Tagged: Buck Rogers

Dennis O’Neil: Invisible Comic Books!

So look: we’re all part of the same whole, right? I mean, we can all trace our origins to the same big bang, between 13,000,000 and 14,000,000 million years ago, give or take a few calendar pages, so I shouldn’t have to perform mental/verbal gymnastics to convince you that radio drama has a relationship with comic book scripting, beyond the obvious, that both are what Stephen King calls story delivery systems.

But there may be a few gnarlys lurking in the crannies of bandwidth who present themselves as doubters. We shall let them continue gnawing on fish bones when I sweep you back some 68 (again giving or taking some of those pesky calendar pages — but much smaller calendar pages this time).

It’s me, there in the kitchen, standing on a chair so I can reach Mom’s white plastic radio which lived atop the refrigerator, also white and sometimes called the “icebox.” I was listening to – I was heeding – my programs. Superman. (Of course, Superman!) Captain Midnight. Buck Rogers. Tom Mix. (He was a cowboy, and of course we made room for cowboys.) These, and others I may be forgetting were after school shows, broadcast on weekdays between four and six.

I heeded them. Oh, yeah.

The radio stuff wasn’t all that was in my post-toddler portfolio. There were also the comic books and some weeks I got only one, largesse from Dad who picked it up along with milk for the family after Sunday Mass. Some weeks, though, I had a lot more than a single paltry comic to read. Every once in a while, often on a sunny afternoon, I collected my used comics, put them in a wagon and visited the homes of the other kid-comics readers in the neighborhood and, sitting on somebody’s porch, we’d trade: their used and maybe slightly torn comics for mine. Our books were never doomed to Mylar bags, to be hoarded like the contents of Uncle Scrooge’s vault. Our comics were only getting started! They were destined to extend their gifts of enchantment and delight into the future, to porches we had never seen and maybe even city blocks that would be new to us.

So, yes, I was a comics nerd before there were such things. But… except for the days when I went a’trading, I had only one new comic in a week. Pretty sparse diet of high adventure. But radio – Monday through Friday, exciting stories – and a bunch of them. Sure, they were continued but I didn’t mind that, and I didn’t know what the characters looked like (unless they also appeared in comics) but that was okay, too.

Better than okay. Not seeing the humans who belonged to the voices, I visualized them – you know, made them up in my head – and while I was at it, I imagined cars and planes and buildings and lots more. I imagined a world.

Pretty good training for a kid who would grow up to be a comic book writer.

FORTIER TAKES ON ‘HAWK:HAND OF THE MACHINE!

