DC Comics October Solicitations
A lot to go over, including a whole lot of second issues and a hardcover collection of all of last month’s #1 issues. So let’s get to it!
Tagged: Batgirl
DC’s Official #1 Solicitations For September 2011
Making it all official, here are all 52 of the #1 solicits from DC Comics for September.
JUSTICE LEAGUE #1
Written by GEOFF JOHNS
Art and cover by JIM LEE and SCOTT WILLIAMS
1:25 Variant cover by DAVID FINCH
RETROSOLICITED • On sale AUGUST 31 • 40 pg, FC, $3.99 US RATED T • Combo pack edition: $4.99 US
Retailers: This issue will ship with two covers. Please see the order form for more information.
Comics superstars Geoff Johns and Jim Lee make history! In a universe where super heroes are strange and new, Batman has discovered a dark evil that requires him to unite the World Greatest Heroes!
This spectacular debut issue is also offered as a special combo pack edition, polybagged with a redemption code for a digital download of the issue.
DC Comics August Releases – Covers & Solicitation Copy
We’ve received all the covers for DC Comics August solicitations, and Flashpoint promises that worlds will live, worlds will die, and the DC Universe will never be the sa– oh, sorry, that was the tagline for Crisis On Infinite Earths, back when I worked at Flashpoint. I’m so confused…
My favorite item for the month is pictured above, the Sergio Aragones version of Batman from Batman: Black & White. But there are some absolute art gems here, including Darwyn Cooke’s JSA cover, and Frank Quitely’s redoing of Gil Kane and Murphy Anderson’s cover for [[[Green Lantern]]] #52.
As for the rest of the books, take a look… as usual, spoilers ahead:
DC Comics July Releases – Covers & Solicitation Copy
We’ve received all the covers for DC Comics July solicitations, including the long awaited Games, the New Teen Titans graphic novel from Marv Wolfman and George Pérez. And when I say long awaited, I mean two decades long– which kinda ties in with all the DC Retroactive titles coming out, including our favorite, Green Lantern reuniting the team of ComicMix contributors Dennis O’Neil and Mike Grell.
Take a look.
Lois Lane, Girl Reporter
This may be one of the best proposals I’ve heard in a while– which of course means that DC will have to be shamed into actually doing it.
Here a pitch for Lois Lane, Girl Reporter illustrated young adult novels written by Dean Trippe, with art by Daniel Krall.
Growing up with two younger sisters, I’ve often found myself attracted to cool female leads whose stories I could share with them (Nancy Drew, Veronica Mars, etc.), but while the superhero industry has always done good by me in providing excellent male heroes (chief among them, Batman and Superman), its treatment of their similarly iconic female heroes like Wonder Woman, Supergirl, and Batgirl has always been mixed at best. Too often these spandex-clad heroines have been marketed towards post-adolescent men rather than to their own gender. There’s room for this in the spectrum of superhero fiction, of course, but without a positive female role model for me to share with my sisters, that they could see themselves in, they both grew up with only a portion of my comics fandom. (Don’t get me wrong, they both still dig Batman!)
But then I found a secret window into the DCU that I don’t think anyone else knows about: Pulitzer Prize winning journalist, Lois Lane…at eleven years old.
At eleven years old, Lois has discovered her calling: investigative journalism. She sets out to right wrongs and help out her friends. This series explores Lois’s character, reveals her surprising early influence on the future Man of Steel, and introduces fun new elements into this enduring character’s back story.
In each book, Lois will tackle a problem or mystery affecting the members of the community she finds herself in as she travels around the country. The investigations in this series will not be mystical or supernatural (though some characters may suspect such sources), but real world problems that Lois works to set right.
Read the entire proposal. Then ask why DC isn’t doing this one. Somehow, I don’t think Zack Snyder will find a way to work it into the next movie.
Review: ‘Batman: The Motion Picture Anthology’ on Blu-ray
The current era of the super-hero movie can trace its roots to 1989 and the release of Tim Burton’s [[[Batman]]]. For the first time since Richard Donner’s [[[Superman]]], the comic book heroes were taken seriously and adapted for the screen with love and care. In between, there was failure after failure as no one in Hollywood seemed to understand the source material.
