Tagged: Batman

‘Sin City’ Videogame on the Way

Just the other day, ComicMix‘s Karl Cramer brought you the news that a Batman: The Dark Knight video game might be on the way. Now comes word that another comic/film property could be headed to consoles near you.

The Hollywood Reporter has an interesting story about the upcoming Sin City videogame. Sounds like a no-brainer, but the story has a couple of wrinkles. 

From the article:

But when the "Sin City" game hits store shelves around Christmas 2009, there will be no stars, no day-and-date marketing with the film’s sequel, "Sin City 2," and the publisher’s name on the box — Red Mile Entertainment — will be unknown to even the most hardcore gamers. Red Mile?


Indeed, the fledgling game maker has secured the rights not to either of the movies but to the seven graphic novels that comprised their source material, a strategy that even the company’s president and COO has a difficult time explaining.

Essentially, Red Mile decided it would be easier to develop the games from the comics, which have a lot more stories to choose from, giving the game creators more freedom, than to adapt something directly from the plot of the movie.

It’s probably a smart move, because the game can benefit from all the name recognition the movie earned without having to shell out for those specific rights. We’ll keep you posted.

The Weekly Haul: Reviews for March 6, 2008

Welcome to the inaugural Weekly Haul, a collection of reviews of this week’s comic book issues brought to you by none other than ComicMix. It was a big week for floppies, with four new series worth giving a read and several old standbys seeing new developments. Without further ado, let’s get to the reviews.

atom-8126234Book of the Week: The All-New Atom #21 — Anyone wondering whether this title would keep being a must-read after Gail Simone stepped aside as writer and Rick Remender took the reins can go ahead and relax. The All-New Atom is better than ever in this issue, which takes the classic archetypal conflict of man vs. himself and gives it one heck of a twist.

While trying to figure out if Ray Palmer’s experiments were responsible for Ivy Town’s craziness, the new Atom, Ryan, shrinks down to explore a sample of his own blood (sounds weird, but it makes sense). Remender makes that effort alone a pulse-pounder, but then Ryan finds some terrible infestation in his blood and all hell breaks loose.

While still a bit text heavy, the series remains just as zany as under Simone’s watch and is a bit more focused. Good stuff all the way around.

Runners Up:

Logan #1 — Brian K. Vaughan and Eduardo Risso taking on the most famous mutant is pretty well guaranteed to be a quality read. And while this issue is far from mind-blowing, it’s a far superior story of Wolverine getting his memory back than anything we’ve seen in Wolverine: Origins. The downside is Marvel once again arbitrarily slapping a $3.99 price tag on a book for no good reason.

Northlanders #4 — This is the classic "from bad to worse" part of the story, but Brian Wood pulls it off well. The best quality of this vikings series is how Wood gives depth to his characters and doesn’t let any of them fall too far into stereotypical roles of heroes and villains. Life is complicated, especially for blood-hungry Scandinavians.

Omega the Unknown #6 — For the most touching tribute yet to the recently deceased Steve Gerber, this issue merits a purchase. It’s also another darn fine bit of comics by Jonathan Lethem and Farel Dalrymple. After all the action of the past few issues, this one serves as a bit of set up to the coming battle with the robots before culminating with a well done metatextual flourish.

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Primary Sources, by Dennis O’Neil

bill_everett-8634197In days of yore – my yore anyway – I briefly wondered if my particular literary backwater, the writing of comic books, would be properly remembered. It seemed to me that young snots such as myself were getting attention – interviews and the like – and the guys who were around at the beginning, the guys who virtually created the form, were pretty much ignored, although many of them were still alive and frisky.

I needn’t have worried and I didn’t, which is good because, even more than most worry, this variety would have been a waste of time.

I do wish there had been more interviews with…oh, to cite the first name that pops into the shopworn old psyche, Bill Everett. And I don’t remember ever reading a Q and A with Carl Burgos: if none exists, too bad. Even Bill Finger doesn’t seem to have left many historical footprints, and some of what we know about him comes from people like me, whose memories are emphatically not to be trusted.

Having said all that: comics are undoubtedly the most documented medium/art form in history. They came to their early maturity just in time to benefit from the explosion of media and distribution, and the belated realization that every art form was pop culture once, and none are prima facie inferior. And guys like Gerry Jones know how to use the information sources available and have the patience and literary skill to put the pieces together.

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Interview: Fabian Nicieza Talks New ‘Captain Action’ Comic

Writer Fabian Nicieza’s career spans over twenty years with stints at Marvel, DC and Darkhorse Comics. During that time he’s plotted, edited and written some of the most popular comic books around including Thunderbolts, Cable and Deadpool and Uncanny X-Men.

