Tagged: Batman

Michael Jelenic is ‘The Brave & The Bold’

  • News
  • November 8, 2008

Batman’s next animated incarnation will take on the form of Batman: The Brave and the Bold debuting on the Cartoon Network wnext Friday night.   This is based the DC Comics titles that evovled into a team-up title between super-heroes and ultimately featured Batman as its co-host from issues #73 though its cancellation with issue #200 in 1983. The animated series targets a younger demographic than the most recent animated incarnation. 

Each episode will introduce Batman to a partner and a villain from the DC universe.   Fans of Frank Miller’s comic book Batman and Christopher Nolan’s Dark Knight movie franchise should take note that this particular series focuses on the more jubilant and innocent aspects of the iconic character.   The color palette seems to be brighter than the animated series of the mid nineties, and viewers can expect a throwback to the golden and silver age DC Comics.  

After speaking with Story Editor Michael Jelenic, it became clear that this series was a throwback to an older more simple time for comics and super-heroes.  Jelenic  said that the dark, brooding Batman had become the norm, and by creating this series they were doing something different that the hardcore comic heads and kids could all enjoy together.  

“Previous incarnations of Batman were serious.  This was an opportunity to go into a new series, and see how Batman interacts with different characters from the DC Universe.”  These different characters all come from the extensive DC mythos, and many of these characters have never appeared in cartoon form before.  Animated versions of the rarely seen Blue Beetle and Red Tornado will make their small screen debut with Brave and the Bold.  When asked if this new take on the Batman will affect die hard fans of Frank Miller’s Batman or Christopher Nolan’s movie version, Jelenic responded by saying, “You will always have people that think you got it wrong.  Anytime you deal with icons you run that risk, but if the series doesn’t talk down to the viewer, then you can get it right.” 
 

CW Drops Plans for ‘Graysons’

  • News
  • November 7, 2008

flying-graysons-3630334Fans can breathe easier now.

The CW has dropped its plans for The Graysons, which would have dramatically altered the character of Dick Grayson in stories set before he became Robin the Boy Wonder.  According to Variety, Warner Bros. Pictures president Jeff Robinov rethought the premise and decided it didn’t fit in the company’s overall plans for its DC Comics super-heroes.

With Smallville likely in its eighth and final season, the CW network was seeking a replacement series and settled on Dick Grayson.  The reimagined premise, announced on October 1, saw him growing to his mid-teens and still performing with his parents, the renowned trapeze act, the Flying Graysons. Rather than call him Dick, he was also renamed “DJ”, all of which set off alarms throughout comic book fandom.

"Warner Bros. TV never had 100% clearance," one executive told the trade.

Robinov had told The Wall Street Journal back in August that the studio wanted to create a more cohesive plan for the DCU, largely after it faltered to keep up with Marvel which this year introduced connected elements between its Iron Man and Incredible Hulk films. Among those decisions was halting the Justice League film and possibly rebooting Superman, going with a darker approach.

Christopher Nolan, talking about directions he might go with a third film in his Batman franchise, dismissed adding Robin at any time but word had it that he never gave his blessing to the CW series. The idea that having Batman in theaters and Robin on television was considered by some executives to be a mistake.  They also thought Smallville might have had something to do with Superman Returns’ poor box office.  Clearly, none of them saw the film.

The Graysons, as a result, did not fit with the plan at all.

"The studio has opted not to go forward with the development of The Graysons at this time as the concept doesn’t fit the current strategy for the Batman franchise," the studio said in a statement. "Warner Bros. Television is currently working on several replacement options for the CW."
 

Neil Gaiman Returns to Non-Fiction

  • News
  • November 6, 2008

Publisher’s Weekly reports that Neil Gaiman has signed with Morrow to write three non-fiction titles.

Monkey and Me: China and the Journey to the West will be the first tile and is described as "inspired by Journey to the West, a classical Chinese text by Wu Cheng’en, who lived in the 16th century."

The author has previously written non-fiction, breaking into writing as a British journalist. His last non-fiction book was 1998’s Don’t Panic: The Official Hitchhiker’s Guide to the Galaxy Companion. His most recent novel, The Graveyard Book, was published last month.

