Tagged: art

HANCOCK TIPS HIS HAT TO HARD-BOILED SURF PULP FICTION!

TIPPIN’ HANCOCK’S HAT-Reviews of All Things Pulp by Tommy Hancock

HARD-BOILED SURF PULP FICTION #1

By Various Authors

Pacific-Noir Pulp Press

2011

surf-pulp-cover-2523414
Pulp is known for being full of various genres and especially for mixing and mingling them, even before the now popular term ‘mash-up’ was in use.  If you’re a fan of Pulp, Classic, New, or both, even a little bit, then you of course know what I’m referring to.  Western, Science Fiction, Fantasy, Horror, Mystery, Crime, and so forth and yadda to the fourth power.   And the lines between all of those and other genres have been blurred multiple times by various Pulp types and to varying degrees of success. 

Now there is Surf Pulp.  And Hard Boiled Surf Pulp at that.

This first issue magazine from Pacific-Noir Pulp Press features six stories that blend surfing, a sport and pastime that has just as avid, if not more so, adherents and followers as Pulp does, and Pulp style storytelling.  Now, wait. I know what you’re thinking, that is, if you’ve had the exposure to surfing I have.   But don’t worry, this is not a collection of tales featuring Beach Boys type bands solving mysteries or Frankie and Annette finding lost treasures on Party Beach.  As a matter of fact, the mixing of Pulp and Surf is not fifty/fifty in every story, sometimes one outweighs the other more and I find that a good thing in mixed genre collections.  

Having said that though, something else that is mixed about HARD-BOILED SURF PULP FICTION #1 is my reaction.   As a whole, it’s a fun little read, running about 97 pages.  The book design is done well and the interior art is eye catching and overall does what art should do, effectively accompanies the story and adds to the reading experience.  So, presentation wise, this book is definitely a winner.

As far as the stories go, that’s where I get a little divided.  Six tales in the book and three of them I really liked and three of them left me wanting.  The lead story, THE BIG DEEP, is a private eye tale, my personal favorite type of tale, featuring PI Sam Sand, a surfer himself, on the trail of missing waves.  Interesting concept and the mystery starts out fairly solid, but then sort of gets very muddled in the middle and by the time we get to the resolution, it’s solved and everything works out, but it’s unclear how it got that way.  I really like the characterization in this story, especially Sam Sand himself, so would like to see more, but for an initial run, this one, though with good points, didn’t really ring my bell.

SORCEROR OF SIARGAO and CHIMERA are the other two that fall on the lesser side of mixed feelings.  Both are sort of quest tales, people seeking things, some abstract, some concrete, in their lives and in one way or another using the waves and surfing to do so.  And although they are different reads in a variety of ways, they both suffer from the same thing with me-murky storytelling and not a clear definition soon enough in the tales of where they’re heading to keep me hooked and interested.

Now, the other three tales in this thin tome definitely get my hopes up about future volumes.  SURFING ‘ROOTS’ is a futuristic tale of space pilots who surf strange landscapes when they get the chance, but it’s more than that.  It’s a cool other worldly tale of buddies who get into fun and out of trouble together and definitely shows the camaraderie that is so apparent in the popular culture notion of what surfing is.  Plus, the action is well paced and the setting is definitely a star in the tale.

TIGALAND is as far on the other side of the spectrum from ‘ROOTS’ as one can get, but is an A-1 Pulp tale.  Gritty, hard hitting, no holds barred Crime Pulp, this story delivers on a whole lot of levels, including engaging characters, from the two leads through the supporting cast, and a jerky sort of riding along with the story sort of pacing that works really well.

My favorite story in this book was a surprise as I expected it to be the PI tale.  RECKLESS SURFING looks at a period in the not so far future where the surf waves are patrolled by surf cops and the laws are very strict and almost basically too strict for real surfing to go on.  A really interesting character is introduced and carries this story well, that being a former surfer turned water cop, Sergeant Nelson of the Surf Enforcement Patrol.  The story is about a young surfer who gets himself in a spot with other surfers that draws the attention of Nelson.  Nelson identifies the young surfer as a good kid and basically points out what is the beginning of a relationship that will lead to adventure, crime, and hopefully good waves.   This is a very promising start to a great tale and is only the first part.  I really enjoyed the intensity that seemed to ripple throughout this particular tale, enough to tease and keep you interested, but not too much.  Yet.

