Tagged: Beast

Real Steel’s Hugh Jackman Talks Boxing Bots

charlie-coaching-300x200-1649725Hugh Jackman stars in Real Steel, out on home video this week, and the native Australian is best known to ComicMix fans for his work as Wolverine in  X-Men, X2 and X-Men: The Last Stand before spinning off into X-Men Origins: Wolverine and cameoing as the canucklehead in X-Men First Class.

In the fall of 2009, Jackman made a return to Broadway in the Keith Huff-penned A Steady Rain.

On February 22, 2009, Jackman took on the prestigious role of hosting the 81st Annual Academy Awards live from the Kodak Theater, he wowed those in attendance and helped ABC score a 13% increase in viewership from the previous year. Previously, Jackman served as host of the Tony Awards three years in a row, from 2003-2005, earning an Emmy Award for his 2004 duties at the 58th annual ceremony and a nomination for his 2005 appearance at the 59th annual ceremony.

In 2008, Jackman was seen in Twentieth Century Fox’s Deception opposite Ewan McGregor and the romantic action-adventure epic Australia, directed by Baz Luhrmann.

Jackman has also starred in Darren Aronofsky’s The Fountain, Christopher Nolan’s The Prestige and Woody Allen’s Scoop. He has lent his voice to the animated features Happy Feet and Flushed Away. Other films in which he has had leading roles include Someone Like You, Swordfish, Van Helsing and Kate and Leopold, for which he received a 2002 Golden Globe nomination.

For his portrayal of the 1970s singer-songwriter Peter Allen in The Boy From Oz, Jackman received the 2004 Tony Award® for Best Actor in a musical as well as Drama Desk, Drama League, Outer Critics Circle and Theatre World awards.

Previous theater credits include Carousel at Carnegie Hall, Oklahoma! at the National Theater in London (Olivier Award nomination), “Sunset Boulevard” (for which he won a Mo Award, Australia’s Tony Award) and Disney’s Beauty and the Beast (Mo Award nomination). (more…)

Review: ‘Beauty and the Beast’

beautyandthebeastdiamondeddvdcombo2-8817811The climb back to not only respectability but creativity was a long painful one for Walt Disney Studios but you could see bits and pieces of improvement throughout the 1980s. [[[The Little Mermaid]]] in 1989 was the first serious indication that the animators found their mojo. As a result, audiences were primed and ready for 1991’s Beauty and the Beast. What they didn’t anticipate was just how magical and wonderful the film would be.

Clearly, one of the crown jewels, the studio has polished their gem to a bright luster in the just-released Diamond Edition. There are a variety of formats including the combo pack which has the movie on standard DVD plus two Blu-ray discs chuck full of goodness.

First of all, you get three versions of the movie: the original theatrical release, the extended edition (containing the number “Being Human”) and the work-in-progress print which was screened in New York a year prior to release that gave everyone a hint at how special this film would be. While the animation shines in DVD, it’s glorious in Blu-ray, complete with spectacular sound. If anything, the high definition images are too clear so you actually see animation flaws here and there. Watching the film lets you lose yourself in the finely crafted story with lush visuals and lovely tunes.

The classic tale was reimagined in England under a different creative director and when the first 18 minutes of storyboards were presented, the Disney executives, including Michael Eisner and Jeffrey Katzenberg, didn’t think it was quite right. They trashed six months of work and reassigned roles. At that point, it was also decided to add music and that is when the creative problems plaguing the story got solved.

Fortunately, the team of Howard Ashman and Alan Menken were fresh off The Little Mermaid and stepped in. Ashman was ill, dying before Beauty was released, but did some of his finest work. The finished results had all the Disney magic generations had come to expect and added at least one new generation to its collection of believers. The story of Belle and the Beast is dramatic, emotional, humorous and touching. There are wonderful supporting characters, memorable songs, bits of business for adults and plenty of action for all. No wonder it received a Golden Globe and was nominated for Best Picture, forcing the Academy of Motion Picture Arts and Sciences to create a separate category.

