Tagged: Andrew Wheeler

Review: ‘Logicomix’ by Doxiadis, Papadimitriou, Papadatos, and Di Donna

logicomix-1535552

Logicomix: An Epic Search for Truth
Written by Apostolos Doxiadis and Christos H. Papadimitriou; Art by Alecos Papadatos; Color by Annie Di Donna
Bloomsbury, September 2009, $22.95

Ever so often, there’s an object lesson that proves the saying so many of us like to make: that comics aren’t just for adventure stories, that they’re suitable for any kind of story. If we’re lucky, those paradigm-breakers are also really successful – and [[[Logicomix]]] is both of those things. It’s a major graphic novel on an unexpected topic – the life of Bertrand Russell, with a strong emphasis on his work attempting to create a solid foundation for mathematics, and thus all of learning – and it’s been quite commercially successful, alighting on bestseller lists occasionally and moving a surprising number of copies.

Logicomix, though, is also a piece of metafiction – the first character we see, on the first page of this graphic novel, is co-author Doxiadis, talking to the reader about this very story, and introducing us to co-author (and logician/computer science professor) Papadimitriou, and then to the art team, Papadatos and Di Donna, and their researcher, Anne. The authors and illustrators return to the stage – very literally, in one case at the end – several times in the course of the graphic novel, mostly to explain the details more carefully, and, occasionally, to lightly debate with each other about the meaning and import of the story.

After that bit of throat-clearing, Logicomix starts up in earnest…with another frame story, in which Bertrand Russell arrives to speak on logic at an unnamed “American University” on the eve of WWII, in 1939, and finds himself interrupted by protestors who want him to stand up unequivocally for pacifism, as he did during The Great War. Russell instead launches into his speech, which forms the narration boxes – and occasional interludes – for the rest of the graphic novel, as the panels depict first Russell’s youth and then his early mature years, as he worked on the foundations of logic.

(more…)

Review: ‘Stitches’ by David Small — a comics memoir of an amazingly bad childhood

Stitches: A Memoir
David Small
W.W. Norton, September 2009,
$24.95

You can’t write a memoir these days unless you had a bad
childhood – call it the Law of Oprah. You have to have some horrible secrets,
either your own or those of your parents/keepers/guardians, that you can
reveal, tearfully, to an enthralled TV audience when called upon. You may not
make it to that TV-show couch, since the competition for a bad-enough childhood
is fierce, but that’s the aim. Memoirs of anything positive are utterly passé –
even a book like Eat Pray Love needs to
start with heartbreak before it can get to happiness.

Then there’s the unrelated but equally unsettling
requirement that only non-fictional graphic novels can be taken really seriously by the outside world. From [[[Maus to Persepolis]]], from [[[Fun Home to Palestine]]], it’s only respectable if it’s real. As far as our mothers and cousins and next-door neighbors know, “graphic novels” means expensive comic-book stories about either superheroes or the author’s tormented relationship with his family.

[[[Stitches]]] is perfectly positioned at the intersection of those two publishing trends: it’s the true story of author David Small’s appalling childhood, told as comics pages with cinematic “camera motions” that will appeal to readers not used to reading comics. Even the art style Small uses in Stitches adds to the seriousness; Small has a sketchy, loose line of variable width here, strong to define the figures and lighter and looser for backgrounds, and washes in various tones of grey. In fact, the whole
book is grey – even the black line looks like just another shade of the murk.

(more…)

Review: ‘Richard Stark’s Parker: The Hunter’ by Darwyn Cooke

the-hunter1-6670019Richard Stark’s Parker, Book One: The Hunter
Darwyn Cooke
IDW, July 2009, $24.99

Richard Stark’s Parker novels come out of a particular
period in literary history: the heyday of the disposable paperback for men.
Paperbacks had appeared in their modern form just before WWII, and servicemen
got used to carrying small paperbound books in whatever pockets they could jam
a book into. The boom continued through the postwar years, with a flood of
short thrillers, detective stories, and soft-core porn – all to stave off
boredom for a man waiting for dinner time on a business trip in some hick town,
or hanging out at the PX on his army base, or riding the streetcar home at
night.

