Tagged: Battlestar Galactica

Battlestar Galactica Goes Unrated For Christmas

cover_a-2648449There’s this great scene at the very beginning of The Simpsons Movie where Homer is at the movie theater watching Itchy and Scratchy – The Movie and then asks why anybody would want to pay for something they’re used to seeing for free. Then they cut to the opening titles.

The Sci Fi Channel is doing the same thing, only backwards. The two-hour Battlestar Galactica: Razor movie will be broadcast on November 24, 2007. On December 4, NBC Universal will release the Battlestar Galactica: Razor Unrated Extended Edition. Hmmm… were I a BG fan – and, well, I am – I’d just wait the ten days and watch the real thing, if for no other reason than in hope that there’s some seriously X-rated material in the unrated extended edition. When it comes to "extended," perhaps I misunderstand their meaning. But if I were buying ad time on the Sci Fi broadcast, I’d want a discount.

By the way, I’d love to see Itchy and Scratchy – The Movie.

Sarcasm aside, our correspondent Robert Greenberger adds significant detail to this story:

The DVD, retailing for $26.98, is said to contain an additional fifteen minutes of footage in addition to the usual assortment of extras. Among the extras will be the eight mini-episodes the channel will begin airing in October. The lead-in material, which will also be available at their website, will set up events seen in the movie and edited into the home video version. The miniseries features young William Adama, to be played by Nico Cortez and is likely to be about the early Cylon War with glimpses of the original Cylon designs from the ABC series.

The telefilm’s story is told in present day and will feature the entire Galactica cast but will have extensive flashbacks to a mission of the other Battlestar, the Pegasus, which was helmed by Admiral Helena Cain (Michelle Forbes).  As a result, familiar faces from that ship will appear as guest stars, including Steve Bacic as Colonel Jurgen Belzen.

What’s a razor, you ask? In “Resurrection ship, Part 1” Cain told Fisk she needed people who were,"…completely reliable. Completely loyal. Razors."

Producer Ronald D. Moore has indicated the story is an important piece of the bigger picture and elements introduced here will pay off in the fourth and final season, which Sci-Fi is expected to schedule to debut in January. Much of Cain’s background will be explored including a hint of romance with Gina. Additionally, part of the story shows Lee Adama in charge of the Pegasus and his search for an XO which introduces Stephanie Chaves-Jacobsen as Kendra Shaw.

Two trailers for the event have already run on Sci-Fi and can be found on their website.

MIKE RAUB: Beyond the Broadcast!

jenna-4617498I think when it is all done, we’re are going to call this season Catch Up Summer. It seems that every time we sit down, it’s a race just get caught up to where we should be starting!  Here’s our notes from this week’s Big ComicMix Broadcasts, some items dating back to our visit to Wizard World Chicago last weekend:

 • If you are ready to submit your own music video to Current TV’s The Daily Fix, go here and when you do, you might notice other opportunities for showcasing your video skills. Conceive, edit and upload all you want. Just remember all of us here at ComicMix when you are rich and famous!

 • Consider this a "reverse" link. JennaComix.com, where we told you to go see previews of the new Shadow Hunters comic being produced by Jenna Jameson and Virgin comics and written by Witchblade’s Christina Z is NOT launched yet,  so DON’T go there. If you really want to see stuff on Shadow Hunters, the best place at the moment is Virgin’s website. We’ll let you know when Jenna’s site goes live.

 • If you REALLY want to interact with a TV/movie actor, then come to the aid of Apollo and help Battlestar Galactica’s Richard Hatch perfect the gaming portions of his new property, The Great War of Magellan. To get started, take a look here.

In a couple of days we will begin our week-long look at collectible toys. We cover it all ranging from the current scene of what is out there and which figures are hot  or cold, we give you some tips on collecting and preserving your goodies and then we talk to a major toy company about to give a make-over to some of comics’ most familiar heroes. That and more start up on Tuesday’s Big ComicMix Broadcast – don’t miss it!

WW-CHICAGO: Big ComicMix Broadcast for Day 2

magellan-3887627Day Two at Wizard World has presented us with a lot of cool stuff to bring you on the Big ComicMix Broadcast— starting with an adorable lady who is putting her heart and soul into her love of comics and producing her own work completely on her own. Then Battlestar: Galactica‘s Richard Hatch unveils his newest passion project, The Great War of Magellan , and we give you a chance to work with him on the development of the concept!  Then there’s a tip on how you can be your own comic book star – and a trip back to when there was a group on the charts whose front man was doing the pirate things a long time before Johnny Depp!