So three out of six top tales, three out of six that needed a little something more.  Will I be back for future volumes and other works from Pacific-Noir Pulp Press? Sure, if they’ll have me.   This is definitely the start of something that I think has a lot of potential.

THREE OUT OF FIVE TIPS OF THE HAT-Enough to bring me back for a second round.

What Publishers Don’t Do

300px-chabonsigning1-9190477

Image via Wikipedia

This week’s tempest in a book-pot was sparked yesterday by the fine writer Michael Chabon, but it could easily have been any one of a thousand other authors. In an interview with the Washington Post, occasioned by the upcoming flood of his back catalog into electronic formats, Chabon complained about his royalty rates:

When it’s comes to royalties on a paper book, that rate (25 percent) is completely fair when you think of the expenses a publisher takes on — the delivery trucks and the factory workers and the distribution chains. But it’s not fair for them to take a roughly identical royalty for an e-book that costs them nothing to produce.

There have, of course, already been a dozen or more impassioned blog posts and hurt tweets, from various publishing folks, taking offense at that “nothing to produce.” It is wrong, and horribly wrong, and all of us who work in the business know how much time and effort and agida goes into turning a manuscript into a readable ePub file, or its multifarious brethren. And that’s only the beginning of the process — merely making something exist is the simplest part. One might hope that we all could take that as read by this point — that Publishing, as a verb, is much larger, and encompasses many more complicated, useful, necessary processes than the simple printing and warehousing of books.

(more…)

THE ADVENTURES OF FORTUNE MCCALL DEBUTS TODAY FROM PRO SE!

PRO SE’S SOVEREIGN CITY PROJECT EXPLODES WITH THE LATEST CHAPTER-
THE ADVENTURES OF FORTUNE MCCALL BY DERRICK FERGUSON
Press Release-For Immediate Release and Available for Cross Posting and Sharing
Pro Se Productions, a leading New Pulp Company that Puts the Monthly Back into Pulp, proudly announced today the release of its latest book as well as the next chapter in Pro Se’s SOVEREIGN CITY PROJECT.
From noted New Pulp Author Derrick Ferguson, creator of the popular characters Dillon and Diamondback among others, comes THE ADVENTURES OF FORTUNE MCCALL!  A man shrouded in mystery, McCall is a known adventurer and owner and proprietor of The Heart of Fortune, a luxury gambling ship that finds itself docked off the shores of Sovereign City.   But McCall has come to Sovereign with a purpose, one that soon turns into action, adventure, and mayhem for he and his companions.  Traveling with heroes in their own right, McCall brings his unique brand of investigation and justice to a city that wants neither! 
Follow McCall and his aides as they confront the darker side of lust when they meet ‘The Scarlet Courtesan of Sovereign City.’
fmspade-6466234
Instant death and insanity will lay claim to an entire city unless Fortune McCall survives ‘The Day of the Silent Death!’
McCall meets a woman who challenges him to his very core.  While trying to save her missing husband, Fortune comes face to face with ‘The Magic of Madness!’
Money, Money, Everyone Wants the Money!  A mad chase through Sovereign ensues as Fortune hunts to find ‘The Gold of Box 850!’
“This collection,” stated Editor-in-Chief Tommy Hancock, “shows two things.  First off, it shows what great creators Pro Se is working with and how wonderfully solid a concept the Sovereign City Project is.  Secondly and most important, it is just one more example of how Derrick Ferguson is one of the modern masters of this sort of writing, being able to shift from intense mystery to wonderful characterization, from masculine pulp to humorous screwball comedy type scenes, and all in the space of one story.  Derrick makes words flow better than most around today and he shows that best in THE ADVENTURES OF FORTUNE MCCALL!’
Featuring fantastic cover art by David L. Russell based on a concept by Peter Cooper, this volume features amazing interior effects and design by Sean E. Ali!  THE ADVENTURES OF FORTUNE MCCALL are waiting for you!
THE ADVENTURES OF FORTUNE MCCALL

Available at www.amazon.com or through Pro Se’s site-www.prosepulp.com and soon in all online retailers!  And Coming Soon in Ebook Format!

