Tagged: art

Review: ‘Red Colored Elegy’ by Seiichi Hayashi

red-colored-elegy-8097679Red Colored Elegy
By Seiichi Hayashi
Drawn & Quarterly, July 2008, $24.95

[[[Red Colored Elegy]]] is like no other manga you’ve ever seen, a blast of pop art- and film-inspired storytelling from 1971 that was hugely influential to a generation of Japanese youth but has never been published in English until now. It’s like the American underground comics of the same era in being a break from the mainstream comics of its place and era, but unlike them – and unlike anything else I’ve seen before [[[RAW]]] in the ‘80s – in its style and visual language.

Sachiko Yamaguchi and Ichiro Nishimoto are a young couple, both connected to the manga/anime world, living together in Tokyo but unsure of what to do with their lives, in the way of all restless young people everywhere. Ichiro wants to be an artist of some kind: he abandoned painting when he couldn’t make a living at it, and quits an animation job to work on a graphic novel that he can’t sell. Sachiko is a tracer for another animation company; she has only the ambitions of a girl in a story by a man: to get married, to have kids, to run a house, to have a life.

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“Julius” Latest Graphic Novel Targeted For Film

  • News
  • August 19, 2008

julius-00-7199636Variety is reporting that the Oni Press graphic novel Julius, written by Antony Johnston with art by Brett Weldele, is the latest project optioned for feature film treatment. According to the report, Mandalay Pictures has purchased the rights to Julius, with F. Gary Gray (Friday, Be Cool) named as director.

Mandalay prexy Cathy Schulman said that Gray "has a vision for this adaptation that will satirize obsessive consumerism while providing a thrilling ride for audiences."

Eric Gitter of Closed on Mondays Entertainment, the producing arm of Oni Press, will produce; Oni’s Peter Schwerin and Joe Nozemack exec produce. Schulman, David Zelon and Jonathan Krauss will oversee the project for Mandalay.

Confession time, folks: I’ve never even heard of Julius. However, with the rate at which projects are being released and optioned these days (with some projects optioned well before they’re released), this has become a far more frequent occurrence with me. Has anyone else out there read this one and/or feel inclined to comment on it?

Comics Out Of The Closet, by Mike Gold

  • News
  • August 11, 2008

My old pal Joe Staton, one of the most brilliant graphic storytellers in the history of this medium, is currently enjoying a long-overdue exhibition of his work at the Storefront Artist Project in Pittsfield, MA. Peculiarly titled The Art of Joe Staton, it runs through August 31. We talked about this here at ComicMix a while ago; click-through and read to your heart’s content. Better still, go there and check it out.

This could have been the shortest column I’ve ever written, but no, I aim towards broader context. We’re seeing more and more of this sort of thing. Mark Wheatley and Marc Hempel’s Breathtaker was among the dozen or so graphic novels recently honored at the Norman Rockwell Museum, and that exhibit is now touring the nation. There have been many theme-based exhibits of comic art all over the country – too many to mention.

Oh, boy. We’ve been accepted as a real art medium. Not to look a gift horse in the mouth (for a change), I just wish this happened a couple decades ago.

Will Eisner and Stan Lee lived long enough to feel the full brunt of public acceptance; Jack Kirby really didn’t. He was honored as the ABC News Man of the Week after he died, but I’m sure that didn’t massage his ego any. Wally Wood got bubkis. The fact is, the first generation of comics creators is almost entirely gone, and most died with a stigma attached to their names. Sure, Stan and Joe Kubert are still around (thankfully) and are still producing stuff (also thankfully), but that’s because they entered this craft while still pre-pubescent. (more…)

San Francisco Media Examines the New X-Men HQ

  • News
  • August 6, 2008

SFGate, the website for the San Francisco Chronicle, has put together a pretty interesting analysis of the recent relocation of the X-Men from Westchester County, NY, all the way out to the West Coast in X-Men #500.

According to X-Men Editor (and Bay Area native) Axel Alonso, San Francisco’s often controversial status as a "sanctuary city" made the move long overdue for Marvel’s most persecuted superteam.

"Anyone who looks at the X-Men, the analogy is right there: If you’re different in any way due to race or sexual orientation or just being nerdy, there’s an X-Men character for you. They’re about being different and finding strength in that weakened position."

In order to get accustomed to basing the team’s adventures in the new city, Marvel staffers will be brushing up on their West Coast savvy in the coming months.

Marvel Comics artists will be visiting San Francisco frequently to get a feel for the fashion, architecture and even the way residents walk and talk. There are no cable cars in the first issue, but the artists did include a KRON TV news truck and a panel where the iconic mutant Wolverine walks through Noe Valley. The heroes make their base in the concrete bunkers beneath the Marin Headlands and join the protest of a controversial art installation at the San Francisco Museum of Modern Art.

While Marvel Editor-in-Chief Joe Quesada hesitated to comment on the permanency of the X-Men’s new home, the article goes on to provide a nice roundup of parallels between the mutant superteam and the real-life groups that have found sanctuary in San Francisco over the years.

Disney Adapts ‘Monster Attack Network’

  • News
  • August 5, 2008

monsterattack-6235096When a graphic novel is billed as a cross between Men in Black and Jurassic Park, it’s no surprise to see a studio come running, dollar signs in their eyes.

Such is Disney with Monster Attack Network, according to a story in the Hollywood Reporter.