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SFWA announces 2009 Nebula, Bradbury, and Norton Award nominees

The Science Fiction and Fantasy Writers of America have announced the nominees for the 2009 Nebula Awards.
The Nebula Awards are voted on, and presented by, active members of SFWA. The awards will be announced at the Nebula Awards Banquet
the evening of May 15 at the Hilton Cocoa Beach Oceanfront, just 20
minutes from the Kennedy Space Center in Florida. Other awards to be
presented are the Andre Norton Award for
Excellence in Science Fiction or Fantasy for Young Adults, the Bradbury
Award for excellence in screenwriting and the Solstice Award for
outstanding contribution to the field.

Congratulations to all the nominees.

Short Story

Novelette

Novella

Novel

  • The Windup Girl, Paolo Bacigalupi (Nightshade, Sep09)
  • The Love We Share Without Knowing, Christopher Barzak (Bantam, Nov08)
  • Flesh and Fire, Laura Anne Gilman (Pocket, Oct09)
  • The City & The City, China Miéville (Del Rey, May09)
  • Boneshaker, Cherie Priest (Tor, Sep09)
  • Finch, Jeff VanderMeer (Underland Press, Oct09)

Bradbury Award

  • Star Trek, JJ Abrams (Paramount, May09)
  • District 9, Neill Blomkamp and Terri Tatchell (Tri-Star, Aug09)
  • Avatar, James Cameron (Fox, Dec 09)
  • Moon, Duncan Jones and Nathan Parker (Sony, Jun09)
  • Up, Bob Peterson and Pete Docter (Disney/Pixar, May09)
  • Coraline, Henry Selick (Laika/Focus Feb09)

Andre Norton Award for Young Adult Science Fiction and Fantasy

‘Beauty and the Beast’ gets 3-D Makeover

beauty-and-the-beast-002-61231363-D is all the rage and Disney is jumping on the fad with both mouse-sized feet. Yesterday, they announced that their classic Beauty and the Beast will receive the three-dimensional treatment. The existing film will be put through Disney Digital 3-D technology according to Variety and joins a crowded 2010 schedule.

The nine month process will be overseen by the original filmmaking team: producer Don Hahn and co-directors Kirk Wise and Gary Trousdale.

"By going back to the original animation files, which have been carefully archived for 17 years, and using the separate background, effects and character animation elements, we’re able to come up with a fun and unique 3-D experience for existing and new fans of the film," Hahn said.

With Bolt opening up in 3-D this weekend, the future looks packed. In 2009, fans can expect the Jonas Brothers 3-D Concert Movie, Pixar’s Up, Jerry Bruckheimer’s G-Force, and Robert Zemeckis’ Disney’s A Christmas Carol. Toy Story and Toy Story 2 will be re-released in 3-D as well.

Beauty joins a 2010 schedule that already includes Tim Burton’s Alice in Wonderland, Toy Story 3, Rapunzel, and Step Up 3.
 

Review: ‘Beauty and the Beast’ The Complete Series

batb-s1-3-dvd-front-3128808In 1987, television was evolving.  Thanks to [[[Hill Street Blues]]], the way dramatic stories were presented became more complex, the storytelling more diverse and the stories more compressed. The subject matter was also starting to broaden, moving beyond cops, lawyers and doctors.  It was just before the SF wave kicked off with [[[Star Trek: The Next Generation]]] but that didn’t stop CBS from trying something a little different.

On a Friday night, September 25, 1987, audiences were treated to a different look at the classic [[[Beauty and the Beast]]] tale.  The series starred Ron Perlman as Vincent, the beast, a mutant of some sort, who comes to the rescue of Linda Hamilton’s Catherine, a rich girl turned assistant district attorney.  Their connection became the stuff of fairy tale and from that pilot episode, their fates became inextricable.

It had all the lush romance of a Harlequin book and the action to keep spouses by their side.  The series had its ups and downs, making a star out of Hamilton who left the series after just two seasons, derailing the eternal romance. Jo Anderson was brought in for the third season but that, coupled with CBS’s insistence on increased action for the males, hurt and the series came to an end in January 1990 (although the final two were run that summer).  Its 56 episodes remain a testament to the creative vision of creator Ron Koslow and fantasist George R.R. Martin who wound up penning 13 of the episodes.