Paperback: 158 pages

            Publisher: Pro Se Press

            ISBN-10: 1468112562

            ISBN-13: 978-1468112566

Pulp Modern Issue Two Delivers Christmas Cheer

Leaner, meaner, and two bucks cheaper! Just in time for the holidays, Pulp Modern #2 is now available at Createspace.

Publication Date: Dec 01 2011
ISBN/EAN13: 1467974072 / 9781467974073
Page Count: 144
Binding Type: US Trade Paper
Trim Size: 6″ x 9″
Language: English
Color: Black and White
Related Categories: Fiction / Short Stories
Price: $7.99

Pulp Modern issue 2 can be found at https://www.createspace.com/3730618.

Pulp Modern issue 1 is still available as well.

The inaugural issue of Pulp Modern, a quarterly dedicated to crime, fantasy, and western fiction. Includes new stories by Jimmy Callaway, James Duncan, C.J. Edwards, Garnett Elliott, Melissa Embry, Edward A. Grainger, Glenn Gray, David James Keaton, John Kenyon, Chris La Tray, Yarrow Paisley, Matthew Pizzolato, Thomas Pluck, Stephen D. Rogers, Sandra Seamans, Copper Smith and a classic tale by pulp fiction pioneer Lawrence Block. (Edited by Alec Cizak)

Publication Date: Sep 27 2011
ISBN/EAN13: 1466300655 / 9781466300651
Page Count: 170
Binding Type: US Trade Paper
Trim Size: 6″ x 9″
Language: English
Color: Black and White
Related Categories: Fiction / Short Stories
Price: $9.99

Pulp Modern issue 1 can be found at https://www.createspace.com/3683805 or at http://www.amazon.com/Pulp-Modern-Autumn-2011-1/dp/1466300655/ref=zg_bsnr_227890011_8
 
You can learn more about Pulp Modern at http://pulp-modern.blogspot.com/.
Issue two of the critically acclaimed pulp fiction journal, Pulp Modern is now avaialable. This issue includes stories by Patti Abbott, Steven Axelrod, Stephen G. Eonnau, Matthew C. Funk, Jc Hemphill, Jerome K. Jerome, David James Keaton, John Kenyon, Chris La Tray, Michael Moreci, Leland Neville, William Dylan Powell, Jeremy Shane, And Jack Webster. Once again, the journal is edited by Alec Cizak and features stunning cover art by Jeremy Selzer.

Pulp Modern issue 2 can be found at https://www.createspace.com/3730618.

HANCOCK TIPS HIS HAT TO MYSTERY MEN (& WOMEN) VOLUME 2!

