Tagged: CBR

#SDCC: DC Universe — now with the T.H.U.N.D.E.R. Agents!

thunder1-4828226While they had nothing quite as surprising to announce as the Marvelman announcement yesterday, the DC Universe panel at SDCC had some interesting tidbits come out of it. The highlights, as per CBR’s liveblog:

  • DC has finally acquired the rights to T.H.U.N.D.E.R. Agents. This has been a long time project for Dan DiDio.
  • Geoff Johns will be writing a Flash ongoing after Flash: Rebirth and Blackest Night: Flash conclude.
  • Sterling Gates, of Supergirl fame, will be writing a Kid Flash ongoing series to accompany Johns’ main title.
  • James Robinson starts his Justice League of America run with issue 38, a Blackest Night tie-in. His line-up will include Mon-El in a new, Superman-inspired costume, Dick Grayson/Batman, and Donna Troy.
  • An upcoming issue of Booster Gold will guest-star G4 TV personality Blair Butler.
  • Deathstroke will become the leader of the Titans later this year(?!).

A Wonder Woman letter-writing campaign, unfettered love for Metapmorpho, and more at CBR.

“Atomic Robo,” Webcomics and the Eisner Nod

atomicrobo-00-9630252Over at CBR, David Press recently spoke with the creators of the Eisner-nominated Atomic Robo about the origins of the series, their checks-and-balances creative process and the surprise nomination they received at this year’s Eisner Awards. The series chronicles the adventures of a self-aware robot created by Nikolai Tesla and commissioned to combat supernatural threats to the U.S.

I found the interview especially interesting due to writer Brian Clevinger’s roots in the webcomic scene as the creator of 8-bit Theatre. Now that Robo has managed to find its way into the spotlight, however, the print series has become the top priority for Clevinger and artist Scott Wegener.

The next adventure for the character, taking place in a new volume of the series titled Atomic Robo and the Dogs of War and hitting shelves August 13, finds the robot in action during World War II.

“I mean, don’t freak out, we’re not doing Band Of Brothers And Also A Robot. We’re very much aware that people pick up Robo comics to have fun, and frankly we’d get bored with it ourselves if we didn’t deliver on that. Everything we see is from Robo’s perspective, and he’s still a young ‘bot in this story. To him, it’s one big adventure. Not in a frivolous way, but let’s face it, he knows he’s bulletproof and he takes advantage of that to thwart enemy soldiers at every opportunity.”

Head over to CBR for more on Atomic Robo, as well as some pages from the upcoming issue.

Disney and Pixar Go Boom

Boom! Studios has announced they’ll be publishing comic book adaptations of Pixar cartoon properties, with the first announced being an Incredibles project.

The news comes as an early announcement from Comic-Con International, which is just getting underway. Boom EiC Mark Waid will be writing the Incredibles series, featuring covert art from Darwyn Cooke.

"Today, American comic books are aimed primarily at an older readership. Comics produced for an upcoming generation of readers are scarce – and BOOM! Studios aims to do something about that," said Waid. "There will be comics for kids again!"

To commemorate this historic partnership, BOOM! will be releasing a special preview book featuring sneak previews of upcoming projects using the characters from TOY STORY, FINDING NEMO, and MONSTERS, INC. Featuring commentary by Waid, this preview will give comic fans and interested parents a look at the quality comics BOOM! will be producing for a younger audience by the end of the year.

According to the release, these won’t be straight adaptations, but rather all-new stories set in the world of various Pixar films.

Boom also is going to be doing a Muppets book, Waid told CBR.

It was also announced Wednesday night that Waid will be writing "The Muppet Show." Given the Muppets’ long and varied history in television and film, CBR asked Waid about the particular form this series would take. He was able to reveal that the first thing to appear would be a four-issue miniseries, but future series are "something that’s more in flux." "We’re talking about doing a couple one-shots that could be collected into a trade paperback, we’re talking about doing series that are based on ‘The Muppet Show‘ itself," Waid explained, "and then we’re also talking–with Disney’s heavy encouragement–to do things like Muppet Robin Hood, or the Three Muppeteers or whatever. They’re talking to us about following sort of the paradigm they set up in the movies about classic stories retold with the Muppets."

