Tagged: Batman

Baltimore: DC Q & A

  • News
  • September 29, 2008

black-lantern-corps-large-2476224Saturday morning at Baltimore Comic-Con, DC Comics held their usual DC Nation panel featuring Jimmy Palmiotti, Geoff Johns, Sterling Gates, James Robinson, Sean Mckeever and Ian Sattler. The panel was hosted by Dan Didio who actually invited a mustached fan named Brian onto the panel after he praised the weekly series Trinity. Geoff Johns complimented the same fan for being able to “rock the ‘stache.” When the same fan referred to the Green Lantern Corps as “NYPD Green”, Johns stated he would be stealing this title.

After fan Brian spoke highly of Trinity, Didio added that the main focus of the series is the great influence of the three heroes and how important they have been not only to the DCU but to the multiverse as a whole. He commented that this made the series a complete counterpoint to 52, which explored the mainstream DC Earth spending a year without the three icons. In the same vein, he clarified that the current Batman R.I.P. storyline is exploring whether or not Bruce would still operate as Batman "if you took everything away", as well as showing how his absence affects many, not just the Gotham-centric characters but also people like the Outsiders.

DC had several things to announce in terms of upcoming projects.

A few years ago, DC did a fifth-week event called "New Year’s Evil" involving several one-shots that did not relate to each other but all centered villain-centric stories. Operating on a similar note, DC will be release "Faces of Evil", a month-long project launching next spring. Each issue will be a one-shot focusing on a particular villain and the covers will be done in the same style as the recent “anti-inspirational posters” ads. Johns announced that he and artist Scott Collins would be working on a one-shot focused on Solomon Grundy. Other villains who would be focused on include Parasite and Despero. When a fan asked if any of the Rogues (from Flash) were going to have a one-shot, Johns simply said that the future of the Rogues will be set-out at the conclusion of the miniseries Final Crisis: Rogues Revenge.

Geoff Johns also added that Solomon Grundy would become a Black Lantern, though he also said the same thing of any other character mentioned during the panel who is deceased. Concerning the upcoming "war of light" stories in Green Lantern and Green Lantern Corps, Johns again spoke about Agent Orange, the leader of the Orange Corps dedicated to Avarice, as a major villain. He also said that the Orange oath was his favorite. Throughout the remainder of the panel, questions about seemingly dead characters usually involved Johns saying , "(Fill-in-the-Blank)’s a Black Lantern."

  (more…)

Fashionably Late, by Elayne Riggs

  • News
  • September 17, 2008

earamid2-1-6850803Whoever thought that lipstick would make major Silly Season news in the 21st century? Although I have to admit I’d rather hear about it being applied to pit bulls and pigs than human beings, but I’ve never had the best relationship with makeup, accessories and other fribbles, as this past week has reminded me.

Every September sees the re-emergence of Fashion Week here in New York City. In keeping with the acknowledgement that this Silly Season is in many ways sillier than most, this year Mercedes-Benz, the chief sponsor, has even decided to go with an election theme on the event’s home page. Maybe they want to emphasize how uselessly trivial it all is. Or, to be fair, how much “fun” people have ooh’ing and aah’ing at emaciated creatures who rarely resemble real people strutting the catwalks wearing creations that rarely resemble real clothing. And there are all sorts of tie-ins, one “big deal” this year being Target’s special “Bullseye Bodega” outlets in strategic areas of the city, only open this past Friday through Monday, which purported to sell high fashions at low (i.e., Target-level) prices.

Fool that I was, I ventured into one around noon on Friday, just out of curiosity, and found it to be the single most pretentious experience I’d ever witnessed. A cramped place with absolutely nothing of any practical value to me, but filled to the brim with a sea of people desperate for couture at closure level. I saw only one piece that would have fit me, a XXL man’s thermal top for around $35, but I’m afraid I just wasn’t in the market for one, and even if I were I could have gotten the same thing (sans designer label) for far less money by shopping at Amazon. That’s the kinda gal I am. But other gals seemed to like it just fine, so obviously one’s mileage may vary.

