Tagged: Alan Moore

Alan Moore takes ‘Watchmen’ movie money to sue DC for print rights reversion

watchmen12cover-2478589The clock has reached midnight. The unthinkable has happened, and soon, so will the worst case scenario.

In what may go down as the biggest sucker-punch to hit DC Comics since the Superboy lawsuit, Alan Moore has reversed his position on taking money from the film version of Watchmen. The reason is elegant and ironic; he’s using the money to fund a lawsuit against DC, with the intent of forcing a reversion of rights to the print edition of Watchmen.

Watchmen has been the all-time best selling graphic novel for the two decades since its collected release, and has enjoyed a major surge in the last few months with anticipation from the movie, topping bestseller lists and becoming the #1 book sold on Amazon in early March.

It’s unclear, at this point in time, what this will do to DC’s backlist sales, which revolve around the mega-seller. Further complicating the issue is that Moore has filed an injunction against both DC and Diamond preventing the further sale of any additional copies of Watchmen from their inventory. An American judge is expected to rule on the motion later today; a ruling has already come down in England in Alan’s favor, which has caused the suspension of all UK sales. Stores are apparently scrambling for back issues and used copies over there, as it’s the only thing they can legally sell.

Stay tuned, we’ll have more as it develops. We anticipate an announcement from DC as soon as people get into the offices.

The Un-Ethics of Watchmen, Part 1: A Bird’s-Eye View

drmanhattan-8414138Editor’s note: With the imminent release of Watchmen, we thought we’d try and get a different perspective. So we asked Alexandra Honigsberg, a professional ethicist and genre author, to read the book for the first time and delve into the ethos of the world created by Alan Moore and Dave Gibbons.

If super-hero comics are the literature of ethics, then Watchmen is the literature of un-ethics. It is the template for what not to do and makes Batman look like a Boy Scout, even at his darkest Dark Knight. They make Dirty Harry look clean. There’s a new saying on the street that Bitch is the New Black, it Gets Things Done. Well, these guys and gals are certainly the biatch. But is there any way to redeem their actions so that the ends justify the means? Or, more importantly, that even the most inhumane or inhuman retains some sense of what it means to be human?

The study of ethics is the exploration of the good life and how to live it. Now by the “good life” I don’t mean the bling life. I mean a life that is honourable, virtuous and, on a profound level not shaken by the winds of change, happy. Happiness (or pleasure or joy or The Good). That’s the end, the ultimate goal, or what Aristotle calls “that at which all rational beings aim.” Ari makes a fine distinction between the acts of a man (animal, non-rational) and the acts of a human (rational) or what some of us might term the mensch (gender neutral). One of the biggest invectives that Laurie hurls at Dr. Manhattan/Jon Osterman is that, after working for so long in the lab and being so all-powerful (the man not only to end all wars, but end all worlds), he ceases to be human. Moore emphasizes this with quotes from Nietzsche, who claims that when we become evolved enough we will not need rules, we will have become extra-moral – the superman (not the Nazis’ bastardization thereof) who has no need of ethics as we now know them. But are we still human? Extreme means change the agent and therefore change the end (e.g., The Comedian’s total amorality). Can we still give a damn if we’re all god-like? Or in the midst of so much horror that no human could reasonably be expected to survive unscarred (think of the Holocaust), are we still human? What’s human? What’s life? What’s good and who decides? Who gives authority to whom and why?

 

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Judge’s Ruling Favors 20th Over Warner on ‘Watchmen’

Judge Gary Allen Feess handed Warner Bros. a legal lump of coal on Christmas Eve, as he issued a brief ruling indicating 20th-Century Fox has the distribution rights to Watchmen, according to Variety.

His five-page ruling said, “Fox owns a copyright interest consisting of, at the very least, the right to distribute the ‘Watchmen’ motion picture.”

Frees, over the fall, urged Warner Bros. and 20th to iron out their differences.  He repeated the suggestion in the document, saying, “The parties may wish to turn their efforts from preparing for trial to negotiating a resolution of this dispute or positioning the case for review.” Warner is set to release the film on March 6, 2009.

Fox acquired the rights from DC Comics in the 1980s with producer Lawrence Gordon’s production company.  When 20th lost interest, Gordon moved the project to Universal and Paramount Pictures before landing it with Warner, parent company to DC.

Fox contends that Gordon never obtained all rights from them and they have a controlling interest in the highly-anticipated feature based on the Alan Moore and Dave Gibbons comic.

Given the holidays, Freees promised a lengthier explanation prior to the January 20 trial date.  Warner Bros. had no comment on Wednesday.

Review: ‘Toupydoops’

toupydoops-a1-6856244A large portion of America is all about Hollywood. Who’s the new big star? What new movie is coming out? Which director will blow us away this year? Understandably, we have so many struggling artists – actors, singers, writers, directors all trying to find their big break – that it’s become cliche.

Likewise, we comic fans have similar feelings towards our books. Who’s the new big writer? What artist is going to knock or socks off with photo-realistic work? What new title is going to give us a new reason to love comics? How many more teams will Wolverine join before people realize there must be at least three of him?

But what if … what if these two paradigms were merged? What if strange beings with exotic looks and super-human abilities made their way to California and waited on tables while they auditioned to star in a comic book? What if a lad who was born with blue-skin and antennae was able to be an extra in an Image comic while he dreamt of one day starring in his own on-going series?

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“Watchmen” Trailer Prompts 1 Million Sales in ’08?

