Tagged: Batman

Movie Review: ‘The Spirit”

spirit-posterIn the past, the holiday season is a time for at least one big box office hit, and while the period between 2001 and 2005 may have been taken over by Peter Jackson’s army of Orcs and giant gorillas, the pattern has been consistent. This year, however, you shouldn’t expect to be blown away, or even spend the money on admission with an adaptation of a literary or Hollywood classic, as Frank Miller and his motley crew try to pass off a remake of Will Eisner’s classic “middle-class crime fighter” comic. The film, as a whole, makes very little sense and will bring mostly heartache to fans of the source material, and on an original level, the movie jumps around both in mood, story, and even dialogue so much that it makes it feel like you’ve been watching [[[Sin City]]] fan film for over 90 minutes.

The movie should have simply been called a faux sequel to Sin City, because that is what it felt like. Gravely voices, over-the-top villains, and women in leather should just be what was written on the poster for this film, because those elements just about sum up what to expect. There are a few twists and turns, mostly in the tone of the film and how it jumps from a high-paced action film to a slapstick comedy around every turn. The inconsistency alone is enough to deter most of the audience, let alone the campy dialogue or ridiculous plot devices that would have Eisner spinning in the grave.

Those who were/are a fan of Eisner’s original story or even the later retellings know the basic story behind the hero: Denny Colt, a middle-class rookie cop in Central City is presumed killed, but actually goes into suspended animation, only to come back and create the identity of The Spirit, a man who is able to fight crime in a way local cops can’t, all while wearing a blue suit, red tie, domino mask, and a fedora. [[[The Spirit]]] never had super powers, but still had the same mystery as rival character Batman to the in-book villains. This new representation has The Spirit as a man who was killed, and brought back to life by a serum that gave him super powers, allowing him to recover from fatal wounds quickly and run across telephone lines. He now must take down The Octopus, his archrival who mysteriously has the same powers as our red-tied hero.

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Alan Horn Briefly Updates DCU FIlms

alanhornarri-granitz-14912138-2-8527804Collider managed to briefly speak with Warner Bros. President Alan Horn, who provided a little update eon their DC Universe properties.

First up is the notion that Green Lantern will be the next hero to strut his stuff before the camera.  With a screenplay completed and location scouting occurring in Australia, the film appears to be in active pre-production. Horn said, “Also on the board. On the runway. Hasn’t taken off yet, but we’re close.”

Horn indicated he thought Superman would go into production before another Christopher Nolan Batman. “Probably in the next couple of years,” he said. “We’re very anxious to bring Superman back also.”
 
 As for third installment of Batman, Horn said, “We’ve been talking to Chris Nolan and what we have to do is get him in the right place and have him tell us what he thinks the notion might be for a great story, but Chris did a great job and we’d love to have him come back and do another one.

“The story is everything and we are very respectful of Chris. We have a wonderful relationship with him and we are going to be respectful of his timing and we want to get it right. Also, I think the fans expect that – they want us to make a terrific movie – we have to give them another great movie.”

As for the stalled Justice League film, Horn merely said, “Not yet.”
 

Review: ‘The Dark Knight’ DVD

The Dark Knight stunned movie audiences by taking the mature themes and tone of its predecessor, [[[Batman Begins]]], and amping things up by a factor of 10. The movie was hailed by critics for around the world and theatres packed in the crowds to the tune of $1 billion in box office (or thereabouts).

In rewatching the film on DVD, now out from Warner Bros., the film remains very strong thanks to terrific lighting, set design, and riveting performances from Heath Ledger and Aaron Eckhart.  Yet, the story doesn’t hold together as well. 

First of all, Gotham looks and feels different from the first film from director Christopher Nolan. The city had been a character all on its own, with the architecture and monorail but now it just looks like, you know, Chicago. We don’t know how long its been since the first film, but since it ends with the Joker’s calling card, it can’t have been that long for a remake, and yet Batman’s legend is such that people are already out there being bat-masked vigilantes.

