Category: News

ROBERT GREENBERGER talks Civil War

bobgreenberger100-6328820It must come as quite a shock to you. We’re talking about a profound cultural shift for the betterment of mankind, People want this, Richard. They need the superhumans of the world to be responsible, properly trained, qualified…and ultimately held accountable. That’s what the initiative is all about. We’re trying to move out of the dark ages of masked vigilantes into a brighter future where tragedies like Stamford can’t ever happen again.

– Tony Stark to Richard Ryder, Nova #2.

World War Hulk began last week and we saw the jade-jawed giant arrive on Earth with a pretty big mad on. With less than twenty-four hours to evacuate Manhattan, Doctor Strange and his, er, estranged Avengers offer to help Iron Man clear the populace. Shellhead magnanimously offers amnesty for their help.

Welcome to the new status quo in the Marvel Universe. The dust continues to settle from the brawl that was Civil War and with all of Earth confronted by a new menace, now’s not a bad time to assess the new political landscape.

After the Mutant Registration Act, unveiled in Uncanny X-Men #181 and passed into law, required all mutants in America to be registered. Those not complying faced criminal charges. Once that was passed, a parallel super-hero or super-power act was an obvious follow up and came up during the Acts of Vengeance crossover. Fantastic Four #335 began the first serious examination of such an act. Reed Richards addressed a congressional subcommittee saying such an act was unnecessary. His odd argument that such a law wouldn’t be followed by the villains anyway struck an odd chord.

While American legislators dithered over it, the Superpowers Registration Act became Canadian law in Alpha Flight #120.

Years went by without much activity on either front with the Mutant law not being vigorously enforced and the super-human law a mere idea.

Then came the House of M. (more…)

Comic Book Box Office Examined

Comic books turned into motion pictures tend to be expensive exercises given the need to create costumes, simulate super-powers and make things sufficiently larger than life to appeal to filmgoers of all ages.

The traditional rule of thumb is that a movie has to earn three times its budget in domestic revenue to be considered profitable.  This way, the cost of production, backend money to producers and performers and marketing costs could be recouped.  After all, studios receive a sliding scale percentage of the box office gross.  For example, if a movie opens with $100 million that first weekend, chances are the studio sees a hefty percentage, anywhere from 50-80% of that income and as time passes, the ratio between studio and theater change so by week 12 (should a movie last that long), the theater gets the lion’s share.  Which helps explain why popcorn costs $5 a bucket – theaters need to earn profit somehow.

International box office as well as ancillary income (pay-per-view, hotels/airplane sales, home video/video downloads, related licensing) was always considered gravy.  Over the last few years, with movie theater attendance stagnant or down, studios have crowed about being profitable by counting all the money now.  

So, with all but one of this year’s comic book related films now showing, we here at Comic Mix thought it worth taking a peek at how well the films have performed.  The numbers below show the box office income to date followed by their production budget. (Marketing costs are an additional $20-40 million depending on film.)

Ghost Rider, $115,802,596 / $110,000,000

300, $210,250,922 / $65,000,000

TMNT, $42,273,609 / $34,000,000

Spider-Man 3, $330,021,137 to date / $258,000,000

Fantastic Four: Rise of the Silver Surfer, $58,051,684 (opening weekend) / $130,000,000

Stardust, August 10

So, from the top, Ghost Rider should have earned $330,000,000 in domestic box office to recoup costs and be profitable.  Instead, it came up short but given how it was received, how it did around the world and how much licensing it brought it, Sony can consider it a hit, albeit a modest one.

Spider-Man 3, despite a critical drubbing, is nowhere near close to ever being profitable.  Unless you look at the international numbers which has it at $800,000,000 with a bullet and will clearly make money for Sony and Marvel.

On the other hand, the all-CGI Teenage Mutant Ninja Turtles was a flop for New Line.  It did not stimulate toy and related merchandise sales nor did it generate any real buzz for the property.

