Tagged: Captain America

ComicMix Radio: Crisis in The Trek Universe

We continue our look at the ongoing world of Star Trek fiction with news of a massive crossover event that will have major effect on all aspects of Trek, from Archer to Janeway, plus:

— Comics And The Movies – Flash Gordon & Buck Rogers?

— Captain America returns to WWII

— Yes you did see that in Iron Man!

Toss another dog on the holiday bbq and  press the button!

 

 
 
 
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‘Iron Man’ Easter Eggs, ‘Captain America’ and ‘Thor’ Movie Details

Marvel Studios president Kevin Feige was full of details about current and future projects during a recent screening of new footage from The Incredible Hulk, according to various reports from the event.

Among the juiciest of the news was info related to two highly anticipated Marvel Studios films, The First Avenger: Captain America (When did this film get slapped with the "First Avenger" portion of the title, by the way? Did I miss something?) and the big-screen debut of Marvel’s favorite Norse god, Thor.

According to Feige, Captain America will be a period piece, with a story that occurs during World War II, while the plot of Thor will rely heavily on scenes occurring in Asgard, the mythic Norse realm where the gods go about their godly business.

From Sci Fi Wire:

"The film is not all Asgard, but it will be a big chunk in Asgard, yeah," Feige said.

Feige promised an announcement about a director for Thor "later this summer." Mark Protosevich (The Cell) is drafting a script, which should be submitted in a couple of weeks, he added.

Feige also confirmed that a familiar object in the background of a scene in Iron Man was indeed Captain America’s shield. As the sleuths over at io9 report, the object was absent in the film’s trailer, which happened to include the very same scene — making me that much more impressed with Marvel Studios’ willingness to include these types of Easter Egg elements.

Head over to SciFi Wire for more on Marvel Studios’ slate of films and information from the Hulk screening, and check out the before-and-after screenshots from Iron Man (featuring a glimpse of Cap’s shield) posted over at io9.

The Weekly Haul: Reviews for May 23, 2008

Kudos to Marvel, who blew the pants off the competition in this week’s batch of issues, with an unprecedented four books being so good I have to list them all as tied for the top spot. And, surprise surprise, none of them were Skrullapalooza ’08 tie-ins.

Superheroes aside, a good mix of indies came out as well, making for a well rounded week that I’ll count as an early birthday present to yours truly.

Book(s) of the Week — While these four Marvel books are all essentially equals, the pole position goes to Black Panther #36. Now, I’ve long been something of a Reggie Hudlin hater, but he packs so much story into this issue without making it feel overloaded that it reads like a pre-Bendis Era comic. Killmonger – who makes a surprisingly good villain – rallies a destitute African nation around him in a way that truly captures the continent’s actual unrest. Meanwhile, we finally see the Storm-BP marriage addressed in a believable way, some intense fighting and the line of the week: "He’s already the Mole Man! What more could we do to him?"

Over in Ghost Rider #23, Jason Aaron follows last issue’s big buildup with a huge explosion (literally), and a storyline that perfectly depicts just how tortured Johnny Blaze really is. The art, by Roland Boschi, continues to shine, all scratchy and intense.

Captain America #38 makes the cut as another flawless entry from Ed Brubaker and Steve Epting, with special credit for an entirely plausible and non-Skrullish explanation to the mysterious Steve Rogers that Sharon found last go-round. Meanwhile, Bucky continues to gain his sea legs as the new Cap and the Red Skull’s plans meet political reality.

Lastly but not leastly, Peter David wraps up his Arcade storyline in X-Factor #31, which pulls readers deeply into the looming destruction of Mutanttown with the little emotional moments David is so good at. He also lets Arcade continue to be a relentlessly entertaining villain and makes this team of non-heroes truly heroic.

The Runners Up:

Scalped #17 — I’ve always been on the fence about this series, which has gone back and forth between too action-heavy and too slow. This issue strikes a solid balance as the community buries Dash’s mother and he finally lets himself mourn.

