Tagged: Batman

Review: This Week in ‘Trinity’ – Part 2

Two weeks down, and things are already heating up in DC’s weekly series Trinity.

We left off last week with [[[Superman]]], [[[Wonder Woman]]] and [[[Batman]]] all under the gun from mysterious forces: A dwarf solar system appears in Metropolis, giant robots attack Washington D.C., and Gotham… becomes Olde Timey?

The main point of interest is the nature of the attacks, and the way in which each hero handles the threat. Superman saves civilians and acts tactically. Batman wills Gotham back to normal by refusing the vision. And Wonder Woman smacks the crap out of some robots.

Based on what we’ve seen so far, the central notion of this series lies in exploring the identity of these three main heroes (in the first issue, this came up in how each saw variations of the same dream). Clark is a protector, Diana is a fighter and Bruce is…

So far, writer Kurt Busiek is leaving that one open, as the bizarre transformation of Gotham could imply a lot of things about Batman. It’s also interesting that Bruce is the only one of the three to remark on the strangeness around him.

Why would Busiek only hang a lampshade with Batman? Maybe it has to do with him being the lone human of the Trinity, and thus a stand in for readers. Food for thought.

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Getting Reality Right, by Dennis O’Neil

  • News
  • June 10, 2008

Vinnie Bartilucci said it better than I did. Commenting on a couple of columns that asked, sort of, if the science in comics should be real, Vinnie wrote, “… once a writer chooses to mention actual, proper science, he should get it right.”

Yes. Exactly. Well put.

But I wonder if we shouldn’t extend the idea to other real life areas. Social problems, for example.  Or such knotty personal problems as addiction. One of the difficulties is, there isn’t the kind of consensus on personal and societal quandaries that there is on the basics of, say, physics. All but the most skeptical – or reactionary – can agree that Newton’s three laws are on the money and Einstein was right about relativity, both general and special, and even Heisenberg’s principle doesn’t seem terribly uncertain these days.

But, to pluck just one example from the ether…addiction? What, exactly, is it? My imperfect understanding is that many, if not most, addictions are caused by environment acting on genetics. In other words, nature and nurture combine to rot out somebody’s life. But, with patience, determination, and rigorous self-honesty, the addict can put his demons in the coal bin, and if he’s able to continue being patient, determined, and honest, they’ll stay there until he dies and they die with him. Addiction is not exactly a disease, in the conventional sense, but it’s more that than character defect.

That was, more or less, the version of addiction I posited in an extended comic book continuity some years ago, and most people who saw the stories seemed to agree with me. But not everyone. A source I trust told me that a person much higher on the corporate food chain than either my editor or me thought that the fictional addict should have just…I don’t know – snap out of it? (In fairness to all concerned, the executive in question never confronted me personally, so I am taking a trusted somebody’s word for what happened.) On another occasion, an excellent artist, a man I respect, refused, politely, to draw a one-page shot of a hero dreaming he was drunk – just dreaming, mind you – because, in the artist’s opinion, heroes don’t behave like louts, even when snoozing.

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Review: This Week in ‘Trinity’ – Part 1

[EDITOR’S NOTE: This week we begin a new regular feature on ComicMix in which we’ll review DC’s latest weekly series, Trinity, featuring a story by comics legend Kurt Busiek and art by one of the industry’s biggest names, Mark Bagley. Join us every week as ComicMix contributor Van Jensen analyzes the most recent issue of Trinity and decides whether the series lives up to the hype. -RM]

A couple years ago, DC made history by undertaking a weekly series and, miraculously, actually getting an issue out on time every week for a year. As much of a success as 52 was, their following weekly, Countdown, was an utter flop.

Now we have the debut of [[[Trinity]]], which instead of following mostly lesser-knowns, focuses intently on the big three: [[[Superman]]], [[[Wonder Woman]]] and [[[Batman]]]. The creative team is as good as it gets, with Kurt Busiek writing and Mark Bagley drawing, so this has the potential for big things.

