Tagged: DC

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Happy Birthday: Barbara Slate

slate-8997718Born in 1947, Barbara Slate started out in greeting cards before moving to comics. In 1974, she met with a greeting card buyer from Bloomingdales and showed him 24 feminist greeting cards she had designed. Thus, the "Ms. Liz" line was born.

Ms. Liz then became a comic strip in Cosmopolitan, and then an animated feature on The Today Show. Next, Slate spoke to Jenette Kahn of DC Comics, who hired her to create Angel Love. From there, Slate moved to Marvel to create Yuppies from Hell and Sweet XVI (which won a Forbie Award in 1991), and then began working on Barbie and Barbie Fashion (which won the Parent’s Choice Award in 1992 and 1993).

Slate has also written for Disney Comics (Pocahontas and Beauty and the Beast) and Archie Comics, among others. Currently Slate writes for Archie Comics, teaches graphic novel and sequential art workshops, and has a syndicated column called “You Can Do A Graphic Novel.”

The Weekly Haul: Reviews for May 8, 2008

Simply put, a huge week in comics, with a full load of books even before we get into Skrullapalooza 2008. Though a few decent indies came out, superheroes dominated the shelves, and Marvel’s superheroes especially, including a couple of big debuts.

Book of the Week: Nova #13 — A comic has to be pretty dang good to overcome a cover like the one at right, which seems to show Nova and Silver Surfer en flagrante as Galactus serves as an interstellar peeping tom.

Despite that, Dan Abnett and Andy Lanning’s space book shows no Annihilation hangover, keeping the pedal all the way to the floor. Back to trying to serve as a cop of the cosmos, Nova responds to a world being destroyed by Galactus. In a great catch, Nova realizes the world is already doomed, so he focuses instead on the rescue mission (with nice allusions to FEMA and Hurricane Katrina).

As if that wasn’t enough, the writing crew throws in the complicating villain Harrow, a malevolent and vague force that feeds off suffering — a clever parallel to Galactus’ appetite.

No kidding, this is one of the best superhero comics right now, and easily the most enjoyable space story in recent years.

Runners Up:

The Boys #18 — The comic known for its raunchiness is as bellicose as ever, with a constant peppering of cursing that almost makes Deadwood seem prim and proper. While that’s what the series has come to be known for, this issue surprises in how well it captures interactions among the characters in low-key ways.

Of course, there’s also a lengthy scene of a floating corpse peeing all over…

The All-New Atom #23 — Escalating craziness is the proper description for this series. Ryan is now in some sort of alternate universe, where his friends (thought to have been eaten by last issue’s monster) are fending off bizarre monsters. A classic bad-to-worse issue, with lively art from Pat Olliffe and another great cliffhanger ending.

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‘Final Crisis’ Preview Debuts

No matter how many times I hear about DC’s upcoming event-to-end-all-events Final Crisis, I can’t help saying its name to the tune of "<a href=”

Final Countdown." Is there something wrong with me?

Moving on…

DC just sent word that EW.com has posted a five-page preview of… Wait for it…

IT’S THE FIN-AL CRI-SIS…

While that’s all well and good, they’ve also posted a nice little drop-down Grant Morrison script for each of the pages. I dig it immensely — especially since I didn’t realize that a character was actually supposed to be looking over the shoulder of another character (and not at him) until I read it in the script.

I wonder how much stuff like that I miss every week. sigh

What I Can’t Write About, by Elayne Riggs

So last week my column was criticized for not being primarily about comics, the same day that my fellow columnist John Ostrander got over a dozen comments writing about politics, not one of which queried the appropriateness of his subject matter. Obviously people who have written and drawn comics for a living (Denny, Michael, etc.) can get a little more slack than someone who’s only ever written four comic book stories and had them all published. Not that I’m bitter! Oh no, indeedy; I’m actually grateful those critiques have given me fodder for this week’s column!

As I mentioned in my reply to this criticism, I understand some readers’ frustration with me not writing about comics more often. Even my mom asks me why I don’t focus on comics more often, and she doesn’t even read the stuff! But after all, ComicMix is a pop-culture site dominated by people heavily invested in the artform. Heck, that’s what CM 2.0 is all about, giving our readers original comics content. And we haven’t yet introduced a separate tab for our columns to distinguish them from our regular pop-culture news, so it’s probably reasonable to expect that we columnists will focus on comics as much as our news reporters do. And I love reading comics, but… but…

But nowadays, when I talk about my favorite reading material and hobby and community, I can usually only discuss what’s happened recently, not what’s going to happen in the near future or even Right This Very Week. As many of you know, this wasn’t always the case. About 10-15 years ago I did weekly comic book reviews on Usenet and CompuServe under the header "Pen-Elayne For Your Thoughts." I’d get the books on a Wednesday and most of the reviews would be up by Friday. My job at the time allowed me to do this, I was being somewhat under-used (technology and outsourcing would eliminate that position in ’97) and I had plenty of energy when I got home. Then I got a new job which proceeded to harness a lot of that energy, so the reviews had to go, I just couldn’t keep them up any more.

