Tagged: DC

Review: Final Crisis #1, by Grant Morrison and J.G. Jones

finalcrisis-1-7954193 Before we even get started here: SPOILER WARNING!

(So don’t say I didn’t warn you.)

DC’s tentpole summer event, Final Crisis, is finally here, and it couldn’t be more of an antithesis to Marvel’s Secret Invasion. While the latter has been a wall-to-wall action blowout, Final Crisis has kicked off with a rambling, contemplative first issue.

Of course, you know the score with Grant Morrison at the helm, and he’s predictably vague and cutesy. And the very first pages fit right into expectations, with a meeting between Anthro and Metron at the dawn of man that alludes to great depth, if not actually providing it.

From there, the book bounces maddeningly from spot to spot, never settling enough to develop a rhthym, or give a firm footing to readers.

There’s Turpin and the Question looking over Orion’s dead remains. There are the Green Lanterns talking in binary (“1011” signals a god’s death). There are heroes and villains fighting over Metron’s chair. There are the villains uniting for the umpteenth time. And…

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Sex In The City, by Michael Davis

No less than eight women and two gay men, all friends of mine, have asked me whether or not I was going to see the Sex And The City movie. I’m lucky (or unlucky depending on your point of view) to be able to see Hollywood films before their release. I have seen Sex And The City. Before you go on, I must tell you that I am going to reveal important plot elements as well as the surprise ending.

The plot of the films is this: four friends, Carrie, Samantha, Charlotte and Miranda, are now all over forty and dealing with life at middle age. Carrie and Mr. Big are planning their wedding. Mr. Big finally tells Carrie what he does for a living and how he got his nickname.

The scene played out like this:

Carrie: Now that we are going to be married, don’t you think I should know your real name and what you do for a living?

Mr. Big: Yes, Carrie, but you better sit down.

Carrie sits down. She has a look of fear and anticipation on her face.

Mr.Big: I love you, Carrie. No matter what happens between us please know I love you.

A tear starts to roll down Carrie’s cheek.

Carrie: You… you’re scaring me Big.

Mr.Big: I’m sorry baby. Look, there is no other way to say this so I’m just going to say it.

Carrie is now shaking and the tears are flowing freely. She begins to sob. (more…)

Review: ‘Batman Grendel’ by Matt Wagner

 batman-grendel-4721219Batman Grendel
By Matt Wagner
DC Comics/Dark Horse, February 2008, $19.95

[[[Batman Grendel]]] collects two short series – each one was just two 50-page issues long – originally titled [[[Batman/Grendel]]] and [[[Batman/Grendel II]]]. The slash has disappeared for the collected edition – perhaps because now the names of two male characters separated by a slash brings with it entirely different expectations?

(I’m reminded of Terry Pratchett’s never-quite-named character, from a tribe who are called after the first thing the mother sees after birth, who wished, desperately, that his name was Two Dogs Fighting.)

(And the very small “Vs.” on all of the online bookshots does not actually appear on the book itself, which is simply titled Batman Grendel, as if it were the product of some comic-book equivalent of a corporate merger.)

So what we have first is a 1993 story with Batman battling the original Grendel, Hunter Rose – who is in many ways something like an evil Batman, or a twisted mirror image. Rose is a self-made man, master of arcane fighting arts, and the scourge of the underworld in his hometown…although that’s because he took over in his town. Rose is incredibly violent in a very comic-booky way – he has the typical nonpowered superhero’s utter control of violence and movement, but uses it to slaughter at will.

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Indiana Jones and the Secret to Adventure, by John Ostrander

Spoiler warning: Spoilers. Why did it have to be spoilers?! I hate spoilers. Hate ‘em! Unfortunately, I can’t talk about what I want to talk about regarding the latest Indiana Jones flick unless I spill some beams. So I’m warning you upfront. The spoilers won’t appear until after the break and I’ll give you a final warning before I go into them. If you want to just skip the column this week, I’ll understand… this week. Don’t make a habit of it. I know where I live.

Wait. That didn’t come off right.

