Tagged: Chicago

The Point Radio: CHILDHOOD’S END Comes To Life

The beloved science fiction classic CHILDHOOD’S END by Arthur C. Clarke is coming to SyFy this week in a special three night event – starting tomorrow night.  EP Matthew Grant and stars Mike Vogel and Yael Stone talk about their journey to bring this favorite to life. Plus there’s no doubt that Earth, Wind & Fire and Chicago are rock legends. The members share their favorite memories as well as talking about their continuing nationwide tour.

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Mike Gold’s Off To See The Wizard

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I haven’t done as many comics conventions this year as I usually do. By the end of 2015, I think I will have been to maybe five. That’s less than half of what I did a decade ago.

It’s not that I don’t like comics conventions; in fact, I love them. Most of the larger shows really aren’t about comics. They are pop culture shows, much like ComicMix is a pop culture website. We differ in that ComicMix is a pop culture website for comic book enthusiasts and the comics medium is our focus. ReedPop, to note but one, runs clusterfuck shows in New York, Chicago, Seattle, India (several; it’s a big place), Singapore, Sydney, Paris, Indonesia, Vienna, and probably Mongo. These shows have little to do with comics, the ReedPop staff acts like they wouldn’t know a comic book if it bit them on the ass and probably wouldn’t get my Mongo reference without Googling, and they seem as though they couldn’t care less. If you’re real nice to them and try to explain to them a different point of view, they might actually patronize you. And among comics pros, mine is not a minority opinion.

Yeah. I know. There goes my chance at scoring pro invites to Mumbai. I’ve been to their shows; I’ll live.

So it’s probably a bit surprising that this weekend (Thursday though Sunday) I’ll be at Wizard World Chicago, which is really in Rosemont but next to O’Hare International. Yes, Wizard World is a pop culture convention. I’m going for any number of reasons: Chicago is my home town so it’s an excuse to see my many buddies in the midwest comics field, it is an outgrowth of the old Chicago Comicon which I co-founded and worked on for ten years, it really has a massive comics focus and one of the best Artists Alleys around… and because my pal and Wizard World consultant Danny Fingeroth asked.

For the record, ComicMix is at table #1024 at the show, and I’ll be on two panels: the How To Get News Coverage panel on Saturday at 12:30 that ComicMix is running , and the Chicago Comics History panel on Sunday at 12:30. Check the con schedule; these things have a way of changing. I’ll be sharing the stage with a great number of close friends.

And the food. Damn, I need an Italian beef sammich.

This is not the only big show I enjoy. For example, I love the Baltimore Comic Con and I love Heroes Con in Charlotte North Carolina. I also really enjoy the smaller cons that are oriented to independent comics creators such as MoCCA in New York City. These shows are full of people who couldn’t care less who’s drawing next week’s Spider-Man but love the medium every bit as much as… well, as I do. By and large they’re young and full of enthusiasm and they put their money where their mouths are. Over the years we’ve hired a decent amount of talent at these shows.

If you happen to be at Wizard World Chicago, or you happen to be in or near Chicago this weekend, drop by and say hello. We look at portfolios when we can, we’re usually polite and we only bite when we’re hungry.

Or when the moon is full.

 

 

John Ostrander: Five Things You Need To Get Your Reader’s Attention

flash-163-1623119The toughest part of the story, inevitably, is the beginning. How do you get the narrative ball rolling? How do you get somebody’s attention so that they want, maybe need, to hear what happens next?

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Marc Alan Fishman: Good Will Fishman

fishman-art-131116-150x134-3579078This past week I was honored to be invited back to my alma mater, the Herron School of Art, to give a lecture on my journey “From Starving Artist to Comic Book Publisher.” I spoke for about 45 minutes and afterwards took a few questions, and then sold a few dozen books. All in all, it was a humbling experience, and perhaps the turning of a page in my book of life.

Artistically speaking, my prowess has always been largely introspective. In high school, as much as everyone was self-absorbed, I excelled at it. I took the angst and strife of not getting a date and watching my best friends dry-hump in the hallways and made haute art out of it. Come to think of it, I could have really amped my game up if I’d done a piece commemorating the near-daily visual of dry-humping.

Alas, I chose self-portraiture as my joie de vivre. The idea being that my life – that of a typical, mid-western, suburban, Jewish in name and Bar Mitzvah boy only – could be regurgitated lovingly on board and canvas as such to eventually be called fine art.

Moving on to college, as much as I continued to have aspirations of becoming a comic-book maker, the story of my life continued to be what I presented. In a manner of speaking, my art started to resemble an auto-mockumentary, turning my existence into high entertainment based solely on the fact that I was in fact that awesome. People got a kick out of it, and so did I. It was only after I graduated when the trough of life-events grew emptier, that I finally had the wherewithal to look beyond my very Jewish nose.