The one movie to succeed in the traditional model was 300, which earned something like $30,000,000 in box office profit before taking in any wordwide box office income or licensing revenue.  Kudos to Zack Snyder and now we know why studios are willing to gamble on him in the future (which is good news for us since his next two films should be Watchmen and Ronin).

And here’s our schedule scoreboard for the future:

2008

Wanted, March 28

Iron Man, May 2

Incredible Hulk, June 13

Dark Knight, July 18

Hellboy 2: The Golden Army, August 1

2009 & Beyond

Superman Returns 2, June 2009 (may be delayed until 2010)

Sin City 2, no date

Watchmen, no date

Captain America, no date

The Second Big ComicMix Video Podcast

Here’s your big chance to see comics creators Mike Grell and Timothy Truman as they talk about their new Jon Sable Freelance (Ashes of Eden) and GrimJack (The Manx Cat) graphic novels — and you’ll be able to preview pages of finished art from these two upcoming tomes! It’s the second Big ComicMix VIDEO Podcast, up and at ’em for your consideration.

All you have to do, as usual, is PRESS THE BUTTON!

 

 

 

 

Frank Miller’s Philip Marlowe

philip_marlowe-2610055Frank Miller will be adapting the Raymond Chandler’s Philip Marlowe in the film version of Trouble Is My Business, starring Sin City‘s own Clive Owen.

According to Variety, "Frank Miller knows more about noir than anyone I have ever met, and clearly the writing of Raymond Chandler has been an enormous influence on his life and his work," Owen said. "Miller adapting Chandler seemed like a perfect match." The hard-drinking private eye cracks cases, busts heads and romances femme fatales in 1940s Los Angeles.

Miller is hard at work adapting and directing Will Eisner’s The Spirit for Batfilm Productions and adapting his graphic novels Ronin and Sin City II to the expensive screen.

Owen joins actors such as Humphrey Bogart, Robert Mitchum, Robert Montgomery, George Montgomery, James Garner, Elliot Gould, Dick Powell, Powers Boothe, Phil Carey, Van Heflin, Gerald Mohr, James Caan and Danny Glover in the role of Philip Marlowe. Good luck, Clive.

Thanks and a tip o’da hat to Richard Pachter.

Monsters Ball James Bond

050905_519_james_bond_logo-1492198Marc Foster, director of Finding Neverland and Monster’s Ball, is set to direct the next James Bond movie.  Monster’s Ball earned Halle Barry an Oscar, so maybe we’ll get to see Daniel Craig smooched onstage as well.

The film, not yet written (although there’s a draft by Neil Purvis and Robert Wade) is scheduled to open November 7, 2008.  Foster will work on the re-write with Paul Haggis.

Since Finding Neverland, Forster directed two movies yet to be released: The Kite Runner and Stranger Than Fiction.

"I have always been drawn to different kinds of stories, and I have also always been a Bond fan, so it is very exciting to take on this challenge," Forster said.

ELAYNE RIGGS: This is for all the fat girls

elayne200-2662843The most recent flap in the blogosphere, probably since wiped out by the twin blog-fodder hurricanes of Wizard World Philly and Heroes Con, concerns some ill-considered remarks made by the magician wife of one of DC’s current star writers. Can you tell which of the following statements she made?

Quote #1: “And you know, also, someone raised the point in, I don’t know if it was in a forum I was reading but it’s something I’ve heard a million times before – but usually, the strongest and loudest protest over sexy things come from ugly fat girls. And now I don’t necessarily agree with that and I’m probably going to get some awesome flame mail as a result of this, but as somebody who’s relatively secure in her sexuality — I don’t think I’m the hottest broad out walking around — I definitely don’t think I compare to some of these comic book chicks — but that doesn’t mean that I don’t like to look at ’em. I find the feminine form very appealing and I’m not at all offended by that.”

