Tagged: art

Dennis O’Neil: Should Superheroes Booze It Up?

oneil-art-131113-150x140-6046071So there they were on the small screen, Oliver Queen and his main man, knocking back vodka shots and there I was, riding the couch and being maybe a bit befuddled, remembering that an MD once told me that vodka was the alcoholic’s libation of choice because it didn’t have much telltale odor. (As you lurch into the china cabinet, mom thinks you’re having a little inner ear problem.)

Ollie Queen and John Diggle were drinking vodka.

Of course, plenty of people devoid of drinking problems know the taste of vodka and scotch and brandy and absinthe and beer and the rest of the barman’s wares, and booze has been a part of civilized culture for millennia, even part of religious ritual. But I have a question for which I don’t have an answer and its this: Should heroes drink?

Consider: heroes are, among other things, role models and they appear as such in the fiction of everyone from Ayn Rand to Aesop. We seek other humans to admire – ask Evolution why – and that search leads us to heroes, both fictional and the real life versions: Athletes and musicians and actors who perhaps acquire a bit of the mystique of the stalwarts they portray. (And so life imitates art imitating and amplifying life and does anyone have a headache yet?) Our ad men know this, which is why they write checks to celebrities willing to smile at the camera and just love the living heck out of a product that you, yourself, can buy and thus, in some tiny way, emulate the objects of your admiration. It’s an old ploy and it must work because they keep doing it. Should they do it to promote alcohol? Or, more insidiously, should boozing be promoted outside advertisements by showing the good guys doing it?

If there’s a line to be drawn, I don’t know where it is.

One of the problems with alcohol is that when you take that first sip, you don’t know if every subsequent sip will be taken only on holidays in extreme moderation, or if someday you’ll find yourself puking in a gutter.

We know, from our nation’s horribly failed experiment with prohibition, and our more recent disastrous “war on drugs” that banning the citizenry’s recreational intoxicants is not wise. And there’s the matter of that pesky First Amendment, which, in effect, forbids censorship of anything spoken or written and surely that includes the words and actions of televised performers.

But to persuade some bonny young person that the gateway to sophistication, wit, and devastating attractiveness is found inside a bottle is to tell a seductive and potentially ruinous lie. Some will content themselves with that taste of holiday wine, sure, but others will find their way to the gutter.

In the end, I guess, creators must decide for themselves where the danger begins – with booze and tobacco and drugs and, hell, even with certain combat techniques. Sometimes, storytelling can be a bitch.

THURSDAY AFTERNOON: The Tweaks!

FRIDAY MORNING: Martha Thomases!

 

Michael Davis: A Hard Day’s Night

davis-art-131001-4365445When I was around six, I was asked what kind of haircut I wanted.

This was big deal because up until then I had no say over anything in my life. This was my very first grown up decision and I had to weigh it carefully.

Even at six I knew this was a life changing moment. My mother told me to think about it while we were on the bus going to the barber shop. We lived in South Jamaica Queens at the time and except for church there was no place, no place as honored in the black community.

For me there were no two places I hated going to more than church and the barbershop.

What was there to like at the barbershop?

It smelled horrible from all the cigarette and cigar smoke mingled with the distinct smell of snuff being spat into a spittoon. For all of you not familiar with snuff, it’s a type of tobacco. People would put that gross shit in their mouths between their gums and lips and suck on it until the flavor was gone then spit it out before they popped in another jaw full.

Gross with a capital GROSS.

I know some people still do that and with all due respect-that shit is freakin GROSS.

A trip to the barber shop for me was a hellish journey to a smoke filled, snuff smelling spit fest. Oh,and least I forget, when snuff is spat it’s a dark brown / almost black liquid which had a good chance of missing the spittoon and landing on the six-year old sitting in the barber’s chair at the time.

That happened…to me…a lot.

So yeah, the barber shop was horrible and in retrospect, I must have liked church better. At church I was merely threatened with Hell if I wasn’t good. At the barbershop I was spat upon with black ooze, strapped to a chair while some creature took a motorized knife to my head.