Even comic geeks have been able to get into the spirit of fashion this year.  My ComicMix colleague Martha Thomases has reported on the “Superheroes: Fashion and Fantasy” exhibit at the Metropolitan Museum of Art, and Rick Marshall covered the Marvel Fashion Show at the San Diego Comic-Con. There does appear to be a fun element to the idea of heroic costumes being more frivolous than practical, especially when worn by women. But even the guys are taken to task, and taken down a peg, by wry observations about their chosen uniforms. The word “capes” alone elicits either giggle-fits when watching Brad Bird skewer that fashion-don’t in The Incredibles, or sneers in comic pages wherein non-powered citizens dismiss the antics and lifestyles of the heroic and famous.

(more…)

On the Road to a Crisis

  • News
  • September 17, 2008

final-crisis-one-ff-1667347So right now, we’re halfway through Final Crisis, a crossover involving the weakening of space and time and all of reality being endangered. In the prelude one-shot DC Universe #0, readers were recapped about the fact that this is the third universal crisis to happen to the DCU (which isn’t entirely accurate and we’ll get into that soon).

But some of you folks may want a little more detail about what happened before this. Why is this the "Final" Crisis? And considering the fact that the previous two crises both involved history being altered, what do the heroes involved truly remember about them?

So here is not only a rundown of the previous crises, but the major events that have led into them and certain side stories that writer Grant Morrison may refer to again very soon. (more…)

Batman’s Comedy of Eros, by Dennis O’Neil

  • News
  • September 16, 2008

Way back in the late 80s, or maybe early 90s, an inker working on one of DC’s superhero comics rendered a female form rather more like the Lord made female forms than the mores of the time allowed. The editor dealt with the problem by putting a color hold – a purple one, I think – over what some would have deemed offensive nudity.  Sex always wins. The lady’s charms shone clearly though the purple haze and a fuss ensued.

I remembered this anecdote when I saw, in the New York Times, an item about a Batman comic describing “a two page action sequence that is filled with foul language…uttered by (a) heroine…

“A black bar covered the blue words, but it was too transparent and allowed the text to be read.” Sex always wins and maybe “foul language” at least doesn’t fight fair.

According to the Times, the print run was destroyed. Having made more than my share of blunders when I sat in an editor’s chair, I know how easily goofs like this can occur and I hope the ensuing fuss doesn’t devolve on the editor, whoever he or she may be. As a certain Secretary of Defense said, stuff happens.

But I’m curious.  Did the creative folk always intend the offensive language to be covered? Surely not. Why go to the bother and expense of lettering copy that no one will read? Easier, one imagines, to simply do the black bars in the first place, though as a storytelling strategy, that would be questionable; why pull the reader out of the story while they puzzle over the meaning of the black bars?

Okay, the copy was meant to be seen? Didn’t somebody wonder if such language could cause trouble and…I dunno – ask around?

Maybe someone saw it as a free speech issue. If so, I’d demur.

I think the First Amendment is the crown jewel of the Constitution, and, personally, I can be a potty mouth. Much of my choirboy vocabulary was left on an aircraft carrier and much of whatever was left in the gutters of the East Village, pre-gentrification. But I think the way things are marketed creates expectations, and it’s not playing fair with the customers to thwart those expectations. Anything – and I do mean anything – should be allowed in the public arena, but if one buys a book bylined Henry James, one should not be subjected to a story by Mickey Spillane.

Comics have come a considerable distance in the few years since I left editing. Hell and damn, once verboten seem okay both in comics and on TV, and a few gamier locutions are beginning to pop up. But I don’t believe the medium – comics – has evolved to the point where authentic street lingo is expected.

A final consideration: The question in matters like this is always a simple one. Does it help the narrative? Is the vocabulary the writer is using his way of showing off, or does it serve a larger purpose? Any vocabulary that tells the story is almost certainly the right vocabulary, though I’d expect to get argument on this. In the case of the Batman comic we’ve been discussing, I don’t know, and probably never will.

