Tagged: Batman

Fear Factor, by Dennis O’Neil

dennyoneil200_sepia-1714086Boo.

Did I scare you?

About that boo…Frankly, it’s a sleazy and probably ineffective way to get your attention. But it is sort of appropriate because it’s a word often encountered in late October and I’m perpetrating this opus a few nights before Halloween, which seems like an appropriate time to be both booing and writing about comics. Because, you know, comics and Halloween are kissing cousins.

Comics, like Halloween, often deal with unearthly phenomena and unlikely characters and, yes, costumes. Both comics and Halloween offer reassurance that after sojourn spent confronting ghouls, goblins, ghosts, vice-presidents and assorted other hellish manifestations of ghastliness, you can retire to someplace comfy and safe.

Fairy tales do that, too, and despite people, including me, frequently comparing comics to mythology, they’re at least as much fairy tale as myth. They don’t, after all, offer cosmic explanations of why we’re here and where we come from, as myths are wont to do, and they almost always end happily. According to a psychologist named Bruno Bettelheim, those happy endings are what make fairy tales useful to little kids. The message is, you can confront ghouls, goblins, ghosts and even vice presidents and you can prevail – you can go home again and maybe score some hot chocolate.

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Green Lantern movie signs director

Warner Bros. inked a deal with Greg Berlanti to direct its live-action Green Lantern movie, based of course on the DC Comics character.  Known primarily for his writing and executive producing TV credits (e.g. Everwood, Dawson’s Creek, Jack & Bobby, Brothers & Sisters), Berlanti will pen the script for the movie with Brothers & Sisters writer/producer, Marc Guggenheim and Heroes co-executive producer Michael Green. 

Guggenheim and Green are no strangers to comic books or fans, with Guggenheim having written for Marvel comic books such as Amazing Spider-Man and Wolverine among others, and the latter for DC Comics including Superman/Batman, and was also a writer/producer on Smallville.  Donald de Line is set to produce the picture, with Andrew Haas serving as executive producer.

The Super Powers Myth, by Ric Meyers

The last time I’ve spoke to Jackie Chan he said to me: “I’ve done everything three times” – meaning that he’s finding less and less ways, and reasons, to top himself. Unfortunately that also results in schizo, ultimately unsatisfying, films, further hampered by his unwillingness to mature his screen persona. Even so, he keeps looking for ways to challenge himself and keep busy, despite the repetition of his movie and charity work.

But Jackie’s last great film was Legend of Drunken Master (HK: Drunken Master 2) in 1994. He’s made two dozen movies since then – all which included some exceptional sequences, but none which held together anywhere close to his classics of the mid-1980s. Clearly his best films are the ones which showcase his kung-fu, but as he grows older, he keeps trying to avoid that by dwelling on vehicular stunts or repeated attempts to balance his physicality with cgi.

Even so, Sony Entertainment has taken on the task of selling his most recent productions to the American DVD market. Their latest release, and one of Chan’s most creatively bold conceptions, is The Myth, hitting stores on October 30th. It’s also one of the most expensive films in Hong Kong history, and is, if nothing else, a visually splendid treat. Sadly, the film’s central flaw is showcased by Jackie’s admonition that he wasn’t brave enough to make what his director/co-writer Stanley Tong originally wanted: an entire film about a Qin Dynasty general. (more…)

Whose Story Is It, Anyway? by John Ostrander

In any given story, one of the primary questions that must be answered by the writer is – whose story is it? For example – in any Batman/Joker story, we assume that the story is going to be about Batman. He is the title character, after all. However, the story can be about the Joker – taken from his perspective, with the Joker as the protagonist and the Batman as his antagonist. A protagonist, after all, is not always a hero.

Sometimes, when I’m having problems with a story, I’ll go back to that simple, basic question – whose story is it? The answer sometimes surprises me. When I was writing my historical western for DC, The Kents, I assumed for a long time that the story was about Nate Kent, who was the direct ancestor of Pa Kent, Clark’s adoptive father. It was only when I was deep into the story that it occurred to me that the story was actually about Nate’s younger brother Jeb, who takes a wrong road, shoots his brother in the back at one point, becomes an outlaw, and eventually has to make things right.

The story may not always be about a person. When I wrote Gotham Nights, the focus of the story was the city itself, and the city was comprised not only of its buildings and roadways but, more importantly, the people who lived there, of whom I tried to give a cross-sampling. Batman was a part of all that because he is a part of Gotham City but the miniseries didn’t focus on him. It was Gotham City’s story. (more…)

30 Days of Steve Niles!

30_days_of_night-2124336ComicMix Radio kicks off the week with a visit from 30 Days Of Night creator Steve Niles who fills us in on his reaction to the how his project looked on the big screen as well as his new series at DC… plus updates on:

• Comic creators turning up on Numb3rs

• The TV season posts its first causality, but Bionic Woman and Journeyman get new leases on life,

• And our full rundown of this week’s long box full of new comics and DVDs including a new Batman-based mini series from DC, DVD Special Editions of The Shining and 2001 and no less than three more zombie variants from Marvel.

If that doesn’t make you Press The Button – what will?

Costumes Revealed, by Dennis O’Neil

There may be some practical reasons why the grown-for-television superheroes dress in plain clothes rather than the colorful garb of their comic book and movie counterparts.

(For those of you who came in late: we’re continuing last week’s discussion of superhero costumes.)