When I married Robin, I stopped buying most DC books the week they hit the stores, because as a regular freelancer for DC he receives a comp box each month of all the "pamphlets" they put out. For a time the comps were usually current to within a couple weeks of what was in the stores, so I could still keep up as plot discussions moved from Usenet to message boards. But by the time blogs became big, the synching had fallen a bit behind. (The new comp box arrived at our house on Monday, and I now have all the Countdown issues up until "04," when of course the current big discussion is about the final issue.

I also now have the first issue of Tangent: Superman’s Reign so I can finally read issue #2 which Robin inked and which came out in stores the Wednesday prior to the NY Comic Con. Just to give you an idea of the lag time here.) Four years ago, when my boss moved the office out to Westchester, my weekly visits to Midtown Comics to view the new books and collect my non-DC haul became an every other (or every third) week mail order. And because I no longer had the new comics when most of the active online discussions took place, I could no longer participate. By the time I acquire and read the book featuring the return of Barry Allen, or the mostly-Spanish issue of Blue Beetle that has this xenophobe’s drawers in a bunch, it will be well into June and everyone will have long since moved on. (more…)

ComicMix Radio: The Heat Continues

Coming off a weekend where Iron Man breaks movie records and 2 million free comics are handed out, the momentum for this week doesn’t slow down. Like good ol’ Ringo Starr, walk into your comic store and you will see:

— DC fills in some background for Final Crisis and finally finishes off the Donner story

— Secret Invasion #2 hits the stores

— Plus: 100 Hulks go on display

Before you Press the Button we should tell you that seconds after this photo was taken, Pete Best snatched this comic from Ringo and ran out the door as fast as he could, shouting, “Finally, revenge!”

 

 

And remember, you can always subscribe to ComicMix Radio podcasts via badgeitunes61x15dark-9512224 or RSS!

Wrath, by Dennis O’Neil

Don’t stop me if you’ve heard this one…

Harry is homeless. Once, he was a successful venture capitalist with three lavish homes, a beautiful wife and a charming daughter, but then he lost his money in a bad real estate deal, his wife ran away with a televangelist, and his daughter started living with a crack dealer and not answering her phone. While panhandling near his old office, Harry met an friend who knew of a deal that would restore Harry’s fortune – hundred percent, guaranteed – and with his bank account restored, Harry was sure he could reclaim his family and his lifestyle. The problem was, Harry needed a thousand dollars to get in on the deal and he had no way to get it; his credit was maxed out and no one he knew would lend him another cent. He’s now passing a church, his head bowed in misery, when he sees a thousand dollar bill laying in the gutter. He can’t believe it! He is saved! He bends over to pick up the bill and…he’s hit by a truck. Laying there alone in the filth, Harry knows he’s breathing his last. He looks up at the sky and cries, “Why?” And a voice booms from beyond the clouds, “Because you piss me off.”

One of my favorite jokes and one I’ve been thinking of this weekend because, somehow, I’ve run afoul, again, of my old foe Crankus, the spiteful god of technology. Ol’ Mr. Macintosh in front of me has been acting up and the gentleman, polite but not terribly helpful, at the Mac store wasn’t exactly sure why. Larry and his friend Perri graciously offered to reinstall the Microsoft Word program, because I don’t trust myself with even elementary technological tasks, and so far, so good.

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Video: Iron Man and Batman in ‘Hi, I’m a Marvel… and I’m a DC’

A little while ago, we told you about the "ItsJustSomeRandomGuy" panel at New York Comic Con featuring the popular YouTube filmmaker and his series of action-figure films based on Marvel and DC characters.

Late last week, his latest film hit the InterWebs — just in time for the debut of Iron Man in theaters (you can read the ComicMix reviews of the film here and here). While RandomGuy’s series has been sort of hit-or-miss for me up to this point, this one’s a keeper.

This time around, Iron Man and Batman address some of the similarities between their origins and their upcoming films.

 


 

On a side note, here’s hoping ItsJustSomeRandomGuy can finally replace that weird "Thorbuster" Iron Man figure now that Ol’ Shellhead has line of movie-based figures hitting shelves.