Okay, I’ve gotten out the fedora and went off to see the new Indiana Jones flick, Indiana Jones and the Kingdom of the Crystal Skull. As much as I’m a Star Wars fan (and I’d better be – I’ve been writing Star Wars for about eight years now and you can see what I’m doing in Star Wars: Legacy and, yes, that’s a plug), I’m a bigger goon for Dr. Jones. Even before Raiders of the Lost Ark came out, I was a fan because George Lucas talked in interviews about how his new movie originated in his and Steven Spielberg’s love for the old Saturday Matinee Serials. I knew exactly what he was talking about. I loved ‘em, too. Still do.

Saturday Matinee Serials are also known as “chapter plays” and originally were shown in movie theaters on Saturdays as a way of getting the kids to come back, week after week. They would last 12 to 15 chapters and each one would end with a cliffhanger for the hero or heroine with no way out. Of course, when the next chapter appeared, they showed you the segment that they hadn’t previously shown you which allowed said hero/heroine to escape just in the nick of time. The serials date back from the dawn of cinema to the early 50s when they fell prey to the confangled new invention that was to blight/enrich all out lives, television.

And it was there that I discovered the Saturday Serial. The old serials were re-packaged for Saturday Morning TV kid’s fare and, like the old matinees, were part of a package. It was here that I discovered these often cheesy pleasures. I remember Tim Tyler’s Luck – a 1937 Universal jungle adventure adapted from the comic strip of the same name. The strip petered out only in 1996. I also remember Don Winslow of the navy, also based on a comic strip of the time. In fact, it’s amazing how many of the comic strips and books of the time were adapted into serials – Dick Tracy, Superman, Batman, the Shadow (yeah, he had a comics strip), Spy Smasher, and an excellent version of Captain Marvel, among others.
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Interview: Ivory Madison on ‘Huntress: Year One’

huntress-year-one-1-4841045It’s no small feet for a comic book character to last over 60 years — but that’s exactly what the Huntress has done. 

Debuting in the ‘40s as a villain for Wildcat, she was recreated for the Silver Age as Helena Wayne, the daughter of the Batman and Catwoman of Earth-2, which was an alternate universe established in the early 1960s as the world where DC’s Golden Age stories took place. However, following DC’s Crisis on Infinite Earths miniseries in 1985, the Helena Wayne version of the Huntress was removed from continuity.

In 1989, due to the popularity of the character, DC introduced a new version of the Huntress. She had the same first name and a similar costume, but an entirely different back-story and personality. The Modern Age Huntress, Helena Rosa Bertinelli is the daughter of one of Gotham’s mafia bosses. After seeing her entire family murdered by a mob hit, she vows revenge for her slain relatives. In Huntress: Cry For Blood by Greg Rucka, Huntress’ origin was revised. Originally, Helena believed that Franco Bertinelli was her father. She came to discover that her father was actually Santo Cassamento, the don of a rival mafia family, who was carrying on an affair with Helena’s mother, Maria.

The Huntress has been a member of the JLA, the Outsiders and most recently the Birds Of Prey. Not to mention, she had a recurring role on the animated hit Justice League Unlimited and a staring role in the WB’s failed television series, Birds Of Prey. Proving that her character is strong enough to survive many years and several makeovers, she returned this month in her own miniseries.

Huntress: Year One looks at the early days of Helena Bertinelli’s crime fighting career. Written by comic book newcomer Ivory Madison, the book promises to give fans of the character some real insight to her beginnings and what makes Helena the hero she is today.

I had the opportunity to speak to Madison about the new book, her love for all things Bat-related and her multifaceted career.

COMICMIX: How did you end up working on Huntress: Year One for DC?

IVORY MADISON: I’ve always wanted to write comics. I’m a DC Comics person and I’ve always been obsessed with Batman and anything Gotham-related.