Robin #174 — The best from DC this week, as Robin and Batman figure out the identity of the new hero muddying Gotham’s waters. I won’t spoil it here, but it’s a true surprise that doesn’t seem TOO contrived. The real highlight is the realistic way Chuck Dixon captures everyone’s emotional response to the big news.

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Brian K. Vaughan to Write ‘Runaways’ Movie

Big name superheroes like The Incredible Hulk, Thor, Captain America and The Avengers aren’t the only Marvel properties hitting the big screen.

The lesser known characters are getting their crack at film stardom, including the ragtag group of young heroes known as the Runaways.

Created in 2002 by Brian K. Vaughan as part of Marvel’s Tsunami line, Runaways follows a group of kids who discover their parents are evil supervillains. Vaughn, who left the series at the conclusion of the second volume, will return to the property he co-created and write the script for the upcoming movie.

No director is currently attached to the film, but maybe they’ll hire Richard Donner and the movie will be like a super-powered version of The Goonies.

(via Hollywood Reporter)

Vogue, by Martha Thomases

There is a special exhibition at the Costume Institute at New York’s Metropolitan Musuem of Art called Superheroes: Fashion and Fantasy. I haven’t been able to go yet, but according to the exhibit’s web site, the show features costumes designed around these groups:

•The Patriotic Body (Wonder Woman, Captain America)

•The Virile Body (they cite The Hulk and The Thing, which sort of creeps me out)

•The Graphic Body (Superman and other characters with logos)

•The Paradoxical Body (Catwoman and other hyper-sexualized heroines)

•The Armored Body (Iron Man, Steel)

•The Aerodynamic Body (The Flash)

• The Mutant Body (they cite Rogue)

• The Post-Modern Body (Ghost Rider, Punisher).

The show and its parties are sponsored by Conde Nast, DC and Marvel, and Giorgio Armani. The opening night was extremely glamorous, with attendance from stars like George Clooney, Julia Roberts, Tilda Swinton, and the Olsen Twins. Heidi has written great stuff about it at The Beat and the Fug Girls are all over it.

Some of these groupings I understand, and some seem to be redundant (really, is Rogue that much different from Catwoman in the way she’s presented in this show?). However, none of them seem to consider superhero garb the way I did, when I was considering being a superheroine.

It’s true that I was designing my costume when I was eight years old, when fashion was not my foremost concern, nor did I need to worry about where I was going to keep my breasts at that time. I wanted something that would allow me to hide in the shadows, mysteriously, even while showing off my beautiful blonde hair (I had a few blonde cousins, and thought all I needed was more time in the sun to achieve the same golden tresses). Midnight blue, I thought, was the perfect color, at least among those choices in my Crayola box.

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Wizard Entertainment HQ For Sale: Comics Not Included

To be filed under "Talk Amongst Yourselves," we were recently sent a link to a Century 21 ad for a property located in Congers, NY, that piqued our interest. Apparently, the office of Wizard Entertainment, publisher of Wizard Magazine, is being shopped around for potential buyers.

According to the ad, the owners of the property (Wizard Entertainment) are looking for $4 million in exchange for the 35,000 square-foot property. Although we’re not sure what to infer about this aspect of the posting:

Owner would prefer to deliver building vacant but would be agreeable to a lease back 60-100% of office/warehous [sic] space.

When asked for comment on the posting, a representative of Wizard identified only as "Ed" said that the publisher was simply "checking our business options."

Additionally, when asked about the company’s plans should the building find a new owner, the Wizard representative responded, "We may not go anywhere. We may sell the building and stay as a tenant. We may sell the building and move across the street."

Neither Century 21 nor representatives at Wizard would offer any further comment on the sale or its implications for the publisher.

What we really want to know, though, is whether the pricetag includes that warehouse full of comics seen in the ad. Maybe there are a few good issues of Captain America hidden in there.