[[[The Hunter]]] was
published in 1962, at the height of that boom – a good decade before the ‘70s
taught publishers that women were even more dependable consumers of paperbacks,
and the long shift to romances and their ilk began. At first glance, Stark’s
hero is right out of the mold of the great hardboiled Mikes (Hammer &
Shayne) – tough, violent, single-minded, implacable. But Parker was less
emotional than the usual hardboiled hero – cold where they were hot,
calculating where they were impetuous. Parker could kill when he had to – and he
did it quite a bit – but he never killed for fun, or just because he could. As
the Parker novels went on he avoided killing as much as he could, simply
because deaths attract more attention than he wanted.

Hardboiled heroes came from both sides of the
law – Mike Shayne and Mike Hammer were detectives, but there were plenty of
law-breakers before Parker, from writers like David Goodis and Jim Thompson.
They usually weren’t series characters, though: Parker’s amoralism went beyond
his own actions to his world, and his stories told how a master criminal could get away with it – if he was smart and tough
enough.

(more…)

Review: B.P.R.D., Vol. 10: The Warning by Mignola, Arcudi, and Davis

b-p-r-d-10-warning1-9243532

B.P.R.D. Vol. 10: The Warning
Written by Mike Mignola and John Arcudi; Art by Guy
Davis
Dark Horse Comics, May 2009, $17.95

[[[The Warning]]] is the tenth volume
collecting the adventures of the [[[Hellboy]]]-less Bureau for Paranormal Research
and Defense, and the first in what the creators are calling the “[[[Scorched Earth
Trilogy]]].” The afterword by co-writer John Arcudi claims that events will get
bigger and more dangerous from here – though he does note that this volume
includes, among other thing, “[name withheld] gets kidnapped, … entire fleet of
helicopters gets wiped out, and gigantic robots trample [name withheld] into
rubble.” And previous volumes of this series (and, of course, of the related Hellboy)
have been no slouch in the near-Armageddon sweepstakes – particularly [[[The Black Flame]]]. That’s a lot of promise, but Mignola’s fictional
world does always teeter on the verge of utter supernatural chaos, in his very
Lovecraftian way. It would be wise to take Arcudi at his word.

The Warning begins with the team going
in two directions at once, urgently following up recent events – Abe Sapien
leads an assault squad out into the snowy mountains to try to find and retrieve
the Wendigo-possessed former leader of their team, and the others have a séance
to contact the mysterious ‘30s costumed hero Lobster Johnson, whom they think
will have information about the robed man taunting and manipulating firestarter
Liz Sherman in her mind. But neither one of those leads works out as the
[[[B.P.R.D.]]] hopes, and, before long, they’re face-to-face with another
high-powered menace and seeing another city being assaulted by giant robots.

And yet, remember that note from Arcudi. The plot of The
Warning turns out to be just a warm-up; the antagonists here
are not the true enemies of the B.P.R.D. Near the end, that mysterious man
claims that he isn’t their real antagonist, either. The B.P.R.D. is
fumbling in the dark in The Warning, unsure of what the
real menace is, let alone how to stop it. But they go on, because that’s what
they do.

The Warning is a great installment
of a top-rank adventure series, filled with wonder and terror, eyeball kicks
and quiet character moments. It’s a magnificent brick in a more magnificent
wall, but it’s no place to start. If you haven’t read B.P.R.D.
before, go back to the beginning with [[[Hollow Earth
]]]– or, even better, go back to the beginning of Hellboy
with [[[Seed of Destruction]]]. But, if you enjoy adventure
stories with characters who don’t wear skin-tight outfits,
you should have discovered Mignola’s world by now.