It all started when I tried pitching a reintroduction of Batwoman and they said they were already doing it. I was briefly thrown, and had to shift gears or lose my momentum. I wrote a Batman one-shot, which they bought, and that got me the opportunity to pitch something for Huntress. That led them to step back and say, “Hey, we need a foundation for this character. We need a Year One.” I was very lucky to walk into that. (more…)

Happy Birthday: Carmine Infantino

showcase4-7041328

Flash Fact: Born in 1925 in Brooklyn, New York, Carmine Infantino might have been expected to go into music—his father was a musician, though he also worked as a plumber—but turned to art instead. While still in high school Infantino started working for Harry Chesler’s comic-book packager. Next he became an art assistant at Quality Comics. His first actual drawing job came at Timely Comics in 1942, where Infantino inked "Jack Frost" in USA Comics #3. After finishing high school Infantino continued to work for several places before finally landing a staff job at DC as the regular artist on the Golden Age Flash, Black Canary, Green Lantern, and the Justice Society of America.

He is probably best known for his work creating the second Flash, Barry Allen, and his distinctive red uniform. In 1967 Infantino became an art director at DC, and was promoted to editorial director a short while later. In 1971 he became publisher, but eventually left that position to go back to drawing on a freelance basis. He retired in 2005, though he still appears at comic book conventions. Infantino has won a National Cartoonists Society award and twelve Alley Awards, including a special Alley in 1969 for being the artist who “exemplifies the spirit of innovation and inventiveness in the field of comic art.”

Review: ‘Burnout’ by Rebecca Donner

burnout-6585070[EDITOR’S NOTE: This is the first in a series of reviews of the five books coming out from DC’s Minx imprint this year.]

There is something almost daringly simplistic about Burnout ($9.99), as the central character Danni directly narrates her own story of teenage love and angst. No surprise, then, that fire is the central imagery to the book, unapologetic flames that do nothing but burn.

The first comics work of Rebecca Donner, who’s published work in nearly every other medium, Burnout finds Danni and her mom relocating to a remote locale, a forresting town. It’s quiet, aside from the drunken shouting of her mom’s new boyfriend.

The boyfriend’s son, Haskell, is the smoldering love interest, a young man angry at the world and especially at loggers, whom he attacks with near-thoughtless contempt. As Danni falls into a crush on Haskell she also falls into his world of ecoterrorism, and Donner turns the heat up even more.

A few times, the story becomes overly cute and childish, but by and large it is a stern book, as self-serious as the teenagers it describes. That’s not meant as criticism — Donner very effectively translates the caged sensation of youth, and the struggles (often misguided) to break free.

Minx books are at their best when they speak honestly with their intended audience of adolescent girls, and while the message of Burnout isn’t a happy-go-lucky one, it is honest. For that and much more, it’s a story that lingers in the mind, like the sharp pain of a burn.

[NOTE: I recently chatted with Donner about the book over at CBR.]

Van Jensen is a former crime reporter turned comic book journalist. Every Wednesday, he braves Atlanta traffic to visit Oxford Comics, where he reads a whole mess of books for his weekly reviews. Van’s blog can be found at graphicfiction.wordpress.com.

Publishers who would like their books to be reviewed at ComicMix should contact ComicMix through the usual channels or email Van Jensen directly at van (dot) jensen (at) gmail (dot) com.

 

The Weekly Haul: Reviews for May 23, 2008

Kudos to Marvel, who blew the pants off the competition in this week’s batch of issues, with an unprecedented four books being so good I have to list them all as tied for the top spot. And, surprise surprise, none of them were Skrullapalooza ’08 tie-ins.

Superheroes aside, a good mix of indies came out as well, making for a well rounded week that I’ll count as an early birthday present to yours truly.

Book(s) of the Week — While these four Marvel books are all essentially equals, the pole position goes to Black Panther #36. Now, I’ve long been something of a Reggie Hudlin hater, but he packs so much story into this issue without making it feel overloaded that it reads like a pre-Bendis Era comic. Killmonger – who makes a surprisingly good villain – rallies a destitute African nation around him in a way that truly captures the continent’s actual unrest. Meanwhile, we finally see the Storm-BP marriage addressed in a believable way, some intense fighting and the line of the week: "He’s already the Mole Man! What more could we do to him?"

Over in Ghost Rider #23, Jason Aaron follows last issue’s big buildup with a huge explosion (literally), and a storyline that perfectly depicts just how tortured Johnny Blaze really is. The art, by Roland Boschi, continues to shine, all scratchy and intense.

