Tagged: Black Widow

Tweeks: A-Force Assemble!

Last week when Marvel announced the all-female team of Avengers, you better believe we were stoked! We studied the A-Force artwork to figure out who everyone was and got right to researching the superheroes we didn’t know. Now, we’re even more excited and can’t wait to read Secret Wars in May.

In this week’s video we’ll tell you why A-Force is rad, which mutant powers we’d use to make lunch, and our thoughts on the girls not included (namely Maddy’s #2 favorite superhero, The Unbeatable Squirrel Girl). A-Force Assemble, indeed!

Mike Gold: Time Flies When You’re Saving The World

Last week we comics fans were treated to a nice treat that, had other circumstances prevailed, would have been the big buzz in our donut shop. Instead, events mandated – properly – that we turn our attention to the Charlie Hebdo matter. That situation remains unresolved and part of a much bigger and even more disquieting picture, but if we can’t stop to smell the flowers we will surely go insane. That’s why I’m going to talk about Marvel’s Agent Carter this week.

The mini-series – it runs eight episodes, and the first two ran last week – goes a long way towards answering the question “Hey, why won’t Marvel Studios pay more attention to the female characters?” It doesn’t answer the question “Hey, why won’t Marvel Studios do a Black Widow movie?” but I suspect if the executives at Marvel understand what they’re doing on Agent Carter, there well might be.

So, what’s going on in Agent Carter that’s so special? I think the two-hour debut did more to educate people as to the inequities in the workplace than any other single event in perhaps three decades. If things are going to change, illumination through entertainment is an important part of the mix.

Seeing as the series is set in the mid-1940s post-war period – after all, it is a sequel to the first real Captain America movie – it’s all too easy to look at it and say “well, yeah, but that was 1946.” This is true, but as George Santayana said, “when experience is not retained, as among savages, infancy is perpetual. Those who cannot remember the past are condemned to repeat it.”

(Actually, Santayana said a lot of interesting things, my favorite being “Skepticism, like chastity, should not be relinquished too readily.” Check him out at http://en.wikiquote.org/wiki/George_Santayana.)

Okay, back to 1946. That was a time when nobody gave a second thought about women being paid a lot less then men. That’s because nobody gave a second thought about women being given much responsibility – Santayana, I suspect, probably thought we should have remembered how women held our nation together during the world war that just ended. That was a time when newspapers carried separate want ad listings: “Help Wanted – Men,” for laborers and executives, and “Help Wanted – Women,” for secretaries, maids and cooks. This was a practice that continued until some time in the 1970s; the possibility that such segregation was illegal under Title VII of the Civil Rights Act wasn’t even discussed until 1965. Women were fired for getting married, and society looked down upon those women who chose a career over pounding out babies every year or so.

Agent Carter is set squarely in this environment. Peggy Carter, as last seen in Marvel media, is an extremely competent field agent to say the least, but despite her wartime record she is relegated to secretarial duties at S.H.I.E.L.D’s precursor organization, the Strategic Scientific Reserve. In order to save the day and to fulfill her commitment to Howard Stark (let’s hear it for Marvel continuity!) she starts out by hiding her activities and condescending to the men who order her to do the filing.

Despite this, Agent Carter is not a political screed. It is a solid action show set in the well-defined Marvel Cinematic Universe, complete with time-appropriate established characters such as a comparatively young Edwin Jarvis and a typically burly Dum-Dum Dugan (let’s hear it again for Marvel continuity!), and the actors whose characters appeared in the movies reprise their roles here, including Dominic Cooper as the senior Stark. Marvel’s evil corporate empire, Roxxon, plays a prominent role in this series.

Agent Carter is a very stylish, fast-acting and clever series built around the strengths of its star, Hayley Atwell. We’ll be seeing a lot of her in the future, in the second Avengers movie and in future episodes of Agents of S.H.I.E.L.D. and Crom knows where else. But I really hope that Disney/Marvel/ABC (different floors of the same company) has the budget and the audience to take this program to a weekly series.

And then do that Black Widow movie.