We know [[[Batman]]] is a presence, so much so that the criminal operations are suffering.  Enter, the Joker, a force of nature. The performance by Ledge is riveting because he makes you forget all about Cesar Romero and Jack Nicholson and creates something totally fresh. His desire to spread chaos in opposition to Batman’s sense of order becomes the film’s spine.

But, once you examine what happens next, things take an odd turn.

As the UK’s [[[Guardian]]] put it, when they named the film as having the most ridiculous plot of the year: “Wait, so the Joker really orchestrated that big truck chase just so that he could get caught and go to prison, then he could kidnap that guard and grab his phone to make the call to set off the bomb he’d previously sewn inside the henchman in the next cell? That would kill the guy who stole the mobsters’ money, thus enabling him to … er, what? Heath Ledger’s Joker may have been a psychopath, but he had a nerdish capacity for forward planning.”

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‘Ultimatum’ #1 #1 in November

ultimatum1-2-3640885The November numbers are in and ICv2 notes that sales of the top 300 titles fell 11% compared with a year ago.  They note that with DC Comics and Marvel Comics skipping issues of Secret Invasion, Final Crisis, New Avengers, Mighty Avengers, Astonishing X-Men, and Justice League of America, there’s little wonder.

Only two titles — Marvel’s Ultimatum #1 and DC’s Batman #681 – cracked the 100,000 unit marks based on numbers provided by Diamond Comics Distributors, the fewest since March.

Marvel had 14 of the top 25 titles, DC 10, and Dark Horse one. 

Looking over the list, it’s interesting to note that beyond events and new titles, several mainline books continue to bring in readers because the content seems to be consistently entertaining month after month as exemplified by Amazing Spider-Man and Captain America being in the Top 10. The most popular creators do seem to translate to best sales making it all the more important for creative team consistency month to month.

Here are ICv2’s estimates of the sales by Diamond Comic Distributors to comic stores on the top 25 comic titles in November:

114,230           Ultimatum #1
103,151           Batman #681 (RIP)
  90,776           Hulk #8
  88,910           Wolverine #69
  77,773           Uncanny X-Men #504
  76,625           Amazing Spider-Man #577
  75,493           Captain America #44
  74,202           Buffy the Vampire Slayer #19
  72,862           JSA: Kingdom Come Special Superman #1
  71,355           Justice Society of America #20
  69,522           Batman: Cacophony #1
  68,956           Amazing Spider-Man #576
  66,564           Amazing Spider-Man #578
  64,196           Detective Comics #850 (RIP)
  63,512           X-Men Legacy #218
  61,331           Fantastic Four #561
  58,547           Action Comics #871
  58,279           Dark Tower: Treachery #3
  57,241           X-Force #9
  57,205           JSA: Kingdom Come Special Kingdom #1
  56,931           Final Crisis: Resist #1
  56,224           Avengers / Invaders #6
  55,560           JSA: Kingdom Come Special Magog #1

‘The Zeta Project’ Comes to DVD in March

zetaproject-s1-early-1975746Warner Home Video has announced a March 17, 2009 release for the first season DVD collection of The Zeta Project.  The animated series was loosely connected to the futuristic world of Batman Beyond, with the character making guest appearances after setting up the premise during the “Zeta” episode. It ran from January 27, 2001 through August 10, 2002 on the KidsWB.

Voices on the series included Diedrich Bader, Julie Nathanson, Kurtwood Smith, Dominique Jennings, Eli Marienthal, Scott Marquette, Michael Rosenbaum, and Lauren Tom.

The 2-disc set will come with the 11 first-season episodes (per the studio’s "production season"; note that not all online episode guides agree with this count!).

Bonus material includes both cross-over episodes of Batman Beyond, and an all-new Featurette about the origins of The Zeta Project.  Cost will be $26.99 SRP.