The New York Times is reporting that DC has ordered around 900,000 additional copies of Watchmen printed since the trailer for the film adaptation of the graphic novel debuted last month. Only 100,000 copies of the Alan Moore and Dave Gibbons project sold last year, but DC’s president and publisher, Paul Levitz, says he expects to sell more than a million by the end of 2008.

“As far as we can tell from our conversations with the book industry people, there has never been a trailer that did this,” said Paul Levitz.

As we reported late last month, Watchmen has occupied a prominent spot on various bestseller lists for the last few months due to anticipation of next year’s feature film adaptation of the project, due out March 6, 2009.

Click here for information about where you can view the trailer, or you can view a gallery of images from the Watchmen trailer here on ComicMix.

Zack Snyder on the ‘Watchmen’ Director’s Cut

watchmenewcover-9620664Director Zack Snyder has said he’s trying to stay faithful to Alan Moore and Dave Gibbon’s Watchmen graphic novel, but that has left Snyder with a whole lot of material and a whole lot of cutting ahead of him.

Slash Film does a good job of sorting through Snyder’s comments about his film adaptation, leading to some speculation on what could be in store for future director’s cut releases.

It was already announced that there would be an animated Black Freighter movie being released around the time when Watchmen hits cinemas, but apparently the extent of its involvement in the Watchmen mythology won’t end there. Snyder made mention that they’ve also filmed the transitions featured in the graphic novel that take the main storyline into the Freighter comic. So even though those wouldn’t be a part of the theatrical cut, they would show up the “super duper director’s cut,” as would the other creations they’ve been working on.

Being that the film is already running at about 3 hours, and Warner Bros. wants to cut it down to 2 and a half, this makes me wonder if they’ll actually be releasing two different director’s cuts: one with the original cut of the film, and one with the extended new cut. If that were the case, that would mean the extended version would probably be running at about 5 hours or more. As much as I love all things Watchmen related, that does not sound ideal. I would love to see Snyder’s full 3 hour cut, but adding in more content beyond that seems excessive. I understand the desire to incorporate the outside footage, but I don’t want to see the flow of the storyline get repeatedly chopped up by hopping between that and stuff that’s only thematically related. I assume it’s issues like these that made creator Alan Moore claim the graphic novel was unfilmable. Some of the things he did with the comic are things you just cannot translate straight to a movie. Which isn’t to say I’m not excited to see the extra footage; I just think the segments will operate more smoothly as its own entity.

Much more at the link, including quotes from Snyder.

‘Watchmen’ Atop Amazon Fiction Sales

watchmen-cover-2203991From a Wired article about the excessive success of this year’s Comic-Con is a little tidbit about the success of comics: Watchmen is now sitting at the top of Amazon’s fiction and literature sales list.

DC has been printing up copies like mad to meet the demand, which is of course churned up by the upcoming Zack Snyder film adaptation.

From the article:

Last week’s release of the movie’s trailer sent sales of a paperback collection of Alan Moore’s original Watchmen comics through the roof. The graphic novel now sits at the top of Amazon.com’s literature and fiction sales list.

"That’s never happened before," said DC’s Levitz. "We literally can’t print enough…. I don’t think we’ve been able to kill any more trees fast enough."

Alan Moore on “Watchmen” & Writing

It makes my fingers ache when I think about how long it must have taken to transcribe Daniel Whiston’s interview with Alan Moore (Watchmen, V For Vendetta), but it’s well worth a read for anyone interested in the legendary scribe’s approach to the craft of writing. Moore addresses his work on various prominent and a few, well… slightly less-prominent projects, including the "cleverness" of Watchmen.

Watchmen was kind of clever – I was going through one of my clever periods – probably emotional insecurity, I thought: “People will laugh at me ‘cos I’m doing superhero comics. I’d better make ‘em really clever, then no-one will laugh”. (laughter)

So we’ve got all this sort of thing with the metaphor of the clock face, and yes it is a kind of clockwork-like construction – a swiss watch construction – where you can see all the works of it. Different areas where the text reflects itself, different levels – I was showing off.

But you’ll need all of those elements. They don’t all have to be tied up as fussily as that – in fact, I kind of decided after Watchmen that there was no point ever doing anything like that ever again, because having done it once, it would have been silly to have taken it further and done something more complex, when it’s already this sort of elaborate wedding cake of a comic book – you don’t want any more icing on the top.

(via journalista)

Watchmen Movie Trailer Image Gallery

When the Watchmen movie trailer hit the ‘Tubes today, word traveled pretty quickly. Of course, so did the orders to take it down on various sites, making it difficult for some fans to find out what all the fuss was about. To that end, here’s a collection of screenshots from various scenes that appeared during the trailer, so you can talk amongst yourselves about this first glimpse at the much-anticipated adaptation of Alan Moore and Dave Gibbons’ graphic novel.

Here are a few images to whet your appetite, presented in order of their appearance in the trailer, but be sure to view the full gallery after the jump:

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Happy Birthday: Shawn McManus

thessaly-3441323Born in Brookline, Massachusetts in 1958, Shawn McManus got his comic book start in the early 1980s, working for Heavy Metal. He illustrated two issues of the Alan Moore run on Swamp Thing, then went on to draw most of the "A Game of You" storyline in Neil Gaiman’s The Sandman.

McManus also drew issues of Omega Men, Batman, Doctor Fate, and the Thessaly limited series in The Sandman Presents. He has done work for Marvel Comics (Peter Parker Spider-Man and Daredevil), Dark Horse (Cheval Noir), First Comics (GrimJack), Image (Supreme), America’s Best Comics (Tom Strong), and others.

In 1985 he was nominated for a Jack Kirby Award for Swamp Thing #32.