 

Tweeks: ABC’s New Musical Mini Galavant & Marvel’s Agent Carter

tumblr_n5ayj43uhu1r4bvu5o1_1399631441_cover-300x370-3853129Though we still haven’t forgiven ABC for canceling Selfie, we are very encouraged by the shows filling in for Once Upon A Time (8pm, Sundays) and Marvel’s Agents of S.H.I.E.L.D (9pm, Tuesdays) during their winter breaks.  This week we review Galavant, a comedy/musical fairytale series that reminds us a lot of Monty Python’s Spamalot and talk about how super cool it is for Marvel’s Agent Carter to be about a female hero.  And of course, Maddy goes on a rant about there not being a Black Widow movie —- because come on, all the boy superheroes seem to need special powers, but girls like Peggy Carter and Natasha Romanoff are just as awesome without them!

The Law Is A Ass

Bob Ingersoll: The Law Is A Ass #331: HE AVENGERS TAKE A.I.M. AT DIPLOMACY

advanced_idea_mechanics_earth-616_from_secret_avengers_vol_2_3_001_cut-9549426I’ve been avoiding this one like the plague. Or The Stranger. Or other existential novels by Albert Camus. Read them in high school. Didn’t understand them. But, then, I didn’t understand some aspects of Avengers Assemble v 2 21, either. So I guess it’s onward.

Here’s what I can tell you. Spider-Girl, the Anya Corazón version– and don’t even ask about the May Parker Spider-Girl, who is the daughter of Peter Parker in either an alternate future or an alternate universe whose timeline started fifteen years before the main Marvel timeline, so May’s backstory is even more confusing than a Camus novel – came to the Avengers for help. New York had just experienced the Inhumanity event, when the Terrigen bomb exploded over Manhattan. The bomb’s mutating Terrigen mists covered New York and then, by way of the trade winds, covered the world even better than Sherman-Williams paint. The mist’s mutagenic properties either turned people who were latent Inhumans into super-powered Inhumans immediately or they formed Terrigenesis Cocoons around the latents where they would gestate and emerge with super powers later. (Terrigen Mists? Terrigen Bombs? Terrigenesis Cocoons? Gods, this is more confusing than Camus channeling Jean-Paul Satre.)

Anya’s social studies teacher, Mr. Schlickeisen, was one of the latents who went into a cocoon. Mr. Schlickeisen was taken to a hospital for observation. But someone stole both his cocoon and the cocoon in the bed next to him. Now Anya wanted the Avengers’ help in tracking down her missing teacher.

Most of the Avengers were busy battling Inhumans’ Inhumanity to man, but Spider-Woman and Black Widow went to help Spider-Girl find her teacher. Black Widow eschewed the suggestion that they go to the hospital where Mr. Schlickeisen had been. Somehow she knew – maybe it was her spy-der sense – that A.I.M. had taken the cocoons and where they had taken them.

Trouble is that A.I.M. wasn’t the Advanced Idea Mechanics of old. They were no longer the R & D branch of the terrorist organization Hydra. They were no longer a group of brilliant scientists who wore silly yellow beekeeper costumes and are dedicated to overthrowing all governments by technological means. At least not overtly. Seems a while back A.I.M. bought the Caribbean island of Barbuda and formed an internationally recognized government there. So now A.I.M. is a sovereign nation of scientists who still wear silly yellow beekeeper costumes and are dedicated to overthrowing all governments by technological means, but covertly. And that caused complications for the Avengers.

A.I.M. claims diplomatic immunity and officially the Avengers can’t approach them. Fortunately for the purposes of this story, Black Widow was a former spy who specialized in unofficial missions. So she and her Arach-Pack went to an A.I.M. temporary lab somewhere in the Meatpacking District in Manhattan’s lower West Side. They broke in and incapacitated most of the beekeepers they found. But this wasn’t some A.I.M.-less operation, the Arach-Pack kept one A.I.M. flunky conscious so they could interrogate him.

Which they were doing, when some twenty-one other A.I.M. operatives in the facility arrived, all aiming high-tech weaponry and took our heroines captive. Things looked bad for the Arach-Pack, especially when the A.I.M. leader showed up.