The first of the three new books will see print in 2009 according to Morrow.  All three were acquired from Gaiman’s agent Merrilee Heifetz by senior v-p and director of editorial development Jennifer Brehl. After Moneky and Me, the remaining two books will cover subjects regular readers of his blog will be familiar with.

Gaiman will also be returning to comics with a two-part Batman story to see print in early 2009.

Away from print, he is involved as producer or director on several of his projects including Death: The High Cost of Living.  He recently announced The Graveyard Book will also see life as a live-action film. The next film based on his works will be February’s Coraline, a CGI-animated proejct from director Henry Sellick.

 

Batman to Sue Warner Bros.

  • News
  • November 6, 2008

batman-road-sign-7272613Batman, the small subdistrict of Ankara, Turkey announced on Wednesday their attention to sue Warner Bros. for its Batman movie franchise.  According to the story at India’s Top News, Batman mayor Huseyin Kalkan feels permission should have been obtained prior to filming. The very first filmed Batman was the 1943 serial with the first full-length feature being the 1966 movie with the television cast. More recently, The Dark Knight amassed $992,764,009 in global box office receipts according to Box Office Mojo.

Batman became a distinct subdistrict in 1937, two years before the character’s debut in Detective Comics #27. The name comes from the Batman River and as it prospered it first became a town of Siirt in 1957, and in 1990 was made its own province.

"There is only one Batman in this world," said Kalkan. "Without telling us, the US makers of the films have taken the name of our region."

The mayor confirmed for the press that he would file suit in the United States if it came to that.

Review: ‘Batman: The Brave and the Bold’

Since his debut in [[[Batman: The Animated Series]]], Warner Animation has seen to it Batman gets freshened every now and then.  Animators swoop in, streamline the look and adjust the stories as time and tastes change.  The most recent Batman series was perhaps the worst as it veered further and further away from its comic book source material so we suddenly had a Rastafarian Joker who knew martial arts. That incarnation has been mercifully retired and in its place we have [[[Batman: The Brave and the Bold]]].

As the title suggests, this is a Batman team-up show and owes much to the title where Batman co-starred with other characters for over 125 issues. The designs puff up the Caped Crusader so he looks as if Carmine Infantino or Mike Sekowsky was doing the model sheets.

Fortunately, the resemblance to the 1960s more or less ends there as the storytelling is quick and adventurous.  This is a well-adjusted Batman who recognizes his place in the super-hero firmament.  For example, in the debut episode, which airs on the Cartoon Network this coming Friday night, he specifically asks Blue Beetle along on a mission to check him out.

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Two ‘Heroes’ Go Down

  • News
  • November 3, 2008

jeph-loeb-2007-1346170If you thought Uatu’s jaw dislocation was surprising, wait until you’ve heard this one… Jeph Loeb is no longer involved with Heroes.

The producer of NBC’s television epic and the frequent comic book writer has been axed from the daily ongoings of Heroes, according to Variety. Jesse Alexander of Alias fame is also off the series, says the trade. Both Loeb and Alexander were day-to-day managers of the show under the direction of creator/executive producer Tim Kring since season one.

No reasons are listed as to why the two producers have been kicked off the show, though it’s no secret that Heroes has been disparaged since the debut of its second season. The show, now in its third year, promised a departure from the formulaic nature of its sophomore season, and with consistent critical hammering, a hardcore decision was bound to be made to save the series’ financial future. The departures of Loeb and Alexander are likely seen as moves to fit that bill.

Jeph Loeb has made a career in the super-hero industry. His graphic novels Batman: The Long Halloween and Batman: Dark Victory, in particular, have gained him critical acclaim, as has his work on Superman: For All Seasons. He’s also known for his work on the "color-centric" comic books over at Marvel Comics, specifically Hulk: Gray, Spider-Man: Blue, Daredevil: Yellow and the forthcoming Captain America: White. Loeb, whose best known super-hero work may be his collaboration with artist Jim Lee on Batman: Hush, had been involved with Heroes from the show’s beginning.