Will Trinity come through? I don’t know, ask me in a year, when I’ll either be singing DC’s praises or freebasing illicit substances while muttering incoherently.

Introduction aside, how was this first issue? Pretty not too shabby, which is a vague way of saying it wasn’t stellar and it wasn’t horrible. The story so far:

We start out in the cosmos, with a big flaming face screaming, “Let me out!” Turns out the central three heroes have been dreaming about this entity, which they discuss over a way-too-public breakfast in Keystone City.

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The Weekly Haul: Reviews for June 5, 2008

Quite a top-notch week in comics, all in all. We had another Secret Invasion entry and the debut of DC’s Trinity (I’ll be doing separate weekly reviews of that one), as well as strong outings from other series.

There seemed to be a viral outbreak of silliness, though, as a handful of comics pushed the goofy too far and suffered for it. Only a couple of outright stink bombs, which are helping me kick off a new section for these reviews: The Dregs. Now, the reviews…

Book of the Week: Secret Invasion #3 — First, let me say there continue to be some serious problems with Skrullapalooza ’08. The series is not even remotely self contained, so any casual fan is probably going to be quite lost, there are a few too many unclear moments (lost either in script or art), and the Skrull invasion force still looks like they were designed by Toys R’ Us.

That out of the way, this issue merits top billing for a few big reasons.

First, the story actually moves ahead after stagnating in the Savage Land. Second, there are some huh-yuge fights, and Leinil Yu takes a bellows and pumps them full of hot air. Third…

We need a big SPOILER WARNING for this. Third, we learn the biggest reveal in modern comics memory, that this colossal, inconsistent prick of Tony Stark who has embroiled the Marvel Universe isn’t really Tony Stark. Gasp. He’s a Skrull.

Runners Up:

Abe Sapien: The Drowning #5 — This series ends with a graceful if unsatisfying issue, filled with more sparsely worded craziness (giant flying eel?!?) and Abe continuing to wonder how he stacks up. "You aren’t Hellboy and you never will be," he tells himself. But, like Hellboy, he learns the crucial lesson that guns usually don’t stop supernatural forces.

The shining light of this series is artist Jason Alexander, who lends everything a perfect ephemeral, abstract air. The good news is he’s going to be doing more BPRD work.

Omega the Unknown #9 — Jonathan Lethem and Farel Dalrymple’s bizarre cerebral odyssey is nearly at an end, and this penultimate issue brings the Omega and robot forces to a head in a big way, with the world at stake. Still, things are never too heavy, and despite a dramatic death it ends up being the most rambunctious issue yet.

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Crossing the Line, by John Ostrander

I’ve been in this comics business for umpty-bum years now. Its not that I’m ashamed of the number; I just keep forgetting it. Ah, the joys of aging! It’s more than a quarter century since I started as a full-time writer; I know that. I’ve been a comic fan even longer. I’ve watched the occasional villain become… well, if not a hero, then something like one. Magneto, over in X-Men Land, for example. He’s gone from being the arch-enemy to our merry mutants to metamorphosing into an ally, to sometimes becoming their leader, and then back. Batman periodically gets darker until it’s hard to tell him apart from his foes.

Occasionally, this happens in real life.

Today, June 5, 2008, Ian Paisley steps down as First Minister of Northern Ireland.

Brief background, in case you don’t know: Northern Ireland is not a part of the Republic Of Ireland. It’s a constituent county of the United Kingdom and comprises the six counties that chose to remain a part of the U.K. when the Government of Ireland Act in 1920 created Home Rule in Ireland, formerly directly ruled by England. The Republic of Ireland, the South, with its capital of Dublin is (nominally, at least) largely Roman Catholic. Northern Ireland is largely Protestant but with a large Roman Catholic minority. In general, the Protestants regard themselves as English (they’re considered “Unionists”) while the Roman Catholics consider themselves Irish although, in fact, a citizen of Northern Ireland born before 2004 could claim citizenship in either or both the U.K. and Ireland. (more…)

Indiana Jones and the Godless Commies, by Dennis O’Neil

Now we know. That Indiana Jones still swings a mean whip.