No the leader wasn’t A.I.M.y Semple McPherson. It was Kashmir Vennema, But is that name really any less silly? Kashmir Vennema? Who’s her brother Khamilhare Kolonic?

Kashmir told her underlings to kill the Avengers. She wasn’t worried about any consequences for killing three Avengers, because, A.I.M. has “diplomatic status,” and because under “castle law, the minute [the Avengers] busted in here I was entitled to confront [them] with lethal force.”

Things looked bad for the ladies. Did they escape? Were they killed? Well, that’s another story. Okay, it’s the same story, but it’s the story of another issue, because this issue was only the first part of a five-part story and it pretty much ended on this cliffhanger. So, in keeping with the story, I’m going to leave you hanging and go into the legal analysis stuff. (Okay, the Avengers weren’t killed. Duh.)

First, the castle doctrine. We discussed it last week and here it is again. You may remember, and if you don’t here it is again, the castle doctrine says people who are in their own house don’t have a duty to retreat before using deadly force to repel trespassers; as long as they reasonably fear the trespassers pose an immediate threat to inflict death or serious bodily harm. But unless the A.I.M. operatives were also living in this temporary lab somewhere in Manhattan’s Meatpacking District, this building was a place of business, not a dwelling. The New York castle doctrine found in PL § 35.15 limits application of castle law to one’s dwelling and doesn’t extend it to one’s place of business. So, the A.I.M.-moral bad guys didn’t have the right to use lethal force as soon as the Avengers trespassed into this not-a-dwelling. Moreover, as the Avengers were bound to chairs and seemingly helpless – so didn’t pose an immediate threat of death or serious bodily harm to anyone – lethal force was off the table even if some of the beekeepers did call it hive, err home.

Now how about the other claim, “diplomatic status?” Well, Ms. Vennema pronouncements of immunity law may have been as expansive as maternity pants.

Yes, ambassadors from foreign countries have diplomatic immunity, so can’t be arrested or prosecuted. Nor can members of the ambassador’s administrative or technical staff. But other members of the diplomatic mission – the service staff, the consular officers, the consular employees, and the like – don’t enjoy such diplomatic immunity. They can be arrested and prosecuted for crimes.

The story didn’t give us any indication of Ms Vennema’s status Or of the gunmen serving under her. We don’t know whether she and they were part of the diplomatic mission of Barbuda. But we do know is that they were engaged in some illegal activities – kidnaping people encased in Terrigenesis Cocoons and selling those cocoons to other interested parties. And they were doing it out of a nondescript building in the Meatpacking District of Manhattan.

If A.I.M. has a Barbudan embassy, it clearly ain’t a nondescript building in the Meatpacking District of Manhattan. So the people found inside this facility were not the embassy staff and I doubt they were part of Barbuda’s diplomatic mission. So they probably didn’t have diplomatic immunity.

Why do I conclude that these less-than-A.I.M.-iable individuals aren’t part of the diplomatic mission? Well think about what they were doing. They were stealing Terrigenesis Cocoons and the Inhumans who were inside said cocoons and selling some of those cocoons, and the Inhumans inside them, to other interested parties. In New York those acts would constitute kidnaping and, depending on what those other interested parties wanted to do with the cocooned people after they hatched, human trafficking. (Or would it be Inhuman trafficking?) It’s unlikely that A.I.M. would have anyone so obviously engaged in such obvious criminal as part of its diplomatic mission. Why? Because, if they were part of the diplomatic mission and were doing such obviously illegal things and got caught, it would be embarrassing for the government of Barbuda. Governments tend not to put the obvious criminals on their diplomatic missions.

So, if Ms. Vennema or her staff isn’t part of A.I.M.’s and Barbuda’s diplomatic mission, and they probably aren’t, they have neither “diplomatic status” nor diplomatic immunity. New York would be free to prosecute them to the fullest extent of the law for murdering the Avengers.