RECOMMENDED READING: Redemolished, by Alfred Bester

Dennis O’Neil is an award-winning editor and writer of Batman, The Question, Iron Man, Green Lantern, Green Arrow, and The Shadow– among others – as well as many novels, stories and articles. The Question: Epitaph For A Hero, reprinting the third six issues of his classic series with artists Denys Cowan and Rick Magyar, will be on sale in September, and his novelization of the movie The Dark Knight is on sale right now. He’ll be taking another shot at the ol’ Bat in an upcoming story-arc, too. 

Examining What Went Wrong With ‘All-Star Batman’ #10

  • News
  • September 10, 2008

All-Star Batman & Robin #10 has caused some controversy since DC Comics announced it was recalling issues scheduled to be on sale today.  They described the problem through the Diamond Comics announcement that it was a printing error.

Apparently, Frank Miller’s expletive-filled dialogue was intended to be blacked out but the process employed failed to effectively do this.

The actual dialogue and scans of the offending pages can be found over at Comic Book Resources. According to Heidi MacDonald at The Beat, Miller insisted his dialogue be lettered in and blacked out.  The production approach clearly failed to achieve the desired effect but editorial judgment has also to be questioned.

According to former DCer Brian Pearce over at the DC Archives board, “What puzzles me is the suggestion that the dialog in the word balloons might have printed in a four-color black (essentially, solid black backed up with a small percentage of the other process colors), while the bar that was supposed to obscure it was just a flat black, and not adequately opaque. ‘Backing up the black’ as it’s called, is often used to give large flat black areas a more ‘rich’ (and less washed out) appearance, or to ward off problems with trapping (when registration is slightly off) — but what strikes me as odd is that there’s really no need to do that with a fine detail like lettering. It’s not really necessary, and against a white background, that would betray even the slightest misregistration. (And even as comics printing and coloring have become more elaborate through the years, lettering inside baloons and caption boxes was genenerally left as only black because it was easiest to strip out that detail from just that one plate for foreign licensees and reprints.)

“And before the usual suspects start speculating on who might lose a job over this, this is an error that would be difficult, if not impossible to spot without a very specific type of proof, or a press proof. (It was probably caught on one of the unbound ‘last chance copies,’ when the books have been printed and bound, but there’s still time to do something.)”

Copies are already being hawked at eBay and its likely that similar to similar recalled comics, such as the Elseworlds 80-Page Giant, it will remain a rare collectible.

Unnoticed in all this was that Action Comics #869 and DC: Decisions #1 were also recalled for other printing problems.  The reasons behind these two remain unclear.
 

Hoffman as Penguin is news to Hoffman

  • News
  • September 9, 2008

The problem with smash hit films is that everyone immediately begins speculating about the sequel.  After all, Hollywood is driven by success and “tent pole” films are necessary for business.  Its one reason, studios stake out release dates years in advance, sometimes before there’s even a script (see Spider-Man 4).

Since the box office records shattered with The Dark Knight, everyone has been running around guessing who might be in the running for the third film from Christopher Nolan. Actors have let it be known they’re interested whether appropriate or not to the part.  The merest hint news sends news around the Internet in a nanosecond.

As a result, retractions, clarifications or denunciations follow just a tad slower.

No sooner did the dust settle from the Cher-as-Catwoman nonsense, MTV began reporting that Michael Caine received Warner Bros. confirmation that the next movie in the series will offer up Johnny Depp as The Riddler and Philip Seymour Hoffman as the Penguin.

Of course, Nolan insists he hasn’t thought once about the next film, preferring to concentrate on a non-Bat feature as a palette cleanser before returning to Gotham City.

Hoffman, who would be terrific in just about any part short of Catwoman, told The Stone Report that ”Some friend of mine told me he read that [rumor]", Hoffman reported from the Toronto Film Festival. "First I heard of it. I don’t think so.