Here’s the breakdown of episodes on each disc for the first season set:

•    Disc 1
1.    The Accomplice
2.    His Maker’s Name
3.    Remote Control
4.    Change of Heart
5.    The Next Gen

•    Disc 2
6.    West Bound
7.    Hicksburg
8.    Shadows
9.    Crime Waves
10.    Taffy Time
11.    Kid Genius
12.    Ro’s Reunion
 

Geoff Johns Leaves ‘JSA’ After #26

jsa-791037-2-2093207Geoff Johns announced his departure from Justice Society of America, after issue #26, at his forum at Comic Bloc.

He wrote:

There will always be a Justice Society of America book in the DC Universe.

I take a lot of pride in that fact because it wasn’t always true.

It’s hard to say this but officially, I will be leaving the title after Justice Society of America #26, which is a single-issue story entitled “Black Adam Ruined my Birthday.” Following the Black Adam arc with Jerry and I, #26 will be my last issue, Dale [Eaglesham]’s last and our fantastic editor Michael Siglain’s last. I think we’re going out on one of my favorite stories to date and I’m glad we are all going out on this together.

I’ve been writing JSA nearly my entire career. The book has steadily gained new and old fans and, with the re-launch two years ago, fixed itself as one of the staples of the DC Universe. Since then we’ve remained one of the top monthly books at DC alongside Justice League of America and Batman. A book starring characters like Jay Garrick, Stargirl, Mr. Terrific and Citizen Steel. Heroes that, I think, most people had written off. But not all of them did.

We got Dr. Mid-Nite from the talented Matt Wagner. And the new Mr. Terrific first appeared in The Spectre under the pen of one of my favorite writers John Ostrander. I brought in Stargirl, who will always be a character I write in one form or another – no matter if I’m on JSA or not. And, above all, I think James Robinson’s run on Starman opened the door for the JSA on a different level.

How’d I get involved in this? Peter Tomasi and David Goyer.

I was asked by them to come on and co-write JSA back in 1999 right when I got into comics. James had left the book after issue #2. David wrote #3 himself and I came in and wrote #4 with him, but without a credit. I got a special thanks to, but that was enough for me. David then wrote #5 and I came on officially with #6, which featured Black Adam way back when. Over the next two years, I worked with David on the book steadily until he left with #25 and returned later through #51.

The JSA to me represents everything good about life, work and superheroes. In life, generations past, present and future all provide different viewpoints. There can be something magical when it’s past from grandfather to father to son or from mother to daughter or son to grandfather. There’s nothing more important than family – and family means a lot more than just blood relatives. That’s what my very first book, Stars & S.T.R.I.P.E., was about and that’s what JSA, and life, is about.

So why am I leaving?

I have more stories to tell, and the characters are endless, but that’s also true for the DC Universe. I’m ready to move on to some other challenges like returning to The Flash and Superman: Secret Origin. And I am also obsessed with making sure that Green Lantern, Blackest Night and everything around it is the absolute best it can possibly be. …and that’s only part of 2009. There are some new projects on the horizon.

I have to thank Dale Eaglesham, Fernando Parasin, Alex Ross, Steve Sadowski, Leonard Kirk, Don Kramer, Jerry Ordway, Michael Bair, Alex Sinclair, Jon Kalisz, Michael Siglain, Steve Wacker, Harvey Richards, Eddie Berganza, Adam Schlagman, Peter Tomasi, David Goyer, James Robinson, Carlos Pacheco and the creators that inspired me – Paul Levitz, Grant Morrison and Marv Wolfman.

And although he’s never read the book, Roy Thomas. He held the torch for a long time and did a wonderful job. I wish we could’ve done a project together.

I’m sure I’ll return to the Justice Society in some form or another some day, but for now I’m passing them off a new creative team – one who is already working on the book (job’s taken, sorry guys – and it’s someone who’s never worked with these characters before). I really look forward to reading it.

Thanks for all your support and I’ll see you all soon!

