Blues Poetry: Rough-And-Raw, by Michael H. Price
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Fort Worth, Texas’ Wesley Race is a businessman in much the same way that the Chicago blues singer Little Walter Jacobs once proclaimed himself a businessman: “I’m a business<span style=”mso-bookmark:
OLE_LINK2″> man,” Jacobs growls on a 1964 recording called (what else?) “I’m a Business Man,” allowing songwriter Willie Dixon’s lyric to leave the nature of the business open to suggestion but permitting no doubt of a businesslike attitude.
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OLE_LINK1″>Walter Jacobs had died, a casualty of a busy sideline in street-fighting, a year before Wes Race’s arrival in 1969 on Chicago’s blues-club scene in search of raw emotive authenticity. Jacobs, among such others as the singer-guitarists Muddy Waters and Howlin’ Wolf, had embodied the urbanized and electrified Deep Blues style that had drawn Race to Chicago – perhaps less for the raucous nightlife, than for the poetic ferocity that Race had long perceived in the blues.
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OLE_LINK1″>Race’s path, winding but decisive, has led to the release this month of a début CD-album of his original poetry, recited with real-time spontaneity against a blues-rooted musical backdrop. The recording, Cryptic Whalin’ (Cool Groove Records), is a production of the guitarist and engineer Jim Colegrove, with instrumental contributions from such additional mainstays of Fort Worth’s roots-music scene as saxophonists Johnny Reno and René Ozuna, guitarists Sumter Bruton and James Hinkle, drummers Steve Springer and Larry Reynolds, steel guitarist David McMillan and keyboard artists Jeff Gutcheon and Ruf Rufner.
Mark Evanier has announced 
Have you noticed that whenever there is an article which feature comics, it almost always features a Pow, Zap, or some such idiotic way to describe comic books in the title? If not fight effects then it will begin with Holy, as in Holy Crack Whore! Comics find their way into Rehab!
When’s the last time you got into a fight?
You can tell it’s January by the seed catalogs in the mailbox. No matter how dark and gloomy the day might be, Burpee and other seed spreaders assure you that someday, soon, the sun will shine and plants will grow.
Last Thursday, Alex Rodriguez signed a 10-year contract in excess of a quarter billion dollars that allows him to continue working for the New York Yankees, a team about which, in the interest of full disclosure, I couldn’t care less. A couple hours later, the government indicted San Francisco Giants player Barry Bonds for lying to a grand jury.
When Michael Dougherty and Dan Harris (screenwriters for X-2: X-Men United and Superman Returns) stated that they would NOT be writing the new live-action Superman sequel, Warner Bros. Pictures announced they would be looking at new pitches. Mark Millar (Ultimates, Civil War) was immediately vocal in his desire to take on the task. “I want to revamp Superman like Hillary wants thin ankles. Revamping this franchise is what I as given fingers for and so, invited or not, I’m putting my plan together now. I’ve been asked to work on half a dozen screenplays lately, but this is the only one I have ever truly wanted. As most here know, I have literally hundreds of pages of notes and sketches just waiting for this opportunity. This would be my dream gig and, as a fan, I know exactly what this project needs to work. This has to be Superman for the 21st Century, keeping everything we adore, but starting from scratch and making the kids love it as much as the 30-somethings. I would honestly write this thing for free.”
Nikki Finke
Lots of new stuff to see here at ComicMix today, and the Big Broadcast gives you a guided tour of not only the changes NOW but what you WILL see in the days to come!! 