Captain America #38 makes the cut as another flawless entry from Ed Brubaker and Steve Epting, with special credit for an entirely plausible and non-Skrullish explanation to the mysterious Steve Rogers that Sharon found last go-round. Meanwhile, Bucky continues to gain his sea legs as the new Cap and the Red Skull’s plans meet political reality.

Lastly but not leastly, Peter David wraps up his Arcade storyline in X-Factor #31, which pulls readers deeply into the looming destruction of Mutanttown with the little emotional moments David is so good at. He also lets Arcade continue to be a relentlessly entertaining villain and makes this team of non-heroes truly heroic.

The Runners Up:

Scalped #17 — I’ve always been on the fence about this series, which has gone back and forth between too action-heavy and too slow. This issue strikes a solid balance as the community buries Dash’s mother and he finally lets himself mourn.

Robin #174 — The best from DC this week, as Robin and Batman figure out the identity of the new hero muddying Gotham’s waters. I won’t spoil it here, but it’s a true surprise that doesn’t seem TOO contrived. The real highlight is the realistic way Chuck Dixon captures everyone’s emotional response to the big news.

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Bizarro Am Not On Sports Illustrated Cover

 I knew I wasn’t the only person looking at this year’s baseball season and wondering if something unnatural was to blame for the state of the league. Of course, the best indicator of something amiss with the sport is probably the fact that my fantasy baseball team is actually doing well this season… which never happens.

Nevertheless, the strange state of affairs in pro baseball works to the benefit of the comics community as DC announced today that an upcoming issue of Sports Illustrated will feature Superman’s  negative-image nemesis, Bizarro, on the cover.

From the press release:

Superman has appeared on the cover of TIME Magazine. Wonder Woman graced the debut issue of MS. MAGAZINE. And Batman has appeared on a number of magazine covers, most notably LIFE MAGAZINE. Now, classic Superman villain Bizarro, smashes his way onto the newsstands with the latest issue #2263 of SPORTS ILLUSTRATED, which reaches newsstands on May 26. The cover, by comic book superstar Mark Bagley, takes a look at the “Bizarro Baseball Season” and features a member of the Tampa Bay Rays knockin’ the stuffing out of everyone’s favorite Yankee, Derek Jeter.

And now I feel obligated to share with you the great headline DC’s PR crew came up with for the announcement:

FOR NOT IMMEDIATE RELEASE: BIZARRO NOT MAKE COMIC BOOK HISTORY WITH APPEARANCE ON SPORTS ILLUSTRATED COVER

It’s no secret that I hate hate hate parroting press releases on the site here, but I couldn’t resist passing this one along. You win this round, DC.

A larger version of the image is posted after the jump. (more…)

Fundraiser Update: DC/Warner Bros. Cancer Charity Fiasco, Gene Colan News

It seems as if DC/Warner Bros. have relented a smidge in their decision to shut down a set of auctions benefitting a childhood cancer charity… but only a smidge. Actually, it’s more like a half-smidge. Or possibly a micro-smidge. Anyways…

Thomas Denton reported on his blog this week that DC/Warner Bros. has allowed him to reactivate one of the charity auctions the company had previously shut down. After noticing that the auction had been reinstated on eBay, Denton claims that he sent a letter to DC/Warner Bros. (which he’s posted on his site) asking if this meant he could reactivate all of the aborted auctions.

One of DC/WB’s anti-piracy department representatives responded, telling Denton, "We made a [sic] exemption for the item that was relisted."

Denton writes that he’s currently investigating whether it will be feasible/worthwhile to relist the piece, a Paul Salvi illustration pictured here, but reminds readers that he still has a number of impressive, non-DC properties available on eBay.

In other news, Cliff Meth recently reported on his website that he has spoken with unnamed "executives at Marvel" who "offered Adrienne [wife of suffering artist Gene Colan] and I some of the many things that they plan to do for the Colans to provide immediate and long-term relief." However, Meth offers no further details about the arrangement.

We reported earlier this week on the various ways the industry has rallied to support legendary illustrator Gene Colan as his family struggles to pay for mounting medical costs related to his kidney failure.

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