The day I walked into the barbershop ready to answer my mom’s question as to what kind of haircut I wanted that particular Hell became Heaven to me for I was no longer a child I was no longer a kid, I was, heck, I don’t know what I was but I know I had respect.

Just when I thought my day couldn’t get any better, it did. The barber did not; I repeat did not sit me in the damn kiddy contraption that boosts the height of the child.

Nope.

Instead I sat (aided only by a telephone book which in my mind was no aid at all) in the barber’s chair all by myself.

But wait, there’s more!

When asked by the barber what kind of haircut was I to receive my mother told him to…wait for it…wait for it…wait for it…ask me!

At that moment I knew what I was, I was a man! A fact that was underscored by the barber when he looked at me (with what I could tell was a new respect) and asked, “Well little man, what kind of haircut would you like?”

The day kept getting better. Why? Because the entire barbershop, that to me looked like hundreds of people, heard him ask me and then heard my answer…“I’d like a Beatles haircut.”

The barbershop erupted in laughter…and just like that I was back in Hell.

“Little man, you’re black, didn’t anyone tell you?”

More laughter.

I knew I was black, but why that should stop me from getting a Beatles haircut was beyond me. So like the man I was I asked and then the laughter became physically painful to me and I started to cry.

Never again did I ask for a Beatles haircut and, in fact, I started asking questions before I made statements or asked certain things.

Yeah, I was six, but I wasn’t stupid.

What, pry tell does any of this has to do with comics?

Many, and I mean many “artists” have submitted work for a show I’m curating. Some of the art is just bad that’s OK compared to people just not reading or worst even not understand what they read in the call for entries instructions.

I’m just sick to death of aspiring artists and writers who refuse to do anything but draw or write. Their work, attitudes and professionalism need major overhauls and no matter how many times or how many ways you try and tell them they still assume they can get work in the fucking comic book industry.

Or they assume they can send you entire comic books (drawn in ball point pen) when the instructions call for no more than five submissions.

Learn your goddamn craft, people. Learn what you can and cannot do. Until you do you have as much chance of getting in this show or having a career in comics as you do getting a Beatles haircut in the hood.

WEDNESDAY MORNING: Mike Gold

THURSDAY MORNING: Dennis O’Neil

THURSDAY AFTERNOON: Tweeks!

 

Star Trek Into Darkness Unveils Extras Clips

Star Trek Into Darkness‘ digital release came out yesterday.  The disc edition will be out in a few weeks but here’s something to whet your appetite, a clip from the iTunes Extras.

Additionally, Paramount Pictures launched their Defeat Khan website today, three months after Kirk did it on screen. The site uses some of the most advanced 3D technology to allow you to instantly create your  own personalized Star Trek avatar with just an upload of your photo.  You are then tasked to join the Starfleet Academy to train with a variety of simulations testing your IQ, Vision, Focus, Memory, and Speed as you move up the ranks to help defeat Khan.  By connecting to Facebook, you can also compete with your friends to see who has the more superior genetics.

There are multiple exclusive concept art images debuting today from Xbox SmartGlass.  The images have a code that users can enter on the Defeat Khan website for a chance to win a trip to see Star Trek Into Darkness live orchestrated in London by Michael Giacchino. Users can find out where these images are from the website.

Lance Star: Sky Ranger Flies Again in Über-Tales!

Cover Art: James Burns

Demon Press has released the cover for the upcoming release, Über-tales – 5 tales of derring-do to shock and amaze you by James Burns.

About Über-tales:
This 40-page full-color book contains a variety of stories; from superhero allegory to WWII adventure to end-time religious heresy. There’s something for everyone in this adventure-filled tome. Stories and art by James Burns, with 2 stories written by Pulp award-winning writer Bobby Nash.

Included in this collection is “The Crown of Ghengis Kai” a Lance Star: Sky Ranger adventure, written by Bobby Nash with art and colors by James Burns.

 
 
Coming soon.

Mike Gold: Superman, Captain America, and Hitler – In 2013

gold-art-130724-1278051If you’re in Chulalongkorn University’s freshman art class… well, you’re in Thailand. And you’re attending one of that nation’s leading schools.