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10 Must-Read Stories Before You Watch ‘Iron Man’ in Theaters

  • News
  • April 30, 2008

iron-man-movie-poster-1294169Even people who’ve never picked up a comic book are looking forward to seeing the new Iron Man movie debuting tomorrow, starring Robert Downey, Jr. as Tony Stark, "the cool exec with a heart of steel!"

When Stan Lee and Don Heck introduced Anthony Stark, he was a modern-day Howard Hughes, a weaponsmaker who was investigating his interests in a war zone when he was injured by shrapnel and captured by guerilla soldiers. Desperately needing a life-support system to keep his heart beating, as well as a weapon to fight off his captors, he used materials around him created a make-shift suit of high-tech armor that  earned him the name "Iron Man."

Returning to the states, the world welcomed its new superhero, believing him to be the rich playboy’s bodyguard, and he soon became a founding member of the famous Avengers. Over the years that followed, "Ol’ Shellhead" has been through many armors, as well as many personal changes. He had his heart repaired and battled alcoholism. He had his heart injured again and replaced it with a mechanical one that needed  constant recharging. Recently, his body was finally healed and  his resources greatly enhanced after merging with an experimental form of nano-technology.

Much like The Dark Knight reading list we provided you as prep for Batman’s upcoming return to the big screen, ComicMix has assembled ten recommended reads that showcase how clever and resourceful our hero is while also displaying the forces and passions that drive him in his double-life. They have been assembled in chronological order, so you can follow Iron Man’s evolution.

Enjoy!

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Captain America Creator Joe Simon: ‘We Wuz Robbed’

  • News
  • April 18, 2008

simon_joe_captainamerica-2154505Speaking to The New York Times, Captain America co-creator Joe Simon reflected on the character and his struggle to gain some of the rights to the Captain America franchise. Simon will be one of the speakers at this weekend’s New York Comic Con.

Simon and Jack Kirby ended up leaving the franchise after fighting with publisher Martin Freeman over royalties, and they ended up at Detective Comics. Simon recalled that skirmish:

“We always felt ‘we wuz robbed,’ as Joe Jacobs, the boxing promoter, used to say,” Mr. Simon said of his dispute over the ownership of Captain America, which he settled out of court with Marvel in 2003. He said his royalties for merchandising and licensing use of the hero now help pay his legal bills from the case.

But copyright was not on Mr. Simon’s mind when he was conceiving Captain America. He didn’t even begin with the hero. “Villains were the whole thing,” he said. And there was no better foil than Hitler. Who better to take him on than a supersoldier draped in the American flag?

(via Doomkopf)

The Weekly Haul: Reviews for April 17, 2008

  • News
  • April 17, 2008

This past week in comics wasn’t anything too special, with DC essentially laying an egg. Luckily a handful of independents rose to the occasion, and Marvel had some strong offerings, including a big surprise for best of the week. On that note…

ghostrider22cover-5750318Book of the Week: Ghost Rider #22 — Any time a comic is so good I have to read it three times before I can move onto the next book, it’s a lock for the top spot. This is darn close to a perfect issue from the first page, which starts off brilliantly ("I’ll never forget the first time I saw a dead body").

Jason Aaron continues the story of Johnny Blaze searching for answers from the angel who turned him into Ghost Rider, a quest that has led him onto a highway filled with evil, cannibalistic demons. It’s an epic fight, overloaded with crazy elements in the way of Quentin Tarantino (yet less self-obsessed).

In addition to the demons, there are evil gun-toting nurses on motorcycles and a still-living cannibal slowly feasting on a deputy. Aaron slowly pulls all of these elements together, leaving off just as they’re all about to literally collide. Oh, and did I mention it also has the line of the week? "The day I can’t catch a dead horse… is the day I give up and rot."

Lastly, I have to give a ton of credit to Roland Boschi for his art. It’s kinetic and loose in the way of Leinil Yu, though not as busy. Combined with Dan Brown’s colors, it makes for some of the best superhero art on the rack.