Here of course is where you know the-rest-of-the-story. Unshaven Comics is commissioned to make a book by a Chicago publisher. We do it. We learn from it. We decide to break out on our own. Yadda, yadda, yadda. Here’s the thing. In the time between when I formed the company to the time I commemorated it in a lecture in front of a packed auditorium, I got married, bought a house, and became a father. If ever there was a time for me to return to fine art, this would be it, no? Now, I have the glorious content my life was devoid of only years prior! But alas, dear reader… it is not.

Perhaps it’s the wisdom of the years passed that has granted me the maturity enough to know that my legacy will be far more than a worthless collection of portraiture denoted a life lived as many others before and after will lead. Instead, I realize my legacy is very much within the pages and panels of Unshaven’s pure fiction. It’s in my offspring. It’ll be in the heads of those I’ve touched in my time on this mortal coil. John’s piece this past week dealt beautifully with the complex emotions of life and death. I’d be remiss to that much of the reason I chose the arts was to deal with my own near-paralyzing fear of death.

So, it was there in the semi-darkened Basile Auditorium of Eskenazi Hall that I reached a catharsis. So much of my life story has been celebrated – in jest and in reality – such that here, some 10 years after I hung up my woodcut tools for a dayjob, I have in fact lived a third of my life without rampant documentation. I think it was the philosopher Bueller who said “Life moves pretty fast. If you don’t stop and look around once in a while, you could miss it.” Truer words may never have been spoken, Ferris.

It’s good to know in the next chapter of my harrowing tale, the best is truly yet to come. With my brothers-from-other-mothers, I will be able to continue to tour our country and make new friends and fans. With my ComicMix cohorts, I will glean sage advice in both publishing, and barbeque. With my son and wife, I will find joy in parts of my life relived through new eyes. And with you kiddos? I’ll continue to pretend I’m that damned awesome.

SUNDAY: John Ostrander

MONDAY: Mindy Newell

 

Doctor Who “The Day of the Doctor” to be simulcast in 3-D theaters

day-of-the-doctor-small-5695895BBC announced this week details of the theatrical showings of the Doctor Who 50th anniversary special, The Day of the Doctor, with US showings details released today. Fifteen theaters in eleven US cities will be presenting the anniversary episode, starring Matt Smith, David Tennant and John Hurt as The Doctor, with Jenna Coleman and Billie Piper as their companions.

Tickets go on sale at 9AM Eastern Time, October 25th, via Fandango.com and Cinemark.com.  Considering the effect that Doctor Who fans had on the ticket website when the season premiere was to be shown in NYC (think the San Diego or healthcare.gov websites), it is presumed the demand will be heavy indeed.

The complete theater list is:

  • Los Angeles – Cinemark Rave 18 + IMAX (Los Angeles, CA)
  • Los Angeles – Century 20 Bella Terra at Huntington Beach (Huntington Beach, CA)
  • New York – AMC Loews Village 7 (New York, NY)
  • New York – Regal E-Walk Stadium 13 & RPX (New York, NY)
  • Chicago – Century 12 Evanston + XD (Evanston, IL)
  • Chicago – Cinemark @ Seven Bridges + IMAX (Woodridge, IL)
  • Philadelphia – Cinemark Rave Cinemas University City 6 (Philadelphia, PA)
  • Philadelphia – Cinemark 16 (Somerdale, NJ)
  • Dallas-Ft. Worth – Cinemark West Plano + XD (Plano, TX)
  • San Francisco-Oakland-San Jose – Century San Francisco Centre 9 and XD (San Francisco, CA)
  • Washington, DC – Cinemark Rave Cinemas Fairfax Corner 14 + XD (Fairfax, VA)
  • Houston – Cinemark Tinseltown 17 and XD (The Woodlands, TX)
  • Atlanta – Cinemark Tinseltown 17 (Fayetteville, GA)
  • Seattle-Tacoma – Cinemark Lincoln Square Cinemas (Bellevue, WA)
  • Minneapolis – AMC Southdale 16 (Edina, MN)

In addition to the day and date broadcast, Fathom Events will be hosting a rebroadcast the evening of Monday, November 25, in over 300 theaters.  Fathom Events hosts many live and special events simulcast in theaters nationally, including live performances by the RiffTrax team, formerly the cast of Mystery Science Theater 3000.

The Doctor Who tumblr page has posted a FAQ page about the event, including  details for viewing in other countries, and the complete list of theaters participating in the Monday evening event.

The Day of the Doctor is being simulcast globally on November 23rd, the 50th anniversary of the series, so that the fans can enjoy the episode all at once, with no chance of spoilers.  The episode will be be broadcast on BBC America – check your local carrier for channel details.

Marc Alan Fishman: New York, New York

fishman-art-131012-150x116-6493724After a quick li’l jaunt across the lovely Midwest, Unshaven Comics has arrived in fabulous New York City. Well, technically, we’re in New Jersey. Is it as fabulous? Time will tell. At very least, our swell hosts have shown us nothing but the finest hospitality. Is it New Jersey tradition to spit in your guests faces and declare “Welcome to Jersey, fuck face!”?

