Tagged: Catwoman

Mike Gold: Batman Resurrected

michael-keaton-8209952No, that’s not the title of the next Batman movie. Well, it might be. I suspect Warner Bros. hasn’t thought that far ahead. They’re too busy trying to make their Aquaman movie without giggling themselves to death.

A couple nights ago I was watching Batman Returns – you’ll recall that was Michael Keaton’s second and final Batflick. At the time of release, which was 1992, I thought it was an uneven movie. By and large, I liked the Catwoman stuff but I thought the Penguin parts were… foul. It’s been quite a while since I’ve seen the movie, so when I surfed past it at a quarter-to-two in the morning, I thought it might be fun to check it out with my older and even more jaded eyes.

I was amused to discover the movie was broader than I remembered, but just as dark. It was almost as if Stanley Kubrick made the movie as a tribute to the 1960s teevee show. The Catwoman scenes weren’t as strong as I remembered, the Penguin scenes were better acted (but no better realized) than I thought, and the scenes with Michael Keaton that didn’t include either villain were, by and large, really good.

So what happened in the past 22 years? Certainly most of us enjoy the avalanche of Marvel Studios movies, the so-called Marvel Cinematic Universe that, properly, excludes Spider-Man, the X-Men and the Fantastic Four. But the tone and texture of the DC Movie Universe should differ from the tone and texture of the Marvel Cinematic Universe, just as your average DC Universe comic book differs from its Marvel counterparts – when done right.

(Yes, you read that right: I referred to the DC movies as a separate “Universe” from the DC teevee shows for one simple reason: they are separate. Completely separate. Needlessly and confusingly separate.)

So… what changed? Batman Returns really isn’t dated. Why would I be so taken with Keaton’s work this time around?

One word. Birdman.

You know the concept: an on-the-ropes actor best known for his playing a costumed superhero on the big screen tries to resurrect his career and give his life meaning by directing and starring in a Broadway play. For this effort, Keaton has been awarded top acting honors from the Screen Actors Guild, BAFTA, the Independent Spirit Award, the Satellite Award (from the International Press Academy, not to be confused with the Hollywood Foreign Press Association’s Golden Globes) and the AACTA International Award for Best Actor – that’s the Australian Academy of Cinema and Television Arts.

Keaton has also received an Oscar® nomination for Birdman, in a particularly tough category this year. “It’s an honor just to be nominated…”

I always liked Keaton, and he really knocked me over in Clean and Sober. But Birdman surpasses his previous efforts because he knows we will conflate his character with his career. He relies that pre-existing relationship, and he pulls it off magnificently.

I don’t think Keaton’s career has been on the ropes, but it was no longer as high profile. I suspect he liked it that way. But, post-Birdman, he is an A-Lister once again. And this is strictly because he decided to do Batman in the first place – and because he thought it over and appreciated what that meant to both him and his audience.

All top-drawer superhero actors age… with a few unfortunate exceptions. The plot to Birdman is all about what you do with yourself after you shed your tights. Keaton figured it out.

Brilliantly.

(“Oscar” is a registered trademark of the Academy of Motion Picture Arts and Sciences, so watch your ass.)

 

The Point Radio: Donal Logue Thrives In GOTHAM

Donal Logue is Harvey Bullock in the new Fox series, GOTHAM and he has a lot of say about it,  including how this compares to his previous roles and what it’s like to be part of a story where everyone already knows the ending. Plus, it’s the 60th Anniversary for The Guinness Book Of World Records, with a ton of new wacky entries and some old ones that may never be broken. Ever wonder how it all began? We go right to the source to answer that and more.

THE POINT covers it 24/7! Take us ANYWHERE on ANY mobile device (Apple or Android). Just  get the free app, iNet Radio in The  iTunes App store – and it’s FREE!  The Point Radio  – 24 hours a day of pop culture fun. GO HERE and LISTEN FREE  – and follow us on Twitter @ThePointRadio.

The Law Is A Ass

BOB INGERSOLL: THE LAW IS A ASS #322: BATMAN BUYS THE PHARM

103241-100705Technically, we can’t call Batman a “white hat” hero. Even back in the 50s in his brightest days his hat – er cowl – was blue. But back then his actions were noble. He was and acted like a white hat hero, even if his headgear didn’t match.

Now, however, his hat is somewhere between dark gray and black. And his actions frequently trend even darker. Like in Catwoman # 29.

Now before you go further, I should issue a customary SPOILER WARNING, because I’m about to give away more than you could have wanted to know about the plot to Catwoman # 29, unless what you wanted to know was how it ended. If that’s what you want to know, then keep reading, because that’s what you’re about to get.

