Tagged: art
What Publishers Don’t Do
This week’s tempest in a book-pot was sparked yesterday by the fine writer Michael Chabon, but it could easily have been any one of a thousand other authors. In an interview with the Washington Post, occasioned by the upcoming flood of his back catalog into electronic formats, Chabon complained about his royalty rates:
When it’s comes to royalties on a paper book, that rate (25 percent) is completely fair when you think of the expenses a publisher takes on — the delivery trucks and the factory workers and the distribution chains. But it’s not fair for them to take a roughly identical royalty for an e-book that costs them nothing to produce.
There have, of course, already been a dozen or more impassioned blog posts and hurt tweets, from various publishing folks, taking offense at that “nothing to produce.” It is wrong, and horribly wrong, and all of us who work in the business know how much time and effort and agida goes into turning a manuscript into a readable ePub file, or its multifarious brethren. And that’s only the beginning of the process — merely making something exist is the simplest part. One might hope that we all could take that as read by this point — that Publishing, as a verb, is much larger, and encompasses many more complicated, useful, necessary processes than the simple printing and warehousing of books.
THE ADVENTURES OF FORTUNE MCCALL DEBUTS TODAY FROM PRO SE!
Pulp Modern Issue Two Delivers Christmas Cheer
Leaner, meaner, and two bucks cheaper! Just in time for the holidays, Pulp Modern #2 is now available at Createspace.
Publication Date: Dec 01 2011
ISBN/EAN13: 1467974072 / 9781467974073
Page Count: 144
Binding Type: US Trade Paper
Trim Size: 6″ x 9″
Language: English
Color: Black and White
Related Categories: Fiction / Short Stories
Price: $7.99
Pulp Modern issue 2 can be found at https://www.createspace.com/3730618.
Pulp Modern issue 1 is still available as well.
The inaugural issue of Pulp Modern, a quarterly dedicated to crime, fantasy, and western fiction. Includes new stories by Jimmy Callaway, James Duncan, C.J. Edwards, Garnett Elliott, Melissa Embry, Edward A. Grainger, Glenn Gray, David James Keaton, John Kenyon, Chris La Tray, Yarrow Paisley, Matthew Pizzolato, Thomas Pluck, Stephen D. Rogers, Sandra Seamans, Copper Smith and a classic tale by pulp fiction pioneer Lawrence Block. (Edited by Alec Cizak)
Publication Date: Sep 27 2011
ISBN/EAN13: 1466300655 / 9781466300651
Page Count: 170
Binding Type: US Trade Paper
Trim Size: 6″ x 9″
Language: English
Color: Black and White
Related Categories: Fiction / Short Stories
Price: $9.99
Pulp Modern issue 1 can be found at https://www.createspace.com/3683805 or at http://www.amazon.com/Pulp-Modern-Autumn-2011-1/dp/1466300655/ref=zg_bsnr_227890011_8
You can learn more about Pulp Modern at http://pulp-modern.blogspot.com/.
Issue two of the critically acclaimed pulp fiction journal, Pulp Modern is now avaialable. This issue includes stories by Patti Abbott, Steven Axelrod, Stephen G. Eonnau, Matthew C. Funk, Jc Hemphill, Jerome K. Jerome, David James Keaton, John Kenyon, Chris La Tray, Michael Moreci, Leland Neville, William Dylan Powell, Jeremy Shane, And Jack Webster. Once again, the journal is edited by Alec Cizak and features stunning cover art by Jeremy Selzer.
Pulp Modern issue 2 can be found at https://www.createspace.com/3730618.
HANCOCK TIPS HIS HAT TO MYSTERY MEN (& WOMEN) VOLUME 2!
Alex Cox promoted to Deputy Director of CBLDF
The Comic Book Legal Defense Fundis pleased to announce that Alex Cox has been named to the position of Deputy Director. In this new capacity, his responsibilities will expand to include full oversight of the CBLDF home office and fundraising program. Cox joined the CBLDF in the fall of 2010 as Development Manager.Since joining the CBLDF last year Cox has improved the organization’s membership program and convention presences. Under Cox’s watch, membership in both the retailer and individual capacities has shown dramatic increases. Cox has also overseen the creation of a more robust volunteer program in the New York home office. Prior to CBLDF, Cox was a 15-year veteran of comics retail, including owning and managing the nationally recognized comic book store Rocketship.Speaking about the promotion, Cox said, “I’m extremely grateful to be in a position to help the comics community fight back against anyone that would threaten free expression in this art form that we all love. As a comic fan and student of the art form for close to 30 years, I never thought that I would see anything like the panic caused by Seduction of the Innocent in my lifetime. But with the current case in Canada, the creeping specter of censorship and persecution is rearing its head again, making the CBLDF even more important. I’m proud to be a part of it and I look forward to working with our members, retailers, and the creative community in the years to come.”
“Alex has been a great addition to the CBLDF, and we’re excited to be able to develop a space for him to grow even further within the organization,” says Charles Brownstein, CBLDF’s Executive Director. “Alex has made great strides in developing our fundraising program in a very difficult time, and his leadership in the office has helped us bring in even more talented volunteers to help us fulfill our work. He’s an extremely valuable member of our team, and we’re glad to see him take on this new role.”
