactly where Ultimate Spider-Man currently resides (down 50,000 copies or so from its first year numbers).  The title has been pumping out 18 issues a year for a while now and the sales have been steady.

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Big ComicMix Broadcast Explodes!

Pop culture madness takes no holiday as the Big ComicMix Broadcast jumps right into the week with the rubdown of the coolest comics and videos to grab on your day off… plus news of a YaBaDabba Marathon, Reviews of LIVE FREE OR DIE HARD and TRANSFORMERS plus proof positive that even a well rounded guy can strike gold with a mindless top 40 hit!

Press The Button – it’s safer than fireworks! Honest!

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Happy 60th birthday, Dave Barry!

davebarry-5768050Yes, it’s the 60th birthday of Mr. Language Person himself, David Barry Jr. Without his tireless "journalistic" efforts, the world might never know about exploding whales, or how to count to a million billion gazillion, or even what phrases would be good names for a rock band.

So let’s all gather round our monitors and watch the fireworks a day early…

Science Fiction/Fantasy Book Reviews

highlord-3818281I should warn you about these link-lists: Mondays tend to be longer than usual (since there’s a lot of content that goes up on the weekend, or early on Monday), and the beginning of the month tends to be longer than usual. Since we’re just past both of those things, this is going to be a really long one…

Pat’s Fantasy Hotlist reviews Dragons of the Highlord Skies by Margaret Weis and Tracy Hickman.

A.N. Wilson reviews Kazuo Ishiguro’s novel Never Let Me Go in the Telegraph.

SF Crowsnest reviews a whole bunch of things this week:

  • first, here’s a review for Paranormal Borderlands of Science, edited by Kendrick Frazier – a collection of essays by scientists about the plausibility of and evidence for various paranormal claims.
  • and there’s a review of Cory Doctorow’s new short story collection, Overclocked
  • another review covers Kay Kenyon’s new science fantasy novel Bright of the Sky
  • a review of Ian McDonald’s Brasyl
  • a review of Eliot Fintushel’s Breakfast With the Ones You Love
  • a review of Kage Baker’s new “Company” short story collection, Gods and Pawns
  • a review of David Deveraux’s Hunter’s Moon
  • a review of a new art book – James Bama: American Realist – about the cover artist best known for his ‘70s Doc Savage series
  • a review of Charles de Lint’s Memory & Dream
  • a review of Chris Moriarty’s Spin Control
  • a review  of David Anthony Durham’s first fantasy novel, the epic Acacia
  • and several other reviews, too, but my fingers are getting tired.

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DENNIS O’NEIL: Continued stories revisited yet again…

In last week’s installment of what some of you may be beginning to think is an endless blather, when I was discussing movie serials I neglected to mention that serials were among the first non-comics forms to use superheroes. During that decade, lucky young popcorn eaters could see Superman, Batman, Captain America and, in my opinion the best of them all, Captain Marvel in the continued chapter plays that were a staple of Saturday matinees. (That probably doesn’t exhaust the list, but memory is not my greatest gift… At least I don’t think so…) Having seen some of the above-mentioned entertainments, and having, within the past two weeks, seen the Spider-Man and Fantastic Four movies, I realize that the serial makers were born too soon.

Because, let’s face it, some of the serialized costumed do-gooders look kind of silly. That’s because the directors lacked the technology to make them not look silly. It takes an army of costumers, model makers, CGI wizards, animators and, probably, guys whose jobs I’ve never heard of to produce, on the screen, what cartoonists produced with ink on paper in large quantities for lousy pay. Of course, we comics readers had to bring some of our own imaginations to the artists’ static, silent images, but that was okay, we could do that.

Consider the preceding two paragraphs a digression, please. And now we return to our regularly scheduled topic –

What about these continued stories, anyway? Good or bad? Pro or con?

Let’s begin with the obvious con. If you come in late, maybe you’ll have trouble understanding the story. There are remedies for this problem. The serial makers mentioned in the opening digression showed the last minute or so of the preceding chapter before getting on to new material. The old radio serials used a similar technique, and a lot of current television shows begin with a voice over intoning something like, “Previously, on Your Father’s Moustache…” and then we get brief takes of the scenes that will escort us into the new action.

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In Memoriam: Fred Saberhagen (1930-2007)

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Frederick Thomas Saberhagen is reported to have died at his home in Albuquerque, NM on the afternoon of Friday, June 29th, after a two-year battle with cancer.

Fred Saberhagen was best known for the long series of novels and stories about the implacable life-destroying thinking machines known as the Bersekers; the series began with the collection Berserker (1967) and ran for nearly two dozen books in the years since. The Berserkers typified the central SFnal conflict of Humanity versus the coldness of the universe, and Saberhagen rang dozens of changes on that idea, always championing the impulse of life to go on and thrive against all odds. He also wrote many other science fiction novels and stories, beginning in 1961, when Galaxy published his debut story, "Volume PAA-PYX."

Saberhagen’s fantasy work was centered around the long "Book of Swords" series, which began as a trilogy in the early 1980s and extended into a further eight-novel "Book of Lost Swords" sequence, a connection to his earlier Empire of the East trilogy, and a new series begun with 2006’s Ardneh’s Sword. Saberhagen was quoted at the time as wanting to try a fantasy series with a large number of magical objects — the twelve swords — since most such series had only one or two powerful items.

Saberhagen’s horror novels were also notable, with his The Dracula Tape (1975) being a then-modern, very atmospheric retelling of the events of Bram Stoker’s Dracula from the point-of-view of the Count, in his own words. The series continued for another nine books, including The Holmes-Dracula File (1978), in which Dracula encounters Sherlock Holmes. (more…)

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Links About Art and Artists

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SF Revu interviews two artists in their current issue: John Jude Palencar and Stephan Martiniere.

Eddie Campbell has been posting a lot about covers (mostly from Bacchus and related comics from the late ‘90s), but today he writes about what kind of paper he draws on.

Illustration: The Arm of the Stone, copyright John Jude Palencar

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DC toy license goes to Mattel

mattel_logo2-3076756dc2005logo-2094568Warner Bros. Consumer Products has awarded Mattel, Inc., the master toy license for the complete DC Comics Universe of characters and properties.  In addition to the rights to existing DC Comics characters/animation/movies, the multi-year pact provides Mattel with the rights to produce toys based on future DC Universe film and animation projects that are developed and produced during the term of the agreement.  Mattel will support the DC Universe characters across all of its key brands including Hot Wheels, Radica, Fisher-Price, Tyco and Mattel Games. 

The financial terms of the deal were not released, and there’s no word how this will impact the DC Direct brand.

Me, I’m waiting for the Wonder Woman merchandise to start showing up in American Girl stores.

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