TIPPIN’ HANCOCK’S HAT-Reviews of All Things Pulp by Tommy Hancock
MYSTERY MEN (& WOMEN) VOLUME TWO
Written by Various Authors
Cover by Mike Fyles
Interior Art and Design by Rob Davis
Published by Airship 27 Productions
New Pulp is such an interesting creature.  It is organic, something sprouting from the past, but as it grows and blossoms, it becomes its own thing.   And there are Publishers and Writers today who continue to care for this beautiful thing we call New Pulp, making sure that it remains available, that it stands out as innovative and different, not derivative and unoriginal.    A leading Publisher in doing just that is Airship 27 Productions, a company that divides itself between New Pulp based on Public Domain pulp characters as well as new and original characters blazing trails through New Pulp. 
One of the titles that showcases the movement of original characters in Airship is their MYSTERY MEN (& WOMEN) series of books.  Four stories in the first volume introduced the idea and it has been continued in a second volume.  Overall, the book is enjoyable, a hoot to read, and wonderful to view.   Individually, the stories vary in style and quality. 
THE RED BADGE ATTACKS- by Mark Halegua and Andrew Salmon
This is not only the debut of the vigilante known as The Red Badge, but it’s also the first story published by the Badge’s creator, Mark Halegua.   The premise is simple.  A vigilante is in the city taking out the bad guys as quickly and violently as possible. Throw into that the fact that the identity of the Badge is a mystery, even up until the very end, but a mystery with a myriad of suspects.
The Red Badge has definite potential as a concept.  The path traveled by this story is well worn, but its also one that could be done with twists and turns.  Unfortunately, that’s not done nearly enough with this tale.  Yes, some of the action scenes sing like a chorus of tommy guns, but others drag like they’re falling on dead chambers.  The same with the dialogue-There’s a few solid exchanges, but overall it’s stilted and weak.   The strongest point of this story is you can see what Halegua (with help from Salmon) wants the Red Badge to be, which gives one hope he may get there in future tales.
TWO OUT OF FIVE TIPS OF THE HAT
LAIR OF THE MOLE PEOPLE- by Greg Bastianelli
One of the neatest stories in Pulp is when you take a person in an occupation that isn’t cop, adventurer, spy, and you throw them into a Pulp over the top adventure tale and it works!   Bastianelli does this with his character Jack Minch, Ace Reporter in this tale and does it so well and with such skill that the story was over before I even realized it.    The premise, again like with the previous story, is straightforward.  Minch opens a message from a woman who had left it behind to be opened if she disappeared, which she did.  This action leads this spunky, two fisted typewriter jockey into a world beneath the city, as indicated by the title, and at that point, the real fun begins. 
This story crackles with solid characterization, strong dialogue, and enough jump-from-around the corner action to keep any Pulp fan enticed and most definitely wanting more!
FIVE OUT OF FIVE TIPS OF THE HAT
DOCK DOYLE AND THE WANDERING CITY by Adam Lance Garcia
This story gave me fits.  Here’s why.
Dock Doyle is a great American Hero and Movie Star, legends galore attached to his name.  And this story takes him on an adventure deep into the Jungle for what is apparently another film job, but Doyle finds out far too late that things are not at all what they seem.  And the reader finds that out as well, even about the central character himself.
This is quite possibly one of the best stories I have ever read.  No kidding.    Looking at it as an avid bibliophile who reads across all genres and recognizes all the movements, nuances, and influences in literature, mainstream and otherwise, this story is one of the best examples of post modern deconstruction I have found in a long time.
Looking at it as a reviewer of Pulp….It isn’t.  It simply isn’t a Pulp Tale. 
Don’t get me wrong.  Some key elements are woven in.  Action.  Quick Pacing.  Exotic locales.  Defiance of death.  All of that is there.  Where this fails as a Pulp story is in the characters, especially the lead himself. Garcia paints vivid pictures and builds characters from the ground up.  But they’re not Pulp characters.  And trust me, I don’t feel Pulp characters have to be two dimensional or all good or all bad….but with Dock Doyle, there’s far too much gray even in the lead character…especially in the lead character…for this to be a Pulp Tale.
THREE OUT OF FIVE TIPS OF THE HAT- It ain’t Pulp, but it is damned good.
A MAN CALLED MONGREL by Derrick Ferguson
One of the great things about a good author…no, about a great author, is that he/she can deliver consistently, even when they are writing characters with some similarities in the same field of literature.  And not just consistently in terms of quality, but also consistently in terms of differentiation-in making their work stand out solidly from what has come before.  
Derrick Ferguson is just such an author.  A master of the art.
Mongrel is a member of a family who essentially has a corner on the genius gene pool.   When an attempt is made on the life of a family member, Mongrel swings into action against a Family that is focused on taking down leading corporations in the world via super science.   But not while Mongrel Henderson is on the job.
This tale is raucous, over the top, and yet grounded in strong values.  Family connections, pure heroism, and the battle of intellect versus emotion are all not only clearly on display in this story, but turned up to Eleven and broadcast in every single word.  These characters, particularly Mongrel, exude excitement, action, as well as humanity.    Mongrel can take on nearly any baddie that wants to stand with him, but he still cowers when called down by his mother.  Ferguson’s strong suit in all his work is that the action is relentless, the violence is pointed and necessary, and the characters ooze the good and bad of simply being human, although the smartest, toughest, and most righteous or vile humans ever seen anywhere.  This story stands out as the best in the entire volume and likely in the entire MYSTERY MEN (& WOMEN) series to date.
FIVE OUT OF FIVE TIPS OF THE HAT
Design and Art-Even though I said what I did about Dock Doyle’s debut story, the first image of Dock to be seen, the cover of this volume, is phenomenal.    Award winning artist Mike Fyles delivers once again and proves he understands the concept of what Pulp covers are and what they need to convey. 
Likewise the interior art and design of the book by Rob Davis does just what both of those things are supposed to.   Davis’ work supports all the stories, the images bringing out in wonderful line work and iconic imagery exact moments from the stories and the format of the book makes one feel as if they’re holding a Pulp from a news kiosk back in the Thirties.    Even the back cover design as well as the ads included add to that authentic feel.
FIVE OUT FIVE TIPS OF THE HAT
Even though every story wasn’t a grand slam and one might be better suited in another volume, MYSTERY MEN (& WOMEN) VOLUME TWO as a whole delivers.
OVERALL-FOUR OUT OF FIVE TIPS OF THE HAT!