Britain’s Commando Comics Celebrates 50 Years!
Britain’s favourite war comic, Commando, reached a major milestone in June 2011 when it celebrated the 50th anniversary of its first publication on 27th June 1961. Part of the Dundee-based DC Thomson & Co. Ltd stable of comics and magazines, Commando publishes 4 stories every fortnight — 2 new and 2 re-issued classic stories — and maintains its place as the home of comic action and adventure.Although it retains the classic illustrated cover and the iconic black and white comic artwork which has made it so beloved of the UK public, Commando has moved with the times over its 50 years and the stories contained within its pages now span a range of conflicts, right up to the first Gulf War in the early 1990s. Commando’s current editor, Calum Laird, who took over in 2007 said, “As someone who read Commando in the 60s and 70s, worked on the title as a junior member of staff in the 80s and 90s, and became editor in the 2000s, sitting in the hot seat for the 50th birthday is a great honour. Not everyone can have my career path but if Commando can entertain others as well as it did me, I’ll be very happy indeed!”
Visitors to the website (www.commandocomics.com) can also get their hands on some famous Commando cover posters (in A1 size format), exclusively, for the introductory price of £19.99. This September will also see a brand new collaboration for Commando, with the launch of the “Draw Your Weapons” exhibition – celebrating the iconic artwork from 50 years of the comic – at the National Army Museum in London. The exhibition will open on 1st September and Calum commented, “Everyone is delighted that this major exhibition of Commando artwork is to be hosted by the National Army Museum, as one of the key activities of our 50th anniversary celebrations. We’re sure that fans of Commando old and new, will revel in this display of comic art at its best, exhibited so dynamically by the National Army Museum.
The proudest possessions of any regiment are its colours — the flags which it carries into battle. Its history is recorded on these colours, the victories it has won.
A regiment guards its colours fiercely. To have them captured by the enemy is a terrible thing. But when a man hands over the colours to save his own skin it is a disgrace that brave soldiers can hardly bear think about.
Introduction by Calum Laird, Commando Editor
If there are two things difficult to get right in a Commando they are French Resistance stories and ghosts. Resistance stories could easily be 63 pages of skulking about avoiding searching German soldiers and ghosts could easily look like normal characters drawn without enough ink.
Thanks to ace story-teller Cyril Walker, Colours Of Courage cracks along with plenty of action to break up the tension. And Arthur Fleming — an art teacher from Glasgow — manages to skilfully depict a glowing figure despite only having black ink and white paper to work with.
Wrapped in one of Ian Kennedy’s superbly drawn and laid-out covers it’s got all it needs for a cracking Commando.
Colours Of Courage, originally Commando No 1182 (December 1977), re-issued as No 2412 (October 1990)
Story: Cyril Walker
Art: Arthur Fleming
Cover Art: Ian Kennedy
Commando No 4448
The Four Scars
Corporal Bill Kirk felt the tiny life-raft rock lazily as the Jap struggled aboard. Both turned to look at the sinking Jap prison-ship they’d been on — Bill a prisoner, the Jap a guard. Then they turned back, to look at each other; and what that Jap read in Bill Kirk’s eyes made him start back in fear.
But there was no escape for him. With only the vast empty ocean and the sharks circling the raft for witnesses, they grappled in a fight to the finish.
Introduction by Calum Laird, Commando Editor
I’ve mentioned before that I my childhood Commando issues at the back of the garage a few years ago. Some I had to look at again to refresh my memory, but not this one. I don’t know how many times I read and re-read this in the 60s but it must have been a lot because I had almost total recall.
Ken Barr’s cover with its ethereal hand hovering over the action, Victor de la Fuente’s action-packed, high-energy inside art and Eric Hebden’s crackerjack of a story with its startling twist were just what the doctor ordered in 1965…and are equally so today. I think so anyway and I hope you’ll agree.
As an aside, Ken Barr used a sheet of transparent plastic sheet with the outline of the hand painted on it to get that ghostly effect. I certainly didn’t know that in 1965.
The Four Scars, originally Commando No 185 (October 1965), re-issued as No 831 (April 1974)
Story: Eric Hebden
Art: Victor de la Fuente
Cover Art: Ken Barr
Commando 4449
Days Of Danger
Simon Katz was a young German and a fervent anti-Nazi. A brilliant mathematician, he escaped Germany by the skin of his teeth and went to work as a code-breaker for the British.
Not long after, Sergeant Barney Taft also made an escape – from the bullet-strafed beaches of Dunkirk.
Though they were on the same side, when circumstances threw the pair together, they clashed bitterly. But could they manage to work together against a ruthless enemy? They would have to if they were to survive.
Story: Stephen Walsh
Art: Vila
Cover Art: Nicholas Forder
Commando No 4450
The Nightmare War
Private Franz Bauer, a German Army engineer wounded during the invasion of France, was haunted by the deaths of his comrades in the same battle — wiped out by a mine. When he recovered he threw himself into his new job developing the remote-controlled Borgward IV demolition vehicle, hoping it might save other German lives.
His chance to save thousands of lives would come, but he would be working alongside an unlikely ally — someone who had nightmares every bit as bad as Franz’s.
