Tagged: Barbarella

ALLPULP’S SITE SPOTLIGHT BRINGS YOU AUDIO COMICS!

THE AUDIOCOMICS COMPANY ANNOUNCES…
MEN OF MYSTERY

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The Phantom Detective. The Woman in Red. The Domino Lady. Secret Agent X. The Black Terror. Airboy and Valkyrie. The Flame. Ms. Masque. Beginning in 2011, these classic pulp heroes and comic book characters from the 1930’s and 1940’s will come to audio drama for the first time in brand new stories from today’s leading pulp authors as The AudioComics Company presents its follow-up project to their critically-acclaimed adaptation of Elaine Lee and Michael Kaluta’s Starstruck: the MEN OF MYSTERY series.For these stories, we’re keeping these characters rooted in their origins and time periods: Hammett’s San Francisco and Chandler’s Los Angeles. California in the dirty thirties and forties was the new wild west: immoral, violent, and wearing the white hat and a badge didn’t mean you didn’t have suspect motives. With the lines so badly blurred, the only way to meter justice was behind a mask. Furthermore, characters such as The Black Terror and The Flame will be written with a ‘pulp sensibility,’ as if they were originally written as pulp heroes. Men of Mystery adventures will feature all of the suspense, all of the hard-boiled action, and the breakneck cliffhanger energy of classic movie serials.

Writers and CD/Mp3 artists will be announced in the new year, with recordings commencing in late 2011 in San Francisco, beginning with several new Green Lama and Domino Lady stories. MoM plays will be released first as pay-per-download Mp3 serial recordings and then to community radio stations, with collected compact disc “audiothologies” available starting in 2012. In addition, The AudioComics Company will release several free short MoM pieces as digital content for mobile phones.

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BUCK ROGERS MEETS BARBARELLA MEETS THE HITCHHIKER’S GUIDE TO THE GALAXY…THE OFF-BROADWAY SCIENCE FICTION COMEDY THAT SPAWNED A COMIC BOOK REVOLUTION HAS TO COME TO AUDIO! WRITTEN BY ELAINE LEE WITH SUSAN NORFLEET AND DALE PLACE, FEATURING CHARACTERS FROM THE COMIC BY LEE AND MICHAEL KALUTA. CURRENTLY ON COMPACT DISC AND PAY-PER-MP3 DOWNLOADS, STARSTRUCK WILL RIDE THE RADIO WAVES THIS WINTER!

The basis for the critically acclaimed comic book series, Starstruck was first presented off-off-Broadway in 1980, and again off-Broadway in 1983. In a far-flung and very alternative future, Captain Galatia 9 and the crew of the Harpy and on a mission for the United Federation of Female Freedom Fighters. When the Harpy runs into a living ship inhabited by a team of galactic evildoers, including Galatia’s insidious sister Verloona Ti, the outcome of the battle may well decide the fate of the free universe. The AudioComics Company is proud to present the audio adaptation of the play script as its inaugural production! Often hilarious, always surprising, Starstruck is a spine-tingling joy-ride to the far side of the spiral arm!

Valerie D’Orazio on DC, Comics Culture and the Female Presence

In a wide-ranging interview over at The Comics Reporter, Tom Spurgeon talks to Valerie D’Orazio, former DC editor, current Occasional Superheroine blogger and president of Friends of Lulu.

Over the course of their conversation, D’Orazio discusses her former employer(s), the state of women in comics and the industry as a whole, and even shares a few thoughts about what readers should and shouldn’t expect from publishers.

Oh, and she offers up a word or two about the best targets for fans’ outrage, too:

SPURGEON: Is there any issue in the last three years that you think has been underplayed? Overplayed?

D’ORAZIO: I understand a lot of the outrage some readers have about stuff like T&A in comics. But this stuff is never going away. The primal need to look at a pair of breasts is never going away. Now, saying something like "I don’t want this cherished comic book heroine to be a slut" or "kids shouldn’t read that stuff" or "mixing images of women with sexualized violence can be dangerous" makes sense to me. But take the case of Top Cow’s Witchblade. It’s erotica. It’s like our generation’s Vampirella or Barbarella. I can laugh at this or that aspect, but the title isn’t a menace that needs to be stopped. It serves a function for men, the same function Laurell K. Hamilton’s books serve for women — the blending of horror/fantasy with erotica.