Hey, Kashmir, next time you want to cl-A.I.M. diplomatic status, you might want to check on your actual situation. If you don’t, you might find out your bosses have left you hanging out to dry. Like your sweatery namesake.

Box Office Democracy: “Lucy”

lucy-9122048The nicest thing I can think to say about Lucy is that it is exactly how I would have remade 2001: A Space Odyssey if I had done it when I was 16 years old.  I would have replaced the male astronaut with an attractive woman, kept the trippy end sequence and replaced the first two-thirds of the movie with a mediocre tribute to Hard Boiled.  I also probably would have struggled to fill 90 minutes and would have added some really strange filler to get it to a marginally respectful run time like 89 minutes.  Thankfully no one was willing to give me $65 million to make a movie when I was 16 (unfortunately no one will do it now) but we’re stuck with what Luc Besson made here.  I was stuck at least; you might still be able to save yourself. (more…)

Captain America: The Winter Soldier Arrives on Disc August 19

captainamericawintersoldierbluray-e1401482527776-6986109The most interesting thing about today’s announcement regarding the home video release of Captain America: The Winter Soldier is the absence of a Marvel One-Shot. Maybe they’re keeping it a secret or maybe there won’t be one which would be a real disappointment. Here are the rest of the details.

BURBANK, Calif. May 30, 2014— From the studio that brought you the biggest Super Hero movie of all time, Marvel’s The Avengers, comes this year’s #1 live-action adventure, Marvel’s Captain America: The Winter Soldier, available early on Digital 3D and HD August 19th, 2014, and on 3D Blu-ray Combo Pack, Blu-ray, DVD and On-Demand September 9th, 2014, from Walt Disney Studios Home Entertainment. Saluted by critics as “action-packed” (NY Daily News), “thrilling” (Cinema Blend) and “better than The Avengers” (Access Hollywood), this blockbuster second chapter in the Captain America series teams Marvel’s First Avenger, Captain America, with Black Widow and new ally The Falcon as they battle their most mysterious and powerful enemy yet, the Winter Soldier.

captainamericawintersoldier3dcombo-e1401482565225-5000770Directed by Anthony and Joe Russo from a screenplay by Christopher Markus & Stephen McFeely and starring Chris Evans as Captain America, Scarlett Johansson as Black Widow, Sebastian Stan as The Winter Soldier, Anthony Mackie as The Falcon, with Robert Redford as Alexander Pierce and Samuel L. Jackson as Nick Fury, Marvel’s Captain America: The Winter Soldier arrives on 3D Blu-ray Combo Pack and Digital HD armed with explosively entertaining bonus features, including Making-of Featurettes, Audio Commentary, Never-Before-Seen Deleted Scenes, Bloopers and More…

Bring home the movie that changed everything and expand your Marvel collection in the following formats with bonus features as listed:

Bonus Materials Overview for These Products:

Digital 3D, HD, & SD*

3D Blu-ray Combo Pack (3D BD + Single Disc BD + Digital Copy)

Blu-ray

Includes:

Making-of Featurettes
Audio Commentary
Never-Before-Seen Deleted Scenes
Bloopers
And More…

*Digital bonus offerings will vary per retailer

1-Disc DVD

Includes:

Making-of Featurette
Never-Before-Seen Deleted Scene

Feature Run Time: Approximately 136 minutes
Rating: Feature Film: “PG-13” in U.S., G in Canada (CE and CF)
Additional Bonus Features Not Rated
Aspect Ratio: 3-D Blu-ray Feature Film = 2.40:1
Blu-ray Feature Film = 2.40:1
DVD Feature Film = 2.40:1
Audio: Blu-ray 3D & Blu-ray 2D = English 7.1 DTS-HDMA, French-Canadian 5.1 Dolby Digital, Latin Spanish 5.1 Dolby Digital, English DVS 2.0 Dolby Digital
DVD = English/Latin Spanish/French Canadian 5.1 Dolby Digital, English DVS 2.0 Dolby Digital
Languages/Subtitles: English, French & Spanish (Applies To Film Content Only)

Jen Krueger: What Is Dead May Never Die

Spoiler warning: read no further if you haven’t caught up with the season two premiere of Orphan Black!