Ready to work with Richard? Then PRESS THE BUTTON!

 

 

Science Fiction/Fantasy Podcasts

The new episode of The Future And You went up for the beginning of the month; it includes conversations with Battlestar Galactica cast member Bodie Olmos, Walt (The Bananaslug) Boyes from Jim Baen’s Universe magazine, and the authors Robert Buettner, Mike Resnick, Randal L. Schwartz and Stoney Compton. How can you not want to hear what a man named “Bananaslug” has to say?

Episode # 40 of The Sci Phi Show is an introduction to the books and stories of Greg Egan.

The Odyssey Fantasy Workshop has just posted a new podcast, featuring Terry Bisson talking about setting. [via Locus Online]

TV Cult Guide

According to TV Guide Online, here’s their latest top 30 cult teevee shows of all time.

I would scoff at this, but it turns out I really like at least a dozen of ’em.

30) Strangers with Candy (1999-2000)*

29) Absolutely Fabulous (1994-2003)

28) Stargate SG-1 (1997-2007)*

27) H.R. Pufnstuf (1969-1971)

26) Mary Hartman, Mary Hartman (1975-1978)

25) Firefly (2002-2003)*

24) Twin Peaks (1990-1991)

23) Dark Shadows (1966-1971)

22) Doctor Who (1963-present)

21) Freaks and Geeks (1999-2000)

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MIKE GOLD: What Makes America Great

mikegold100-4105627These are the most important words ever written:

Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the government for a redress of grievances.

That’s the First Amendment, in its entirety. It’s elegant, isn’t it? But did you notice what word isn’t there? Look again.

The word is “except.” There’s no “except” in the First Amendment.

That’s what makes the United States of America great. It’s where we separate the wheat from the chaff. The democracies from the dictatorships. The good from the evil.

Ask around and some people will tell you that the Supreme Court ruled the First Amendment doesn’t give you the right to shout fire in a crowded theater. If the utterer is smart, that quote will be attributed to Justice Oliver Wendell Holmes. The problem is, it’s bullshit, twice-over.

Number one: in ruling on the case of Schenck v. U.S. in 1919, Justice Oliver Wendell Holmes, Jr., wrote: “The most stringent protection of free speech would not protect a man falsely shouting fire in a theater and causing a panic.” The emphasis here is mine; those critical words are usually left out of the debate. You’ve got to be lying, and you’ve got to actually cause damage. However…

Number two: Schenck v. U.S. was overturned by the Supreme Court in 1969 in the case of Brandenburg v. Ohio, which ruled that speech could only be banned when it was likely to incite imminent lawless action, such as a riot. The majority noted yelling fire outside a building to prevent people from entering is quite different from encouraging people to stampede out.

The Constitution doesn’t say “but in case somebody figures out a way to allow people to get their words heard by a whole lot of other people all at once, a federal agency is going to appoint a brilliant comedian to figure out which seven words can never, ever be uttered, no matter how inadvertently, no matter how pointedly, and no matter how necessary or how puerile they may be – and we’re going to fine the shit out of people who ever use those words.”

Last week, ComicMix’s Glenn Hauman, a First Amendment freedom fighter of the first order and with the street cred to prove it, ran a piece about how a federal appeals court ruled against the FCC in their fining broadcasters for the dissemination of inadvertent obscenity. In his article, Glenn substituted asterisks for the vowels in the dirty words. I know Glenn; that reflects his highly tuned sense of irony. Glenn’s also a very considerate guy: he doesn’t want to get you in trouble if you’re reading ComicMix at work and your boss sees the naughty stuff. I’m not quite as considerate.

It’s Glenn’s prerogative as a writer, so I didn’t fuss with his choice. The fact is, when you see “f*ck” you read “fuck.” When you see “sh*t,” you read “shit.” When somebody indulges in euphemisms, people know exactly and immediately what the bad words are. But you’re not going to get Battlestar Galactica on the air unless you say “frakkin’.” And, no doubt, pay Yosemite Sam his royalty.

