Tagged: art

Marvel Offices Art Tour

Over at Marvel.com, the publisher’s "Spy in the House" blogger Agent M recently posted the first in what he says will be an ongoing series of photos from around the company’s Manhattan office, spotlighting the art on display.

For the first piece of art, he’s posted a photo of an Iron Man print, of course:

But this image by the legendary French artist Moebius (Jean Giraud) blows my mind every time I see it. It’s weird, creepy, super-detailed and alien and I love. I don’t know if it’s just a poster/pin-up or it was actually published in a comic, but there are a few other Moebius Marvel posters out there in this style (that we don’t have here, as far as I know) and I still dig this one the most.

Like Agent M, I’ve never been a big fan of Iron Man, but I’m equally impressed with this piece of art. Here’s hoping he continues this series. I’d love to see a few more pieces like this from around the Merry Marvel HQ.

Check out the full post on Marvel.com. I’ve posted a larger version of the image after the jump. (more…)

‘Buffy the Vampire Slayer’ Tarot Cards and Ouija Board

15340-tm-5260394Every now and then, a product announcement comes across the wire that catches my eye. Sometimes the product is connected to a property I’m a big fan of, and other times it piques my interest for no other reason than it seems like a creative, original idea for a tie-in.

Not being a big Buffy the Vampire Slayer fan (I was more of an Angel person, to be honest), it’s a case of the latter that prompts me to echo Dark Horse Comics‘ recent announcement that the publisher will be producing a set of tarot cards and ouija board based on the Buffy property. It’s the sort of tie-in that’s such a no-brainer I can’t believe it hasn’t been done already — and after a quick Google for Buffy-related tarot cards and ouija boards, I salute the good folks at Dark Horse for getting there first (until someone tells me otherwise).

From the official press release:

Named for an award-winning episode from Season Seven of the BVS television series—and written by Buffy Season Eight: Wolves at the Gate author Drew Goddard—the Buffy the Vampire Slayer “Conversations with Dead People” Board is a great game for fans, in this world and the next, to communicate with each other about life, death, and other mysteries. In the tradition of the Sunnydale Hellmouth, through which countless entities gained entry, fearless souls can let voices from the other side guide the planchette along the board to spell out the answers to their queries. Folks can channel their inner Willow and hone their witchy skills, providing hours of fun for the whole séance! Accompanying the game board and planchette, the Buffy the Vampire Slayer “Conversations with Dead People” Board includes an exclusive, comic-style instruction book featuring sequential art by Buffy SeasonEight guest illustrator Paul Lee!

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Happy Birthday: Carmine Infantino

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Flash Fact: Born in 1925 in Brooklyn, New York, Carmine Infantino might have been expected to go into music—his father was a musician, though he also worked as a plumber—but turned to art instead. While still in high school Infantino started working for Harry Chesler’s comic-book packager. Next he became an art assistant at Quality Comics. His first actual drawing job came at Timely Comics in 1942, where Infantino inked "Jack Frost" in USA Comics #3. After finishing high school Infantino continued to work for several places before finally landing a staff job at DC as the regular artist on the Golden Age Flash, Black Canary, Green Lantern, and the Justice Society of America.

He is probably best known for his work creating the second Flash, Barry Allen, and his distinctive red uniform. In 1967 Infantino became an art director at DC, and was promoted to editorial director a short while later. In 1971 he became publisher, but eventually left that position to go back to drawing on a freelance basis. He retired in 2005, though he still appears at comic book conventions. Infantino has won a National Cartoonists Society award and twelve Alley Awards, including a special Alley in 1969 for being the artist who “exemplifies the spirit of innovation and inventiveness in the field of comic art.”

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Wil Wheaton Goes Webcomic With ‘1981’

1981-wilwheaton-200-8725464Actor and InterWebs celebrity Wil Wheaton informed fans today that "Blue Light Special," a story he wrote in 2006, has been adapted into an episode of the collaborative webcomic BlogJam.

In the strip, Wheaton relates a story about the toy that "defined his childhood" — in this case, Star Wars action figures. Wheaton helped write the strip, titled "1981," and BlogJam’s Greg Williams provided the art.

There’s a stable link to "1981" accessible via Flickr, while the BlogJam submission guidelines and archive of past webcomics are available on the BlogJam website. BlogJam takes submissions for story ideas from readers, and selected stories are adapted into webcomic form by Williams.

More Gene Colan Fundraisers and Announcements

Updating our earlier coverage of efforts to raise money for industry legend Gene Colan, Marvel and Hero Initiative recently announced plans for a series of limited print sales and auctions of Colan’s Iron Man art, among other offerings.