Review: ‘Burnout’ by Rebecca Donner

burnout-6585070[EDITOR’S NOTE: This is the first in a series of reviews of the five books coming out from DC’s Minx imprint this year.]

There is something almost daringly simplistic about Burnout ($9.99), as the central character Danni directly narrates her own story of teenage love and angst. No surprise, then, that fire is the central imagery to the book, unapologetic flames that do nothing but burn.

The first comics work of Rebecca Donner, who’s published work in nearly every other medium, Burnout finds Danni and her mom relocating to a remote locale, a forresting town. It’s quiet, aside from the drunken shouting of her mom’s new boyfriend.

The boyfriend’s son, Haskell, is the smoldering love interest, a young man angry at the world and especially at loggers, whom he attacks with near-thoughtless contempt. As Danni falls into a crush on Haskell she also falls into his world of ecoterrorism, and Donner turns the heat up even more.

A few times, the story becomes overly cute and childish, but by and large it is a stern book, as self-serious as the teenagers it describes. That’s not meant as criticism — Donner very effectively translates the caged sensation of youth, and the struggles (often misguided) to break free.

Minx books are at their best when they speak honestly with their intended audience of adolescent girls, and while the message of Burnout isn’t a happy-go-lucky one, it is honest. For that and much more, it’s a story that lingers in the mind, like the sharp pain of a burn.

[NOTE: I recently chatted with Donner about the book over at CBR.]


Van Jensen is a former crime reporter turned comic book journalist. Every Wednesday, he braves Atlanta traffic to visit Oxford Comics, where he reads a whole mess of books for his weekly reviews. Van’s blog can be found at graphicfiction.wordpress.com.

Publishers who would like their books to be reviewed at ComicMix should contact ComicMix through the usual channels or email Van Jensen directly at van (dot) jensen (at) gmail (dot) com.

 

A World of WonderCon: The Coverage Round-Up

From the stories coming out of WonderCon, it looks like the San Francisco convention is quickly approaching the high profile of its San Diego counterpart, with similar big-name announcements, celebrity appearances and, well, masses of stormtroopers popping up during the show.

Here’s a rundown of some of the highlights:

Saturday night’s Iron Man panel featured director Jon Favreau answering questions about the film — and the potential for a sequel — before showing off new footage from the film. SuperHeroHype has a great recap of the panel and footage. SHH also sat down with Favreau for a recorded interview that they’ve made available in downloadable mp3 format.

As for your dose of convention drama, Blog@’s Graeme McMillan ignited a veritable sh*tstorm around the InterWebs when he chose not to report a portion of the Bill Willingham Spotlight due to the creator’s request. Apparently (and this is what I’m gleaning from the online chatter), Willingham revealed some spoiler-esque info regarding Fables and an upcoming Fables-related project and subsequently asked reporters not to report on any of it. McMillan obliged, and was later dragged from his hotel room by an angry mob of comics fans, savagely beaten, then tarred, feathered and dumped in the bay — or the online equivalent, at least.

McMillan’s Blog@ associate J.K. Parkin not only reports on all of this, but also makes sure to get a word-for-word recap of the information that caused all of the ruckus.

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Danny Fingeroth on ‘Disguised As Clark Kent’

disguisedasclarkkent-2176487Former Spider-Man Group Editor Danny Fingeroth has a new book out titled Disguised As Clark Kent: Jews, Comics, and the Creation of the Superhero, in which he examines the "cultural origins of the superhero" with special attention to the way Jewish creators and their experiences influenced the early years of the industry.

Over at CBR, Fingeroth explains how the book came about and provides a few examples of the Jewish influence in comics that forms the basis for the book:

“My favorite involves Marvel’s Mighty Thor, who I’d never seen in a Jewish light before. And why would I, or anyone? He’s a Norse deity! But in his early stories, covering the first several years of the character’s existence, a recurring subplot–that eventually became a main plot–was Thor’s love for his alter ego Dr. Blake’s nurse, Jane Foster. Odin, ruler of the Norse Gods, and Thor’s father, forbade him to marry her because she was a mortal and he was an immortal god.”

Fingeroth noted there are often prohibitions in Jewish and other ethnic communities against marrying outside the group, and that the modern tension of breaking away from this system can be seen in the story of Marvel’s thunder god.  “Stan Lee and Jack Kirby could arguably be interpreted as having been using Thor and Jane to work out their own feelings about the taboos around intermarriage they had grown up with,” Fingeroth said. “I’m not saying they did this consciously–just the opposite. But in retrospect, I found it fascinating and worthwhile to discuss that kind of topic in ‘Disguised as Clark Kent.’”

