Tagged: Batman

Review: ‘Chuck: The Complete Third Season’

[[[Chuck]]] is the ultimate fanboy dream television show. We all wish we could be accidentally zapped with the Intersect and be a walking computer, filled with espionage details. This way, we too could be protected by the CIA and NSA in the form of the rough Colonel John Casey and the gorgeous Sarah Walker. The show’s producers know this and Josh Schwartz and Chris Fedak have carefully built up the television series reeling in the fans and finding new ones along the way with a delightful mix of humor, action and pathos.

The show, though, has never been a ratings hit and NBC has been cautious with its episode orders so there has always been a campaign to ensure the series is renewed annually. Last year, a 13 episode commitment and a spring debut seemed to be the most the Peacock Network would offer up and the producers made certain each episode would further the theme. If season one was about the boy, then season two was about the boy becoming a man and season three was all about the man becoming a spy. When [[[Heroes]]] tanked early, NBC rushed Chuck onto the schedule earlier than expected and an additional six episodes were ordered, giving the producers more room to play with.

The results can be found in the excellent [[[Chuck the Complete Third Season]]], now out from Warner Home Video. All 19 episodes are included along with a handful of bonus features and they’re well recommended.

Season recap and spoilers ahead…

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Review: ‘Lost in Space’

I should have loved Lost in Space when it debuted on CBS in the fall of 1965. At seven, I was the prime audience for this family adventure about the Robinsons and friends who are literally, hurtling through uncharted territory. Instead, I never warmed up to the show and much preferred ABC’s [[[Batman]]] when that arrived in January 1966. I found the science fiction lacking, the acting over-the-top, and the robot one of the few interesting aspects.

I think I would have preferred the Irwin Allen series had the villainous aspect of Dr. Zachary Smith (Jonathan Harris) remained, rather than using him as a comic foil. Regardless, the series had its following which has led to various revivals as an animated series and even a Bill Mumy-scripted comic during the 1990s. A feature film adaptation seemed inevitable and that’s what we received in 1998. Now, the movie is making its blu-ray debut this week from Warner Home Video.

The film’s themes are certainly high-minded ones as they postulate that in 2058 mankind has so ruined the Earth that a new world has to be found or humanity is doomed to extinction. The Jupiter 2 is sent to find salvation complications ensue when Smith’s treachery sends them off course and they wind up on several strange, new worlds. Then you add in a field of energy that is revealed to be a time distortion bubble with an adult Will Robinson (Jared Stevens) as an antagonist, and well, things get messy.

The movie looks really smart, with over 700 visual effects and some thoughtful set and costume design. There are no real visual cues to the source material with the exception of the robot, which is probably for the best.

Instead, the film fails on two levels. The first is the script that didn’t need to drag in temporal complications while they were already lost in space. It was as if Akiva Goldsman had no faith in the one problem. He also neglected to make any of the characters really engaging or interesting, complicated by a cast that never brings the material to life. While William Hurt makes an interesting scientist in Dr. John Robinson, you never get the feeling he loves Mimi Rogers’ Maureen or is a good father to Judy (Heather Graham), Penny (Lacey Chabert) or Will (Jack Johnson). Matt LeBlanc is amiable but bland as Don West while Gary Oldman seems bored as Dr. Smith.

In reviewing the film years later, it’s interesting to note Penny was vlogging before it was fashionable. Overall, though, the Earth we’re in today is nowhere close to the trajectory seen in the movie’s 2058. Like its predecessor, it is aimed at families and has enough thrills to justify the PG-13 rating but is devoid of the quirky details that people loved in the original. Those fans, though, can look for cameos from original series stars June Lockhart, Mark Goddard, Angela Cartwright, Marta Kristen (Judy Robinson) along with the welcome tones of Dick Tufeld as the voice of the Robot.

The transfer to blu-ray is acceptable although the special features from the standard DVD are carried over without upgrading. We get the deleted scenes, along with caption explanations of what they were. There are two featurettes — “Building the Special Effects” and “The Future of Space Travel” – which are fairly dry.  “The Television Years” includes interviews with original cast members Lockhart, Kristen, and Cartwright but the original series synopses are missing. We do get the “Apollo Four Forty” music video and the original dual commentaries.

