Tagged: Andrew Wheeler

ComicMix Columns for the Week Ending May 25, 2008

Hope everyone’s having a nice three-day weekend, and that we all remember that the real focus on Memorial Day ought to be putting an end to the sheer folly of war, so that someday we won’t have to mourn all those whose lives have been lost in its perpetuation.  Oh, and of course, outdoor grilling and summer movies and retail sales. 

Here’s what our columnists have been selling you — for free! — this past week:

Remember the barbecue sauce!

Manga Friday: Done in One

One of the differences – I won’t say “advantages,” since opinion differs on that subject – of manga from Western-style superhero comics is that manga stories all have endings, eventually. Oh, “eventually” can be a long, long time coming – two decades, in some cases – but manga are created by one person or set of people, and all eventually come to an end, unlike corporate-owned characters, who live as long as their revenue stream does.

Some manga, though, end more quickly than others. Some even end in a couple of hundred pages – a story short enough to fit into one volume. And, by luck, I have two stories just like that in front of me this week.

Haridama: Magic Cram School
By Atasushi Suzumi
Del Rey Manga, May 2008, $10.95

Kokuyo and Harika are childhood friends who both ended up at the Sekiei Magic Cram School – named after its founder and apparently only teacher – studying to be magicians (who, once they’ve climbed the magic ladder as far as they can, we’re told are qualified to open cram schools of their own, which makes the whole thing seem like a pointless pyramid scheme). They’re “Obsidians,” people with only Yin or Yang power – instead of both, like proper magicians – and so they need swords with stones in the hilt to channel their lesser powers.

The other two main characters of this story are Sekiei, their young teacher – there don’t seem to be any other students in the school, in fact – and Nekome, a third-level sorcerer who recently graduated from the rival Torame school. Sekiei pushes Kokuyo and Harika to work harder and achieve more, while Nekome mildly torments them and puts down their abilities. (more…)

‘Dungeon Monstres, Vol. 1: The Crying Giant’ Review

The “Dungeon” series has gotten so full of stories, so complicated, that there’s a diagram on the back of this book to explain how all of the sub-series relate to each other.

Up top are the three main sequences – The Early Years (the creation), Zenith (the height), and Twilight (the downfall), as it says here – and below that are explanations of the other three clusters: Parade, Bonus, and Monstres. All are set in a giant castle in a standard fantasy world – the castle was set up by “the Keeper” as a habitat for various monsters, who could kill and devour the inevitable wandering adventurers. (So it’s a hack-n-slash D&D campaign turned on its head; the monsters win every time.)

Dungeon Monstres, Vol. 1: The Crying Giant
By Johann Sfar, Lewis Trondheim, Mazan, and Jean-Cristophe Menu
NBM, June 2008, $12.95

 

This particular subseries focuses on, as the back cover says, “great adventures of secondary characters.” So Monstres is the Cable & Deadpool of the “Dungeon” world, I guess…

The other different thing about Monstres is that the stories are illustrated by guest artists, not by series creators Johann [that’s how he’s credited on this book; though I’ve never seen the “h” in his name before] Sfar and Lewis Trondheim. In this case, the first story, “John-John the Terror,” has art by Mazan while the title story is illustrated by Jean-Cristophe Menu, head of the alternative comics publisher L’Association.

  (more…)

Review: ‘The Facts in the Case of the Departure of Miss Finch’

finch2-6975608Neil Gaiman has been too busy lately to write much for comics unless it’s an event — like 1602 or his curiously pointless Eternals miniseries — but there’s still an audience for his stories in the direct market. So what’s a poor comics publisher to do? Well, if it’s Dark Horse, what you do is get various folks to adapt Gaiman stories into comics and publish them as slim trade-paperback-sized hardcovers. So far, Michael Zulli did Creatures of the Night, John Bolton adapted Harlequin Valentine, and P. Craig Russell tackled Murder Mysteries. And now Zullis is back again for:

The Facts in the Case of the Departure of Miss Finch
By Neil Gaiman, Michael Zulli, and Todd Klein
Dark Horse Books, May 2008, $13.95

Now, for most writers, “[[[The Facts in the Case of the Departure of Miss Finch]]]” would be by far their longest title ever, but Gaiman is not most writers. He’s also responsible for “[[[Being An Experiment Upon Strictly Scientific Lines Assisted By Unwins LTD, Wine Merchants (Uckfield)]]]” ” [[[Forbidden Brides Of The Faceless Slaves In The Nameless House Of The Night Of Dread Desire]]],” ” [[[I Cthulhu: Or What’s A Tentacle-Faced Thing Like Me Doing In A Sunken City Like This (Latitude 47º 9′ S, Longitude 126º 43′ W)?]]],” and ” [[[Pages From A Journal Found In A Shoebox Left In A Greyhound Bus Somewhere Between Tulsa, Oklahoma, And Louisville, Kentucky]]].” So “[[[Miss Finch]]]” may just be one of Gaiman’s more punchy and terse titles.

