Tagged: DC

Review: This Week in ‘Trinity’ #6

Things started to coalesce in last week’s Trinity #5, and issue six keeps moving in the right direction with DC’s big three coming to realize there’s a big problem building, and they’re at the center of it.

This issue has dueling narratives, one part featuring Tarot now hiding out from Morgaine Le Fey’s wolf monsters. Tarot continues to see weirdness in her tarot cards, but she dives into it, seeing Superman, Wonder Woman and Batman appear on the cards and in her dreams.

There are some obvious elements in the cards — Superman on The Sun, Wonder Woman on The Earth and Batman on The Moon — but also a few more mysterious ones. Batman appears on The Magician, and Superman shows up on The Hanged Man, with the drawing making him look like Christ on the cross. Hmm…

Meanwhile, the big three themselves are up in the JLA space station trying to figure out what’s going on and not having much luck. The brand left on Diana’s shoulder by another of Morgaine’s monsters gives them worry, and again Kurt Busiek’s character moments are done quite well.

The two narratives come together as the heroes and Tarot both talk over the nature of the trinity, and their identities as heroes, how they each represent different faces of the same ideal. One strange aspect is that in Tarot’s dream, the people around each of the heroes have no faces, like the Question. Hmm…

(more…)

‘Exterminators’ Headed to TV

  • News
  • July 10, 2008

Simon Oliver and Tony Moore’s bug-annihilating comic series The Exterminators appeared to have taken a lethal dose of RAID, with this month’s issue #30 scheduled as the series finale.

But the story, which was originally pitched by Oliver as a TV series, now comes full circle as it will live on in televised form on Showtime. The Hollywood Reporter has the story:

Showtime is reteaming with "Dexter" executive producer Sara Colleton for "Exterminators," a drama project based on the comic by Vertigo/DC Comics.

Created by Simon Oliver and Tony Moore, the comic centers on an ex-con who joins an exterminator company, working with a freakish supporting cast of characters. A mystery surrounding his girlfriend and the manufacturer of an insect poison percolates on the periphery, and the insects are much more dangerous than they seem.

‘Elfquest’ Movie Moves Ahead

One of the more shocking moments in my life came when I was pretty young and randomly picked up an Elfquest comic book. Tolkien’s stately creatures, these are not.

Now, after years of failed efforts to get the property to screens, Warner Bros. appears to have made major headway toward an Elfquest movie, going so far as to announce a writer/director/producer.

The original comic, which Wendy and Richard Pini initially self-published in 1978, followed a tribe of elves known as the Wolfriders in their attempts to survive and link with other dispersed elves on a Earth-like planet with two moons while on the lookout for tribes of humans and trolls, both of which acted as allies and enemies.

The series — later published by both Marvel and DC Comics — attracted a more mature audience as it went along, with scenes of battles and sexuality that were intense for that time.

Rawson Thurber ("Dodgeball: A True Underdog Story") will write, direct and produce the feature, whose format is undetermined.

One can only wonder how graphic the film will be, and if a whole new generation is set to be startled.

The Flash Added To The DC Comics Network

It wasn’t that long ago we told you that Xbox LIVE added a DC Comics Network channel to its lineup of videos for download on the Xbox 360 gaming console. Well, they’re not wasting any time adding more programming. They’ve added The Flash to the lineup of superhero television shows.

1990’s The Flash, starring John Wesley Shipp, was one of those shows that never got the recognition it should have. It was caught in an unfortunate network struggle for Thursday night between The Cosby Show and The Simpsons. Taking a cue from Tim Burton’ first Batman movie, it was playful but took itself seriously. Comics author Howard Chaykin was on board as one of the program’s writers so the show maintained the right shout-outs to appease comic fans. Amanda Pays perfected the hot, brainy scientist helping Barry Allen with his mysterious powers. And let’s face it, that suit looked cool moving at super-speed.

All that quality was expensive, though, so CBS canceled it after one season when it failed to become a runaway hit. But the show lived on in reruns on the SCI-FI Channel and on DVD.

Visit the official page to see some great previews of each episode — especially episode #12, if you want to see Mark Hamill hamming it up as the Trickster.

Keep ’em coming boys. Maybe you’ll be the ones that will finally distribute episodes of the Adam West Batman series from the ’60s.

Shelf Watch: This Week’s Comics

ikillgiants_cover-8368705Every week I look ahead at Diamond’s shipping lists to see what I’ll be reviewing for the Weekly Haul. Here’s what’s on tap this week (reminder, comics aren’t out till Thursday):

Not sure why, but I’m looking forward to Image’s I Kill Giants #1, even though I don’t have much of an idea what it’s about. The art reminds me a lot of Alex Robinson’s — but with more manga influences — so that might be a lot of it.

Dark Horse has a couple of usual suspects on the way in The Goon #26 and B.P.R.D.: The Warning #1, as well as the Hellboy: Oddest Jobs trade. I’ve been especially impressed with The Goon of late, after it nosedived when Eric Powell shifted his focus to Action Comics and the Chinatown GN.

DC has a fairly ho-hum slate. Tops would be Booster Gold #1000000, though DC’s Web site says that’s not coming out till next week. There’s Final Crisis Requiem, the one-shot that deals with the Martian Manhunter’s death (glossed over in Final Crisis), and the Batman books are tied into the lackluster RIP storyline. Nothing screams “must read.”

Marvel has a big headline with Secret Invasion #4, but aside from that there’s nothing of exceptional interest, aside from the preview for Jeph Loeb and Tim Sale’s Captain America: White and the always excellent Nova (issue 15). Am I the only one already tired of Matt Fraction’s Invincible Iron Man, even though only the third issue is coming out now?