If you own the original DVD, there’s little recommend buying this outright as opposed to using Warner’s upgrade program.

Review: ‘Batman: The Brave and the Bold Season One, Part One’

1000149432dvdlef-7901621Growing up in the 1960s, DC’s super-heroes were proud to don their uniforms and battle for truth, justice, and the American way. They had a relatively easy camaraderie with one another and they used their wits and their powers to get out the devilish death-traps they inevitably found themselves in every now and then.

While DC’s heroes and villains have been successfully translated to animation through the years, none have quite captured that colorful joy in being a super-hero. As successful as Warner Animations[[[ Batman]]], [[[Superman]]] and [[[Justice League]]] have been for the current generation of fans, [[[Batman: The Brave and the Bold]]] is the show that those of us from an earlier era have been waiting for. No Wonder Twins, no Wendy & Marvin – our heroes and villains doing what they do best.

The first thirteen episodes of the Cartoon Network series are collected on Batman: The Brave and the Bold Season One, Part One. The two-disc set, without any extras whatsoever, is being released Tuesday and is a joy to have. Producers James Tucker and Michael Jelenic have designed a show that celebrates the heroic and it is brighter, jazzier, and in many ways more action-packed than its predecessors. Each episode opens with a teaser that shows the conclusion of another successful team-up between Batman and a member of the heroic community then we get a complete tale with a different collaboration.

The show has taken great pains to explore the far-reaches of the DC Universe, across the stars and through the years. As a result, one never knows who will be seen next which brings a sense of delight to the viewing experience. Batman is equally comfortable in the past, fighting Morgaine le Fey alongside Etrigan the Demon, as he is battling in the years of the Great Disaster, aiding Kamandi, the Last Boy on Earth. The writers have demonstrated not only a keen understanding of the core elements that make each hero and villain distinct, but adapts them well to television in order to avoid having them appear too similar to one another. The exception is Green Arrow, and the rivalry between the two heroes provides some welcome comic relief. Aquaman, king of the seven seas is also seen as a dim blowhard, eager for an adventure, always struggling to come up with an engaging name for it.

About the only adaptation that has failed to work for me is portraying Metamorpho, Black Lightning and Katana – the Outsiders – as a group of snotty teens. The most successful might be Jaime Reyes, the current Blue Beetle, who is one of the most frequent guest stars and is seen as a hero in training, struggling to gain the respect and approval of his mentors.

While bright and shiny, they still show death and its ramifications, as witnessed by the recap of Bruce Wayne’s youth and other random, senseless acts of violence. Batman has overcome those dark days and is a tireless, driven crimefighter, ready to take on any threat. His square-jawed design is evocative of how he was depicted by the likes of Sheldon Moldoff and Mike Sekowsky in the early 1960s, just before the “New Look” era began. The one element I feel does the show a disservice is the ability for his cape to morph into a jetpack while the Batmobile is an all-in-one sea to surface to air vehicle. While these are lovely animation shortcuts, they take us a step beyond the Batman they are celebrating.

And don’t think its all adventure as many stories also deal with emotional themes such as Red Tornado’s quest for humanity and Wildcat struggling with age.

The first half season ends with a two-part visit to a parallel world and the Injustice Syndicate, as batman struggles to fit in disguised as his counterpart Owlman. As one would expect justice triumphs but not without putting up a vigorous fight.

This set is a welcome addition to the DC video library and comes well recommended.