Story: Mac MacDonald
Art: Keith Page
Cover Art: Keith Page
Fortress of Solitude Print Lauches Mondo/DC Comics Poster Series
Austin, TX— Wednesday, November 23, 2011 — Mondo, the collectible art boutique arm of Alamo Drafthouse, is pleased to announce its new licensed poster series for DC Comics. The first poster in this epic lineup will be Superman’s “Fortress of Solitude” on sale Black Friday (November 25, 2011) at http://www.mondotees.com. Follow Mondo on Twitter (@MondoNews) for exact sale time.
FORTRESS OF SOLITUDE
Artist: JC Richard
Size: 12×32
Edition: 390
Price: $50
The DC Comics series, in partnership with Sideshow Collectibles, will encompass both comics and films as Mondo artists tackle some of the most iconic characters of all time. “We wanted to kick off the DC Comics series with an art print from arguably the most famous character ever, but in a unique way which focuses on the iconic Fortress of Solitude,” said Mondo’s Creative Director Justin Ishmael.
“This marks the second time we’ve worked with artist JC Richard, who wowed us all with the subtle beauty of a lost world in his Jurassic Park print; and he again knocks it out of the park with a stunning vision of Superman’s lair,” said Mondo’s Mitch Putnam.
Marvel Pulp in February
Marvel Comics has released it’s solicitation information for February 2012. Here are some pulpy highlights.
WINTER SOLDIER #1
Written by Ed Brubaker, art by Butch Guice, cover by Lee Bermejo, variant cover by Gabrielle Dell’Otto, sketch variant by Lee Bermejo, classic artist variant by Joe Kubert.
* Winter Soldier and Black Widow are the super-spies of the Marvel U!
* Ex-Russian Sleeper Agents awaken, but under who’s control?
* Is that Dr. Doom?
32 pages, $2.99.
WINTER SOLDIER #2
Written by Ed Brubaker, art by Butch Guice, covers by Lee Bermejo..
* Bucky and Black Widow on the hunt for men trained by the Winter Soldier himself!
* Who is trying to kill Dr. Doom?
* Also featuring – talking gorillas!
32 pages, $2.99.
CAPTAIN AMERICA & BUCKY #627
Written by Ed Brubaker and James Asmus, art by Francesco Francavilla.
* Captain America versus an army of Cap-killer androids!
* Adam II reborn…with new powers and deadlier than ever!
* Cap’s life in the hands of…the elderly former Bucky Fred Davis?!
32 pages, $2.99.
DOROTHY & THE WIZARD IN OZ #5
Written by Eric Shanower, art and cover by Skottie Young.
* The Wooden Gargoyles attack to kill!
* How can Dorothy, the Wizard, and their friends escape when even the Wizard’s bullets prove useless?
* Subterranean thrills and chills continue with hungry dragons that only Eureka the kitten can see.
* And you’ll believe a horse can fly!
32 pages, $3.99.
THE PUNISHER #8
Written by Greg Rucka, art and cover by Marco Checchetto.
* The face to face you’ve all been waiting for as ex-Hydra and AIM agents work together to bring down the Punisher.
* Frank is up against a soldier who is more like him than either of them realize.
32 pages, $2.99.
BLACK PANTHER: THE MOST DANGEROUS MAN ALIVE #529
Written by David Liss, art by Shawn Martinbrough, cover by Francesco Francavilla.
* Kingpin vs. T’Challa in this status-quo changing series finale!
* Guest-starring: Lady Bullseye! Typhoid Mary! Falcon! Luke Cage!
32 pages, $2.99.
THE TWELVE MUST HAVE #1
Written by J. Michael Straczynski, art by Chris Weston.
* Collecting The Twelve #7-8
40 pages, $3.99.
THE TWELVE #9
Written by J. Michael Straczynski, art by Chris Weston, cover by Paolo Rivera.
* The time-stranded heroes of World War ii are back!
* One member of The Twelve will fall!
* Who’s behind the myterious killings? The answer is electrifying!
32 pages, $2.99.
THE TWELVE #10
Written by J. Michael Straczynski, art by Chris Weston, cover by Paolo Rivera.
* The killer uncovered!
* What does this mean for the future of The Twelve?
32 pages, $2.99.
PUNISHERMAX #22
Written by Jason Aaron, art by Steve Dillon, cover by Dave Johnson.
* Aaron’s and Dillon’s seminal run on PunisherMAX comes to an end!
32 pages, $3.99.
Learn more at http://www.marvel.com/
SEQUENTIAL PULP UNLEASHES THE CURSE OF THE WEREWOLF!
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| Art: Steven Gordon |
Sequential Pulp Comics has released promo art for their 2012 release, CURSE OF THE WEREWOLF OF PARIS by Steven Gordon. The graphic novel is scripted by Mark Ellis and will be available in 2012 from Dark Horse Comics’ Sequential Pulp Comics imprint.
You can learn more about Sequential Pulp Comics at http://www.sequentialpulpcomics.com/.
You can learn more about Dark Horse Comics at http://www.darkhorse.com/.