In the small presses, there’s the eighth volume of Bone and the trade of Badger Saves the World. Other than that, pretty slim pickings.

What are you looking forward to?

The Real Day Evil Won

Comic books usually fall back on stories of good versus evil, superheroes battling against villains with the fate of the world on the line.

DC Comics is taking a new spin on that with their big summer event, Final Crisis, which posits that the dark side of Darkseid has triumphed, and the heroes are left scrambling. Grant Morrison, the writer of that incoherent mess, would be well served to take a few lessons from an all too true story of evil defeating good.

In the not so recent past, a wealthy Oklahoma businessman swooped in to buy the Seattle Supersonics (my favorite team in my favorite league, the NBA). The new owner, Clay Bennett, agreed to keep the team in Seattle, where the Sonics had won a championship and built a legion of fans.

Gradually, it became clear Bennett wanted all along to steal the team away to Oklahoma City, spurning his supposed "good faith effort" to remain in Seattle. The man who’s supposed to oversee the NBA and prevent things like entire fan bases from being ripped off is commissioner David Stern, at right.

Unfortunately for Sonics fans, Stern and Bennett are old chums, so the commish managed to actually speed along the move, even telling Seattle it was the city’s fault.

The city did all it could to fight back, but ended up not having the muscle, and the Sonics are now history.

We’ll see if Superman, Batman and company end up victorious in Final Crisis. But in the real world, the good guys don’t always win.

The Question Spotted… at Wimbledon?

The online edition of the British newspaper The Daily Mail is reporting sightings throughout the country of faceless, well-dressed people at events like Wimbledon.

Comic fans might suspect that DC Comics’ The Question, investigator of social corruption, has crossed over to our universe. Not really, but we really wish that would happen.

Instead it’s creative marketing from car manufacturer Lotus.

That is, unless car manufacturers are up to something evil… Hmm.

‘DC Universe Online’ Wants To Be Your MySpace Friend

Just last week, Jim Lee dropped some details on Sony Online Entertainment’s MMO videogame based on DC Comics. We made a wish that screenshots would be soon to follow.

Well, consider that wish granted!

This week’s batch of DC comics featured links to a MySpace page showcasing the first public images of the much-discussed game.

dcu1-1158391

If you’re eagerly anticipating the upcoming PC and PlayStation 3 game, then head on over to www.myspace.com/dcuo for tons o’ details on DC Universe Online.

In addition to screenshots (which we’ve posted after the jump) the site also features developer interviews, Jim Lee concept art, wallpapers, and buddy icons. You might also want to add the social networking page to your Friends List because Sony is sponsoring contests for anyone who makes the game one of their "Top Friends."

But will DC Universe Online comment on my page about that time we got drunk and went to McDonald’s at 2:00 AM? Good times…. good times. (more…)

‘Final Crisis’ tanks; WildStorm Sales Worst Ever

There’s a lengthy breakdown of DC’s May sales up at The Beat, and it only serves as further notice that the ol’ warship is taking on copious amounts of water.

The big story, of course, is the soft debut of Final Crisis, which couldn’t even crack 145,000 issues, a paltry sum for any big comics event. It’s not only well south of the 250,000 issues of Secret Invasion #1 that sold, but even the 178,000 from the much less ballyhooed World War Hulk #1. Not good.

The problem, according to Marc-Oliver Frisch, is mainly one of marketing:

One reason that may have led to this loss of faith in DC’s product is the publisher’s recent string of high-level failures. … Retailers had learned their lessons, and I suppose there was no reason to presume that they were going to forget them when it came to ordering Final Crisis. DC would have to put out all the stops to convince them that this was going to be different.

Which they emphatically did not do. Crucially, DC never bothered to tell anyone what Final Crisis was going to be about. … The slogan with which DC chose to advertise the content of Final Crisis when pressed for it, “The Day Evil Won,” doesn’t really address the problem. I mean, congratulations, so you’ve got a second act in there somewhere, at the end of which the bad guys temporarily win, which they always do.

In short, there is no hook.

Which sounds an awful lot like what I had to say about the first issue.

Things go from worse to, well, worse for DC, as its WildStorm line is basically not selling any comics. The average units sold for the line was a shade over 9,800, which is its worst ever mark, Frisch writes.

All told, sales are down everywhere and a whopping 11 series have been canceled because of poor sales.

The only good point was Vertigo’s new House of Mystery series, which debuted at well more than 20,000 copies.

J.G. Jones on ‘Wanted,’ ‘Final Crisis’ and his Newspaper Background

31_26_jgjonesinpaper1_z-1420866So far, the one saving grace of DC’s Final Crisis has been the superlative artwork of J.G. Jones, previously best known for his stunning covers to DC’s weekly series 52 and the art in Mark Millar’s Wanted.

Out of the "little known fact" department comes a profile of Jones in the Brooklyn Paper, where he previously worked as, among other things, an editorial cartoonist. I wish the paper would’ve reprinted more of his cartoons, but at least they pulled from the archives the one seen at right, which shows some skillful inkwork and an economic use of space to push a complex story.

The article is quite a good read, touching on many interesting subjects, including how the newspaper experience helped Jones succeed in comics.

“There’s no question that creating on deadline is the best experience,” Jones told The Brooklyn Paper via phone from his West Orange, N.J. home. “It’s the same thing in comic books. Just like at The Paper, we have some very long nights.”

Back in his glory days at The Paper’s old headquarters at 26 Court St., Jones worked part-time while he pursued his larger dream: to be a painter.

Ah, but that dream, like so many other dreams that newspaper people cling to like battered childhood dolls, never quite worked out.

(via Journalista)

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