Recently, Nicieza competed against many other accomplished writers for the chance to bring one of the most beloved heroes from the ‘60s, Captain Action, back to the pages of a brand-new comic book series set to hit stores later this year. His pitch was selected and he’s now hard at work bringing Captain Action back to life.

ComicMix caught up with Nicieza to ask him a few questions about the Captain Action comic, his earlier work, his future and if a hero created and deeply-rooted in the ‘60s has a place in today’s comics culture.

COMICMIX:
For people who might not know, can you give us a bit of info on your background? How did you get started writing comics? What were your favorites growing up?

FABIAN NICIEZA: I grew up reading comics. Out of college, I interviewed at both Marvel and DC, eventually landing a job at Marvel in 1985. After a couple years of learning the ropes, I started selling some stories to editors. I kept writing and working on staff, eventually, reluctantly, becoming a full-time writer.

I grew up reading Batman and Superman, then gravitated towards Marvel — Fantastic Four, Spider-Man, Avengers. Then "offbeat" series like Conan and Captain Marvel. Offbeat for an 11 year old, I guess.

I also got lots of Superman, Justice League, the Engelhart/Rogers Detective run. I bought both Marvel and DC through the early ’80s, until I got the job at Marvel, then I got everything for free for a while.

CMix:
Free is nice. How much did you know about Captain Action before you started 
writing the comic? Did you ever read the original?

FN:
I read the original DC comic, but only because the toy was my favorite as a kid. I had the figures and lots of the costumes. (more…)

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Kevin Conroy to Voice Batman in ‘Batman: Gotham Knight’

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Kevin Conroy, who provided the voice of Batman in just about every animated series to feature the character in recent years, will now be continuing with the role in Batman: Gotham Knight.

There’s been significant speculation about who will voice the Dark Knight in the upcoming direct-to-video anthology created by some of the most notable names in the worlds of comics and anime. It was originally rumored that Batman Begins‘ Christian Bale would reprise the role — due mainly to the actor’s presence on the IMDB site for the project. Bale’s name has now been removed from IMDB’s cast listing.

There’s been no word on how many of the stories featured in the anthology will use Conroy as Batman’s voice. Conroy’s past Batman credits include Batman; The Animated Series, the voice of Bruce Wayne in Batman Beyond, Justice League Unlimited and many of the feature-length projects related to each series.

Batman: Gotham Knight is scheduled to hit shelves July 8.

 

(via WF)

 

Son Of Filling The Big Shoes, by Mike Gold

Remember my column last week ? I’m sure you committed every hallowed word to memory. Well, this is a sequel. Fittingly, it’s about Hollywood.

I’m staring at this massive schedule of movies of interest to your average ComicMixer that are due to be released in the next 12 months or so: Iron Man 1, Indiana Jones 4, Incredible Hulk 2-but-1, Get Smart 1, Hellboy 2, The Dark Knight 6-but-2, X-Files 2, The Mummy 3, James Bond 22, Harry Potter 6, The Day The Earth Stood Still 1-but-2, Star Trek 74, Will Eisner’s The Spirit 1, and Green Hornet 1 (serials don’t count). I’m looking forward to about half of them, which is a pretty good average for me. But there’s one that I’m looking to with trepidation.

No, it’s not The Day The Earth Stood Still, the original of which is the Citizen Kane of science-fiction movies. Let them take a shot; I wish ‘em luck. Nor is it Star Trek 74: The Reboot-To-The-Rear. I’d scoff at this attempt but, frankly, after the majority of Trek movies what the hell, maybe it’ll work. It did for James Bond in Casino Royale 3. Nope, I’m trepidatious about Will Eisner’s The Spirit. Make that Frank Miller’s Will Eisner’s The Spirit.

There’s absolutely no slight here against Frank. Of all the folks in comics, he has been one of the most publicly and most aggressively pro-creator rights activists around. His passionate arguments about the Comics Code and about the way Marvel treated Jack Kirby still ring loudly in my inner-ear. In fact, I’m glad to see The Spirit in the hands of a person who knows how to make comics work yet also has a solid background in movies. 

No, I’m afraid of Hollywood. (more…)

Review: Brian K. Vaughan’s ‘Batman: False Faces’

batmanfaces-1-4292282With the recent and much heralded conclusion to Y: The Last Man, the continued strong run of Ex Machina and a gig writing for Lost, Brian K. Vaughan is living pretty high on the hog nowadays. But it can easily be forgotten that Vaughan wasn’t always a superstar writer, and the new collection of comics from his formative years at DC serves as a telling picture of the artist in progress.