Alex Cox promoted to Deputy Director of CBLDF

cbldf_cmyk_black_solid_final-7604911The Comic Book Legal Defense Fundis pleased to announce that Alex Cox has been named to the position of Deputy Director. In this new capacity, his responsibilities will expand to include full oversight of the CBLDF home office and fundraising program. Cox joined the CBLDF in the fall of 2010 as Development Manager.Since joining the CBLDF last year Cox has improved the organization’s membership program and convention presences. Under Cox’s watch, membership in both the retailer and individual capacities has shown dramatic increases. Cox has also overseen the creation of a more robust volunteer program in the New York home office. Prior to CBLDF, Cox was a 15-year veteran of comics retail, including owning and managing the nationally recognized comic book store Rocketship.Speaking about the promotion, Cox said, “I’m extremely grateful to be in a position to help the comics community fight back against anyone that would threaten free expression in this art form that we all love. As a comic fan and student of the art form for close to 30 years, I never thought that I would see anything like the panic caused by Seduction of the Innocent in my lifetime. But with the current case in Canada, the creeping specter of censorship and persecution is rearing its head again, making the CBLDF even more important. I’m proud to be a part of it and I look forward to working with our members, retailers, and the creative community in the years to come.”

“Alex has been a great addition to the CBLDF, and we’re excited to be able to develop a space for him to grow even further within the organization,” says Charles Brownstein, CBLDF’s Executive Director. “Alex has made great strides in developing our fundraising program in a very difficult time, and his leadership in the office has helped us bring in even more talented volunteers to help us fulfill our work. He’s an extremely valuable member of our team, and we’re glad to see him take on this new role.”

Britain’s Commando Comics Celebrates 50 Years!

Britain’s favourite war comic, Commando, reached a major milestone in June 2011 when it celebrated the 50th anniversary of its first publication on 27th June 1961. Part of the Dundee-based DC Thomson & Co. Ltd stable of comics and magazines, Commando publishes 4 stories every fortnight — 2 new and 2 re-issued classic stories — and maintains its place as the home of comic action and adventure.Although it retains the classic illustrated cover and the iconic black and white comic artwork which has made it so beloved of the UK public, Commando has moved with the times over its 50 years and the stories contained within its pages now span a range of conflicts, right up to the first Gulf War in the early 1990s. Commando’s current editor, Calum Laird, who took over in 2007 said, “As someone who read Commando in the 60s and 70s, worked on the title as a junior member of staff in the 80s and 90s, and became editor in the 2000s, sitting in the hot seat for the 50th birthday is a great honour. Not everyone can have my career path but if Commando can entertain others as well as it did me, I’ll be very happy indeed!”

Visitors to the website (www.commandocomics.com) can also get their hands on some famous Commando cover posters (in A1 size format), exclusively, for the introductory price of £19.99. This September will also see a brand new collaboration for Commando, with the launch of the “Draw Your Weapons” exhibition – celebrating the iconic artwork from 50 years of the comic – at the National Army Museum in London. The exhibition will open on 1st September and Calum commented, “Everyone is delighted that this major exhibition of Commando artwork is to be hosted by the National Army Museum, as one of the key activities of our 50th anniversary celebrations. We’re sure that fans of Commando old and new, will revel in this display of comic art at its best, exhibited so dynamically by the National Army Museum.

Commando No 4447 Colours Of Courage

The proudest possessions of any regiment are its colours — the flags which it carries into battle. Its history is recorded on these colours, the victories it has won.
A regiment guards its colours fiercely. To have them captured by the enemy is a terrible thing. But when a man hands over the colours to save his own skin it is a disgrace that brave soldiers can hardly bear think about.