Paramount Home Video has released a 16-disc box set of the complete series and it shows its age.  Beauty and the Beast has the look and feel of the 1980s without fully embracing the changing storytelling in television. The storytelling is slow, almost plodding at times, and each week they seemed to focus on some new social ill without really offering long-term solutions.  The threats were fairly standard stuff for the most part, intertwined with the poetry between the characters.  Complete with lush music, long, lingering gazes into character’s eyes, it was truly a romance novel brought to the screen.

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ComicMix TV: The ‘Hellboy II’ Ron Perlman Interview

No Hellboy interviews are complete without talking to the titular character himself. Ron Perlman’s name has been on the lips of just about any comic book or television fan since the mid ’80s. In a fun interview with Perlman, we got to ask him about his evolution as Hellboy, his interest in comic books, and his thoughts on returning to the 1980s TV show Beauty and the Beast (at this interviewer’s expense).

Hellboy II: The Golden Army opens today, July 11.

 

 

Missed one of our Hellboy II: The Golden Army interviews this week? Here are links to all of the recent ComicMix TV interviews with the Hellboy II cast and crew:

 

Happy Birthday: Barbara Slate

slate-8997718Born in 1947, Barbara Slate started out in greeting cards before moving to comics. In 1974, she met with a greeting card buyer from Bloomingdales and showed him 24 feminist greeting cards she had designed. Thus, the "Ms. Liz" line was born.

Ms. Liz then became a comic strip in Cosmopolitan, and then an animated feature on The Today Show. Next, Slate spoke to Jenette Kahn of DC Comics, who hired her to create Angel Love. From there, Slate moved to Marvel to create Yuppies from Hell and Sweet XVI (which won a Forbie Award in 1991), and then began working on Barbie and Barbie Fashion (which won the Parent’s Choice Award in 1992 and 1993).

Slate has also written for Disney Comics (Pocahontas and Beauty and the Beast) and Archie Comics, among others. Currently Slate writes for Archie Comics, teaches graphic novel and sequential art workshops, and has a syndicated column called “You Can Do A Graphic Novel.”

Paizo’s Planet Stories Plunges into Pure Pulp!

pzo8003_180-7825477You’d need to have a very long memory to remember the heyday of the original Planet Stories magazine, since it closed down in 1955. It was a pulp magazine – in both senses of the word “pulp.” But the name has lingered ever since, whispered at last call at convention bars to describe a certain kind of Science Fiction story – one where the science isn’t too complicated, and never gets in the way of the plot. One where the women are gorgeous and scantily clad, where the men are strongly-thewed (and often also scantily clad), and where the villains are black-hearted scoundrels out to rule their worlds. One where the blasters are hot, the ships have fins, and countless alien worlds are just waiting for the right blonde-haired American boy to become their new warlord. You know: the fun stuff.

Paizo Publishing, a rogue satellite that careened out of the Wizards of the Coast orbit some years back, has come up with a diabolical scheme to bring back the Planet Stories name. But this time it won’t be a magazine – Paizo is launching a new book line starting in August. Many of the novels in the new Planet Stories imprint will be drawn from the era of the original Planet Stories, and all will follow the original’s ethos of “Strange Adventures on Other Worlds.”

The new Planet Stories begins with Gary Gygax’s 1992 novel The Anubis Murders, a game-flavored alternate-world story about a sorcerous detective that makes up in extra pulp what it lacks in age. Also in August is a collection of tales about one of Robert E. Howard’s lesser-known barbarian sword-swingers, Almuric. Then in September comes Michael Moorcock’s City of the Beast, the first in a swashbuckling Edgar Rice Burroughs pastiche trilogy from the mid-1960s. In October comes the first bona fide classic of the list, C.L. Moore’s eerie masterpiece Black God’s Kiss, collecting all of the “Jirel of Joiry” stories, including one rare tale in which the warrior-woman Jirel meets Moore’s other famous creation, the science fictional adventurer Northwest Smith.

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