It’s ridiculous. It’s hypocritical. Even if these words had any meaning or any shock value any more, there is no reason to be so judgmental. People who think ill of those who use cuss words yet drive while on their cell phone are a much bigger threat than those who are subjected to their self-righteousness.

About 20 years ago, DC Comics’ editorial honcho Dick Giordano assigned me the task of representing the company at the redraft of the much-hated (and now completely impotent) Comics Code. Yep, Dick has a fantastic sense of humor. At the meeting, one of the first things I asked for was a list of the dirty words that can’t be used. Fair is fair, I pointed out. Marvel’s rep, the much-missed Mark Gruenwald, agreed. Since we were Marvel and DC combined, we got to assign the editors from Harvey Comics and Archie Comics the task of coming up with the list. Okay, that was sophomoric, but if you knew either Mark or me, you’d get it and you probably do anyway. A week or two later, Al Harvey and Victor Gorelick came in with a great list.

They passed the list around and we debated the merits and demerits of the words, adding a few that Al and Vic missed – the very few, actually; it was an extensive list. Then we all exploded in laughter at the astonishing bullshitness of the situation. One of the editors – I won’t reveal which – said “What’s the difference? The Code censors are going to ignore all this anyway.” Which is exactly what happened. Immediately.

We censor in the name of the Children. You know, those Children who are raised in nunneries, who, if they were never exposed to television or radio or literature or people like me, would be good, pious and safe. The kids who presently live on Earth-53. We divert everything with which we are uncomfortable into the “oh, no, we’re doing it for the Children” file. That’s a lot of crap. If you raise your kids honestly with good, sound values, if you teach them right from wrong and you show them how to be strong and the ways to stand up for those values, you won’t have anything to worry about. Stop hiding behind the kids.

There’s plenty of stuff going on to worry about. Language doesn’t make the cut.

Mike Gold is editor-in-chief of ComicMix.com. Be afraid, be very afraid…

JOHN OSTRANDER: Overlooking the Obvious

18185_4_012-5634033Awards season is loose in comicland and I can already tell you what won’t be getting awards, this year or any other year. Anything that smacks of a licensed property. When I speak of a licensed property, I mean anything like Battlestar Gallactica, or The Phantom, or Buffy, or Conan. Or Star Wars.

   

And, yes, I write some of the Star Wars comics – currently my book is Star Wars: Legacy. If that sounds like a conflict of interest on my part or that maybe I have an axe to grind – so what? If there is one thing being in rotation with Michael Davis has taught me, there is no shame in saying your own name and being proud of what you do. Michael is my hero and my shining example. I intend to channel my inner Michael.

   

I’m as proud of my work on Star Wars as I’ve been of anything I’ve done in my career – and never more so with Legacy. We’ve jumped down the Star Wars timeline 100 years past anything that is being currently done in Star Wars, including the novels. We’ve imagined a whole new galaxy of characters and re-defined Star Wars, working from its past while making it open to newcomers.

   

But forget me for a moment. Wait – I’m channeling my inner Michael. Don’t you ever forget me but, in addition to me, there are other folk doing superlative work. My artist and partner in crime, Jan Duursema, is doing some of the finest work of her career and, given the amount of talent she has to begin with, that’s considerable. When a new Star Wars project is conceived, it usually takes a team of designers a year or so to come up with the look. Jan designed it herself (with Sean Phillips designing a lot of the ships) in less than a year while she was finishing work on our predecessor Star Wars title, Republic. She has a wonderful team of Dan Parsons on inks and Brad Anderson on colors and both of them contribute massively to the just straight out beauty of the books.

   

And it’s not just our book. Doug Wheatley does breathtaking work on Star Wars: The Dark Ages. Nor is it only Star Wars; Timothy Truman and Cary Nord have been doing stunning work on the Conan title. Nor is it only Dark Horse books; the number of books based on licensed properties is growing and coming from many different publishers. Their sales are increasing; the first issue of the new Buffy, the Vampire Slayer series cracked the Top Ten on Diamond’s list the month it came out.