When it comes to character body count by the end of a first season of TV, Orphan Black is no slouch. Considering the hook of the pilot involves a woman witnessing her doppelganger jump in front of a train, maybe it shouldn’t be surprising that by the end of episode ten, the list of dead characters is of a decent length and appears to still be growing. But even though the season one finale added Helena to the show’s list of killed roles, the end of the season two premiere scratches her right back off that list seconds before cutting to the credits. Usually I don’t like seeing characters purported to be dead waltzing back into a tale, and I certainly didn’t like it in this case.

I loved it.

A big part of why I generally can’t stand watching supposedly dead characters brought back to narrative life is that faux deaths meant to fool the audience are almost always too transparent. Watching Captain America: The Winter Soldier, I was surprised the movie would bother trying to convince viewers that Nick Fury was actually dead. Even taking public real world knowledge out of the equation by ignoring the fact that this movie is only the sixth of Samuel L. Jackson’s nine-picture deal with Marvel Studios, Fury is obviously too important to the Marvel Universe to be unceremoniously killed in the middle of the Phase Two releases. Since it’s one of few things I can imagine making Captain America and Black Widow truly trust and rely on each other, I don’t quibble with the movie letting the other characters think the attempt on Fury’s life was successful. But trying to fool the audience into the same misapprehension ruined the emotional resonance this might otherwise have had for me by making the scene in which Black Widow says goodbye to what she believes to be Fury’s dead body seem like it was less about her character than it was about the movie attempting to provide enough evidence to trick the audience into believing Fury’s death. Faux character deaths are too often accompanied by this kind of overt attempt at selling them to the audience, and with a hand clearly trying to pull the wool over my eyes, I’m not likely to look at anything else.

But that isn’t to say I never care about character deaths when I can tell they’re fake. All it takes to get me to feel for characters that falsely believe somebody’s dead is for the story to simply back off the hard sell about the supposed demise. In Pacific Rim, I had no doubt Mako and Raleigh would have a happy ending, but I still got choked up watching Mako think she lost Raleigh in the last few minutes of the movie. I didn’t buy that he was dead, and I may even have thought to myself that Raleigh actually being dead would make the narrative stronger (I know, I know, I have a real dark streak), but I was able to see the ending as a trope of the genre rather than a genuine attempt at surprising me with his survival, because I didn’t feel like the movie was trying to convince me Raleigh was dead. Even when I’m moved by a fake death though, I can’t help but think how much more I’d enjoy whatever I’m watching or reading if the story managed to unfold without clear attempts at fooling me as Pacific Rim does, yet somehow actually get one over on me in the end as well.

And that’s where Orphan Black hits it out of the park. I was genuinely surprised to see Helena stumble into a hospital at the end of the season two opener after watching Sarah shoot her and presumably leave her for dead in the season one finale. The show didn’t treat Helena’s assumed death with any more or less weight than other deaths that had preceded it, and by not trying to dictate my assumptions about Helena’s fate, Orphan Black kept me from realizing there was anything to assume other than Helena’s actual demise. Of course, just successfully surprising me isn’t enough to make me feel positively about a character returning after seeming to die. In fact, there’s probably no faster way to lose my goodwill as a reader or viewer than by surprising me with the return of a character all logic dictates should be dead (*cough cough* Shameless season four).

Giving credit where credit is due, Tatiana Maslany is so phenomenal in every one of the many roles she plays on Orphan Black that I was ecstatic to realize I’d be seeing more of Helena after all. Sure, there are plenty of other clones with which to watch Maslany show off her acting chops, but she manages to portray each role so uniquely that I sometimes forget I’m watching the same actress in several parts. This made the thought of Helena dying feel like a big loss to the cast, and also makes me think I’d even be fine with the show bringing back other clones that have been offed in previous episodes. It’s a rare case in which my emotional investment overrides narrative logic, but when a show gets me this hooked on its characters, I’m more than happy for the narratively dead to rise so that I can be fooled. Heck, pop a blonde wig on Maslany to give her the part and I’d even accept Aynsley being resurrected.