Loeb’s frequent collaborator Tim Sale, who illustrated both much of Loeb’s comic output starting with Challengers of the Unknown, is the artist behind the show’s frequent "future-telling" paintings such as those by Isaac Mendes or the newly introduced African painter. Whether or not Loeb’s departure will influence Sale’s continued work remains to be seen.

Whether or not Heroes, which suffered poor ratings during its strike shortened second season, will be negatively effected by the apparent removal of Loeb and Alexander remains to be seen. However, given that the show should be "King of the Jungle" but has merely kept its head above water in the midst of poor ratings, a true reckoning for Heroes remains to be seen.

Review: ‘Captain Action’ #1

I know way too much about comics. Far more than is healthy. But there are, understandably, a few characters here and there that I either know very little about, either because I never really came across them or I did but found them terribly uninteresting and so dismissed them, soon forgetting what I had learned.

[[[Captain Action]]] happens to be such a character. I remembered he first appeared in the 1960s, wore a costume that resembled a futuristic police officer’s with a chest symbol that reminded me to recycle, and was based on an action figure. And that was it. I remembered nothing else. So when I was asked to review the first issue of the new Captain Action series, on sale today, I thought “Perfect. I can truly look at this as a first-time fan and objectively judge if this would be interesting to someone who has no previous knowledge of the character.”

I read it and found it to be a strange mix of too much information at once and not enough.

We begin with a [[[Superman]]]-like character called Savior. His narration explains who he is and reveals that he secretly blew up a place called A.C.T.I.O.N. Directorate. On page two, we find out that half of what we just read is a lie. This is not Savior, but a person disguised as Savior. This is our hero, Captain Action, who crashes into a statue of his father and proceeds to unleash a massive information dump on the readers in a very awkward monologue.

Apparently, there was once a hero called Captain Action (the original guy from the 1960s). The shape-shifter we’ve just met is his son, the new Captain Action, who has the ability to look like other people and copy their abilities, but only for a short time. Exactly how long he can disguise himself and how long afterward he has to wait before he mimics someone again is not made clear.

The new Captain Action wanted nothing to do with the life of a super-hero, despite his powers, but now feels forced to act since his father was killed by a group of super-heroes that an organization called A.C.T.I.O.N. had “created” to defend the Earth. What “created” means is not fully explained. The new Captain Action informs us that these heroes, Savior included, were somehow turned into sleeper agents, thus why they went rogue later. Exactly how they became sleeper agents is not explained, though a group called Red Crawl is blamed. Apparently, Red Crawl was defeated long ago and everyone believed they were dead, except for the original Captain Action. Now they’re back and causing trouble.

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Nolan Talks ‘Batman 3’

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  • October 28, 2008

spike-tvs-2008-scream-awards-showBatman, Batman, who’s got the Batman? The Dark Knight director Christopher Nolan sure did, but according to a new interview with The L.A. Times, he might be hanging up the cape and cowl.

"There are two things to be said [in deciding whether or not to make a third Batman]," Nolan tells Geoff Boucher. "What’s the story? Is there a story that’s going to keep me emotionally invested for the couple of years that it will take to make another one? That’s the overriding question.

"On a more superficial level," he continues, "I have to ask the question: How many good third movies in a franchise can people name? [Laughs] At the same time, in taking on the second one [The Dark Knight], we had the challenge of trying to make a great second movie, and there haven’t been too many of those either. It’s all about the story really. If the story is there, everything is possible."

There are rumors all across the internet of what that story might be. Many suggest Catwoman, with Angelina Jolie as the most often discussed actress for the role, while certain news outlets such as the National Enquirer are convinced that Philip Seymour Hoffman and Johnny Depp are locked as the Penguin and Riddler respectively.

Nolan, on the other hand, doesn’t know much about what a sequel would entail. He admits that in filming The Dark Knight, his eyes weren’t set towards a third film, despite leaving The Joker alive.