In this story Catwoman was attending a large black-tie publicity party being held by Taylor Pharmaceuticals. The purpose of said party was two-fold. The first was to celebrate the imminent launch of MR-40, a chemotherapy drug with minimal side effects that will revolutionize cancer treatment. The second was to celebrate the fact that WayneTech , which wanted in on the ground floor of MR-40, just purchased Taylor Pharm for 30 million dollars and the CEO was about to ride a golden parachute into the Caribbean sunset.

Now I have no problem with any of that; at least not in so far as it involved a legal problem. There was none. I do think 30 mill seemed a bit cheap for a big pharm company that was about to revolutionize cancer treatment. A few more zeroes to the left of the decimal point would seem the more likely asking price. In 2000, the Cleveland Indians, a team that wasn’t revolutionizing much of anything – including bringing an actual championship to Cleveland, sold for 320 million dollars. If a mere baseball team was worth 320 million in 2000 dollars, imagine what a big pharm company that was about to revolutionize cancer treatment would be worth in 2014 dollars? Were I the shareholders of Taylor Pharmaceuticals, I’d would have preferred that Taylor Pharm swallowed a poison pill rather than sell for chump change and would have wanted the heads of the Board of Trustees in a silver mortar.

But undervalued sale prices is not why we’re here. We’re here because of what happened next.

What happened next was that Catwoman used her cat burglar skills to break into the Taylor Pharm R&D department and steal the prototypes of MR-40 and something called ADR-17. Stealing prototype drugs was a little out of Catwoman’s usual M.O. Taking jewelry or art was more her usual line, but someone had hired her to get the MR-40 for him.

Everything was going smoothly until the lab’s security alarm went off as Catwoman was taking the vials of said prototype drugs and some poor schlub of a security guard confronted her with his gun drawn. Catwoman had been hired to steal the MR-40 and ARD-17 prototypes and deliver the MR-40 to her employer. Her employer told her to smash the vial of ARD-17, although he didn’t say how. So, as a distraction, Catwoman threw the ARD-17 at the guard. Who promptly turned into a New 52 version of the Incredible Hulk, except that he was flesh-colored and couldn’t even manage the vocabulary complexities of, “Hulk smash!”

The fight which ensued between Catwoman, the hulked-out guard and the other security guards who answered the alarm spilled out into the party. (Seriously, the Taylor Pharm party ballroom was on the same floor as the R & D labs? That didn’t seem like a security, and maybe even health, hazard to anyone?) Taylor security subdued the security guard with seven doses of a sedative then tried to capture Catwoman, but she made her escape by diving out of a window on the 27th floor.

Catwoman scampered off to deliver the MR-40 to her employer. Those of you who were wondering where and how Batman comes into this story will probably not be too surprised to learn that Batman was Catwoman’s employer. He hired her to steal the MR-40 as a distraction. Her real mission was to smash the vial of ADR-17, which was an experimental steroid offshoot of Venom. (No, not the Spider-Man villain but the DC super-steroid which powers up Bane. (No, not Mitt Romney’s company, but…) So that explains why when ADR-17 hit the security guard, he didn’t just grow like Topsy, he growed like Topsy on… Well, on steroids.

Anyway, Batman decided that a newer, more powerful version of Venom was too dangerous to exist. So while Catwoman was stealing the drugs and destroying the only physical sample of the steroid, Batman was wiping the formula and all of the ADR-17 research files off of the Taylor Pharmaceutical computers and servers.

Tomorrow, the new owner of Taylor Pharmaceuticals, Bruce Wayne, would reassign all the people working on ADR-17 to work on restoring MR-40 and, he hoped, no one would even notice that the experimental steroid was missing. Although given what happened to the security guard, someone is probably going to suspect something. But that’s why Batman also set off the security alarm, so that the guards would see a masked cat burglar stealing prototype drugs and assume she made off with both the MR-40 and the ADR-17, too.

Now I’m not a ruler-wielding nun in a parochial school, I don’t even play one on TV. But if I were, I’d probably tell Batman he needed a time out to think about what he had done.

What had he done? Well, he hired Catwoman to break into a research lab and steal the prototype of a valuable new chemotherapy drug, that’s what he’d done. And what laws did he break by these actions? You know my methods, apply them.

But to point you in the right direction, you might remember that Gotham City is supposed to be somewhere in New Jersey and start with the New Jersey statutes governing conspiracy, complicity (or aiding and abetting, as those of us who aren’t fancy-word-slinging state legislators call it), burglary, theft, and assault. That should be enough to let you hit the ground running.

I’m not concerned with the crimes Batman committed, however. I’m more concerned that in order to stop development on a new steroid, a potentially dangerous new steroid I admit, he interfered with the development of a new chemotherapy drug for the treatment of cancer. Even if Batman’s actions only delay the development of said drug by, say, a week, that’s one week later that said drug will come onto the market. And, because we’re talking about a drug designed to fight and control the spread of cancer, even one week could mean that several people might die, who would not have died if said drug had been delivered to the market one week earlier.