Oh yeah, and you’re also as dumb as a bag of doorknobs. And The Simon Wiesenthal Center doesn’t think much of you.

Go figure. As you can see from the above photo, the freshmen painted a farewell banner to the outgoing class of 2013. Yes, that’s Superman, Batman, Captain America, the Incredible Hulk, and Adolf Hitler sending the graduates off to their future.

The idea was to show that good and bad people coexist in the world, according to school dean Dr. Suppakorn Disatapundhu. He also said “(We) would like to formally express our sincere apology for our students’ superhero mural… I can assure you we are taking this matter very seriously.” He did; they took it down. Well, they took it down after two days. And after photos got out showing enrobed graduates imitating the infamous Nazi salute.

You will note the superheroes (giving the Hulk the benefit of the doubt) were in color and Wicked Uncle Adolf was in greytones. “They told me the concept was to paint a picture of superheroes who protect the world,” Dr. Suppakorn told the Associated Press. “Hitler was supposed to serve as a conceptual paradox to the superheroes.” I guess something got lost in translation. The Camptown ladies sing this song, Doo-da, Doo-da…

Now, as a professional comic book editor (depending upon how you define “professional”), I would not hire these students. But it’s not out of any perceived sense of anti-Jewish or pro-Hitler feelings. Absent of other information, I’m willing to take Dr. Suppakorn at his word. And I wouldn’t pass them by because they are undereducated. If you can draw swell and you make deadlines and you don’t throw up on the publisher’s rug, you’ll get lots of work.

I wouldn’t hire them because, artistically speaking, these kids really suck at their chosen profession.

As for the folks at the Wiesenthal Center: you guys gotta work on that “Never Again” thing. You’re losing traction.

THURSDAY MORNING: Dennis O’Neil

THURSDAY AFTERNOON: Martin Pasko

 

All Pulp Interviews Bad Tiger #3-D. C. Golightly!

For the third interview in the BAD TIGER series, ALL PULP corners Writer/Creator/Marketing Director D. C. Golightly!

ALL PULP: Tell us about yourself, your personal background, and how you got into writing/art/etc.

 DCG: I reside in Pittsburgh, Pennsylvania with my wife and kids. I love comics, cookies, and characters. Follow my freelance rumblings at http://dave-golightly.blogspot.com/. I’ve always been a huge comic fan, and growing up I really got into more adventure pulps as my comic collection grew. Since I wanted to weave a wonderful world myself, I started scribbling little stories. I’ve been lucky enough that some people are willing to pay for those stories. I always wanted to be an artist, but I lack talent. Therefor the pen is the only version of the brush that I can manipulate as a creator.

AP: What is your role at Bad Tiger?

DCG: I write The Skull, a bi-monthly strip, as well as the prose for The Black Kingdom. I’ve recently agreed to take on the role of Minister of Propaganda…or Marketing Director…or whatever you want to call the guy that advertises our junk.

AP:  In our modern society, some would say that there’s nothing new or original anymore. What makes Bad Tiger stand out?

 DCG: It’s a group of like-minded people that have a single goal: create awesome stories. We’re not doing this to get paid; we’re doing this because we love these characters and this genre. There’s a lot of work being put into this venture, and a lot of talent to recognize. This group is populated by people that are not only good enough to make it in the industry, but to an extent already are. We choose to take the time to build this initiative because we believe in it and want to get our stories told.

AP: What are your inspirations, influences for the work you do?

DCG: Jim Butcher is always on his game, and I would buy lunch for Mark Waid any day of the week. Jeffery Deaver can write a character out of any corner.

AP: What do you think appeals to the public about heroic/genre fiction and/or comic strips? Why will people come to Bad Tiger?

DCG: Bad Tiger Studios will quickly become a place fans recognize as a platform for creative talent, free of charge. We’ll toss incredible projects to the wall, see what sticks, and then turn them around for readers. The quality of the material is out of this world and the people interested in this genre will undoubtedly return after they get a sample of what we have to offer. These are the kinds of stories that people want to see, and we’re more than happy to offer them.