"I grew up a comic book fan, so I love that stuff. I love going to that stuff. I think what they’re doing with that whole Batman story is really true to what that whole Batman thing has always been. It’s one of the darkest origins of a super-hero, to get all nerdy and geeky on you. That character sees his parents gunned down as a young child. I remember when I was a kid reading that story, so seeing it now come to life as the dark tale that it really is as an intense, really dark, very visceral, adult tale that they’re doing now, all the great work people are doing on it, of course I wouldn’t say, ‘Well, no, no no.’ But I don’t know the reality of it, so I wouldn’t say ‘yes’ to you."

Marvel isn’t immune from this nonsense either as they had to quickly stomp out the word that Will Smith was being cast as Steve Rogers in the Captain America movie.  Previously, rumor had it Cap would be played by Matthew McConnaughy.

 

‘Blackest Night’ stealing ‘Final Crisis’ thunder? by Alan Kistler

  • News
  • September 8, 2008

flash-three-generations-7506952

The major event in DC Comics in 2008 is Final Crisis, written by Grant Morrison. Unlike many summer crossovers, Final Crisis is not its own event so much as the third story of a trilogy (the first two stories being the crossovers The Crisis On Infinite Earths and Infinite Crisis).

The opening premise is that all of the New Gods (celestial beings who inhabit a higher dimension) recently seemed to die, except for Darkseid, leader of the evil New Gods. Darkseid has found a way to survive through human hosts, his power fueled by the faith of his new followers under the prophet Libra. Determined to become ruler of reality, he has been resurrecting his sinister forces (an ability Kirby established decades ago) by placing their life-forces in new bodies as well. And since he has now learned the powerful "Anti-Life Equation", a prize he has sought for centuries, he is able to destroy free will in any who hear the equation, thus creating a new army of slaves.

So evil god-like forces have been freely walking among us and because the super-heroes didn’t realize it, they’ve been vulnerable to sneak attacks and manipulations. In short order, John Stewart, Hal Jordan, Batman, Superman and Wonder Woman were all removed from the game board in one way or another.

But this is a Morrison story so that means there are usually layers to be peeled away. There are other things going on as a result of Darkseid now attempting to break the universe down to serve his will. There is, of course, the matter of the Multiversal Monitors, beings charged with maintaining the structure of the multiverse, one of whom is also living among us as a mortal man, unaware of his true nature. And there is the return of Barry Allen, the second Flash, a hero who became energy and merged with the universe even while saving it during the first Crisis over twenty years ago. Barry’s sacrifice saved the universe during that story and in DC Universe #0, it’s implied that the universe itself has brought him back so that he can save it again. It’s also possible he is here as a reactionary force to Libra, who is his opposite number in the sense that this a villain who also seemingly died years while merging with the cosmos.

And Libra and Barry are not the only dead men to show up in this story.

  (more…)

Kevin Eastman Promises New Origin for ‘TMNT’

  • News
  • September 4, 2008

tmnt-1-6348161Kevin Eastman told Heavy Metal that there will be one more Teenage Mutant Ninja Turtles film and this will be a fresh look at their origin story.

“Yes, it is true,” Eastman told the site, which he owns. “Although the CGI film did well enough to warrant a sequel, there has been much talk between Imagi and Warners to do a better ‘re-invention’ (newest Hollywood buzzword) of the TMNT’s, in a live action film — like what was done with Batman. Back to basics, back to the origin and the intro of the Shredder, etc…there have been talks, trips to Northampton to talk to Mr. Laird, and discussions with the original ‘first’ TMNT film director Steve Barron to come back and do it right — but no official word yet…will keep you posted.”

Barron directed that first film back in 1990.  It was followed in 1991 with Teenage Mutant Ninja Turtles II: The Secret of the Ooze. Then 1993’s Teenage Mutant Ninja Turtles III. The film series took a break and was brought back, using CGI in 2007’s TMNT.

Additionally, the comic book spawned three television series and countless merchandise items.
 