Batman, or Bruce Wayne but for our purposes what’s the difference, was about to take over Taylor Pharmaceuticals. He could have ordered all work on ADR-17 to stop. He could have ordered that all files on ARD-17 be destroyed. He could have….

Well, he could have done lots of things. Surely there were other ways that Batman could have arranged for work on ADR-17 to stop without potentially endangering the lives of untold cancer patients.

Batman’s actions were callous, uncaring and, frankly, mean. And, in this case, I’m not sure that the ends – destroying ADR-17 – justified the mean.

The Point Radio: BREAKING BAD – What’s Next?

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We begin our two part interview with the creator & cast of the blockbuster cable TV hit, BREAKING BAD. With less than two seasons remaining, the big questions are – where is it going – and where will it end? Plus both the comics and film industries react to the Colorado Tragedy, Judge Dredd gets a new home and Anne Hathaway says “maybe” to a Catwoman spin-off.

Don’t miss a minute of pop culture news – The Point Radio  – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or on any mobile device with the Tune In Radio app – and follow us on Twitter @ThePointRadio.

Batman: Year One

Crisis on Infinite Earths reset the playing field for DC Comics (at least for a little while before it was reset again and again and again), allowing management to refresh their top trio of heroes. Given the groundbreaking work Frank Miller did on The Dark Knight, he was invited to help editor Denny O’Neill essentially reboot Batman from the beginning. In November 1986, fans were delighted with the effort in the form of Batman #404, the first installment in “Batman: Year One”. This not only reset the Darknight Detective and his mythos, but gave publishers the mini-series within a series, which became a template along with the chance to revisit the past with the Year One moniker.

Partnered with artist David Mazzuccehlli, who worked so well with Miller on a run of Daredevil, they helped give us fresh takes on Bruce Wayne, Alfred, and most notably Jim Gordon. Controversially, it also gave us Selina Kyle as a prostitute, something creator shave been trying to paper over ever since. Still, the story of corruption, adultery, redemption, and a man learning to become a hero was gripping stuff.

There’s little wonder then why Warner Premiere decided to adapt this seminal tale as part of their largely successful line of direct-to-video animated features. Much like the source material, this film runs a spare 64 minutes. Everything from the four issues is present and we really see that this is more about Gordon than Batman, giving him some deep roots for the first time. (more…)

Eliza Dushku is a purr-fect fit for Catwoman in Batman: Year One and animated short

byo-70-300x168-9675349Eliza Dushku has taken command of Catwoman and she’s not about to give her back.

The star of Dollhouse and Tru Calling, and a vital part of the amazing Buffy the Vampire Slayer cast, provided the voice of Selina Kyle/Catwoman for Batman: Year One, the next entry in the popular, ongoing series of DC Universe Animated Original Movies. A few short months later, Dushku was quick to accept a return to the role as the title character of the DC Showcase animated short Catwoman.

From the moment she accepted the role, Dushku was keen on making this character her own – and coming back to play the character as often as possible. Given her performance, it’s doubtful casting director Adnrea Romano and executive producer Bruce Timm would look elsewhere the next time the sometimes vigilante, sometimes villain appears in a script. (more…)

Batman Year One Video Details Revealed

We all knew about this, but with the film debuting at next week’s Comic-Con International, Warner Home Video has shared the details. We’re kind of excited to see the classic story adapted for the screen, but we might be even more excited about the spot-on vocal casting for the Catwoman that accompanies the feature.

BURBANK, CA, (July 13, 2011) – Comics legend Frank Miller’s classic retelling of Batman’s gritty, formative days makes its full-length animated debut in Batman: Year One, the next entry in the popular, ongoing series of DC Universe Animated Original Movies. Produced by Warner Premiere, DC Entertainment and Warner Bros. Animation, the all-new, PG-13 rated film arrives October 18, 2011 from Warner Home Video as a Blu-ray™ Combo Pack ($24.98 SRP) and DVD ($19.98 SRP), On Demand and for Download. Order due date is September 13, 2011

Batman: Year One is based on the landmark 1987 DC Comics titles from 12-time Eisner Award winner Frank Miller and illustrator David Mazzucchelli. The film depicts young Bruce Wayne’s return to Gotham City in his first attempts to fight injustice as a costumed vigilante. The playboy billionaire chooses the guise of a giant bat to combat crime, creates an early bond with a young Lieutenant James Gordon (who is already battling corruption from inside the police department), inadvertently plays a role in the birth of Catwoman, and helps to bring down a crooked political system that infests Gotham.