Andrew Wheeler has been a publishing professional
for nearly twenty years, with a long stint as a Senior Editor at the Science
Fiction Book Club and a current position at John Wiley & Sons. He¹s been
reading comics for longer than he cares to mention, and maintains a personal,
mostly book-oriented blog at antickmusings.blogspot.com.

Publishers who would like to submit books
for review should contact ComicMix through the usual channels or email Andrew
Wheeler directly at acwheele (at) optonline (dot) net.

Manga Friday: The Dregs

  • News
  • January 16, 2009

Manga Friday took a little holiday for the last couple of weeks, and it may take more holidays in the weeks to come. Looking back on my recent columns, I’ve said an awful lot of “and here’s the next volume in a series I’ve reviewed four times” and “this week’s books have nothing in common” – and neither of those are quite what I’d hoped. I think I’m reviewing too many of the same manga, too often, so I expect to cut back on Manga Friday substantially in 2009, unless I start seeing more different things.

I expect to keep reviewing stuff here on Fridays, but there may be somewhat less of the specifically Japanese/Korean stuff for a while. (Or possibly not – whenever I try to predict something like this, I’m usually wrong.) But I’ll save the name “Manga Friday” for when I’m looking at books that would be called manga by that legal construct, the “reasonable man.”

So, for this week, I have three books, arranged in ascending order of volume number:

The Manzai Comics
Story by Atsuko Asano; Art by Hizuru Imai
Aurora, January 2009, $10.95

This opens with an odd hint of yaoi, as large, athletic, energetic, popular student Takashi Akimoto begs small, weak, timid (generic manga hero Type 1) Ayumu Seta to “please go out with me” and “do it with me.” Takashi actually wants to form a manzai comedy team with Ayumu, but he’s either too dim or too focused on himself to actually say that for several pages.

(Apparently – I have no personal knowledge of this, but several references agree – the dominant form of comedy in Japan is manzai, two-person acts, rather than sketch comedy or stand-up or improv. Think Abbot & Costello or Crosby & Hope.)

Ayumu is not just an ordinary shy boy – well, he’s a manga hero, so you know there’s got to be some horribly dramatic thing in his past – he considers himself responsible for the car-crash death of his father and older sister because he was clinically depressed (and completely untreated as well). So he has the standard “I just want to be normal” complex of the dweeby manga hero in spades. (more…)

Review: ‘Howard Chaykin’s American Flagg!’

 

american-flagg-1794127Howard Chaykin’s American Flagg!
By Howard Chaykin
Dynamic Forces, July 2008, $49.99

Science Fiction has never been quite as successful in comics form as it seemed it should have been. Oh, sure, there have been plenty of vaguely SFnal ideas and premises – from [[[Superman]]] to [[[Kamandi]]] to the [[[X-Men]]] to the [[[Ex-Mutants]]] – but they were rarely anything deeper than an end to the sentence “There’s this guy, see? and he’s….” One of the few counterexamples was Howard Chaykin’s [[[American Flagg!]]], starting in 1983 – that series had many of the usual flaws and unlikelihoods of near-future dystopias, but it also had a depth and texture to its world that was rare in comics SF (and never to be expected in even purely prose works, either).

American Flagg! suffered from Chaykin’s waning attention for a while, and then crashed and burned almost immediately after he finally left the series, with a cringe-making overly “sexy” storyline utterly overwritten by Alan Moore. American Flagg! limped from muddled storyline to confused characterization for a couple of years afterward – but the beginning, when Chaykin was fully energized by his new creation and the stories he was telling, is one of the best SF stories in American comics.

The series has never been collected well, though a few slim album-sized reprints were once available, and may be findable through used-book channels. This Dynamic Forces edition, reprinting the first fourteen issues of the series, is quite pricey. (Especially for a book with no page numbers, and one in which the pages are precisely the size of the original comics – not oversized, as those previous album reprints had been.) This book has a strong, thoughtful introduction by Michael Chabon – which has already appeared in his [[[Maps and Legends]]] collection, presumably due to the delay in the American Flagg! book – a gushing afterword by Jim Lee, and a new short story written and drawn by Chaykin.