‘Wonder Woman’ to Screen at NYCC

trevor-tree-2-4499611Animator Bruce Timm has been named a Guest of Honor at the New York Comic-Con in February.

In making the announcement, the convention also said the latest animated feature, Wonder Woman, will be premiered at the con. at 8:30 p.m. on February 6 in the IGN Theater. The screening will be followed by a panel discussion featuring Timm and members of the film’s cast and crew.

The DVD, OnDemand, Pay-Per-View, and download are all scheduled for a March 3 release.

Other DC properties with films in development include Batman, Superman, Justice League, Green Lantern and The Flash. The release did not name The Teen Titans project confirming the rumors that it is no longer an active feature.
 

‘Watchmen’ Top BookScan Charts for November

watchmen-trade-paperback-1031596It’s little surprise that the Watchmen toped BookScan’s list of Top 20 Graphic Novels for November for the fifth month in a row.  In a report at ICv2, it was noted the book actually hit the Top 10 list twice with the paperback edition of Alan Moore and Dave Gibbons’ story atop the list and the new hardcover edition in the sixth spot.

Eight of the 20 spots belong to traditional graphic novels with the remaining dozen spots nabbed, as expected, by Manga releases, led by Fruits Basket Vol. 21 in second place. DC’s Joker original tale debuted in fourth place and gave the publisher three of the Top 10 spots. Marvel had no titles in the Top 20 although DK’s holiday book Marvel Chronicle debuted in 17th place. Similarly, Running Press’ wonderful DC Vault appeared in 15th place.

BookScan’s report of bookstore sales is an incomplete picture of the book business but used as a measuring stick by publishers and retailers.

Rank    Title                                                                                                  Author                              Pub     PubDate

1           WATCHMEN TPB                                                                           ALAN MOORE               DC         4/1/95
2           FRUITS BASKET VOL. 21                                                            NATSUKI TAKAYA         TKP       11/1/08
3          NARUTO VOL. 32                                                                           MASASHI KISHIMOTO  VIZ        12/1/08
4          THE JOKER                                                                                     BRIAN AZZARELLO      DC       11/1/08
5          YU-GI-OH! GX VOL. 2                                                                     NAOYUKI KAGEYAMA   VIZ       11/1/08
6          WATCHMEN HC                                                                             ALAN MOORE                 DC       11/1/08
7         NARUTO VOL. 31                                                                            MASASHI KISHIMOTO   VIZ       9/1/08
8         HELLSING VOL. 9                                                                           KOHTA HIRANO             DHC    10/1/08
9         CHIBI VAMPIRE VOL. 11                                                                YUNA KAGESAKI            TKP     11/1/08
10       BUFFY THE VAMPIRE SLAYER SEASON 8 VOL. 3                  DREW GODDARD         DHC    10/1/08
11       OURAN HIGH SCHOOL HOST CLUB VOL. 11                         BISCO HATORI               VIZ       11/1/08
12       THE DRESDEN FILES: WELCOME TO THE JUNGLE HC     JIM BUTCHER                DEL    10/1/08
13       FULLMETAL ALCHEMIST VOL. 17                                              HIROMU ARAKAWA        VIZ      10/1/08
14       TSUBASA  VOL. 19                                                                         WILLIAM FLANAGAN      DEL     11/1/08
15       THE DC VAULT: A MUSEUM-IN-A-BOOK                                   MARTIN PASKO              RPB     10/1/08
16       BLEACH: SOULS OFFICIAL CHARACTER BOOK                   TITE KUBO                       VIZ      11/1/08
17       MARVEL CHRONICLE                                                                   BREVOORT, DEFALCO DK     11/1/08
18       D.GRAY-MAN VOL. 11                                                                    KATSURA HOSHINO     VIZ     11/1/08
19       VAMPIRE KNIGHT VOL. 5                                                              MATSURI HINO               VIZ      9/1/08
20       BATMAN: THE KILLING JOKE SPEC. ED. HC                           ALAN MOORE                 DC      3/1/08