Introduction by Calum Laird, Commando Editor

If there are two things difficult to get right in a Commando they are French Resistance stories and ghosts. Resistance stories could easily be 63 pages of skulking about avoiding searching German soldiers and ghosts could easily look like normal characters drawn without enough ink.
Thanks to ace story-teller Cyril Walker, Colours Of Courage cracks along with plenty of action to break up the tension. And Arthur Fleming — an art teacher from Glasgow — manages to skilfully depict a glowing figure despite only having black ink and white paper to work with.
Wrapped in one of Ian Kennedy’s superbly drawn and laid-out covers it’s got all it needs for a cracking Commando.

Colours Of Courage, originally Commando No 1182 (December 1977), re-issued as No 2412 (October 1990)

Story: Cyril Walker
Art: Arthur Fleming
Cover Art: Ian Kennedy

Commando No 4448
The Four Scars

Corporal Bill Kirk felt the tiny life-raft rock lazily as the Jap struggled aboard. Both turned to look at the sinking Jap prison-ship they’d been on — Bill a prisoner, the Jap a guard. Then they turned back, to look at each other; and what that Jap read in Bill Kirk’s eyes made him start back in fear.
But there was no escape for him. With only the vast empty ocean and the sharks circling the raft for witnesses, they grappled in a fight to the finish.

Introduction by Calum Laird, Commando Editor

I’ve mentioned before that I my childhood Commando issues at the back of the garage a few years ago. Some I had to look at again to refresh my memory, but not this one. I don’t know how many times I read and re-read this in the 60s but it must have been a lot because I had almost total recall.
Ken Barr’s cover with its ethereal hand hovering over the action, Victor de la Fuente’s action-packed, high-energy inside art and Eric Hebden’s crackerjack of a story with its startling twist were just what the doctor ordered in 1965…and are equally so today. I think so anyway and I hope you’ll agree.
As an aside, Ken Barr used a sheet of transparent plastic sheet with the outline of the hand painted on it to get that ghostly effect. I certainly didn’t know that in 1965.

The Four Scars, originally Commando No 185 (October 1965), re-issued as No 831 (April 1974)

Story: Eric Hebden
Art: Victor de la Fuente
Cover Art: Ken Barr

Commando 4449
Days Of Danger

Simon Katz was a young German and a fervent anti-Nazi. A brilliant mathematician, he escaped Germany by the skin of his teeth and went to work as a code-breaker for the British.
Not long after, Sergeant Barney Taft also made an escape – from the bullet-strafed beaches of Dunkirk.
Though they were on the same side, when circumstances threw the pair together, they clashed bitterly. But could they manage to work together against a ruthless enemy? They would have to if they were to survive.

Story: Stephen Walsh
Art: Vila
Cover Art: Nicholas Forder

Commando No 4450
The Nightmare War

Private Franz Bauer, a German Army engineer wounded during the invasion of France, was haunted by the deaths of his comrades in the same battle — wiped out by a mine. When he recovered he threw himself into his new job developing the remote-controlled Borgward IV demolition vehicle, hoping it might save other German lives.
His chance to save thousands of lives would come, but he would be working alongside an unlikely ally — someone who had nightmares every bit as bad as Franz’s.

Story: Mac MacDonald
Art: Keith Page
Cover Art: Keith Page

Fortress of Solitude Print Lauches Mondo/DC Comics Poster Series

Austin, TX— Wednesday, November 23, 2011 — Mondo, the collectible art boutique arm of Alamo Drafthouse, is pleased to announce its new licensed poster series for DC Comics.  The first poster in this epic lineup will be Superman’s “Fortress of Solitude” on sale Black Friday (November 25, 2011) at http://www.mondotees.com. Follow Mondo on Twitter (@MondoNews) for exact sale time.

FORTRESS OF SOLITUDE

Artist: JC Richard
Size: 12×32
Edition: 390
Price: $50

The DC Comics series, in partnership with Sideshow Collectibles, will encompass both comics and films as Mondo artists tackle some of the most iconic characters of all time.  “We wanted to kick off the DC Comics series with an art print from arguably the most famous character ever, but in a unique way which focuses on the iconic Fortress of Solitude,” said Mondo’s Creative Director Justin Ishmael.