From the Hero Initiative announcement:

The Hero Initiative in conjunction with Marvel Comics is launching a series of Gene Colan-themed products, starting with a limited edition print of Gene’s cover art to Invincible Iron Man #1, available at Wizard World Philadelphia, May 30-June 1. Only 200 prints will be available at the show at a cost of $25 each. Net proceeds from sales of these prints by The Hero Initiative will benefit Gene Colan. Another 50 prints will be available at a later date, with plans to have them autographed by both Gene Colan and Stan Lee.

Also at Wizard World Philadelphia, guest writers and artists at the Marvel Comics booth will be signing and sketching two large poster-sized boards, which Hero will auction benefiting Gene at a later date.

And that’s just the start. Wizard World Chicago, June 26-29, will see the release of a second print featuring the cover art to Daredevil #47, the legendary “Brother, Take My Hand” story by Stan Lee and Gene Colan. A third print will be available later in the year, along with other products.

For August, a Gene Colan Tomb of Dracula poster will be available for order via Marvel Previews with proceeds routed to Gene; and in September, a special book reprinting some of Gene’s greatest stories will be made available. In addition to these items, The Hero Initiative will take additional steps to help Gene in his convalescence.

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Hunter S. Thompson: The Comic Book?

Journalista recently directed me to a quartet of illustrations based on gonzo journalist Hunter S. Thompson found on Hey Oscar Wilde! It’s Clobberin’ Time!!!, a website featuring work from artists’ personal collections, focusing on interpretations of their favorite literary figures.

Confession time: I’m one of those people who has read everything ever written by or about Thompson, and he remains one of my favorite writers of the last few decades. Needless to say, this illustration of Thompson by Ben Templesmith, who also happens to be one of my favorite artists in the comics industry, caused me to have a minor heart palpitation.

The four pieces of Thompson-inspired art featured on the site include work by Scott Morse, John Kricfalusi and Jim Mahfood in addition to the piece by Templesmith pictured here.

 

Superheroes, the Richard Mullins Way

Our pals over at Fanboy.com recently posted some really great work from artist Richard Mullins featuring Batman, Robin and a few other familiar characters. I’d love to have any one of these pieces hanging in my office, to be honest.

Since I’m probably the last person you want to consult when it comes to describing art (I’m more of a "I know it when I see it" sort of guy), I’ll let Fanboy.com’s Michael Pinto handle the synopsis:

What I like about his work is that in addition to be inspired by pop art subjects, his style of painting and bold use of vivid colors reminds me a great deal of the Fauvism of Henri Matisse.

Yeah, I agree. I think he summed it up there.

(Psst Between you and I, I had no idea what "fauvism" was before I read this.)

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Review: ‘The Amazing Remarkable Monsieur Leotard’

leotard-1710289Eddie Campbell has always done comics his way, without worrying about other people’s expectations or preferences — one of his two major series has been a fictionalization of his own life as a comics creator, and the other, a superficially more populist sequence about Greek gods in the modern world, was itself about storytelling more often than not. So it’s no surprise that his latest graphic novel — co-written with Dan Best — is more about telling its story than it is the story being told.

The Amazing Remarkable Monsieur Leotard
By Eddie Campbell and Dan Best
First Second, August 2008, $18.95

[[[Monsieur Leotard]]] will be published by First Second — who published Campbell’s last book, The Black Diamond Detective Agency, and have been putting together an impressive list of graphic novels for adults and younger readers for the past few years — in August, and the first thing to note is that it’s not the story the reader expects.

You see, the famous acrobat Jules Leotard lies dying of smallpox on page 12. So, we think, the book will be a series of flashbacks showing his life? No, he’s dead by the bottom of page 13, and the story moves on. So far, so very Campbell.

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M.O.D.O.K. and Genocide = M.O.D.O.G.?

Marvel.com, which recently cleaned up in the Eagle Awards as “Favorite Comics Related Website,” has posted some new art today featuring one of my favorite characters in the Marvel Universe: M.O.D.O.K.

Or, more accurately, M.O.D.O.G.

Yes, everyone’s favorite Mental Organism Designed Only for Killing seems to have found himself a new hobby, as well as a new home, in Invincible Iron Man. The new version of the big-headed bugger has taken a shine to genocide instead of just garden-variety killing, according to information released about the villain’s upcoming appearance in the second issue of the Matt Fraction/Salvador Larroca series.

Marvel.com has posted samples of Larroca’s new M.O.D.O.G. art, including this great image of Iron Man dragging the ever-creepy creature around by his hair.

The thing is, I’m not sure if the decision to shift his focus from “Killing” to “Genocide” makes him more or less dangerous. With a M.O.D.O.G., at least you have a good idea of who’s on his hit list, right? But a M.O.D.O.K. – that’s a different story. He wants to kill everybody.

Unless, of course, he’s discovered the sweet serenity of regular meditation.

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