 

Remembering Archie Goodwin

Blog@ guest columnist Tim O’Shea notes that March 1 will be the anniversary of the passing of comics legend Archie Goodwin, and writes at length about the editor and his legacy.

While editor-in-chief of Marvel from 1976 to 1978, he was credited in the late 1970s with securing the publishing rights for Star Wars. Given how successful Marvel is these days–making movies out of their own characters and such–securing Star Wars may not seem like that big of a deal. But back in a 2000 interview with CBR, Jim Shooter said: “If we hadn’t done Star Wars … well, we would have gone out of business. Star Wars single-handedly saved Marvel… ”

 

Studio Tour: Jay Fotos of ‘Frank Frazetta’s Death Dealer’

The latest installment in CBR’s tours of comic artists’ studios is a fun one. This time around, they take you through the workspace of Jay Fotos, one of the co-writers and artists behind the surprisingly good Image Comics miniseries Frank Frazetta’s Death Dealer.

Sure, Fotos’ studio is nothing out of the ordinary when it comes to research material, artist’s equipment and knick-knack geekery, but then you come upon his desk:

I’m also including a nice “clean” picture of my desk. People freak when they see past all the crap on it and really notice it. This is a solid one piece 8ft long table top with 10 skulls, bones, chains, rivets all over it giving it a look of a giant hunk of wrought iron metal, even though it’s MDO board, bondo and model kits of human skulls.

Me, I’ve got action figures of Hourman and The Question on my desk. He’s got human freakin’ skulls.

Fotos wins. Fatality.

 

Cloverfield Mysteries Continue With New Manga

You’ve got to hand it to the marketing crew behind Cloverfield – they’ve managed to successfully stoke the fires under the J.J. Abrams-produced monster movie to an amazing degree while keeping the ‘Net rumor mill relatively spoiler-free. The level of online curiousity regarding the film is so high, in fact, that some sites have even ventured outside the U.S. to advance their quest for more Cloverfield clues.

Case in point: The strange path to (and revelations within) Cloverfield: Kishin by the crew at Comic Book Resources:

"As seen in the Cloverfield trailers, a character called Rob is set to leave New York City for a new job in Tokyo, and is celebrating his departure with friends when the Cloverfield monster first attacks.  In a blog posting, Rob revealed he’d be working for Slusho! Brand “happy drink.” It’s later revealed on Rob’s blog that Slusho is owned by Tagruato, a giant oil conglomerate.  What connection Tagruato has to the giant monster or the attack on New York City is unknown and likely to be revealed in the film, but it was the Tagruato brand-name and logo that caught our eye."

… and the investigation continues:

"After consulting with Cloverfield experts, we soon found ourselves navigating the website of Kadokawa –a major manga publisher in Japan, known for books like Sgt. Frog, X/1999Cowboy Bebop and others, as well as the leading manga magazine Newtype – where we discovered a manga featuring a boat with the Tagruato logo plastered on the side. This certainly piqued our interest, but as we here at CBR don’t speak or read Japanese, we enlisted the aid of some people who do, Audrey Shiomi and Justin Clemons, who helped decipher the 22-page comic."

You can find out what they discovered over at CBR, but keep in mind that it’s the journey, not the destination, when it comes to the quest for Cloverfield info.

 

Comics & F&SF People Speak To You

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Comic Book Resources talks to Eric Powell about The Goon.

The eighth week of “X-Position” from Comic Book Resources is an interview with Peter David about what’s going on in the X-books. (Silly, CBR, don’t you know that exposition will never wash away the sins of mankind?)

Comic Book Resources also chats with Dynamite Entertainment Publisher Nick Barrucci about their upcoming Alex Ross/Jim Krueger book Superpowers.

SciFi Wire interviews Ellen Datlow about her new anthology (with Terri Windling) The Coyote Road: Trickster Tales.

Amazon’s blog has a quick phone conversation with Austin Grossman, author of Soon I Will Be Invincible, in the middle of his tour.

Transmissions from Wintermute interviews short story writer Benjamin Rosenbaum.