Even Michael Uslan, who did understand, spent 1980 through 1988 trying to mount the film with little success. The stars seemed to finally align as Frank Miller’s [[[Dark Knight]]] in 1986 showed people what could be done with the character and suddenly Warner Bros. was interested. They tapped Burton, coming off the success of [[[Beetlejuice]]], a director with exactly the right sensibilities to take the Dark Knight and present him in a way that made you forget Adam West’s interpretation (at least for a little while).
You’re reminded of what a masterful job he did by rewatching Batman on a new crisp transfer as part of the Blu-ray box set Batman: The Motion Picture Anthology 1989-1997
Burton and Keaton came back for [[[Batman Returns]]] which unfortunately offered us no new insights into the hero but did give us refreshed looks at both Catwoman and Penguin. Selina Kyle’s story arc is the strongest in the film and Michelle Pfeiffer gives a strong but sympathetic performance. Danny DeDevito made for a creepy, grotesque Penguin but his arc was taken from a 1967 plot and felt it. The uneven storylines never meshed well and the movie felt divided.
Happy 80th birthday, Don Heck!
Don Heck. Today would have been his 80th birthday.
I first met Don twenty-seven years ago at his house in Centereach. He and my dad frequented the same bar, the Emerald Pub. My dad knew I was a fan of his on The Flash, and thought I should meet him, and finagled an invite.
It was the first time I’d ever seen a comic artist’s studio– and to this day, the best analogy is the scene in the movie where the young boy visits the wizard’s cave and sees the dimly-lit wonders, or the hacker’s technical sanctum and all the neat knick-knacks, you know the scene.
It was magic.
And like any good magician, he gave a gift to the audience– the page to the right, from The Flash #292, was one of them.
Don still hasn’t gotten the appreciation he deserves– for creating Iron Man, Hawkeye, and the Black Widow; for his runs on Avengers, Wonder Woman, Batgirl, and Justice League of America; for hundreds of stories without a single costume in them– but there are those of us who still remember.
Thanks for the magic, Don. Happy birthday.
Review: ‘Batman’ #681
The nature of super-hero comics (and serial storytelling in TV as well) has become an incestuous thing, one that feeds on its own cast of characters, no matter how wrongheaded it might seem. In any given story arc, the reader (and the viewer) has been trained to expect The Last Person You’d Ever Expect (fill in the name of your favorite Beloved Supporting Character) to be revealed as the villainous mastermind. And/or salacious details about Our Hero. Dark secrets that threaten the very underpinnings of the lead characters’ being. The promise of certain death for players who’ve existed for decades. (No, really. We mean it!)
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The pleasure in last week’s wrap-up to [[[Batman R.I.P.]]] was in the way Grant Morrison mocked all that. Consider yourself under a Spoiler Warning for the duration of this column.
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At its best, the story was a love letter to Batman as he ought to be — prepared to a degree that anyone else would find ludicrous (as in a terrific flashback sequence) and uncompromising in the face of threats against the reputation of his family name. Watching him emerge from an inescapable deathtrap and wade through all comers was quite satisfying after months of questioning whether Batman had lost it.
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Just as 1993-1994’s [[[Knightfall]]] arc gave us the ultra-violent Batman that a fringe of fandom imagined they wanted, R.I.P. delivered the story formula that readers have been conditioned to expect. And then, in the final act, Morrison pulled the rug out from under them. Think that the Black Glove was going to stand unmasked as Thomas Wayne, the father of Bruce who’d faked death and became a criminal mastermind? Lies. All lies. Waiting for the culmination of Batman’s mental breakdown? Didn’t happen (at least not to the degree it seemed). He was acting! (Thanks, Alfred!) And that caped-and-cowled, ready-for-slabbing corpse? No body.
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I can’t help but think, too, that Morrison’s treatment of the Joker reflects a bit on the villain’s usage in the wider DC Comics line. In Morrison’s first issue (#655), the character was casually defeated by a nut in a Batman costume who shot him in the face. And in this climax, his fate was even more dismissive: He was accidentally run off the road and killed (yeah, right) by a speeding Batmobile driven by the deranged Damian. The two scenes struck me as a statement of sorts on the sheer over-saturation of the Joker, a villain who’s appeared in 44 comics in 2008 alone! A character that almost anyone in the DC Universe can hold their own against is a character who can be sucker-punched by nutty Batman wannabes. Couple that with his ubiquitous presence in Bat-books proper and the persistence in characterizing the Joker as the biggest and most unstoppable mad-murderer in history and you have a Batman who’s rather ineffectual, too. But I digress.