Review: ‘Batman’ #681

batman681-22-6520554The nature of super-hero comics (and serial storytelling in TV as well) has become an incestuous thing, one that feeds on its own cast of characters, no matter how wrongheaded it might seem. In any given story arc, the reader (and the viewer) has been trained to expect The Last Person You’d Ever Expect (fill in the name of your favorite Beloved Supporting Character) to be revealed as the villainous mastermind. And/or salacious details about Our Hero. Dark secrets that threaten the very underpinnings of the lead characters’ being. The promise of certain death for players who’ve existed for decades. (No, really. We mean it!)
 
The pleasure in last week’s wrap-up to [[[Batman R.I.P.]]] was in the way Grant Morrison mocked all that. Consider yourself under a Spoiler Warning for the duration of this column.
 
At its best, the story was a love letter to Batman as he ought to be — prepared to a degree that anyone else would find ludicrous (as in a terrific flashback sequence) and uncompromising in the face of threats against the reputation of his family name. Watching him emerge from an inescapable deathtrap and wade through all comers was quite satisfying after months of questioning whether Batman had lost it.
 
Just as 1993-1994’s [[[Knightfall]]] arc gave us the ultra-violent Batman that a fringe of fandom imagined they wanted, R.I.P. delivered the story formula that readers have been conditioned to expect. And then, in the final act, Morrison pulled the rug out from under them. Think that the Black Glove was going to stand unmasked as Thomas Wayne, the father of Bruce who’d faked death and became a criminal mastermind? Lies. All lies. Waiting for the culmination of Batman’s mental breakdown? Didn’t happen (at least not to the degree it seemed). He was acting! (Thanks, Alfred!) And that caped-and-cowled, ready-for-slabbing corpse? No body.
 
I can’t help but think, too, that Morrison’s treatment of the Joker reflects a bit on the villain’s usage in the wider DC Comics line. In Morrison’s first issue (#655), the character was casually defeated by a nut in a Batman costume who shot him in the face. And in this climax, his fate was even more dismissive: He was accidentally run off the road and killed (yeah, right) by a speeding Batmobile driven by the deranged Damian. The two scenes struck me as a statement of sorts on the sheer over-saturation of the Joker, a villain who’s appeared in 44 comics in 2008 alone! A character that almost anyone in the DC Universe can hold their own against is a character who can be sucker-punched by nutty Batman wannabes. Couple that with his ubiquitous presence in Bat-books proper and the persistence in characterizing the Joker as the biggest and most unstoppable mad-murderer in history and you have a Batman who’s rather ineffectual, too. But I digress.

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‘Secret Invasion’ Wraps up on Thursday

Now that Batman RIP has wrapped up, comic readers are turning their attention to the conclusion of Marvel’s Secret Invasion. The Skrull invasion of Earth will be resolved, setting the stage for a new status quo on Marvel’s Earth to be explored in 2009’s Dark Reign event.

The extra-sized Secret Invasion #8 is from writer Brian Michael Bendis and artist Lenil Francis Yu, along with special guest cover artist Gabriele Dell’Otto.

Also out on Thursday will be Marvel Spotlight: Secret Invasion Aftermath #1 and Secret Invasion: Frontline #5.

SECRET INVASION #8 (OF 8)

Written by BRIAN MICHAEL BENDIS
Penciled by LEINIL FRANCIS YU
Cover by GABRIELLE DELL’OTTO
Rated T+ …$3.99

SECRET INVASION: FRONT LINE #5 (OF 5) (SEP082363)

Written by BRIAN REED
Penciled by MARCO CASTIELLO
Cover by JUAN DOE
Rated T+ …$2.99

MARVEL SPOTLIGHT: SECRET INVASION AFTERMATH #1 (OCT082418)

Written by JOHN RHETT THOMAS
Cover by GREG LAND
Rated T+ …$2.99