I liked the new Indy flick better than the critics I read, all of whom said something like, well, okay, it was all right but not up to the earlier entries in the series. Which makes me wonder: what would they have thought if this had been the first Indy flick, instead of the fourth. It’s like those clichés in Hamlet – they weren’t clichés to the greasy-chinned groundlings at the first (or fourteenth, or eighty-third) performance of Shakespeare’s story of a screwed-up kid with severe mama issues. Way back in 1981, Steven Spielberg, George Lucas, and a platoon of talented collaborators took elements from Saturday afternoon serials, silent comedies and maybe a few other sources and combined them in the right proportions to create entertainment that was not only right for the time, but provided a template for a lot of entertainment that followed.

Was the fourth as good as the first (or second, or third?)? That’s me, scratching my head and muttering, I dunno…And, frankly my dear, I don’t give a damn.

Years and years ago, a brilliant science fiction writer told me that Goethe’s criterion for judging art was found in two questions. To wit: What was the artist trying to do and did he succeed in doing it? I’ve never found a good reason to argue with Herr Goethe and by his criteria; Indiana Jones and the Kingdom of the Crystal Skull is a success. We entered the multiplex hoping to be amused, hoping to forget Bush’s ongoing follies and the Democrat’s internecine dogfights and – voila! We were amused and we, temporarily, forgot. Value received. Money well spent.

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The Weekly Haul: Reviews for May 30, 2008

First things first, a rant. This was a banner week for comics (and don’t those always fall after a holiday, postponing releases ’til Thursday?), but I have a pretty substantial bone to pick. This week’s comics were rife with price-gouging from both DC and Marvel, with pointless cost hikes on several issues. The only semi-understandable $3.99 tag came with Final Crisis, which I reviewed on its own right here.

Now, rant aside, the reviews…

northlanders6-5651961Book of the Week: Northlanders #6 #6 — Brian Wood’s series of Scandinavian mayhem has been hit and miss, but this issue’s on target like a broadsword to the brain. Sven continues to kill as many of Gorm’s allies as he can, brought to life with gloriously gory art.

But the key to this issue is how it’s gradually pulling Sven away from his mindless pursuit of revenge, even if it happens with a way too convenient to plot development.

It’s the story of a leader’s birth, but instead of being told through the rosy view of history and legend, it’s an ugly, bitter and brutal story. It could yet turn into a truly great series, as long as it doesn’t stray too far into the trite territory of Braveheart.

Runners Up:

Thor #9 — J. Michael Straczynski is doing so many things right in this book that it’s impossible to single any one of them out as central to the series’ success. Moving the plot in a new direction, he has Loki playing the Asgardian angles for the umpteenth time, only it’s so sly and written so well that it feels completely fresh, and not just because Loki’s now a woman.

The best moments come from the odd and awkward interactions between the Asgardians and the real world, which is now their world: an awkward love connection between god and mortal and the priceless image of two gods stuck in a small town jail after they had a too-public rumble with some monsters.

Green Lantern #31 — The origin of Hal Jordan as Green Lantern continues, and it’s the same balance of good and bad. On the one hand, Geoff Johns is covering ground that’s been covered too many times already, with Jordan getting his ring and starting training on Oa.

As boring as those moments are, the hidden part of the origin, the shadowy "Darkest Night" prophecy, continues to be endlessly interesting. It draws in so many unexplored pieces of Jordan’s and Sinestro’s backgrounds that it’s a shame Johns decides to waste time on the known aspects.

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Happy Birthday: Mike W. Barr

Born in 1952, Mike W. Barr’s first comic book story was an eight-page backup in Detective Comics #444 in 1974.

In 1980, he started doing semi-regular backup stories in both Detective Comics and House of Mystery. He also wrote an issue of Captain America, which led to regular work with Marvel as well.

The following year, Barr picked up some editorial duties at DC and also started writing Star Trek for Marvel. In 1982, he wrote Camelot 3000, one of the first so-called “maxi-series.”

