Tagged: Action Comics

Drew Struzan Retires

Legendary movie poster artist Drew Struzan announced his retirement earlier this week. According to a post at The Raider, Struzan made the announcement this way on September 3:

"Having been working at not working has produced a guy who could never return to illustration again. It took a lot to attempt the idea of retiring from my 40 years of effort and sacrifice but now that I have, I am delighting in life as never before. I had forgotten how to rest, to smell the proverbial roses and to see the future as opportunity. I am grateful and honored to have had the opportunity to do all the work I did. I am well pleased to have been able to give a gift of beauty and peace through my artwork to so many throughout the world. Now I have laid down the burden and have peace and happiness as the reward for my day’s labor."

Struzan, of course, is best known for his paintings for George Lucas and Steven Spielberg, notably Raiders of the Lost Ark.  His film credits also include E.T., Back to the Future, Blade Runner, The Goonies, the Muppet movies, Harry Potter, and Hellboy.

He’s done countless science fiction and adventure book covers including a rare foray into comics for Action Comics #800.

His album art has stretched from Black Sabbath to Alice Cooper, Dean Martin to Roy Orbison.

His contributions to the field are much appreciated and his efforts will be missed.

Superman Timeline

As most of us know, this year marked Superman’s 70th anniversary. And as if that weren’t enough to engender conversation about the Man of Steel, Brad Meltzer’s new novel Book of Lies  has prompted quite a bit of discussion concerning Martin Siegel, who died during an armed robbery and whose son Jerome "Jerry" Siegel subsequently wrote the story of a bullet-proof alien who was invulnerable to all frailties.

So with all this talk going around about Superman’s beginnings, we here at ComicMix thought it was time to put together a small Superman time line. Please note, this time line is focused solely on Supermans’ adventures in the comics and not with his stories in other media.

1933 – Jerry Siegel and Joe Shuster publish their story “Reign of the Super-Man." In the story, the title character is a bald homeless man named Bill Dunn who gains telepathic powers from a mad scientist’s experiment and intends to take over Earth. After this, Siegel writes up a new version of Superman who is secreatly named Clark Kent and is, in fact, an alien named Kal-L, son of Jor-L and last survivor of the dead planet Krypton. Shuster does artwork for the comic strip and they begin to submit it. The story is rejected by 17 different publishers over the next five years.

1938 – Superman/Clark Kent is finally introduced in Action Comics #1. Although Siegel has plotted out the name of Superman’s parents and planet, none of these are actually named in this issue’s origin story. Superman is said to have great strength, resistance to conventional injury, and is able to leap 1/8th of a mile.

1939 – In Superman #1, the planet Krypton is finally named in the comics. It is also mentioned that Clark Kent was raised by a kindly, elderly couple. His adopted mother is named “Mary Kent” and it’s said that she and her husband died soon before Clark moved to Metropolis.

1940 – In Action Comics #23, Clark’s newspaper The Daily Star is officially renamed as The Daily Planet and Superman has his first fight with “Luthor, the mad scientist.”

1941Superman #10 features our hero actually defying gravity for the first time by hovering in the air. Previous to this, it was always stated in the comics that he could only leap over great distances. Superman #11 confirms that Superman can now fly, just like in the cartoons and radio shows.

1942Superman #17 reveals that the Man of Tomorrow has a hidden base known as the Secret Citadel, located inside a mountain range nearby Metropolis.

1945 – The character of Superboy (an adolescent version of Superman) and his hometown of Smallville are introduced in More Fun Comics #101. Initially, this is treated as a separate continuity from the mainstream Superman stories.

1948 Superman #53 names Clark’s adopted parents as “John and Mary Kent.”

1949 – Kryptonite makes its first comic book appearance in comics in Superman #61 (originally, it was only used in the radio plays). In this story, Kryponite is colored red but in all subsequent stories it is colored green (other forms of Kryptonite with different colors will appear later on). In this same story, Superman finally learns the name and history of his home planet Krypton, even though readers have known such facts for years already. (more…)

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Interview: Geoff Johns on “Final Crisis: Legion of Three Worlds” and his Favorite Projects

action-comics-863-teaser-p-23-00-6574178Back in June, I spoke to superstar writer Geoff Johns about the return of Brainiac in Action Comics and all things Superman. With this month’s release of the first issue of Final Crisis: Legion of Three Worlds, I spoke to the writer about bringing back one of DC’s most beloved superteams, The Legion of Super-Heroes, as well as some of his favorite projects.

COMICMIX: What can you tell us about the Final Crisis: Legion Of Three Worlds miniseries?

GEOFF JOHNS: It’s a really complex, big story. But the simple premise is that it’s Superboy-Prime and The Legion Of Super Villains vs. Superman and The Legion Of Super-Heroes. Superboy-Prime is foreign to the future and through what happens when he first gets there he makes an attempt to destroy everything that Superman has inspired while utilizing the Legion Of Super Villains. So the Legion Of Super-Heroes, who are struggling to come back together, who are almost obsolete at this point in the eyes of a lot of the United Planets, have got to come back and rally together for this challenge.