   

So – where’s the love? Where’s the respect? Certainly, Legacy gets it from the Star Wars fans. I was out at Celebration IV about two weeks ago and it was in plentiful display. I find it frustrating that more general readers aren’t at least looking at the titles. These are just good comics, gang – good characters, good stories, lots of adventure, intrigue, great dialogue. And these are just in my comics. (Man, I’m loving channeling my inner Michael. Maybe I’ll call him John-Michael. Or is that too French?) The point is – they’re as good as or better than most of the comics out there. I’ll stand them up against anybody else’s willingly. (more…)

Books, books, books

The Big ComicMIx Weekend Broadcast comes right out of the 2007 Book Expo in NYC and we share one of the coolest books ever, illustrated by the incredible Jules Feiffer! Plus a ton of news including new limited edition comics, what happens to Apollo after BATTLESTAR ends, and a trip back to when The Jacksons actually had important friends!

Press The Button or we’ll post that picture of you in the red vinyl jacket and the one white glove!

Verheiden + Teen Titans = Big Time Movie

teen_titans-5659237

Writer/producer Mark Verheiden (Smallville, Battlestar Galactica,Timecop, The Mask, My Name Is Bruce) who’s also been known to write more than a few major comic books (Superman/Batman, Aliens, The Phantom, The American), will be handling the script for the new Teen Titans motion picture.

According to The Hollywood Reporter, the movie is being produced by Akiva Goldsman and Kerry Foster, who are also handling the upcoming movie adaptations of The Doom Patrol and The Losers. All these films will be released by Warner Bros, parent company to DC Comics, which publishes all this stuff. Warners also has The Dark Knight and Watchmen coming up, along with a Justice League film and a sequel to Superman Returns.

It has yet to be determined exactly which members of the Teen Titans will be in the movie, other than everybody’s favorite ex-Robin, Nightwing.

Gee, you’d think these superhero movies are making money or something.

Characters trademark and copyright DC Comics. All Rights Reserved.

JOHN OSTRANDER: That’s A (TV) Wrap Part 1

ostrander100-7854594It’s May which means, out in TV-land, it’s the final sweeps period of the season. Yeah, a few of the final shows have yet to air but I might as well look back on what I liked/disliked over the past season. This may not be what you watched, liked or disliked but, hey, it’s my column.

Battlestar Galactica. I finally succumbed and started looking in on the series. I’d been afraid that it would be too dense at this point, that there was too much backstory, to be accessible to late viewers like myself but I found I was able to pick things up as I went. Yes, it would be better if I knew more of the backstory and I plan on picking up the DVDs but I’ve gotten into the series. I’m not certain why finding Earth is such a good idea for these people or why so much of their culture seems to be very post-1940’s American culture but I’m willing to hang in and find out. Yes, I liked it overall.

Boston Legal. A tip of the hat to ComicMix head inmate Mike Gold for getting me to watch this series. Mary and I started watching late last season and it’s become one of our favorites. I was resistant because I’m not really a big David E. Kelley fan but this show causes me to laugh out loud. It makes brilliant use of some old pros – James Spader, Rene Aubenjois, Candace Bergen, and the simply amazing William Shatner – as it talks about current issues, goes consistently over the top, touches the heart and simply entertains me more than almost any other show in a given week.

Deadwood. Big fan of this show and I can’t tell you how pissed off I am that HBO didn’t let it continue. Yeah, they talked about two movies to finish it up but a) that’s not the same and b) I haven’t heard that those are actually going forward. Creator David Milch had said that the concept was the advance of civilization as seen through the focus of the town of Deadwood, South Dakota, originally a boom camp for the gold found in the hills nearby. Real historical figures intermingled with totally fictional creations much the same way real history was mingled with a lot of inventive writing (and serious profanity). It’s not a technique unknown to me; I did the much the same thing when I wrote my historical graphic novel The Kents. The show boasted some fine performances topped by Ian McShane’s incendiary Al Swearingen.

All that said, I have to confess that Season 3 turned out to be a disappointment to me. The through line was the gradual take-over of the town by George Hearst (given a dynamite performance by Gerald McRaney). Hearst was an actual historical figure, the farther of William Randolph Hearst who, in turn, was a model for Orson Welles’ Citizen Kane, and that was both the attraction and the problem. The actual Hearst himself never visited Deadwood, so far as my researches showed, although he did wind up owning several big mines there.

The problem in Season 3, for me, was that it was headed for an almost apocalyptic showdown between Hearst and his men versus the citizens of the town who, although usually at violent odds with one another, were brought together by a common threat. The season built in tension to what should have been a staggering climax and then – Hearst simply decides to leave town. Go on to his next location. The tension dribbles away.

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