Weekend Window-Closing Wrap-up

A bunch of things that have been open on my browser, but may not deserve a full post of their own…

  • I have no idea where this Power Girl image came from, but I’m thinking that there’s a fan film out there that I don’t know about. Can anybody help me out?
  • Digital drawing tutorials in a Lackadaisical style.
  • Bobby Crosby says it really wasn’t an April Fool’s joke: Last Blood, a story about vampires protecting the last humans on Earth from zombies, is being adapted for the screen.
  • Finally, you can scan your comics without cracking the spine! As somebody who occasionally has to do this when we don’t have the original film to reproduce from, this is a godsend. Now if only somebody had a cheap tabloid scanner for the Mac…
  • Neil Gaiman gets around– here’s an article by Yvette Tan about meeting him in a Phillipine magazine.
  • The ten sexiest cartoon women…? Uh, not quite. No animated Zatanna? (Might be NSFW, depending on your workplace.)
  • Ian Gibson! (For you young ones in the audience, he did Secret Invasion 20 years ago for DC.)
  • One of these panelists is not like the others… one’s wearing a hat.
  • Dan Grauman?
  • And finally, the comic movie premiere we were all waiting for this weekend– Super Ninja Bikini Babes! …what, there was another comic book movie premiering this weekend?
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Ian Shaughnessy Emerging, by Michael H. Price

shaughnessy-book-cover-2446541From V.T. Hamlin in the 1920s and Etta Hulme during the mid-century, through the Superman books of Kerry Gammill in times more recent, Tarrant County, Texas, has long yielded a wealth of storytelling artistry to the comics industry at large.

An ambitious new representative of that regional-breakout scene is graphic novelist Ian Shaughnessy, of Arlington, Texas. Shaughnessy’s books for Portland, Oregon-based Oni Press – including an edgy comedy-of-errors called Shenanigans, with the Canadian illustrator Mike Holmes – bespeak a childhood fascination with comics, filtered through a lifelong love of language and an interest in taking the words-and-pictures medium to provocative literary levels more commonly associated with the present day’s independent filmmaking sector.

“I find myself writing under the direct influence of Billy Wilder,” says Shaughnessy, 24, invoking the name of a great screenwriter-director whose career spanned from 1929 into the 1980s. “I discovered Wilder during the 1990s with The Apartment [1960], then with Double Indemnity [1944], and found myself very inspired – in a lasting way.

“With Shenanigans, I found myself attempting to honor the spirit of Billy Wilder – that mastery that he had of romantic tensions, with finding the humor in awkward situations – as a key influence.”

Any such talent needs a practical springboard. With V.T. Hamlin, the creator of a famous comic strip called Alley Oop that has survived him by many years, the springboard was a cartooning job at the Fort Worth Star-Telegram. Hamlin spent much of the 1920s at the daily paper, generating such local-interest attractions as a serialized feature about a formidable minor-league baseball club, the Fort Worth Cats. (A retrospective collection of Hamlin’s Oop-prototype Panther Kitten cartoons is in preparation, along with an earlier Hamlin gag strip called The Hired Hand, whose booklet edition has been out of print since the 1920s.)

For Etta Hulme, the Star-Telegram’s signature opinion-page cartoonist since 1972, an early breakthrough lay in a post-WWII comic-book series about a cowboy critter named “Red” Rabbit. Graphic designer and Web publisher Kerry Gammill spent the 1980s and earlier ’90s as an illustrator with Marvel and DC, then moved into motion-picture conceptual art on such productions as 1998’s Blues Brothers 2000 and 1999’s Storm of the Century.

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Iron Mug: 7-Eleven’s ‘Iron Man’ Slurpee Cup

000_2624tm-20394077-Eleven convenience store chains have a long history of releasing character-licensed Slurpee cups based on Marvel and DC properties, so it wasn’t a big surprise when I heard that Iron Man was next in line to help reacquaint thirsty customers with the effects of brain freeze. On the eve of the Iron Man movie release, I ventured into a local shop and had a look around at the Iron Man merch.

While there are regular, movie-based lenticular cups with little figures on the straw, it’s the Iron Man helmet and replica mug that brought a smile to my face. Sure, adults groan about merchandising, but the kids inside of us love it. Yes, comic book fans across America, you now have a new pen holder… or whiskey mug, if that’s your thing.

Here’s the official word on the promotion:

A collectible, refillable mug features the red and gold helmet of Iron Man’s Mark III suit of armor.  The 28-ounce mug retails for $3.29 and includes a Slurpee fill up. Additionally, 7-Eleven will offer three different Iron Man Slurpee spoon-straws with detachable Iron Man and Iron Monger figurines for a price of $1.49 each.

Check out the photos posted after the jump to see how cool this is… (more…)

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