AP:  Free response! Say whatever you’d like to about Bad Tiger, yourself, or the experience!

DCG: I’m flattered to be associated with such uniquely creative people. These people are putting in many long hours of work just to provide entertainment, and all they are asking for is a shot to be viewed.

BAD TIGER STUDIO- www.badtigerstudio.com

 

ALL PULP INTERVIEWS BAD TIGER #2- JUSTIN DITZLER!

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ALL PULP continues its series of interviews with BAD TIGER STUDIO! This time, we have co-founder Justin Ditzler in the hot seat!

ALL PULP:  Tell us about yourself, your personal background, and how you got into writing/art/etc.:

JD: I live in Central Pa with my wife and we are expecting our first child in December. I have always been an artist, for as long as I can remember. My family still has drawings of mine from before I can even remember. I’ve always enjoyed working in pencil, black and whites, and inks. When I was in school, all of my best grades came from art class. I entered a few school based competitions over the years and usually place high if not on top. My home town is also the location of the county fair where the school would enter my work and I had quite a nice collection of blue ribbons as a kid. As I grew older, life kept pushing me further and further away from the artwork that I loved so I was forced to find other outlets for my creativity. Through this I discovered I could use a computer to create, so I took to some digital coloring for my drawings and scraps. Over the last decade or so, I’ve been learning about digital art and web design in my free time and squeezing in some drawing where I can. In the past I have created album art and logos for the various musical projects and the occasional tattoo design.
 I am new to the world of comics and pulp, but I’m really liking what I have seen thus far.

AP: What is your role at Bad Tiger?

JD: I am the Co-Founder of Bad Tiger Studio, along with C. William Russette. Also, I am the web-designer/webmaster at www.badtigerstudio.com, the Co-Creator of Operator Zero and the colorist/letterer of Operator Zero. Furthermore, I have designed all of the logos for Bad Tiger Studio and Operator Zero and I am one of the Administrators of the Bad Tiger Studio Facebook Page.

AP: In our modern society, some would say that there’s nothing new or original anymore.  What makes Bad Tiger stand out?

JD: In most cases, I would agree. Originality is something that seems to be very hard to come by these days. To me this is not a surprise. With the invention of the internet and social media it’s becoming harder and harder to come up with a truly original idea. Also, we have to consider the amount of characters and stories that are out there today. Our Genre is not a new one and there are so many Archetypes out there that influences and similarities are very hard to escape.

I think originality is found within the stories of the characters we create. As creators we spend amazing amounts of time figuring out the backgrounds and the stories of our characters. When we write our stories we need to know how our characters will react to the situations and why and what made them react in such a way. So we spend countless hours creating worlds, families, friends, foes and histories just so we can convey the best story and best character to our readers.

At Bad Tiger Studio, our characters and our stories make us stand out. From our writing to our character design and development, to our artwork and finished products, I think we have some great things to offer.

AP:  What are your inspirations, influences for the work you do?

Considering I am quite new to the world of comics and pulp, I think my inspirations and influences are everywhere. I’ll spend hours in the local book store browsing the comics section, picking up book after book just to see the differences in style and technique. Sometimes I learn things and sometimes I get lost in the story.

JD: What do you think appeals to the public about heroic/genre fiction and/or comic strips?  Why will people come to Bad Tiger?

I think hero fiction appeals to everyone’s inner hero. I think that all people have some sort of drive or urge to do the right things on one level or another. The hero fiction genre allows us to indulge our inner hero with the ability to put ourselves in the hero’s shoes, or cape in some cases. These small escapes give us the opportunity to imagine ourselves standing up for what is right and just. Thankfully for us, the creators, once a person is hooked on this feeling and finds our characters relatable, they keep coming back for more. I think as our stories unfold at Bad Tiger Studio, our audience will see just how intricate our stories are and they will keep coming back to find out where the story is headed next.

AP:  Any last words?

JD: Thus far Bad Tiger Studio has been a great experience for me. I work with very talented people and we all seem to share a common interest. We all want to get our characters out there into the hands of the readers and we all want to tell our stories.


