Tagged: Batman

Across the Midnight Express Universe, by Ric Meyers

 
This week I watched two DVDs that considered the same turbulent period, but from two wildly divergent vantage points. 
 
First, the divider. Reviewers were almost totally at odds over Across the Universe, director Julie Taymor’s “homage” to The Beatles. Homage is in quotation marks because half the critics thought its liberties and excesses were trumped by its imagination, while the other half thought it was simply, cringingly, awful. 
 
I doubt the 2-Disc Deluxe Edition that’s showing up next Tuesday will do anything to dispel the opposites. It’s obvious that Taymor – best known as the director of Broadway’s The Lion King — was aiming for the same sort of cinematic success as The Who’s Tommy or Pink Floyd’s The Wall, but the nay-sayers pushed it toward 1978’s campy bomb, Sergeant Pepper’s Lonely Heart Club Band starring the Bee Gees. 
 
The talented Taymor dodged that bullet, but couldn’t Matrix them all. The Beatles are a creative touchstone, all right, but not always for the best. Just as it’s more difficult to adapt a great book to film (The Kite Runner, Love in the Time of Cholera, etc.) than it is a pulpy one (Jaws, Psycho, The Godfather), it’s also extremely problematic to create a new musical from iconic music. And there’s hardly anything more iconic than The Beatles. The new, obviously far less talented, interpreters will always come out the short end.
 
To her credit, Taymor doesn’t try to overwhelm the music with vocal gymnastics (save for one exception) or distract audiences with stunt casting (save for the welcome inclusion of Bono and Joe Cocker in the supporting cast). But, apparently she can’t resist hurling buckets of creative energy all over the Frankenstein-stitched, wedged-in soundtrack. There are two kinds of directors: those who say “I” and those who say “you”: you’ll feel this, you’ll think this. Guess which one Taymor is.
 

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Capt. Marvel and Serial Retro-Mania, by Michael H. Price

 

515n0admfrl-_aa240_-6397917Apart from some chronic bouts of concentrated cliffhanger enthusiasm in visits with the pioneering Texas cartoonist-turned-fine artist Frank Stack, I haven’t paid a great deal of attention in recent years to the extinct form of Hollywood filmmaking known as serials, or chapter-plays.
 
I’ve overcome that neglectful tendency lately with an assignment to deliver a foreword for IDW Publishing’s The Complete Chester Gould’s Dick Tracy, Vol. 4 (due in print by March 25), which covers a stretch of 1936–1937 and thus coincides with the early-1937 release of the first Dick Tracy serial by Republic Pictures Corp. George E. Turner and I had covered the Republic Tracy in our initial volume of the Forgotten Horrors books – but a great deal of information has come to light during the nine years since that book’s last expanded edition.
 
The transplanting of Tracy from the newspapers’ comics pages to the big screen figures in an earlier installment of this ComicMix column. So no point in re-hashing all that here, or in spilling any fresher insights that will appear in the IDW Tracy edition.
 
Anyhow, I had expected that these strictly-research refresher screenings of Republic’s Dick Tracy and Dick Tracy Returns and so forth would bring on an attack of Serial Burnout Syndrome – but no such. If anything, the resurrected Tracy cliffhangers have stoked a level of interest that I hadn’t experienced since I had been granted my first looks at the Republic serials via teevee in 1966. (Those attractions were feature-lengther condensations, roughly half or less the running time of a theatrical serial, prepared expressly for broadcast syndication, and re-titled to compound the confusion: 1936’s The Undersea Kingdom, for example, hit the tube as Sharad of Atlantis.)
 
I had wondered aloud while comparing notes recently with Frank Stack, whose lifelong fondness for the serials influences his own approach to storytelling, as to how Dick Tracy in particular could have adapted so brightly to movie-serial form – given that Republic’s adaptation had altered many key elements of Chester Gould’s comic strip. Frank’s lucid reply:
 

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Hate, by Dennis O’Neil

Calling movie actors “stars” was appropriate when I was a midwestern lad, long ago, because they seemed as distant and unattainable as those celestial twinklers that speckled the summer sky. None of my friends or relatives were movie stars — they were butchers or clerks or drivers or printers — and what the stars did, acting, wasn’t a real job and so those who did it weren’t real people. They were…stars. But if you knew someone who knew, or at least had spoken to, one of these distant beings who lived in places you never expected to visit, the stars became somehow real — or maybe realer, anyway. They were, if not people, then some sort of demi-people.

Clark Gable was a star. But Rock Hudson was both more and less than a star because I knew a girl who had worked as an extra on one of his films. Julia Adams…heck, she was a person, because she did a personal appearance at the grocery co-op my father belonged to when she was co-starring with Tyrone Power in Mississippi Gambler and people I knew actually saw her in the flesh. And didn’t that make Power a demi-person, too, by association?

Which brings us to Heath Ledger. I was never in a room with him, never saw him on the street, spoke to him on the phone, none of that. But when a heard about his death a few days ago, I felt just a tiny bit worse than I usually feel when someone whose work I admire passes. Why? Mr. Ledger and I lived in two of the same neighborhoods, one in Brooklyn and one in Manhattan, though not at the same time, and my big 2007 project was writing a novel based on the script of a movie Mr. Ledger performs in. Somehow, all this makes me feel a dim and distant connection to him.