According to the Neil Gaiman Visual Bibliography — and why should we mistrust it? — “Miss Finch” is one of Gaiman’s more obscure stories, showing up in the program book for the convention Tropicon XVII and a magazine called Tales of the Unanticipated before turning up in one of his collections — though in a different one depending on which side of the Atlantic you live on.

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ComicMix Columns for the Week Ending May 18, 2008

According to The Google, today marks the anniversary of the birth of Walter Gropius, founder of the Bauhaus School of Design, whose influence can still be felt daily by urban workers every time they look up at a skyscraper featuring way too much glass.  Meanwhile, here’s what our designer columnists have created for you this past week:

Sure to keep your eyes from glazing over!

Review: ‘The Amazing Remarkable Monsieur Leotard’

leotard-1710289Eddie Campbell has always done comics his way, without worrying about other people’s expectations or preferences — one of his two major series has been a fictionalization of his own life as a comics creator, and the other, a superficially more populist sequence about Greek gods in the modern world, was itself about storytelling more often than not. So it’s no surprise that his latest graphic novel — co-written with Dan Best — is more about telling its story than it is the story being told.

The Amazing Remarkable Monsieur Leotard
By Eddie Campbell and Dan Best
First Second, August 2008, $18.95

[[[Monsieur Leotard]]] will be published by First Second — who published Campbell’s last book, The Black Diamond Detective Agency, and have been putting together an impressive list of graphic novels for adults and younger readers for the past few years — in August, and the first thing to note is that it’s not the story the reader expects.

You see, the famous acrobat Jules Leotard lies dying of smallpox on page 12. So, we think, the book will be a series of flashbacks showing his life? No, he’s dead by the bottom of page 13, and the story moves on. So far, so very Campbell.

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ComicMix Columns for the Week Ending May 4, 2008

Hope you all had a great Free Comic Book Day!  Here at ComicMix, of course, every day is free comics day, with all our new original graphic material!  But don’t forget the original material from our columnists as well; here’s what we’ve had for you this past week:

And while every ComicMix reader with disposable income has probably already seen Iron Man, I have a date later on with my ironing board… that’s sort of the same thing, right?

blue-9583352

Review: ‘Blue Pills’ by Frederik Peeters

blue-9583352Blue Pills
By Frederik Peeters; translated by Anjali Singh
Houghton Mifflin, January 2008, $18.95

This is another one of those semi-autobiographical graphic novels; I’m not going to assume that this is all “true” (whatever that means), but I will note that Peeters’s bio says that he lives with his girlfriend, her son, and their daughter — and that [[[Blue Pills]]] is the story of a man named Fred, his girlfriend, and her son. (And the main character of this book mentions that he working on a graphic novel about their lives.) So keep that in the back of your head — some proportion of this book is true, though we don’t know how much.

Fred, the narrator of Blue Pills, is a Swiss cartoonist, still in his mid-20s, who’s lived in Geneva his whole life. He remembers Cati vividly from a pool-party late in his teens, but never really knew her well. When he moves into the apartment building where she lives, though, he comes to see more and more of her and her young son (called “the little one” or “L’il Wolf,” but not named). Before long, Fred and Cati are drifting into a relationship, and Cati has to sit Fred down and tell him something difficult — both she and her son are HIV-positive.

(The “Blue Pills” of the title refer to their drug regimen to stay symptom-free, though they’re never called that in the body of the book. The fact that most Americans will immediately think of Viagra when blue pills are mentioned is unfortunate, but neither Peeters nor Houghton Mifflin seems to have taken a moment to worry about it.)

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ComicMix Columns for the Week Ending April 28, 2008

  • News
  • April 27, 2008

Last weekend’s New York Comic Con affected ComicMix columnists in different ways, with Michael, Martha and myself all musing about the con experience (and Dennis and John discussing other events of note from that same weekend).  Here’s what we’ve written for you this past week:

Michael’s column totally wins for "best byline" this week..  He probably wins for  "best comment thread," too.

Review: Chris Ware’s ‘ACME Novelty Library, Vol. 18’

acme1-7237097ACME Novelty Library, Vol. 18
By Chris Ware
Drawn & Quarterly, 2007, $18.95

My friend and former colleague James Nicoll once said “Whenever I find my will to live becoming too strong, I read Peter Watts.” For me, Chris Ware fills the same function – Ware’s work is almost terminally depressing, but executed with such craft and skill that it’s impossible to look away.

This edition of [[[ACME Novelty Library]]] continues Ware’s current graphic novel, “Building Stories” – at least, that’s what this has been called before; there’s no page with that or any other title in this book – with a series of interconnected short stories about an unnamed woman who lives on the top floor of that apartment building. (Parts of this volume also appeared in The New York Times Magazine in 2007 as part of their cruelly-misnamed “Funny Papers” feature – Ware might have been the most bleak thing in that comics space so far, but all of it has been serious, most of it has been dour and none of it has been funny.)

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