Chicago Comicon: A Tale of Two Cons (Part Three)

Hello again, one and all. I’m back for this final day to wrap up my thoughts on the 2010 Chicago Comic Con, as presented by Wizard. See what they did there? Fooled you. Same way we all don’t know Xfiniity is actually Comcast, and Fox News is actually Satan’s News Network. When we last left off, I’d given a fairly positive review of the dealer floor. While it feels like the Swap-O-Rama had a child with that creepy guy who shows up at the comic store in sweatpants and an original 1978 Incredible Hulk shirt stained with brown mustard… the dealer floor offers a plethora of deals, steals, and hard-to-find collectibles that you’d just not find if not for the gaping square footage of a convention hall. With that said, it’s time we wrap up this little tour of the “Big-Con-That-Could… but didn’t.”

I want to start this final day’s wrap up with a little pull-quote from Wizard concerning former Illinois Governor Rod “1 count of fraud is better than 24” Blagojevich, and his attendance on Saturday.

“Wizard
World Chicago Comic Con is all about pop culture, and Rod Blagojevich is
as relevant to today’s news as it gets,” said Gareb Shamus, CEO of
Wizard Entertainment. “We think the court of public opinion will show
him to be a popular figure at the show.”

I couldn’t state it any better folks. Wizard World Chicago Comic Con is all about ‘pop culture’. Never mind that COMIC is in the title. Never mind that a SINGLE comic book publisher showed on the “exhibitor floor”. Never mind that the same floor was dominated by C, D, and Z level celebrities. Gareb Shamus has turned a show that once was the San Diego Comic Con of the Mid-West into a glorified flea market and three ring circus. I lamented earlier that for me, the meat and potatoes of a convention comes in it’s programming and exhibitors. At this con, the main floor boasted booths for everything BUT comics. In fact, aside from Avatar’s presence, a con goer walking into the show floor may not even reach an actual book until the dealer room. And with panels ranging from iPhone game demos to a “celebration of die-cast car collecting” … they might as well do themselves a favor and take COMIC out of the title. In all honesty, as a comic book fan, I resent that a casual con goer would think what they saw in that hall was a representation of what comic fans like.

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Chicago Comic Con: A Tale of Two Cons (Part Two)

When I last left you, gentile reader, my malaise for the Chicago Comic had permeated my very being. The deep sadness that seeped under my skin upon seeing my “home show” turn into a visceral flea market truly left me bitter after day one. But, I went to bed, telling myself “tomorrow is another day…”. I awoke with a rekindled spirit of optimism. I mean, yes, the major players of the comic book publishing industry weren’t gonna be there. The panels announced for Saturday were even less interesting than they were for Friday. And on top of all that, they’d announced at the end of Friday that former Illinois Governor, turned convicted fellon, Rod Blagojevich, would be on the show floor signed autographs for $50 a pop. But, I told myself… “It’s a new day. And you should be happy.” Thus, I slapped a smile on my face and I exited my car to boldly walk into the 2010 Chicago Comic Con once more.

Yup. That smile lasted until I took the escalator down to the main floor, with my group in tow. With us, both my wife and my Unshaven Cohort, Matt’s wife, Amy, joined us for our Saturday adventure. The girls, who needed passes, waited through a semi-long line in order to drop $30 on day passes. They were of course penalized for not purchasing their tickets online. For shame. Now, as we’d covered before, I’ve long been a goer to this show. In the past, with the purchase of a pass came a bag of schwag. Generally filled with a heroclix figure or two, a limited edition comic, advertisements and postcards of show vendors, and a few freebie books and posters. This year? Our wives returned to us with nothing more than alternatively colored cheap wristbands. Since we didn’t to leave our loves behind, we stood with them in a long snaked line, trying to get into the show. We were told “people were cutting” and apparently some skipped in without bands the day prior. In order to combat this, they simply slowed the line down to an inhuman crawl, and allowed us time to mill about like bank customers on payday… in an endless sea of costume cladded fans, and folks all confused at the speed at which the line was moving. “What are we all waiting for? Tickets to see Shatner?” (more…)

Complete ‘Batman Beyond’ Box Set Details Announced

We’ve known this was coming for several weeks now, but Warner Home Video has finally announced the details for this product which should be appearing on most of your letters to Santa Claus.Here’s the press release:

BURBANK, CA (August 18, 2010) – Warner Bros. Animation’s breakthrough series Batman Beyond comes to DVD for the first time in its entirety.  Featuring DC Comics’ iconic hero, Batman, Batman Beyond: The Complete Series presents nearly 20 hours of animated action spread over 52 episodes, as well as all-new bonus featurettes and a 24-page, 8”x 12” collectible booklet. Batman Beyond: The Complete Series will be distributed by Warner Home Video on November 23, 2010 as a nine-disc limited edition DVD set for $99.98 (SRP).