(more…)

ComicMix Columns & Features for the Week Ending August 31, 2008

  • News
  • August 31, 2008

As we bid goodbye to August and so much more, we mark endings and new beginnings.  Our production head and cofounder Glenn Hauman returns with not one but two installments of his way-too-occasional column, our news editor Bob Greenberger’s been posting up a storm, and it’s rumored that ComicMix has some interesting things coming down the pike, but I couldn’t possibly say.  I just do a column and these roundups:

As we enjoy our federal holiday away from the office, let’s salute all those freelancers who don’t get paid when they don’t work — and, sadly more than a few who don’t get paid even when they do.

Manga Friday: As Different As Possible

  • News
  • August 29, 2008

nightmares-for-sale-1-1505342

I’ve generally tried to organize the weekly columns around some sort of theme, but sometimes themes just serve to hide the variety and depth of the comics world (whatever country it might be from). So, this week, I picked three books with nothing at all in common (except a Japanese origin), just because:

Nightmares for Sale, Vol. 1
By Kaoru Ohashi
Aurora, November 2007, $10.95

Nightmares for Sale is an old-fashioned kind of horror story, with two enigmatic characters – they appear to be a grown man (Shadow) and a young girl (Maria), but she’s older than he is – who run a store that’s usually a pawnshop. Nothing at all good can happen when they enter your life, though they usually don’t seem to be directly responsible.

Each story in this volume has a different set of characters – usually teenage girls, or the kind of adults that teenage girls want to become – who meet the pawnshop owners, and then come to nasty ends. A bullied girl triggers a curse on the friendship rings her tormentors made her buy for all of them, and nastiness follows. A model wants to appear beautiful in photographs, and gets exactly what she asked for…but no more and no less. A young woman meets an abused boy in the street, and learns that their connection is much deeper than she imagined. A young boy tries to pawn his baby sister. And so on.

(more…)

ComicMix Columns & Features for the Week Ending August 24, 2008

  • News
  • August 24, 2008

The traditional summer vacation week has begun, with most family-types heading to familiar retreats and time shares before the kids return to school, while politicos gear up for their quadrennial conventions with pundits in tow. Gonna be a weird week, I’m thinking. But we’ll still be here, bringing you our regular columns and features. Here’s the roundup from this past week:

Loads and loads of hugs to our newly-hired news editor, Bob Greenberger! Want my old ComicMix business cards?

Manga Friday: Lawless, Winged, and Unconfined

  • News
  • August 22, 2008

Poking through the stack of manga to be reviewed, earlier this week, I noticed several books featuring characters with wings of one kind or another. Quick to sense a theme, I dragged them together, and here they are:

Koi Cupid, Vol. 1
By Mia Ikumi
Broccoli, April 2008, $9.99

Koi Cupid is an all-ages series about cherubs-in-training – yes, cute little girls in white outfits, running around making people fall in love. It’s not quite as kawaii (cute, often cloyingly so) as it could be, though, so I came to think of Koi Cupid as actually fairly restrained.

(Of course, that’s by manga standards – recalibrate your cuteness detectors from American settings, or you’ll be instantly deafened by the alarm.)

Anyway, the story focuses on three cupids-in-training: Ai, the cheerful one; Koi, the shy one; and Ren, the way-ahead-of-the-others one. They’re taught by a full cupid named Rin, who is deferring her own promotion to Guardian Angel to continue to mentor them. Kou actually is a guardian angel who pops in for added firepower now and then; Sister Yuuri is a winged, talking cat who supervises the cupid training program, and Lizette is a sneaky demon who tries to foil their work, but whom Ai wants to be friends with. (more…)

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