August 1983 saw the debut of Batman and the Outsiders, probably Barr’s best-known creation, and in 1987 he wrote Batman: Son of the Demon, which is often credited as singlehandedly restoring DC’s fortunes.

Since then Barr has done many more comic book projects, including more Batman stories, a two-parter for JLA: Classified, a relaunch of his Maze Agency series, and a piece for Star Trek: The Manga.

He also wrote a Star Trek novel, Gemini, which included some of the characters he created in the Star Trek comic book series.

Review: ‘Batman Grendel’ by Matt Wagner

 batman-grendel-4721219Batman Grendel
By Matt Wagner
DC Comics/Dark Horse, February 2008, $19.95

[[[Batman Grendel]]] collects two short series – each one was just two 50-page issues long – originally titled [[[Batman/Grendel]]] and [[[Batman/Grendel II]]]. The slash has disappeared for the collected edition – perhaps because now the names of two male characters separated by a slash brings with it entirely different expectations?

(I’m reminded of Terry Pratchett’s never-quite-named character, from a tribe who are called after the first thing the mother sees after birth, who wished, desperately, that his name was Two Dogs Fighting.)

(And the very small “Vs.” on all of the online bookshots does not actually appear on the book itself, which is simply titled Batman Grendel, as if it were the product of some comic-book equivalent of a corporate merger.)

So what we have first is a 1993 story with Batman battling the original Grendel, Hunter Rose – who is in many ways something like an evil Batman, or a twisted mirror image. Rose is a self-made man, master of arcane fighting arts, and the scourge of the underworld in his hometown…although that’s because he took over in his town. Rose is incredibly violent in a very comic-booky way – he has the typical nonpowered superhero’s utter control of violence and movement, but uses it to slaughter at will.

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Indiana Jones and the Secret to Adventure, by John Ostrander

Spoiler warning: Spoilers. Why did it have to be spoilers?! I hate spoilers. Hate ‘em! Unfortunately, I can’t talk about what I want to talk about regarding the latest Indiana Jones flick unless I spill some beams. So I’m warning you upfront. The spoilers won’t appear until after the break and I’ll give you a final warning before I go into them. If you want to just skip the column this week, I’ll understand… this week. Don’t make a habit of it. I know where I live.

Wait. That didn’t come off right.

Okay, I’ve gotten out the fedora and went off to see the new Indiana Jones flick, Indiana Jones and the Kingdom of the Crystal Skull. As much as I’m a Star Wars fan (and I’d better be – I’ve been writing Star Wars for about eight years now and you can see what I’m doing in Star Wars: Legacy and, yes, that’s a plug), I’m a bigger goon for Dr. Jones. Even before Raiders of the Lost Ark came out, I was a fan because George Lucas talked in interviews about how his new movie originated in his and Steven Spielberg’s love for the old Saturday Matinee Serials. I knew exactly what he was talking about. I loved ‘em, too. Still do.

Saturday Matinee Serials are also known as “chapter plays” and originally were shown in movie theaters on Saturdays as a way of getting the kids to come back, week after week. They would last 12 to 15 chapters and each one would end with a cliffhanger for the hero or heroine with no way out. Of course, when the next chapter appeared, they showed you the segment that they hadn’t previously shown you which allowed said hero/heroine to escape just in the nick of time. The serials date back from the dawn of cinema to the early 50s when they fell prey to the confangled new invention that was to blight/enrich all out lives, television.

And it was there that I discovered the Saturday Serial. The old serials were re-packaged for Saturday Morning TV kid’s fare and, like the old matinees, were part of a package. It was here that I discovered these often cheesy pleasures. I remember Tim Tyler’s Luck – a 1937 Universal jungle adventure adapted from the comic strip of the same name. The strip petered out only in 1996. I also remember Don Winslow of the navy, also based on a comic strip of the time. In fact, it’s amazing how many of the comic strips and books of the time were adapted into serials – Dick Tracy, Superman, Batman, the Shadow (yeah, he had a comics strip), Spy Smasher, and an excellent version of Captain Marvel, among others.
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