Batman Beyond: The Complete Series centers on Terry McGinnis, an ordinary teenager … until his father is mysteriously murdered. Suspecting foul play at his father’s company, Wayne/Powers Corporation, Terry meets Bruce Wayne and learns of a secret identity hidden for decades. Now too old to don the cape and cowl as Batman, Wayne refuses to help – so Terry does what any brash young kid would do: steal the Bat-suit and take matters into his own hands! Vowing to avenge his father’s death, Terry dons the high-tech suit tricked out with jetpacks, a supersensitive microphone and even camouflage capabilities in search of his father’s assassin. It’s 52 action-packed episodes following the adventures of the partnership between an ex-crimefighter and his apprentice, starring Will Friedle (Boy Meets World) as Terry McGinnis and, reprising his seminal role, Kevin Conroy (Batman: The Animated Series) as Bruce Wayne.

Casting throughout the series’ 52 episodes featured award winners from feature films, primetime television and the Broadway stage – from Paul Winfield, Stockard Channing and Seth Green to William H. Macy, Wayne Brady and Teri Garr – not to mention George Lazenby (On Her Majesty’s Secret Service), Dan Castellaneta (The Simpsons), Jodi Benson (The Little Mermaid), George Takei (Star Trek) and Henry Rollins (the front man for the rock band, Black Flag). (more…)

Warner to Release ‘Secret Origin: The Story of DC Comics’ in November

The long-awaited documentary, Secret Origin: The Story of DC Comics, screened at Comic-Con International and was previously announced as being included as a bonus in the forthcoming Batman Beyond complete series boxset. Now we have word that the crown jewel of the company’s 75th anniversary celebration will be available on its own this November.

Here are the official details:

BURBANK, CA (August 11, 2010) – Warner Bros. Pictures presents an enthralling examination of the creative forces behind the World’s Greatest Super Heroes in Secret Origin: The Story of DC Comics, an all-new documentary that takes viewers behind the scenes of the iconic company with unprecedented access to the Warner Bros. and DC Comics archives. Narrated by Ryan Reynolds, Secret Origin: The Story of DC Comics will be distributed by Warner Home Video on November 9, 2010 on DVD for $24.98 (SRP). Secret Origin: The Story of DC Comics will also be available On Demand and for Download.

Behind the amazing tales of Superman, Batman, Wonder Woman and a host of other well-known characters is the equally impressive story of the challenges, creativity and triumphs of the company that brought those characters to life. Secret Origin: The Story of DC Comics is both a celebration of the best writers and artists in comics and a thoughtful exploration of 75 years of DC Comics history.

Produced by the Academy Award ® -nominated team behind Spellbound (Feature Documentary), Secret Origin: The Story of DC Comics combines excerpts from comics, films and television series with the insight of some of history’s most influential comic book creators and editors, among them Neal Adams, Karen Berger, Mike Carlin, Dan DiDio, Neil Gaiman, Geoff Johns, Jim Lee, Paul Levitz, Dwayne McDuffie, Grant Morrison, Dennis O’Neil, Paul Pope, Louise Simonson, Mark Waid, Len Wein, and Marv Wolfman.

Secret Origin: The Story of DC Comics is written and directed by Mac Carter. Jeffrey Blitz (Spellbound, The Office) served as executive producer. Producer is Gregory Noveck and co-producer is Ivan Cohen.  Secret Origin: The Story of DC Comics is produced by Sean Welch and Janet Eckholm.