Superman Timeline

  • News
  • September 4, 2008

As most of us know, this year marked Superman’s 70th anniversary. And as if that weren’t enough to engender conversation about the Man of Steel, Brad Meltzer’s new novel Book of Lies  has prompted quite a bit of discussion concerning Martin Siegel, who died during an armed robbery and whose son Jerome "Jerry" Siegel subsequently wrote the story of a bullet-proof alien who was invulnerable to all frailties.

So with all this talk going around about Superman’s beginnings, we here at ComicMix thought it was time to put together a small Superman time line. Please note, this time line is focused solely on Supermans’ adventures in the comics and not with his stories in other media.

1933 – Jerry Siegel and Joe Shuster publish their story “Reign of the Super-Man." In the story, the title character is a bald homeless man named Bill Dunn who gains telepathic powers from a mad scientist’s experiment and intends to take over Earth. After this, Siegel writes up a new version of Superman who is secreatly named Clark Kent and is, in fact, an alien named Kal-L, son of Jor-L and last survivor of the dead planet Krypton. Shuster does artwork for the comic strip and they begin to submit it. The story is rejected by 17 different publishers over the next five years.

1938 – Superman/Clark Kent is finally introduced in Action Comics #1. Although Siegel has plotted out the name of Superman’s parents and planet, none of these are actually named in this issue’s origin story. Superman is said to have great strength, resistance to conventional injury, and is able to leap 1/8th of a mile.

1939 – In Superman #1, the planet Krypton is finally named in the comics. It is also mentioned that Clark Kent was raised by a kindly, elderly couple. His adopted mother is named “Mary Kent” and it’s said that she and her husband died soon before Clark moved to Metropolis.

1940 – In Action Comics #23, Clark’s newspaper The Daily Star is officially renamed as The Daily Planet and Superman has his first fight with “Luthor, the mad scientist.”

1941 – Superman #10 features our hero actually defying gravity for the first time by hovering in the air. Previous to this, it was always stated in the comics that he could only leap over great distances. Superman #11 confirms that Superman can now fly, just like in the cartoons and radio shows.

1942 – Superman #17 reveals that the Man of Tomorrow has a hidden base known as the Secret Citadel, located inside a mountain range nearby Metropolis.

1945 – The character of Superboy (an adolescent version of Superman) and his hometown of Smallville are introduced in More Fun Comics #101. Initially, this is treated as a separate continuity from the mainstream Superman stories.

1948 – Superman #53 names Clark’s adopted parents as “John and Mary Kent.”

1949 – Kryptonite makes its first comic book appearance in comics in Superman #61 (originally, it was only used in the radio plays). In this story, Kryponite is colored red but in all subsequent stories it is colored green (other forms of Kryptonite with different colors will appear later on). In this same story, Superman finally learns the name and history of his home planet Krypton, even though readers have known such facts for years already. (more…)

Actors Want Odd Parts

  • News
  • September 2, 2008

russell-crowe-picture-4-3310925Competing Sherlock Holmes movies will be racing to see who can get before the cameras faster.  Guy Ritchie (Rocknrolla)’s version already has Robert Downey, Jr. on board as Holmes but now Russell Crowe says he wants to play Watson. He was quoted in Australia’s Daily Herald as indicating this desire although an anonymous source was cited. 

Crowe is looking for a project now that his Robin Hood film with Ridley Scott is on hold for at least a year.

Meantime, also in Australia, Heroes star Milo Ventimiglia was quoted by Showbiz Spy indicating his desire to play a decided adult Boy Wonder. "I always thought I would make a great Robin. I would love to be Christian Bale’s sidekick in Batman," he told the reporter. "Even when I was younger I never wanted to be Batman." Of course, director Christopher Nolan has already said for years now that his film version of the Caped Crusader will never feature a Wonder – boy, teen or adult.

This, on the heels of the absurd notion of Cher as Catwoman, means we have years of casting rumors to endure before Nolan mounts the third film in the franchise.
 

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