Prime time television stars Bryan Cranston (Breaking Bad), Ben McKenzie (Southland, The O.C.), Eliza Dushku (Dollhouse, Buffy the Vampire Slayer) and Katee Sackhoff (Battlestar Galactica) provide the core voices for Batman: Year One. Three-time Emmy® Award winner Cranston gives voice to young Jim Gordon, while McKenzie makes his animated voiceover debut as Bruce Wayne/Batman. Fanboy favorites Dushku and Sackhoff fill the roles of Selina Kyle/Catwoman and Detective Sarah Essen, respectively. Alex Rocco (The Godfather) is the voice of crime lord Carmine Falcone.

Animation master Bruce Timm is executive producer of Batman: Year One. Directors are Lauren Montgomery (Superman/Batman: Apocalypse) and Sam Liu (All-Star Superman) from a script penned by Academy Award® nominee Tab Murphy (Gorillas in the Mist, Superman/Batman: Apocalypse).

Batman: Year One offers fans and newcomers alike an animated perspective on one of the true benchmark works in Batman comics history,” said Hersin Magante, Warner Home Video Marketing Manager, Family &, Animation.. “Bruce Timm and the Warner Bros. Animation team have gone to great lengths to realize Frank Miller’s ground-breaking, influential vision. Batman: Year One stands tall as the next DC Universe Animated Original Movie.” (more…)

Women Is NOT Losers

 

 

davis-women-of-marvel-celebrating-seven-decades-1-variant-21-1564691Marvel Comics is a couple months into their “Women of Marvel” promotion, and that raises an issue or two. The whole idea is fine – honor… well… promote the several hundred female characters that toil in the Marvel Universe. Remind the readers
that many are among Marvel’s best. After all, women-starring superhero comics generally don’t sell very well and women-starring superhero movies are, without fail, failures.

I realize there’s a reason why the movies flop. Most of them really suck. Supergirl, Elektra, and Catwoman deserved better. But they stunk up the box office so badly I doubt they’d make a Black Widow solo movie
right now even if Scarlett Johansson had a half-dozen nude scenes.

Well… I could be wrong about that last point.

But the fact is, these are just made-up characters. It is
not intrinsically harder to write, draw, direct and/or act as a woman superhero as it is a man. I understand avoiding crappy movies, but a lot of the women superhero comics are as good as anything on the racks. Given the growing percentage of women readers, you’d think there would be a chance here.

So kudos to Marvel for their promotion. And go to your friendly neighborhood comic book shop and take a super-heroine out to lunch.

ComicMix
editor-in-Chief
Mike
Gold performs a weekly two-hour Weird
Sounds Inside The Gold Mind
ass-kicking music and blather radio show on The Point
every Sunday at 7:00 PM Eastern,
replayed three times during the week (check the website for times). Likewise,
his Weird Scenes Inside The Gold Mind political
and cultural rants pop up each and
every day at the
same
venue. Thanks to Janis Joplin for the headline.

 

Tim Gunn talks comics fashion

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Tim Gunn, fresh off his stint in the Iron Man armor and his guest appearances with Aquaman, reunites with Alan Kistler to discuss super-hero fashion
and judge the looks of Mr. Miracle, Star Sapphire, Power Girl,
Catwoman, Spider-Man and Batwoman on this episode of Crazy Sexy Geeks!

ComicMix Six: Greatest Joker Victories

Sometimes the villain wins.

Sure, you might stick them in jail — or an asylum — for what they’ve done. You could even throw them off a rooftop, leaving them paralyzed for life. But that won’t change the fact that they already did it. They scored a victory, even if it was short-lived.

The Joker is definitely a villain with a better track record than most. Lex Luthor may have become President and nearly destroyed Superman a few times. But he never killed Lois Lane or tortured Ma and Pa Kent. The Clown Prince of Killers, however, has had quite a few shining moments.

What drives this evil mass murderer? Some have claimed the chemicals which altered his pigmentation also damaged his brain. Some have claimed he suffered such psychological trauma and simply snapped. Some believe his brain actually acts on a higher level of perception, forcing him to operate with a logic we simply aren’t equipped to understand. Half of his crimes seem to be a way of trying to bring Batman to his own way of thinking, that there is no hope in the world, only chaos.

The fact that we can argue about the Joker’s sanity (or lack thereof) is part of what makes him so interesting. And so, with the release of The Dark Knight — and the Joker — looming near, we’ve sifted through the long and bloody history of the Harlequin of Hate to find those victories which stand out above the rest. Steel your nerves and enjoy ComicMix Six: The Six Greatest Joker Victories.

And if you’re interested, you may want to check out our related article, 11 Batman Stories to read before The Dark Knight.

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