Runners Up:

X-Factor #30 — I promise this high ranking isn’t just to placate the great Peter David, who took serious umbrage with my review of She-Hulk #27. No, the latest issue of X-Factor (like most of the run) is worthy of serious praise on its own merits. Arcade’s plans for destroying the team, and all of Mutant Town, play out with expected brilliant insanity, and the weakened X-Factor can barely keep their heads above water (or remaining on their shoulders).

In the previous run of this series, one thing David did exceptionally well was crafting great stories without ever bringing in stock villains. Here, he brings in a stock villain but does it in keeping with the series’ tone. Beyond that, the last page is one of the best I’ve ever seen, with an emotional stomach punch that humanizes one of the Purifiers and a true "Hey, May!" cliffhanger.

Fear Agent #20 — The best of a good crop of small-press titles. I’ve always heard this series praised for its goofy sci-fi plots and fun elements, but this issue is one long emotional swan dive that’s surprisingly touching. Rick Remender intertwines his characters’ harsh pasts with their bleak futures to explain their confused ambitions. A very small story in the grand scheme of things, but a very well done one at that.

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Interview: Zak Penn on The Grand, X-Men Fans and Co-Writing Hulk

  • News
  • April 15, 2008

ctonymark-com[UPDATE: After posting this interview, a representative of Zak Penn contacted ComicMix to state that Penn is not attached to a Captain America film at this time, despite the timing of his response during this interview (and our accurate transcription of the interview as it occurred). -RM]

In Hollywood, where "overnight success" can often take many years, writer/director Zak Penn is one of those exceptions that proves the rule. Rocketing to A-list screenwriter status right out of college with his first script, Last Action Hero, Penn has had a varied and successful career during the intervening years.

Since his first sale, Penn has written or contributed to screenplays for films such as Inspector Gadget, X-Men 2, X-Men: Last Stand, The Mask of Zorro, Men In Black, Fantastic Four and the soon-to-be-released Incredible Hulk. In addition to writing, Penn has also taken turns behind the camera and directed two films. His latest directing effort, the improv comedy The Grand, opened last month in Los Angeles and New York — with a wider release to come later this month. 

Recently, ComicMix caught up with the talented Mr. Penn to get all the latest news on The Grand, Incredible Hulk, X-Men, as well as his thoughts on dealing with fan reaction to his work and the comic book movie he really wants to make someday.

COMICMIX: Zak, thanks for taking the time to talk. How are you doing?

ZAK PENN: Good, man. Hectic as usual.

CMix: You’ve got a movie you directed that’s just come out in L.A. and New York and opening wider this month. Tell us a little about it.

ZP: The Grand is an improvisational ensemble comedy, set against the backdrop of a World Series Of Poker-type tournament.  It’s basically Woody Harrelson, David Cross, Richard Kind, Chris Parnell, Cheryl Hines, Dennis Farina, Ray Romano, Werner Herzog, Gabe Kaplan . . .

CMix: So, a bunch of unknowns, then…

ZP: Yeah, a bunch of nobodies. [Laughs] And Gabe Kaplan and Werner together… So good. I did it like I did my last movie, using an outline and just [improvising] off of it. We shot it and it premiered at Tribeca last year and now its out and expanding to 20 cities this month.

CMix: That’s great. So as a screenwriter, obviously you’ve written a lot of movies, so why improv?  Why not write a script?

ZP: I think it kind of forces me to get away from the stuff that I do, you know? I’ve kind of gotten used to writing in a certain style and falling back on certain types of scenes and this forces me out of it. I can’t do those things.  So I think part of it is to kind of create a new discipline for myself to get something different done.

One of the things I liked about this movie is, I never would have written this script.  If I sat down, I wouldn’t have thought of going in the same directions this movie does, so it’s new to me and fresh to me. It’s almost like having an entire cast of co-writers.

CMix: Because you’re creating it as you go along, basically, with all of your actors?

ZP: Yeah.
 
CMix: Did you get into screenwriting with a plan to direct someday?

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