I remember visiting the set of one of Joel Schumacher’s Batman flicks and watching costumers take a long, long time – 15 minutes? More? – just to fit Batman’s mask on a stunt man, a process that involved putting plastic wrap on the guy’s head and then trimming it after the mask was in place. And that was just the mask. Imagine what efforts went into getting tights, cape, boots and all to fit properly. Dash into a closet – a phone booth? – for a quick change? Maybe not.

Though I have no firsthand knowledge of this, I understand that there is actually a closetful of batsuits for the actor and his various doubles; which one gets worn in a particular scene depends on the scene’s content. Are we fighting? Running? Driving our spiffy car? Standing dramatically silhouetted against the skyline? We must wear the appropriate outfit!

Subtract all this time, effort and expense from the task of garbing your good guy and you have…what? Well, have a look at either of the Batman movie serials made in the 40s for your answer. The Superman and Captain Marvel suits from that era are better, but they don’t approach the panache of the average Curt Swan or Jack Kirby drawing.

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Costumes, by Dennis O’Neil

My beloved has just been pushed out of a fourteenth story window and is plummeting toward certain doom. I must rescue her and I will – as soon as I change clothes…

We were discussing, last week, how superheroes are evolving and we agreed – didn’t we? – that, on the whole, with a few notable exceptions, they’re getting grimmer.

They also seem to be changing their taste in wardrobes. None of the current television superdoers wear anything more than normal clothing, albeit sometimes very spiffy normal clothing. Time was, and not so long ago, when…shall we call it unconventional garb was an indispensable part of the superhero thing. Capes, masks, tights, all kinds of bizarre raiment, often in the primary hues that were friendly to the aniline dyes and rather primitive printing presses used to color them.

It began, as did so much superheroish stuff, with Jerry Siegel and Joe Shuster’s Superman. To the best of my knowledge, these pioneers never went on record regarding exactly why they chose this particular visual strategy, but it was a good idea. It gave the their character and immediate and utterly unmistakable image and it separated him from his ordinary brethren as a police uniform or priestly vestments separate the wearers from plain joes and janes, at least when performing unique services. As Peter Coogan wrote, Superman’s outfit “does proclaim his identity.” The costume was obviously a part of Superman’s appeal, and immediate success, and, being no fools, Siegel and Shuster’s army of imitators copied it.

Consider that, for now, the why of superhero costumes. As to the whence…

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(We Could Be) Heroes: Top Ten Rock Songs About Superman, by Martha Thomases

What does one hum on the way to the comic book store? If you’re a person of a certain age, with a certain history with certain illegal substances, you probably have a few songs about the original super-hero stuck in the part of your brain that should be storing French vocabulary words.

Even if you aren’t old, you probably listen to a few songs about super-heroes. The Marvel superhero movies have had fantastic soundtracks, even if most of the songs weren’t written specifically for the movies. The Prince Batman soundtrack is a winner (Vicki Vale!), and the Ramones did a fabulous cover of the cartoon Spider-Man theme.

And yet, the Man of Tomorrow is still the foremost inspiration for popular songs. From the alt-folkie to Eminem, there are Superman songs. Alas, some of the more hard-core take a rather literal approach to the term, “super-man” and imagine all kinds of sexual possibilities that seem to have nothing to do with Truth, Justice and the American Way (nor Kryptonian physiology, nor anything human – entertaining, though).

Here is my choice for the Top Ten songs about Superman: (more…)

Michael Davis: The Fanboy Guide to Girls • Part 2

527_4_0022-6169816Welcome to the first Fanboy Guide To Girls Dating Review And Quiz! Judging from the comments and dirty looks I’ve been getting since last week’s column I see that there is a need for this type of high quality help for many of our Fanboy Nation!

Fanboy Nation trademark and copyright Michael Davis. You never know when something will catch on!

So, young Fanboy, you have your sights set on a young lady. She’s cute and you are trying to work up the nerve ask her out. Great! So here is a step-by-step guide to get her to say YES and begin your loving relationship…with a girl!

Step 1: Say hello to the lady in question and after she says hello to you… leave! That’s right, just give a taste of your coolness and walk away. Chicks dig a man of mystery!

Step 2: A day or so later walk up to her again, look her in the eyes and say,  “I would like to have lunch with you.” Don’t forget to smile – unless you have gold teeth like those idiot rappers. When she says yes, you tell her where to meet you and walk away. If she says no, you calmly look at her and say “Oh I’m sorry I wasn’t talking to you.”

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John Ostrander: Obit the Living

tp1902-5593800Obits – obituaries – are tough things to write. Their purpose is to commemorate the life of someone recently deceased, to list their accomplishments and achievements, to take note that someone has passed out of our lives. A last fanfare to the life of someone who is gone. Generally speaking, they are valedictory and complimentary.

Why do we wait until after a person has passed away to stand up and say these things? Okay, it might embarrass the person we’re talking about to hear the nice things we might say – and mean – about them but they’ll get over it. And they might like to hear them.

All of which is prelude to the fact that I am about to embarrass someone – a fellow member of ComicMix. Ladies and germs, let’s talk about Mr. Dennis O’Neil.

ComicMix readers tend to be a pretty knowledgeable lot, I’ve discovered. Unlike some comic book fans, they know their comic book history and know it extends prior to Marvel’s Civil War or DC’s Infinite Crisis. If you already know most of what I’m about to tell you, sorry – but I’m speaking for the record and for people who may not know Denny as well as they might or should.

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