“From the bans to the breakthroughs, from humble pulp beginnings to the literary rise of the graphic novel, the story of DC Comics holds a mirror to an ever-evolving enterprise and the society reflected in its comic book pages,” said Diane Nelson, President, DC Entertainment. “It’s a true American story – Secret Origin: The Story of DC Comics is a riveting, exciting, surprising revelation of that fascinating history and the men and women who forged it.”

DC 75th Anniversary Winners

Well, that went by quickly.

Peter David was the first to stump me, your now-humbled expert. Its been so long since I watched Superman the Movie I missed his question: In what city and state did Miss Teschmacher’s mother live (prompting her to get Superman’s promise to save her?)

I guessed Newark but it was Hackensack. Peter will receive the character hat as his reward.

Mason asked, In the DC/Vertigo Sandman series, which supporting character began life in the Dreaming as Dream’s first raven? I answered Matthew Cable, forgetting that in Sandman #68, it was revealed that Lucien the Librarian was actually the first raven. That serves me right for not rereading the series as the gorgeous Absolute Sandman
volumes were released.

Elie got me with one I should know: The Order of St. Dumas was responsible for a number of scientific
innovations in the last thousand years. However, there was one field of
“science” that they went to a great trouble to disprove and keep the
secret to themselves. Which field of science was this? When he has a chance, he should post the answer, because I even checked online to find this information — which did not make it into my The Essential Batman Encyclopedia. His reward is the free digital download of the just-released Batman: Under the Red Hood.

Thanks for playing, everyone!

Free Nic Cage!

Sadly, this doesn’t seem to be a good time to be Nic Cage.

Two weeks ago, Cage announced he signed for Ghost Rider Two. That made Late, Late Show host Craig Ferguson very happy, as he absolutely loved Ghost Rider
One
and the movie had a major influence in his selection of a skeletal
robot as his side-kick.

A couple days later, Nic’s heavily-promoted new Disney/Bruckheimer movie, The Sorcerer’s Apprentice,
bombed big-time at the box office. It took in a mere $17 million opening
weekend.

Before that we had Nic in Kick-Ass, which opened at less than $20 million. That was another well-promoted movie based upon a comic book series. Before that, he did a movie called Knowing which pulled in a slightly more respectable $80 million total.
Before that… Bangkok Dangerous, which did $15 million total. Total. Not
counting whatever revenue the movie is earning being on cable teevee every time I turn it on.

Next to the National Treasure movies, Ghost Rider was his best earning movie in a decade. All that’s a shame. I like Nic Cage, and I
feel I owe him because he’s been a big-time comics fan. But it’s been quite a
while since he was in a movie worthy of his considerable abilities. I hope he
can find better projects – there’s a great Batman movie villain inside him, just waiting to come out.

Is 3-D For Me – Or Are You Thor?

Watch out. That’s The Mighty Thor’s hammer coming straight for your mightily bespectacled head.

The march of the 3-D movies continues trampling the
Multiplexes. Movies are being retrofitted left and right so they can have 3-D scenes. Movies that were shot in 2-D, that were meant to be seen in 2-D, will be released in 3-D and up-priced to 12 or 15 bucks; more, if you’re going to
IMAX. And they’re building a lot of IMAX theaters. A whole lot.

So we’ve got the Thor movie, already filmed, being retrofitted. And the Captain America movie will be in 3-D. Yeah, that’s just what they’re going to need to make The Red Skull look dangerous.

I understand we’re just a couple years away from an
amazing new teevee set that will make today’s 3-D tubes look like wallpaper.
We’ll see, but until then I can’t tell you how pleased I am to hear that
director Christopher Nolan is shooting the next Batman movie in 2-D… unless, the producer tells me, the studio demands it. Humph. We’ll see.

If time is the fourth dimension, then I want a 4-D movie
to take me back in time when movies were entertainment and art and not simply “me-too” gimmicks. As Roger Ebert brilliantly states, “3-D is a waste of a perfectly good dimension… It is suicidal. It adds nothing essential to the
movie-going experience.”

Okay. My position on the future of 3-D, like Roger’s, is spelled out.

What do you think?