Bad Tiger Studio- www.badtigerstudio.com 


Interview With Steampunk Octopus Artist Brian Kesinger

LA-based illustrator, animator, and artist Brian Kesinger has just released his first book, Walking Your Octopus: A Guide to the Domesticated Cephalopod. I first came across Brian a few years ago when I was the judge for the WeLoveFine steampunk tee shirt art contest, where he submitted “Walkies for Otto”. He won that contest and thus started the Internet’s love affair with his adorable characters Otto and Victoria. Since then, Otto and Victoria have grown to encompass books, prints, shirts, and more. Brian was good enough to sit down with me for an interview on his new book, upcoming projects, and the very important question of “why the octopus?”

ComicMix: How did you get started in the arts?

Brian Kesinger: I was fortunate enough to born into a family of artists. The thing is they were all musicians! In fact I’m the only one in my family who couldn’t play an instrument. I was much more fond of drawing than practicing piano. My parents recognized this and were able to support my artistic endeavors all through school and that support has certainly helped make me the artist I am today.

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ComicMix: How did all this Steampunk style art you started doing in 2010 come about?

Brian Kesinger: I had been drawing steampunk art before I knew of that term. Back in 2000 I was doing layout and background design for Walt Disney animation studios on the film, Atlantis. It was on that film that a grew fond of drawing submarines, gears and gadgets. After that I moved on to the film treasure planet where I continued my alternate history aesthetics that time with the mixture of tall ships and sci-fi. It wasn’t until recently that I started doing my own steampunk art and I think my passion for the subject matter stems from the education I had on those films.”

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ComicMix: Can you tell us a little about the new book you have coming out?

Brian Kesinger: My book, walking your octopus: a guidebook to the domesticated cephalopod is based on two of my more popular original characters, Otto and Victoria. It’s not your typical storybook. It reads more like an owner’s guide to pet octopuses. (Think of a Victorian era “puppies for dummies”)
It’s sort of a satirical look at how we all can get a little carried away with how we raise our pets. It’s certainly inspired by my own dog Scout but also inspired by the ups and downs of raising two young children with my wife. My hope is that the book speaks to not only steampunk fans but pet owners and parents as well.

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ComicMix: Why the Octopus?

Brian Kesinger:  I find octopuses extremely fun to draw. It is a real challenge inventing eight different things for them to do in every image. They are nature’s original multi-tasker and they certainly have captured the imagination of a lot of people. Along with the squid and other Cephalopods, octopuses seem to be a sort of theme animal for steampunk so when I set forth trying to render an image of a high class Victorian lady and her boutique pet the choice was obvious. What was not obvious was how popular Otto has become since I first drew him a year ago. He has inspired fan art, tattoos and I’ve even seen girls cosplay Victoria and conventions around the country! And for that I am so grateful and it keeps me drawing octopus.

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ComicMix: What other things do you have coming up that we all should look forward to?

Brian Kesinger: Well my first love is movies. It’s why I have wanted to work in animation. So I have been developing several short film ideas and in addition to that I am in the very early stages of developing a full length feature of Otto and Victoria’s adventures. I would love to see a beautifully rendered steampunk animated film and I can’t think of any characters better suited for that than Otto and Victoria. Stay tuned for more details!

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Annie Award-winning artist Brian Kesinger has loved to draw ever since he could remember. During his senior year of high school, Brian was accepted to the Walt Disney Animation Studios in Burbank, California as the second youngest animation hire in the history of the company. At just 18 years old, Brian became a layout artist and in his 16+ years at Disney Animation, he has worn many artistic hats from visual development to story artist. In 2011, he was honored with a prestigious Annie award for his story work on the hit Disney TV holiday movie “Prep and Landing.” Brian’s most recent film at Disney is the Academy Award-nominated film “Wreck It Ralph” – and if you listen closely, you’ll hear him lend his voice talents to comic bad guy, “Cy-borg.” Inspired by his love of gadgets and fantasy, his delightful steampunk characters celebrate Victorian sensibility and timeless beauty with a dash of geekiness thrown in for good measure. His original “Tea Girls” art is created with different kinds of actual tea – resulting in an innovative visual affect.
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Michael Davis: Alone In My Room

davis-art-130702-1-9405693The other day I was sitting in my studio at 4 AM working on a double page spread for a graphic novel I’m writing and illustrating.