“This marks the second time we’ve worked with artist JC Richard, who wowed us all with the subtle beauty of a lost world in his Jurassic Park print; and he again knocks it out of the park with a stunning vision of Superman’s lair,” said Mondo’s Mitch Putnam.

Marvel Pulp in February

Marvel Comics has released it’s solicitation information for February 2012. Here are some pulpy highlights.

wintersoldier1a-6134130

WINTER SOLDIER #1
Written by Ed Brubaker, art by Butch Guice, cover by Lee Bermejo, variant cover by Gabrielle Dell’Otto, sketch variant by Lee Bermejo, classic artist variant by Joe Kubert.
* Winter Soldier and Black Widow are the super-spies of the Marvel U!
* Ex-Russian Sleeper Agents awaken, but under who’s control?
* Is that Dr. Doom?
32 pages, $2.99.

WINTER SOLDIER #2 
Written by Ed Brubaker, art by Butch Guice, covers by Lee Bermejo..
* Bucky and Black Widow on the hunt for men trained by the Winter Soldier himself!
* Who is trying to kill Dr. Doom?
* Also featuring – talking gorillas!
32 pages, $2.99.

CAPTAIN AMERICA & BUCKY #627
Written by Ed Brubaker and James Asmus, art by Francesco Francavilla.
* Captain America versus an army of Cap-killer androids!
* Adam II reborn…with new powers and deadlier than ever!
* Cap’s life in the hands of…the elderly former Bucky Fred Davis?!
32 pages, $2.99.

DOROTHY & THE WIZARD IN OZ #5
Written by Eric Shanower, art and cover by Skottie Young.
* The Wooden Gargoyles attack to kill!
* How can Dorothy, the Wizard, and their friends escape when even the Wizard’s bullets prove useless?
* Subterranean thrills and chills continue with hungry dragons that only Eureka the kitten can see.
* And you’ll believe a horse can fly!
32 pages, $3.99.

THE PUNISHER #8
Written by Greg Rucka, art and cover by Marco Checchetto.
* The face to face you’ve all been waiting for as ex-Hydra and AIM agents work together to bring down the Punisher.
* Frank is up against a soldier who is more like him than either of them realize.
32 pages, $2.99.

BLACK PANTHER: THE MOST DANGEROUS MAN ALIVE #529
Written by David Liss, art by Shawn Martinbrough, cover by Francesco Francavilla.
* Kingpin vs. T’Challa in this status-quo changing series finale!
* Guest-starring: Lady Bullseye! Typhoid Mary! Falcon! Luke Cage!
32 pages, $2.99.

THE TWELVE MUST HAVE #1
Written by J. Michael Straczynski, art by Chris Weston.
* Collecting The Twelve #7-8
40 pages, $3.99.

THE TWELVE #9
Written by J. Michael Straczynski, art by Chris Weston, cover by Paolo Rivera.
* The time-stranded heroes of World War ii are back!
* One member of The Twelve will fall!
* Who’s behind the myterious killings? The answer is electrifying!
32 pages, $2.99.

THE TWELVE #10
Written by J. Michael Straczynski, art by Chris Weston, cover by Paolo Rivera.
* The killer uncovered!
* What does this mean for the future of The Twelve?
32 pages, $2.99.

PUNISHERMAX #22
Written by Jason Aaron, art by Steve Dillon, cover by Dave Johnson.
* Aaron’s and Dillon’s seminal run on PunisherMAX comes to an end!
32 pages, $3.99.

Learn more at http://www.marvel.com/

SEQUENTIAL PULP UNLEASHES THE CURSE OF THE WEREWOLF!

Art: Steven Gordon

Sequential Pulp Comics has released promo art for their 2012 release, CURSE OF THE WEREWOLF OF PARIS by Steven Gordon. The graphic novel is scripted by Mark Ellis and will be available in 2012 from Dark Horse Comics’ Sequential Pulp Comics imprint.

You can learn more about Sequential Pulp Comics at http://www.sequentialpulpcomics.com/.
You can learn more about Dark Horse Comics at http://www.darkhorse.com/.