Quote #2: “My pretty-girl allies stick out like a sore thumb amongst the corn-fed, no make-up, natural fiber, no-bra needing, sandal-wearing, hirsute, somewhat fragrant hippie-chick pie wagons they call ‘women’ at the Democratic National Convention.” (more…)

Happy 29th birthday, Garfield!

garfield_19_jun_1978-5600786

How did we get to this before Mark Evanier did? 29 years ago today, the above strip brought Garfield to the world at large. Since then, he has consumed more lasagna than the entire cast of The Sopranos and has shed enough hair to clog Hoover Dam. Oh, and a whole lot of books, TV shows, and even a few movies.

Happy birthday, big guy– but now that you’re getting on in years, might you consider watching your weight?

Marvel Axes Friendly Neighborhood and Sensational Spider-Man

spider-man-magnet-c11747788-3745752spider-man-magnet-c11747788-3745752spider-man-magnet-c11747788-3745752

According to our friends at Publisher’s Weekly, this November Marvel is cancelling Friendly Neighborhood Spider-Man and Sensational Spider-Man. They’re replacing both titles with… Amazing Spider-Man.

Yep, Amazing will be coming out three times a month. This one-ups the original Captain Marvel’s twice-a-month release schedule, back in the 40s. But it does beg the question of whether Marvel will follow Mad Magazine‘s lead back in the 1960s by publishing three annuals each year.

An announcement will be made at next month’s San Diego Comic-Con as to how they’re going to juggle the talent workload.

One wonders why Marvel doesn’t just bite the bullet and make Amazing Spider-Man a weekly.

Artwork copyright Marvel Characters. All Rights Reserved. Artwork copyright Marvel Characters. All Rights Reserved. Artwork copyright Marvel Characters. All Rights Reserved.

LICENSING SHOW: Day One

hackman2-9612909The Licensing Show in New York City is a three-day orgy of consumerism.  I don’t mean like Las Vegas is an orgy of consumerism, or like Christmas has been debased into an orgy of consumerism.  No, the Licensing Show is an entire Javitz Convention Center full of companies large and small, looking to expand their properties onto more properties.

Of course, Marvel and DC are there.  So are MGM, Paramount, Disney, Nickelodeon and NASCAR.  If you want to make a toy, a lunchbox, a videogame, a paper plate or a cell phone, and you don’t quite trust yourself with your own ideas, you can buy yourself some help from a brand with a proven track record.  I can understand why you want a license for Batman: The Dark Knight if you make toys or Halloween costumes.  I don’t understand why you want a license for Pledge or Crisco.

As with most conventions, the most interesting stuff is not always the biggest.  Yarto Licensing, for example, is a British company there to promote Hackman: A Dog in a Bucket, a comic strip created by Bill Houston (recently collected into a book by Harper Collins).  Hackman is a spaniel who is so anxious, so paranoid, so stressed out that he scratches himself into one of those over-sized collars.  Naturally, he lives in Manhattan.

mouchoirclub2-2665996There were lots and lots of Asian companies trying to be the next Sanrio (there was also Sanrio, for that matter).  I was especially pleased to discover Aska Studio, a Taiwanese company with lots of properties.  The best, IMO, was the Mouchoir Club, about a box of tissues and a roll of toilet paper that have adventures.  As the handout says, "They bring hapapiness to people; heal them of broken heart.  Moreover, at the same time, they found the meaning of life."  I’d buy a pillowcase that could do that for me.

  (more…)

Smallville / Buffy Star Goes To Torchwood

y-5799155James Marsters will be guest-starring in an episode of the R-rated Doctor Who spin-off, Torchwood.

Perhaps best known as Spike in the Buffy the Vampire Slayer and Angel teevee series and as well as Dr. Milton Fine in Smallville, Marsters has also voiced the role of Lex Luthor in the upcoming D2DVD Superman: Doomsday. He is also a musician and singer, playing solo and as lead singer of Ghost of the Robot.

The second season of Torchwood goes up in the U.K. after the first of the year; the first season goes up on BBC America in September.