The book is published by AIT/Planet Lar and originally came out in 2007.

The adventure tale, written by Marc Bernardin and Adam Freeman with art by Nima Sorat, is set on the picture-perfect Pacific island of Lapuatu, which is populated by giant monsters. There, a team of adventurers deal with rampages and related crises and clean up messes afterwards. The team faces its biggest challenge when a shady industrialist shows up.

Dabel Bros. to Publish “Dark-Hunter” Manga

  • News
  • August 5, 2008

Dabel Bros. Publishing recently announced plans to adapt bestselling author Sherrilyn Kenyon’s Dark-Hunter novels as manga-style comics, targeting a 2009 release for the adaptations of the first two books in the series, Night Pleasures and Night Embrace.

Joshua Hale Fialkov (Elk’s Run, Cyblade) will script the adaptations, with Claudia Campos providing the art.

From the Sherrilyn Kenyon’s official website:

In the world of the Dark-Hunters nothing is ever as it seems. Life and death both take on a whole knew meaning as this immortal cadre of warriors fight to protect mankind from those creatures and demons who would prey on us.

(via ICv2)

“The Stand” Trailer Premieres on Marvel.com

Marvel.com recently posted a new video "trailer" for their upcoming five-issue series based on Stephen King’s The Stand. While I’m not sure how I feel about the whole movie-style "trailer" as a promotional tool for comics, the video does show some previously unseen art from the series. I was really impressed with the way the two previous King stories were handled by the Marvel crew (Dark Tower: The Gunslinger Born and Dark Tower: The Long Road Home), so I have high hopes for this project.

The Stand: Captain Trips #1, written by Roberto Aguirre-Sacasa with art by Mike Perkins, goes on sale September 10.

You can also read an interview with Aguirre-Sacasa about the project on Marvel, as well as a video interview with Perkins. Both are fairly standard promotional material, but worth the time for anyone interested in the publisher’s latest collaboration with Stephen King.

Alison Bechdel on ‘State by State’

  • News
  • August 4, 2008

Alison Bechdel, who’s probably best known for her memoir Fun Home, has an essay and art in the upcoming State by State: A Panoramic Portrait of America.

She has a note about the project on her blog, and then there’s a new review of it in Publishers Weekly.

From the (pretty brief) review:

Alison Bechdel’s illustrated story about her life after moving to Vermont brilliantly combines personal history with historical fact, as does Charles Bock’s essay on growing up and working in his parent’s Las Vegas pawnshop.

Review: ‘Meathaus: SOS’

meathauscover1-1371309I was talking to cartoonist Jim Rugg recently about comics anthologies, and he said his thought as a reader is that each collection should have one great story, and then anything else good is just gravy.

In the case of the latest volume of Meathaus, SOS (Nerdcore, $30), Rugg’s Afrodisiac story is the gravy. His old-school, dot-matrix-styled, blaxploitation character has a predictably badass encounter with vampires.

The one great story in SOS, then, is the volume’s first entry, a longish bizarro riff on [[[Zelda]]] (I think) from Farel Dalrymple. It’s a story of two brothers who stumble into a mysterious cave and are attacked by an evil elf wearing a fedora and trench coat.

Dalrymple’s art is as energetic as ever, and the story is a strangely edited puzzler that’s worth multiple reads.

There’s plenty more gravy in the 272 pages. Most notably Dash Shaw’s melding of science fiction and nude modeling for art classes. I don’t think any more needs to be said.

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Foster Children, by Elayne Riggs

  • News
  • July 30, 2008

It’s finally official. On Saturday in San Diego, IDW announced a new project based on Peter David’s Sir Apropos of Nothing series of novels, to be written by Peter with art by Robin Riggs. “Art” as in pencils, inks and colors — or, as those wacky Brits say, “colours.” Don’t ask me why, they have enough trouble pronouncing words correctly without trying to spell them right as well. Anyway, Robin and I are both pretty excited about this miniseries, and not only because the offer came at the same time as my current job offer so it means we both get to celebrate employment at the same time.

First of all, it’s Peter, whom we’ve both known for a long while and who’s an absolute delight even though he’s never introduced us to his equally-famous friends like Harlan Ellison and Billy Mumy. Secondly, I love the character of Apropos… well, not exactly “love,” he’s kind of a despicable rogue, but I love his adventures, and I love the conceit of a character who’s supposed to be secondary and an afterthought suddenly being the protagonist of his own stories. It’s kind of like if women were lead characters in their own right instead of love interests and fridge fodder! What a concept!

Anyway, the other reason I’m loving the idea of Robin doing a Sir Apropos comic book series is, even though it’s going to be parodying bits of Stephen King’s The Dark Tower, art-wise Robin wants to bring to it a sort of Hal Foster Prince Valiant vibe. I think the first story Rob and I ever did together, a 2-pager called Sailor’s Wife, had this sort of feel to it, and the whole medieval atmosphere worked really well with his penciling style.

So Rob has been immersed in Foster these past few weeks, going over all his Prince Valiant collections, studying them for inspiration and visual ideas. He even taped together a number of 11 x 17 sheets to make a page (see photo) the size at which Hal Foster originally worked. It’s easy to see how much more illustrative you can get when you’re working 30 x 40. But it takes a true master to know how to draw so that no detail is entirely lost in the reproduction. (more…)

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