Robin in Media
So if you checked our site yesterday faithful readers, you know that the CW has given the green light to a new live action series to replace Smallville (or join it if it continues for a ninth season). This series, The Graysons, woud focus on the life of young Richard John Grayson (called DJ in the show), who many of us know will grow up to become the first hero called Robin.
Whether you think such a show can work or not, it’s undeniable that Robin is a household name, partly due to his contant appearances in various media. And that’s not even considering the fact that he’s gone through quite an evolution in comics, uniquely so compared to many other super-heroes.
In DC Comics, Richard John Grayson, known to everyone as "Dick", was a circus acrobat along with his parents. The Flying Graysons were a famous act in the traveling Haley Circus. But during a stay in Gotham City, a protection racket organized by mobster Tony Zucco tried to get money out of the circus owner. When he refused, the trapeze was sabotaged and Dick’s parents fell to their deaths in front of a live audience. The audience included Bruce Wayne, secretly the Batman, who took in the adolescent boy and aided him in bringing Zucco to justice.
Dick was a natural due to his inherent talen and years of training in athletics and acrobatics. This, along with his heart and determination, allowed him to pursuade the Batman that he was worthy of staying on as a full-time apprentice and, later, a partner. Wearing a costume that emulated his old circus outfit, Dick called himself "Robin." Originally, it was said this was because he was styling himself on Robin Hood. In later years, it would be said that "Robin" had actually been his mother’s nickname for him, either because he was born on the first day of spring or because as a child he never sat still and was constantly "bop-bop-boppin’ around." Part of the reason he was called Robin and not given a serious super-hero name was because back in the 1940s, sidekicks were only given nicknames so that the writers would be able to save any cooler titles only for more serious super-heroes.
Over the years, Dick proved himself to be a formidable hero and a gifted detective, becoming leader of the original Teen Titans. As he entered adulthood, he was no longer satisfied being viewed as Batman’s kid sidekick and believing that the Dark Knight did not give him enough credit, he left Gotham to carve out his own life. Eventually, inspired by a story Superman had told him of a Kryptonian hero, Dick returned to his super-hero role under the new name of "Nightwing", an identity he has kept for nearly twenty five years now. He is well-respected in the hero community and was even made leader of the Justice League for a short time. And whenever Batman needs him, this black-clad acrobatic avenger is willing to return to Gotham to help out.
That’s the comics. What about his appearances in film and television?
The Weekly Haul: Comics Reviews for July 17, 2008
A couple disappointments and a near no-show from DC aside, this was a pretty good week in comics, especially outside of the mainstream superheroes.
Still, this week more than anything is just a little whisper, as all eyes are on San Diego for next week’s Comic-Con. All the same, books came out, so on to the reviews…
Book of the Week: Mice Templar #5
Last issue, it started becoming clear that writer Bryan J.L. Glass was veering away from the expected route of the young protagonist realizing his great destiny and triumphing over evil.
This issue, any and all signs of the archetypal fantasy narrative have been thrown clear out the door. Paradigms change in a big way for Karic, and to write anything about it would be to spoil the fun.
Mike Oeming is once again top-notch on art, and really the only question left is how many times the creative team can keep raising the bar.
Runners Up:
Captain America #40
Cap sees the big fight between Bucky and the new impostor (the old Nomad), but the real bout to watch is that between Sharon and the Red Skull’s daughter. Ed Brubaker uses his skil with pacing to tell both stories at once, using each to heighten the drama of the other. And the ending? An out-and-out punch in the stomach moment.
Omega the Unknown #10 — The weirdest Marvel series in a good, long while finally ends, with Jonathan Lethem and Farel Dalrymple taking a bow with a nearless wordless denouement that comes straight out of David Lynch’s oddball mind. It’s a fitting conclusion to the series, which was enigmatic for the whole trip.