There was a movie playing in the background, coffee and tequila on my side table and my dog Puffy laying at my feet. The house was silent, well silent except for the screams of the guy Jason Statham just threw off a roof in the movie I was watching.

Other than that guy screaming like a little bitch, my house was silent.

All of a sudden it hit me. I’m an artist.

I went to school to become a professional illustrator. I wanted to study to be a cartoonist because I wanted to do comics so badly!

davis-art-130702-2-4661439But…

My cousin told me if I became a cartoonist I would “stave and die.” My cousin was also my mentor and if not for him there was a very good chance I’d be in jail or dead now.

No joke.

He’s also a world-renowned artist. How renowned? The house I live in cost less than one of his paintings and I live in a pretty nice house.

Again, no joke.

So when your cousin who is also your mentor who also saved you from death and/or prison who is also a world-renowned artist tells you if you became a cartoonist you will stare and die, you listen.

I listened.

I became an illustrator and as luck would have it the industry changed so as an illustrator I could still do comics just not the traditional way they had been done.

My illustration career was pretty damn good before I got into comics that I did pretty damn bad. It took me a while to understand the medium but once I did the work got better…I hope.

Somewhere along the way my illustration and comics career stopped completely as I found myself working in other media: television, publishing, radio and education.

Before I knew it I had a mini entertainment empire going and the only art I was doing was doodling a  fat Batman every chance I got.

At 4 AM the other day sitting in my studio I realized that all is right when I’m doing art. Just me, my dog, my Captain Action mug for my coffee and tequila, a movie and my work is freakin awesome.

No Hollywood drama, no politics, no egos, no bullshit.

It’s like when I was in the sixth grade drawing the adventures of The Fighting Five my very own superhero group. The Fighting Five were, the Liberator, (spelled Liverator; I went to public school) Bulldozer, The Anything Man (because I couldn’t think of anything else to name him) Judo Master (stolen from Charlton Comics but I felt I could use him because his book was cancelled) and The Human Torch (but it was the original Human Torch and I felt I could use him also since Marvel had thrown him away).

When I was alone in my room in the projects with my art nothing else mattered and I was the happiest I’d ever been as a child. Now, I’ve come full circle as I sit in my studio alone at 4 am in the morning happy with what I’m doing and who I am.

People have a hard time putting me into a category because I wear so many hats. I usually just say I’m a content producer but that’s never really felt right to me. It’s just an easy way for me to say, I’m a writer, TV producer, etc., etc., Shado, Shado (a invitation to my annual San Diego Comic Con party to the first person that gets that joke) I just figured out at 4 am in the morning sitting in my studio what and who I am.

I’m Michael Davis… and I’m an artist.

WEDNESDAY MORNING: Mike Gold Presents Pulp Pulchritude

THURSDAY MORNING: Dennis O’Neil Goes Fourth

 

WHITE ROCKET AND THE ART OF AUDIOBOOKS

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Chris Barnes of Dynamic Ram Audio joins host Van Allen Plexico this week on the White Rocket show to discuss the art of creating audiobooks and audio dramas.  From how to produce them to how Chris got interested in the first place, it’s a wide-ranging discussion of a classic form of entertainment that is suddenly new again.

Find Dynamic Ram on the Web at http://thedynamicram.blogspot.com/

You can listen to White Rocket 029: The Art of Audiobooks with Chris Barnes now at http://whiterocket.podbean.com/2013/06/25/white-rocket-029-the-art-of-audiobooks-with-chris-barnes/

This White Rocket episode is available via iTunes (subscribe and don’t miss an episode!) or you can visit the podcast site at http://whiterocket.podbean.com/

The White Rocket Books page at http://www.whiterocketbooks.com/

Part of The ESO Podcast Network.