As with many of Spurgeon’s interviews (and in the interest of disclosure, I was one of ’em), the conversation is quite lengthy but worth every word for anyone interested in learning about the culture, business and behind-the-scenes environment of the comics industry.

Robert Rodriguez on Barbarella

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Director Robert Rodriguez will be directing the remake of Barbarella.

The director of such hits as Sin City and From Dusk To Dawn, well-known for his low budget on-time green screen work, has put Babs on his schedule alongside The Jetsons (live action) and Sin City 2, which has been in pre-production for a while. Casino Royale writers Neal Pervis and Robert Wade will be scripting, and Dino De Laurentiis will be repeating his duties as producer. Production is scheduled to start next year. Jane Fonda is not expected to be cast as the lead once again, although a villain role has not been ruled out.

 

To tie into the movie, the original Barbarella comics stories by Jean Claude Forest will be re-released in two volumes; material that had never been published in English will be included.

 

More retro films, sequels on the way

get-smart-large-4792001Yeah okay, y’all are still talking about Barbarella, aren’t you?  Sorry, the original had some cute ideas but gah, was it sexist!  Talk to me when she’s properly dressed and Simon LeBon’s cast as Duran Duran.

Now here’s what I’m craving — a bit of the ol’ Get Smart.  USA today has a blurb about the in-production movie (set to open in late June) based on the old TV show created by Mel Brooks and Buck Henry.  Andy Dick is nowhere in sight, thank goodness, but I love the casting they do mention — Steve Carell should make an ideal Maxwell Smart, Anne Hathaway has the potential to succeed Barbara Feldon as a smart and funny Agent 99, and Alan Arkin as The Chief is just too perfect.  Some of the other cast members sound like they’d fit right in as well.  I know I’m pretty psyched for Masi Oka’s big-screen debut!  (Did you know Steve Ditko drew Dell’s Get Smart comic book?)  Let’s hope the indicated trouble in paradise is just a rumor.

Meanwhile, all is not well with the casting of Mummy 3 — The Inevitable, as our esteemed Mike Gold refers to it.  Seems Brandon Fraser is in, but Rachel Weisz is out, leading to speculation that she’s definitely doing Sin City 2 — This Time It’s Even More Personal (my subtitle).  I haven’t seen the Mummy flicks in awhile, but how integral was Weisz’s character in them?  I seem to recall as she was pretty much "love interest/accessory" rather than, you know, an Agent 99 type.

And Harry Knowles is swearing up and down that Shia LeBeouf has been cast in the fourth Indiana Jones movie as Indy’s son, which only interests me insofar as he has one of the more fun names to say and type.  And elsewhere on Ain’t It Cool News, Quint reports that Christina Ricci has been cast as Trixie in the upcoming Speed Racer movie. With John Goodman and Susan Sarandon all set to play Speed’s parents, which amazingly means that Speed’s mom is bound to get actual screen time.

Barbarella taken under James Bond’s wing

forestb1-4414391The classic French science-fiction comic book character Barbarella will make her return to the big screen, according to Variety. Casino Royale writers Neal Purvis and Robert Wade have signed on to write the feature. Occassional comic book writer Jean-Marc Lofficier (Teen Titans) brokered the deal.

The creation of Jean-Claude Forest, Barbarella turned heads in this country by being one of the first “legitimately” published comics to feature nudity and sexual themes. It was serialized in the United States in the avant-garde magazine Evergreen and collected in both hard cover and trade paperback graphic novels back in the 1960s.

In 1968, Barbarella was made into a movie directed by Roger Vadim and starring his wife, Jane Fonda. She was surrounded by a stellar cast, including John Phillip Law, Anita Pallenberg, David Hemmings, and Milo O’Shea as the original Duran Duran.