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Happy 50th Anniversary, Lego!

LEGO On this day in 1958, the first Lego brick was sold. Eleven minutes later, it was lost under a couch.

Children all over the world have played with Lego bricks for the past 50 years, and Lego sets are still right at the top of many wish lists. Industry and trade associations also recognize the Lego success. Just before the turn of the millennium, the Lego Brick was voted “Toy of the Century,” one of the highest awards in the toy industry, by both Fortune Magazine in the US and the British Association of Toy Retailers.

Of course, we recognize their various media tie-ins, like what they’ve done with Star Wars, Harry Potter, Indiana Jones, and Batman, among so many others. And over the years, they’ve given back to film themselves:

 

 

So let’s go build something!

New Dark Knight Photos

SuperHeroHype recently posted some new, leaked photos from the upcoming Warner Bros. film The Dark Knight featuring Christian Bale both in and out of costume as Batman/Bruce Wayne. Among the images also appears to be a promotional poster for the film.

The Dark Knight is scheduled to hit theaters on July 18.

 

Lost Heroes and Apple Teasing

It was a pretty hectic week at ComicMix Radio, and we ended up with a few stories that didn’t make it in the broadcast, all of which have some cool links to check out:

 
We did manage to tell you that NBC.com is conducting another prop auction here, all still to raise money for the Mona Foundation. That’s the group that supports global education initiatives and women’s rights. Items up for auction include canvas print reproductions off the Heroes set from artist Tim Sale plus stuff from The Office and 30 Rock.
 
Days from now Lost returns to prime time TV. Ok, it’s only for eight weeks but that’s something. If you want to catch up on anything, ABC is making it easy with all three seasons posted here. And there is also a fun little site dedicated to Oceanic Air here
 
Cartoonist Dash Shaw has started a new online comic here that he describes ad a "romance about body and mind telepathy." BodyWorld is here and new episodes are posted on Tuesdays. 
 

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ComicMix’s Interview With Heath Ledger

Exclusive To ComicMix Radio: Heath Ledger On Taking On The Joker

The untimely death of any celebrity leaves a lot of questions and speculation. In the wake of Heath Ledger’s passing, some are looking at his overly dark portrayal of The Joker in Warner Bros’ upcoming Dark Knight Batman film. In a ComicMix exclusive, Heath Ledger tells us just why he took on such a demanding part.

Plus:

  • NBC props are up for sale – again
  • Monsters invade Hollywood – we have proof
  • Witchblade vs. The Darkness – again
  • Marvel’s Twelve blasts out of the stores
  • Urban Monsters goes to Hollywood
  • What were the top selling comics and graphic novels in recent week? We’ve got the list!

All it takes is for you to Press The Button!

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Martha Thomases Interviewed!

Sure, pride goeth before a fall and such, but we can’t help pointing out this interview with ComicMix VP of Corporate Communications Martha Thomases over at Friends of Lulu.

The interview touches on Thomases’ long and winding path through the comics industry, including one of her best-known roles: Head of Publicity at DC Comics during the "Death of Superman" event. Having served in both an editorial and PR capacity for various publishers, she provides some insight into the way these two aspects of the industry rely upon each other and the reasons they often appeal to similar personality types.

I told stories. I looked at what we were publishing and tried to figure out who would care about those titles, and what was the most effective way to get the word to them. I dealt with the mainstream press, not the comics press, so I looked for human interest stories. After all, Superman, Batman and Wonder Woman are at least as interesting as Brad Pitt and Angelina Jolie.

Thomases also chats at length about the changes she’s witnessed in both the comics industry and the role of women in it.

The Dark Knight – Go or No? ComicMix Radio Has the Story

The untimely death of actor Heath Ledger has put the future of Warner Brother’s Batman sequel, The Dark Knight, in question. ComicMix Radio has the latest on this growing story.

Plus:
• You know him from Power Pack and Franklin Richards – now find out what writer Marc Summerac is reading these days
• Start the search: there are two rare variants coming from Marvel, including one for X-Force
• Image goes for round two with Frank Frazetta
 
On Saturday, catch ComicMix Radio for our exclusive interview with the late Heath Ledger, where just weeks ago, in his own words, he explains his reasons for taking on the role of The Joker -–a part that some Hollywood insiders feel was just too dark. 
 
Meantime, just Press The Button and we’ll hit your speakers!

 

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New promotion for The Dark Knight puts celebrities on the spot

Seriously, what criminal mastermind thinks this stuff up?

Last month, singer John Mayer found himself on the receiving end of a clever new promotion for The Dark Knight, the upcoming sequel to Batman Begins. Apparently, the crew at Warner Bros. has targeted celebrities with the next phase of their marketing push for the July 2008 release, sending packages from "Gotham Novelties, Inc." to unsuspecting recipients around the entertainment industry. Within the box, Mayer found a Joker playing card and promotional shirt, both scrawled in red with the character’s taglines.

"High five, marketing genius…" wrote Mayer in a post on his blog about the package.

Warner Bros. efforts in the realm of viral marketing for "Dark Knight" have become the stuff of InterWebs legends, with many sites praising the strategies and cataloging the complicated steps necessary to complete certain promotions.

More photos of the package and Mayer’s thoughts on the new promotion can be found on his site.