ALL PULP REVIEWS by Ron Fortier
HAWK
Hand of the Machine
By Van Allen Plexico
White Rocket Books
350 pages
Space Operas have been around since Flash Gordon and Buck Rogers first burst forth in America’s funny pages. They certainly had their pulp counterparts from E.E. Smith’s Lensmen series to Edmond Hamilton’s Captain Future series and many others.  Then with the advent of television American children were inundated with such TV series as Tom Corbett – Space Cadet, Space Patrol and dozens of others all culminating in the 1960s with Gene Roddenberry’s “wagon train in space,” Star Trek.  Of course the eventual jump to the big screen was never far off.  Sci-fi space operas had been around since the serials but none were so audacious and clearly proud of their comic and pulp roots as George Lucas’ Star Wars franchise.
Which brings us full circle to the advent of New Pulp Fiction and a classic genre that never really went away thanks to likes of Frank Hebert, Jack Vance and E.C. Tubb.  Now you can add another name to that list of extraordinary space opera creators in Van Allen Plexico.  From his ground breaking comic inspired Sentinels series to the Vance inspired, “Lucian – The Dark God’s Homecoming,” this writer has jumped into the deep end of the imagination pool with no hesitation as this new novel proves.
Long ago, in a galaxy far, far away (sorry, I just couldn’t stop myself) the known universe was looked after by a computer intellect that spanned space and was called The Machine.  To enforce justice and order it created, via cloning, a small group of unique warriors to command its military forces.  They were known as the Hands and chief amongst these were Eagle, Falcon, Condor, Raven and Hawk.  When an insidious evil appeared from nowhere to threaten the peace and security of the universe, the Hands were deployed to battle this mysterious foe known simply as the Adversary. Although the Hands were successful in thwarting their enemy, they did so at a tremendous cost none of them could have foreseen.  One day The Machine suddenly went silent and the elite members of the Hand were found cut off and isolated for the first time in their existence.  Some were betrayed, captured and destroyed while others vanished without a trace.
The universal empires began to collapse and a new Dark Ages descended throughout the realms of mankind.  Thus it would remain for nearly a thousand years until one day, on a distant space station, a new Hawk was awakened.  Unfortunately the process was interrupted before all memories could be downloaded and the revived warrior found himself suffering from amnesia while at the same time thrust into combat on a space station combating bug-like alien invaders.
Hawk manages to escape aboard a small space programmed to respond to his commands and during his flight the craft’s artificial intelligence attempts to fill-in the missing gaps to his actual identity.  As if doesn’t wasn’t trouble enough, Hawk’s travels soon bring him to the aid of yet another awakened Hand; this one a Falcon whose damaged body has been augmented with cybernetic parts.  Upon being rescued by Hawk, Falcon is at first suspicious of his savior unwilling to believe a “new” Hawk has been allowed to be cloned.  This particular attitude only piques Hawk’s curiosity all the more and he begins to pester his former ally about his mysterious past.
Soon the two become aware that Hawk’s rebirth is tied to various alien confrontations throughout this sector of the space all indicative that the once defeated Adversary is back and once again and eager to pick up with his quest for domination.  Mysteries continue to pile on while our duo attempt to piece together the secrets of the past in hopes they will somehow provide a solution to the threats now facing them.
Plexico’s ability to drive a narrative at light-speeds is unquestioned and even though the book comes in at a whopping page count, its pacing moves the reader along fluidly with each new chapter adding to both the plot and its inherent suspense all leading to a very satisfying climax.  An ending, by the way, with ample potential for sequels starring this great cast of characters. 
Still, the amnesia-plagued-hero seeking his identity is a plot Plexico has now used in several of his titles and is quite frankly becoming a bit too familiar.  As much as I admire his work and look forward to each new book, it is this reviewer’s hope that his next protagonist won’t be saddled with this same repetitive ploy.  That would be a real misstep in a stellar writing career thus far.  That said, “HAWK – Hand of the Machine,” is a solid space opera that is guaranteed to entertain you.

Baltimore Comic-Con Debuts Major Pulp Collection

At the 2012 Baltimore Comic-Con, Basement Comics began offering for the first time a new-to-market, original owner 1920s-1950s science fiction pulp collection.

“This collection is literally farm – or should I say, barn-stored fresh,” said Basement Comics’ Al Stoltz.

“We recently purchased over five hundred pulps with lots of bed sheet size and regular pulp size great reads. Fantastic early sci fi and rocket covers and some of the best writers ever presenting in some cases their first published work like Ray Bradbury, L Ron Hubbard, Alfred Bester and more,” he said.

One pulp even features a letter to the editor from a then-17-year-old Jerry Siegel, co-creator of Superman, Stoltz said. “This is really a piece of comic history!”

Also included in the offerings are the second appearance of Buck Rogers and even some John Carter covers and stories.

“We are pricing and getting ready as many as we can for the show and we hope pulp collectors will be pleased with the selection,” he said.

Thanks to SCOOP for the scoop.

‘Buck Rogers’ returns with Howard Chaykin

Anthony Warde seems to have Buster Crabbe at a...

Howard Chaykin will revive Buck Rogers. The veteran cartoonist has been announced as writer and artist on a new Hermes Press comic book series.

Best known for its reprints – including some of the legendary pulp hero – the publisher has promised an “all new take” on the character by the American Flagg! creator.

“When [Hermes publisher Dan Herman] casually asked me whether I had any interest in reviving Buck Rogers, my reaction was first physical – genuine goose bumps – followed by complete delight at the thought of paying back a concept that was so utterly seminal in my thinking about our medium and our field,” said Chaykin.

The science fiction hero first appeared in Armageddon 2419 AD in the pages of the August 1928 issue of Amazing Stories, written by Philip Francis Nowlan.

The comic will be unveiled at the “Buck Rogers, Past, Present and Future” panel at 6pm on Friday, July 13 at San Diego Comic-Con International.