"I only deal with one film at a time," states Nolan. "We’ve never attempted to save anything for a sequel or set up anything for a sequel. That seems improbable to some people because, particularly with Batman Begins, the film ended with a particular hook [with Jim Gordon showing Batman a Joker playing card announcing the arrival of a new villain in town]. But for me that was just about the excitement of people leaving the theater with the sense that now we have the character up and running. I wanted people to walk away with that sense in their head. You know, that he’s become the Batman in the movie. That’s why we had the title come up at the end, because it was Batman Begins, and it was all very specific to that. Then I got excited about seeing where that character would go. It was planned in advance, but it followed in that way."

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Growing Out Of Comics, by Mike Gold

  • News
  • October 27, 2008

It was the very end of summer, I had just turned 11, and – heaven help me – I was just beginning to tire of comic books.

Not that I was considering getting that four-color monkey off of my back. My enthusiasm was waning. The Superman books were beginning to get silly, the Batman titles had already become silly, and Julie Schwartz’s books like The Flash and Green Lantern were beginning to feel repetitious. I had exceeded the five-year point in my comic book reading life, that moment when the publishers felt you were on your way out, trading comics for sports, girls, and/or life. Being a precocious reader, I was at that portal at an age somewhat younger than the norm, but there was no doubt about it, comics weren’t quite as exciting to me as they had been.

At that time, DC had the market on super-hero titles lock, stock and barrel. Few new titles were launched; indeed, DC’s two debut books – Showcase and The Brave and the Bold – often recycled previous unsuccessful attempts like Cave Carson: Inside Earth and the original Suicide Squad to give them another shot at the marketplace. Each run generally consisted of three issues, so at best there would be four debuts each year, and most of those (like Cave Carson and Suicide Squad) were not of the super-hero genre. Today, of course, we get four such debuts a week.

So when it came time to drive my sister to college, my father did something unique. He stopped at a drug store – one of those places that actually had a massive wooden rack plus two comics spinner racks exclusively dedicated to comic books – and told me to pick out a few for the ride, in the hope that I would not be a bother. He then dashed across the street to pick up a dozen bagels at Kaufman’s, the original one on Montrose and Kedzie in Chicago. They boasted the best bagels in the country, and they were right.

When he returned to the drug store, I had nothing. Absolutely nothing. I had read each and every superhero title in the vast expanse of rack space. Even Lois Lane.  Even the war comics, about which I was ambivalent at best, although I was not ambivalent about Joe Kubert’s art. (more…)

Scary Monsters, Super Freaks. by Martha Thomases

  • News
  • October 25, 2008

Halloween is Friday. Before the American Marketing/Advertising Complex discovered that All Soul’s Eve was a terrific occasion to sell home decorations and slutty costumes, it was the National Holiday of Greenwich Village and the Vast Homosexual Conspiracy. Before that, it was a chance for kids to dress up and beg for candy from the neighbors.

What about the true meaning of the holiday? What about its spiritual roots?

Originally, Halloween was All Hallows Eve, the night before All Saint’s Day.  According to Barbara Walker, Christians appropriated the holiday from the Celts, who celebrated Sanhain, the feast of the dead. She says:

“The pagan idea used to be that crucial joints between the seasons opened cracks in the fabric of space-time, allowing contact between the ghostworld and the mortal ones.”

In other words, it was the time when ghosts came out and scared the living. These days, ghosts seem like the least scary things around. In fact, there’s a lot of ghosts I’d enjoy seeing again. But this stuff scares me:

• I was working at DC in 1990 when the new Robin costume was introduced. That was a few years after Miller’s girl Robin in The Dark Knight Returns. The new version of the new costume was its enhanced safety features, including a full-length Kevlar cape and covered legs. Then I see this.  I guess she’s not as frightened by bullets as she is by the possibility that someone might not see her ta-tas or nay-nays.

• Comic book companies used to have one mammoth super-hero cross-over in the summer, to amuse the kids at camp. Now, DC alone has Final Crisis, Trinity, Batman: RIP, Reign in Hell, and some Green Lantern thing about other colors of lanterns. At this rate, the Event That Will Change Things Forever will last forever. That’s pretty much existentialism but without the good wine and unfiltered cigarettes. That’s scary. (more…)

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