In Batman: False Faces ($19.99), we’re taken back to Vaughan as a struggling writer, working a day job at the psychiatric ward of St. Vincent’s Hospital in New York. Three stories in the collection feature Batman or his rogues, and the fourth sets Wonder Woman against Clayface.

As Vaughan writes in his introduction: “[A]nyone who thinks that pitting a character made of magical clay against friggin’ Clayface isn’t a totally awesome idea is a dirty communist.” True enough. But while the setup is golden, the execution isn’t. What could have been a deeply introspective story is more cursory and trivial, while also moving a bit too slowly in places.

The Batman stories (which Vaughan wrote later) show the expected improvement. Further exploring issues of identity, Vaughan takes a thoughtful look at Batman’s two-bit-criminal alter ego Matches Malone in one story, and then he explores the diseased mind of the Mad Hatter. When Hatter says, “The only way you shall ever comprehend insanity is by ducking the shallow gerund,” Vaughan reveals the savvy and linguistic dexterity that would go on to make him a star.

[[[False Faces]]] isn’t for everyone, but for Vaughan devotees or those interested in the development of a talented creator, it’s a must-have collection.

Other People’s Sandboxes, by John Ostrander

 
This column has its roots in Mike Gold’s column this week. While it’s not necessary to read Uncle Whizzy’s Wazoo this week,  it is recommended – as it is every week. Loves my UWW on Monday!
 
I’ve spent a lot of my writing career in other people’s sandboxes and, in general, have had a great time. Sometimes I wonder if I haven’t spent a little too much time in those sandboxes. My career might have been better served with a few more original creations such as GrimJack (and I’m working on some that will appear here on ComicMix eventually) but, as they say, hindsight is 20/20. Hindsight also often sounds as if one is looking out one’s butt – which certainly explains many of the utterings we hear from political pundits these days. However, that’s a different topic for another time.
 
Brother Gold’s column this week was about whether or not a strip or a character or a series should continue after its creator’s death (or their choice to discontinue work on said property). His point was that in many cases we would not have some very fine stories using those properties were that not the case. Nor would we have had some very notable careers. For example, Frank Miller first made his name taking over the very moribund Daredevil book at Marvel and making it the most talked about book in the industry. Alan Moore was known to those us who could get their hands on 2000 AD and/or Warrior (and thus first saw Miracleman, a Captain Marvel rip-off character that he performed surgery on and made into something very new) but his first big American title was when he took over Swamp Thing and re-invented not only the character but its whole mythology.
 

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New Info Revealed on ‘Batman: Gotham Knight’

batmangothamknightsmaller-3709383Previously, my ComicMix colleague Rick Marshall brought you a first look at DC Comics and Warner Bros. animated direct-to-DVD anthology Batman: Gotham Knight. The film, designed to fill the gap between Batman Begins and Batman: The Dark Knight, features the work of several notable writers including Josh Olson, David S. Goyer, Alan Burnett, Jordan Goldberg, Greg Rucka and Brian Azzarello.

This time around, thanks to an official press release, I can also let you in on some more details about the film, including who the directors are and the release date. According to the site, directing the anthology stories will be Shojiro Nishimi, Futoshi Higashide, Hiroshi Morioka, Yasuhiro Aoki and Toshiyuki Kubooka.

In addition, the stories in the anthology will include "thrilling new adventures of Batman that spotlight several of Gotham City’s most dangerous villains, including the fearsome Scarecrow, the freakish Killer Croc and the unnerving marksman known as Deadshot."

Batman: Gotham Knights comes out on DVD and Blu-Ray on June 8th.

 

The Super-Hero Car, by Dennis O’Neil

When we last looked in on our intrepid, tv-watching old guy – that’d be me – he was waiting to treat himself to the premiere of Knight Rider, a remake of an old series.

 
Okay, I watched it.
 
I can’t really compare it to the original, which aired at a time in my life when television had a very low priority. The episode I do remember seeing annoyed me, just a bit, I think, because he talking car seemed to be as much a – brace for a pun – deus ex machina as…oh, say, the shafts in Green Arrow’s quiver or the items in Batman’s tiny utility belt compartments; whatever the hero needs, that’s what’s there. But, as noted, I was never a real Knight Rider watcher.
 
Having made that confession: the show I saw last Sunday didn’t seem to be awfully innovative. The one blatant updating was that one of the good guys was a gay, black woman, a character who probably would not have appeared on network television during the original Knight Rider’s heyday.
 
And that talking car? Pretty nifty, I have to admit – similar to the original, but a bit improved. For example, it changed colors at the twiddle of a dashboard thingy, which brings us to the aforementioned Batman.
 

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