Review: ‘Al Williamson’s Flash Gordon’

Al Williamsons Flash Gordon: A Lifelong Vision of the Heroic

Flesk Publications, July 2009, $29.95

While Al Williamson did not create the legendary science fiction character, in many ways he inherited Alex Raymond’s artistic legacy. The artist was born in 1931, three years before [[[Flash Gordon]]]memorably hit the Sunday newspapers.

Raymond is considered one of the finest illustrators to work in syndicated comics, along with Hal Foster, with a photorealistic style that brought his world of Mongo and its varied denizens to life. While Buck Rogers was the first SF strip, Flash Gordon was the best as the stories were epic in scope. The landscape of Mongo was unlike any realm seen in comics before and through the years that special feeling evaporated in the hands of others. Until Williamson.

In 256 pages, we are treated to the three stories produced for King Comics in the 1960s, the short-lived imprint from King Features Syndicate in addition to the his adaptation of the unfortunate 1980 film that looked better than it played. There’s also Williamson’s last major series work, the miniseries produced for Marvel in 1994. The King material is exceptional because it was the first time original material had been produced for comics with the characters actually resembling their strip origins . It’s lush and fast-paced with Williamson actually writing the first story. His long-time collaborator, Archie Goodwin, one of the most respected people in the field…ever, wrote several stories and Larry Ivie also contributed a tale.

Williamson’s style was very much like Raymond’s and his settings and characters felt just right. The deering-do is quick-paced and while the stories tread familiar ground, they are still head and shoulders above much other science fiction in comics. The three stories, brief as they were, earned him the National Cartoonist Society’s Best Comic Book Cartoonist award. His movie adaptation didn’t win awards but earned him a new generation of fans who may have only known his name in association with the legendary EC Comics.

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Buck Rogers returns in May with 25 cent #0 issue

Dynamite Entertainment announces that its upcoming Buck Rogers comic book series will blast off in May with issue #0 with the low low cover price of 25¢.

"We’re planning Buck’s launch to be one of our biggest of 2009, one that will propel him into the comics future, "said Dynamite President Nick Barrucci. "We could think of no more appropriate way to welcome fans to this totally fresh take on one of comicdom’s first heroes than to offer his first new comics adventure in years at this incredible introductory price."

"Dynamite’s reinvention of Buck Rogers will follow the path Dynamite has blazed with its previous successful titles, and to ensure the comics audience can read the launch, we’re releasing the comic at a .25¢ cover price.  Dynamite is proud to be instrumental in re-inventing and continuing the legacies of  historical characters and their worlds with creators who can execute great stories.  We’re equally proud of the consistent critical and fan responses to our efforts, and are confident that Scott Beatty and Carlos Rafael will deliver.  We’re confident that Buck Rogers will extend Dynamite’s own tradition of creating and bringing together generations of fans in the most thrilling way possible, which is why we are launching it at an Introductory Priced.  This will allow retailers to stock it, and fans to try it, and see the quality, inexpensively."

According to series writer Scott Beatty "I can’t begin to describe my excitement in working with Dynamite and the Dille Estate to chronicle the all-new adventures of science fiction’s original spaceman, Buck Rogers."

"Buck is a sci-fi icon. We wouldn’t have STAR TREK or STAR WARS or many of the familiar trappings of the genre without the trails blazed by Buck with his trusty ray-gun and jet-pack. And with that in mind, I’m humbled by the fact that I get to work with such an important and indelible literary creation.

Featuring covers by John Cassaday on the series– and a special variant cover on issue #1 by Alex Ross– with story by Scott Beatty, and interior art by Carlos Rafael, Dynamite predicts Buck Rogers will be the smash hit sci-fi and adventure series of 2009 (and beyo-o-o-o-nd).

Buck Rogers to Visit ‘Sin City’

It’s pretty amazing what people accidentally will say on the red carpet at awards shows.  The most recent example happened over the weekend when The Spirit producer Deborah Del Prete referred to her next project with director Frank Miller was an old sci-fi hero.  This virtually confirmed the rumor that began over the summer that Miller would tackle the first SF comic strip character.

When the rumor first surfaced over at IGN, Nu Image/Millennium Films quickly told him “that no deal is set yet for the rights or Miller, and that they are still mulling over director contenders.”

IESB’s Robert Sanchez could not get Del Prete to confirm if she was referring to Flash Gordon or Buck Rogers, both of whom have been optioned for film this year.  The site did some additional digging and report, “sources very close to the Miller camp…confirmed the sci-fi hero that Del Prete made a reference to was indeed Buck Rogers.”