I’m trying to focus in on character here. I’m trying to introduce these characters to people that don’t know them and for those that do, to see them go through new experiences and new challenges. My main goal in this series is to tell a gigantic, epic story that centers on Superman and The Legion Of Super-Heroes. It’s just like when I worked on Sinestro Corps War, I wanted to do an epic Green Lantern story. There is a lot of emotion behind everything in this. That’s what I’m trying to focus on: the emotion of the characters and what they’re going through. Why should you even care about a character like Lightning Lad, Sun Boy or Dawnstar? What makes these characters compelling? Why are they worth following? Why are they worth learning about? My main goal is to, by the end of it, have people say, “I love Dawnstar! I love Sun Boy! I like Lightning Lad” or “I like Cosmic Boy!” (more…)

Shelf Watch: This Week’s Comics

ikillgiants_cover-8368705Every week I look ahead at Diamond’s shipping lists to see what I’ll be reviewing for the Weekly Haul. Here’s what’s on tap this week (reminder, comics aren’t out till Thursday):

Not sure why, but I’m looking forward to Image’s I Kill Giants #1, even though I don’t have much of an idea what it’s about. The art reminds me a lot of Alex Robinson’s — but with more manga influences — so that might be a lot of it.

Dark Horse has a couple of usual suspects on the way in The Goon #26 and B.P.R.D.: The Warning #1, as well as the Hellboy: Oddest Jobs trade. I’ve been especially impressed with The Goon of late, after it nosedived when Eric Powell shifted his focus to Action Comics and the Chinatown GN.

DC has a fairly ho-hum slate. Tops would be Booster Gold #1000000, though DC’s Web site says that’s not coming out till next week. There’s Final Crisis Requiem, the one-shot that deals with the Martian Manhunter’s death (glossed over in Final Crisis), and the Batman books are tied into the lackluster RIP storyline. Nothing screams “must read.”

Marvel has a big headline with Secret Invasion #4, but aside from that there’s nothing of exceptional interest, aside from the preview for Jeph Loeb and Tim Sale’s Captain America: White and the always excellent Nova (issue 15). Am I the only one already tired of Matt Fraction’s Invincible Iron Man, even though only the third issue is coming out now?

In the small presses, there’s the eighth volume of Bone and the trade of Badger Saves the World. Other than that, pretty slim pickings.

What are you looking forward to?

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Interview: Geoff Johns on the Return of Brainiac in Action Comics

action-comics-866-200-8349182Writer Geoff Johns is best known for re-imagining some of the most beloved heroes in the history of the DCU.

With his work on such books as Infinite Crisis, 52, Green Lantern, Booster Gold, Teen Titans and Justice Society Of America, Johns has “re-booted” some of DC’s most beloved classic heroes, including Hal Jordan, Booster Gold, Power Girl, The Teen Titans and The JSA.

But Johns’ ability to restore characters to their original glory does not stop with DC’s greatest heroes. No, he has left his mark on the villains as well, creating and revamping some of the scariest villains in DC’s arsenal. From his work on The Sinestro Corps War, and his run on The Flash he has placed Sinestro, Superboy-Prime, Cyborg Superman and The Rogue’s Gallery of The Flash back atop DC’s roster of its most dangerous bad guys.

Now Johns is reintroducing the most evil super computer of all, Brainiac, in the pages of Action Comics. Along with artist Gary Frank, the new arc, entitled “Brainiac” begins in Action Comics #866, in stores today.

First appearing in Action Comics #242 as a bald, green-skinned humanoid, Brainiac is the machine responsible for destroying Krypton and shrinking the city of Kandor down to bottle size. This five-issue arc will attempt to reintroduce the character who is arguably one of Superman’s most dangerous enemies back into the DCU.  

I had a chance to speak to Geoff Johns about the new arc in Action Comics and the experience of working with his mentor, Richard Donner.

COMICMIX: For starters, tell us about the upcoming “Brainiac” arc in Action Comics. What can fans of the book expect?

GEOFF JOHNS: Gary (Frank) and I are reintroducing Brainiac. The character has been around for a while now but he’s kind of been in a lot of different forms. Our goal was to create a villain that represents… well, we actually say it in one of the issues. For us, Luthor represents the worst of humanity and Brainiac, for us, will represent the worst in extraterrestrials. So we’re building off that. We want to introduce a Brainiac who is frightening, powerful and a little bit mysterious. We also wanted him to be very unsettling, very alien and feel different then the other adversaries that Superman has. The idea is to make Brainiac one of the villains that Superman dreads when he has to face him, rather than just another slot in a long line of villains. I think our first issue has a real creepy vibe to it and Gary did a really great design on him.

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