A Team Divided – Your First Look at SECRET AVENGERS #1

This March, run the mission, don’t get seen, save the world. The covert branch of Earth’s Mightiest is back with a new mission, new enemies, and even deadlier threats. Today, Marvel is pleased to present your first look at SECRET AVENGERS #1 from the critically acclaimed creative team of Ales Kot and Michael Walsh!

The Earth is in danger. And only the world’s most effective secret squad can save it. Too bad that’s NOT the Secret Avengers! Three missions kick off at the same time: one in the air, one on the ground, and one in…space?! And no one is ready for what comes next – except the attackers! Now, Fury, Coulson, Hawkeye, Black Widow, Spider-Woman, Maria Hill, and even the villainous M.O.D.O.K. must work together if they hope to achieve the impossible. But first, they’ll have to survive!

“A possible strength – and also a possible weak spot – lies in the group’s capacity to work together,” says writer Ales Kot in an interview with Marvel.com. “Unless they learn how to do that, they will be picked off one by one. Because something is coming for them. And not just from one direction.”

Personalities clash as the bullets (and arrows) fly this March when the high-stakes, action-packed espionage comes to All-New Marvel NOW! with a bang in SECRET AVENGERS #!

SECRET AVENGERS #1 (JAN140679)

Written by ALES KOT

Art by MICHAEL WALSH

Cover by TRADD MOORE

Variant Cover by MIKE DEODATO (JAN140680)
Animal Variant by KATIE COOK (JAN140681)

FOC –02/17/14 On-Sale -03/12/14

Check out the Captain America Trailer

capt2_teaser2_1-sht_v9-2-e1382796199209-6990264In the better late than never department, we present to you the just-released trailer for next April’s Captain America: The Winter Solider. In the trailer, you will find Black Widow, Nick Fury, the Falcon, and the Winter Soldier. Not glimpsed is Sharon Carter but she’s in this stuffed tale as well. It looks pretty darn cool.

Genre:                          Action-Adventure
Rating:                          TBD
U.S. Release date:        April 4, 2014

Cast:                            Chris Evans, Scarlett Johansson, Sebastian Stan, Anthony Mackie, Cobie Smulders, Frank Grillo, Emily VanCamp, Hayley Atwell with Robert Redford as                                                   Alexander Pierce and Samuel L. Jackson as Nick Fury

Directors:                      Anthony and Joe Russo
Producer:                      Kevin Feige
Executive Producers:     Louis D’Esposito, Victoria Alonso,  Michael Grillo, Alan Fine, Stan Lee
Screenplay by:               Christopher Markus & Stephen McFeely (credit not final)

After the cataclysmic events in New York with The Avengers, Marvel’s Captain America: The Winter Soldier finds Steve Rogers, aka Captain America, living quietly in Washington, D.C. and trying to adjust to the modern world. But when a S.H.I.E.L.D. colleague comes under attack, Steve becomes embroiled in a web of intrigue that threatens to put the world at risk. Joining forces with the Black Widow, Captain America struggles to expose the ever-widening conspiracy while fighting off professional assassins sent to silence him at every turn. When the full scope of the villainous plot is revealed, Captain America and the Black Widow enlist the help of a new ally, the Falcon. However, they soon find themselves up against an unexpected and formidable enemy—the Winter Soldier.

Based on the ever-popular Marvel comic book series, first published in 1941, Marvel’s Captain America: The Winter Soldier is produced by Kevin Feige, directed by Anthony and Joe Russo, from a screenplay by Christopher Markus & Stephen McFeely, and stars Chris Evans, Scarlett Johansson, Sebastian Stan, Anthony Mackie, Cobie Smulders, Frank Grillo, Emily VanCamp and Hayley Atwell, with Robert Redford as Alexander Pierce and Samuel L. Jackson as Nick Fury.

In Marvel’s Captain America: The Winter Soldier, Steve Rogers teams up with Natasha Romanoff, aka Black Widow, to battle a powerful yet shadowy enemy in present-day Washington, D.C.