Nu Image/Millennium Films has not confirmed the report for IESB but Del Prete insisted Miller will have an announcement shortly.

Buck Rogers was based on a 1928 novella, Armageddon 2419 AD by Philip Francis Nowlan which appeared in Amazing Stories. It quickly spawned a sequel and the stories caught the imagination of John F. Dille, president of the National Newspaper Service syndicate. He brought the feature to the newspapers as a comic strip in 1929, coming to own the property. America’s first SF comic strip, it was written by Nowlan with art by Dick Calkins. Through the years, the strip was graced with terrific art from the likes of Murphy Anderson and George Tuska, until it ended in 1967. The strip was revived in 1979 by artist Gray Morrow and writers Jim Lawrence and Cary Bates lasting until the strip’s ending in 1983.

Buck Rogers has appeared in comic books (with stunning Frank Frazetta art), serials (with Buster Crabbe), a four-times-a-week radio serial from 1932 through 1947; a 1950 half-hour television series and the 1979 NBC series (the horrible adaptation with Gil Gerard).

The Dille Trust under Flint Dille has repeatedly attempted to revive the character for modern audiences through Role Playing games, comics and media. All the attempts have yet to capture the fancy of today’s audiences.

Happy Birthday: Frank Bolle

Born in 1924 in New York City, Frank Bolle grew up doodling. He went to the High School of Music and Art and then served in the Air Force from 1943 to 1946.

After the war Bolle attended Pratt Institute and began looking for work—his first job in comics was in 1948 and he has been working in the industry ever since. He illustrated westerns like Black Phantom, Tim Holt, and Redmask for Magazine Enterprises; worked on Sherlock Holmes, The Lone Ranger, and other adventure stories for Western Publishing; drew several strips and covers for Boys’ Life; and did Doctor Solar, Buck Rogers, Flash Gordon, and others for Gold Key Comics.

In 1982 Bolle joined Stan Drake on The Heart of Juliet Jones comic strip, which he drew for seventeen years—Bolle also drew the Winnie Winkle comic for twenty. He is still drawing Apartment 3-G, which he took over in 1999.

Bolle has won three Graumbacher Gold Medallion Awards for his oils and watercolors. In 2003 he was awarded the Inkpot Award for lifetime achievement.

 

Dynamite and Buck Rogers in the 21st Century

n19285-3398230First, the news:

Dynamite Entertainment honcho Nicky Barrucci announced today that a series based on the classic space hero Buck Rogers will be joining The Lone Ranger, Red Sonja, Zorro and Battlestar Galactica in his project lineup, with participation of Alex Ross and John Cassaday, who will be doing character designs and covers. As of this typing, no regular story and art team has been announced.

Next, the history:

Publicly credited to John Flint Dille, Anthony “Buck” Rogers was the work of science fiction author Phillip Francis Nowlan. The first novel, Armageddon 2419, was anthologized in Amazing Stories Magazine cover-dated August 1928. It was successful and sequels were commissioned; the book came to the attention of wire service and newspaper syndicate owner Dille who hired Nowlan to create a newspaper comic strip version of his novel, teaming him up with artist Dick Calkins and renaming the character Buck.

It was awesomely successful, spinning off onto all the genres available in its time and the phrase “Buck Rogers” became a colloquialism for futuristic invention. It lasted until the mid-’60s and was revived a couple of times with varying degrees of success.

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ComicMix Radio: Keith Giffen Is A Free Man!

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The grind of weekly comics is tough on fans, so imagine the guy who has just finished off TWO weekly series! Fresh over Countdown (and still reeling from 52), Keith Giffen vents and talk about returning to fun stories again in this clip from an interview that will be on the site in full next week, plus:

— Buck Rogers – and Alex Ross!

— Got a late comic? Just make it fatter!

—  You should be crazy to work in comics – so let’s welcome Britney Spears…

—  There was a trick answer to our last trivia question, but we had a winner.  Here’s a new one and another chance to grab an exclusive Graham Crackers Comics variant by e-mailing us at: podcast [at] comicmix.com

Yes, we said Britney – Just Press The Button: 

 

And remember, you can always subscribe to ComicMix Radio podcasts via badgeitunes61x15dark-4684825 or RSS!