So why the long trip? Well, we’re about to embark on the second largest convention in North America. The New York Comic Con boasts an audience five times the size of the largest con we’ve attended to date. While we’ve been conning for over five years now, NYCC will perhaps show us what an audience of serious mass will look like. Our game plan isn’t any different; we stand, we pitch, we smile, we sell. And we’ll be doing it alongside our ComicMix cohorts. Suffice to say, we’re excited.

New York is not just a city. It’s the city. Marvel has built its entire comic continuity around the damned city. Except the West Coast Avengers, and well, who cares about them? They don’t even care about themselves. And why not?

What I saw on our trip, in-between bouts of getting lost on one of the 7,986 turnpikes in the area, is beautiful. The NYC skyline is a thing of beauty. It’s no Chicago mind you, but hey… this is the concrete jungle where dreams are made of. So says Jay Z. Chicago only has R. Kelly and Kanye, and well, I’ll take Hova over them any day. But I digress. (note: I’m taking complete credit for ComicMixers coining this phrase. I stole it from my choir director in high school, and in turn they stole it from me. Nyah nyah boo boo.)

New York’s Comic Con is run by Reed, the same company who brought us (Unshaven that is) to C2E2. That convention, held in downtown Chicago, has been the toast of the town for three years running. While we’ve seen more production on our sales goals at Wizard World, to be frank, C2E2 gives us both decent sales and amazing exposure. Whilst here in the city that never sleeps (which makes sense, since the drivers are far more cranky than we friendly and amazing Chicagoans), we expect to see the best of both worlds. With expected attendance that dwarves R2D2, and a guest list that reads more like the old Wizard Top Ten lists of yesteryear, Unshaven Comics is getting access to the best fans we could ask for; people there to meet their favorite creators, with an open mind to find something new. Given that our east coast exposure has been limited to a pair of Baltimore Comic-Cons, we’re basically brand new to the biggest city in the world. And Unshaven Comics does well with being new.

By the time you read this, we’ll be in the thick of it. A four-day show is a major undertaking. We’ll be behind our table, hurling books left and right. If you’re still in the area, make sure you come out and say hello. Or you know… “Hello, fuck face!”

SUNDAY: John Ostrander

MONDAY: Mindy Newell

 

Fight Card Books Premiere’s Barefoot Bones

Fight Fiction Publisher, Fight Card Books has released Fight Card: Barefoot Bones. Fight Card: Barefoot Bones is a written by pulpmeister Bobby Nash, the 2013 Pulp Ark Award winner for Best Author, writing under the Fight Card house name of Jack Tunney. Under a cover by David Foster and edits by Fight Card co-creator Paul Bishop, Barefoot Bones is a knockout!

PRESS RELEASE:

Korea, 1951

Mentored in the hollows of hardscrabble Georgia by mysterious loner Old Man Winter, then in a Chicago orphanage by ex-fighter Father Tim Brophy, James ‘Barefoot Bones’ Mason has relied on his fists to make his way. But it’s a long way from St. Vincent’s Asylum For Boys to the battlefields of Korea where Bones’ fists may not be enough.

Entered in an inter-camp boxing tournament by his commanding officer, Bones finds himself in a war within a war. When a tenuous cease fire is explosively shattered, Bone’s is fighting against the highest odds of all – staying alive.

Can a skinny kid from the north Georgia mountains survive the hell of Korea and still have the guts to climb back into the ring one more time? The one constant in Bones’ life has been fighting – Lucky for him… he’s good at it.

You can purchase Fight Card: Barefoot Bones here.
Learn more about Fight Card: Barefoot Bones here.
Learn more about Fight Card Books here.

Read Author Bobby Nash’s thoughts on crafting Fight Card: Barefoot Bones and see what it was like strapping on Jack Tunney’s gloves here.

Fight Card: Barefoot Bones – Coming Soon in Paperback.

Coming up next week, we have the debut of the first Fight Card Romance novel, Ladies Night, by Carol Malone (writing as Jill Tunney). Carol has pulled off a wonderful romance/fight pulp genre mash up in Fight Card Romance: Ladies Night.

Next month will see the publication of Anthony Venutolo’s noirish wonder, Fight Card: Front Page Palooka (previously Union Of The Snakes).

 

Fight Card: Barefoot Bones Cover Revealed!

Fight Fiction Publisher, Fight Card Books has released the cover to Fight Card: Barefoot Bones. Fight Card: Barefoot Bones is a novella by Pulp Ark Award-Winning Author Bobby Nash writing under the Fight Card house name of Jack Tunney. The cover was designed by David Foster and the book was edited by Paul Bishop, co-creator of Fight Card.

Learn more about Fight Card: Barefoot Bones here.

Read Author Bobby Nash’s thoughts on crafting Fight Card: Barefoot Bones and see what it was like strapping on Jack Tunney’s gloves here.

Fight Card: Barefoot Bones will be available for purchase next week.
 

Eisner Awards Presented at Comic Con

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All Pulp congratulates the winners of the 2013 EISNER Awards.

PRESS RELEASE:

The winners of the 2013 Will Eisner Comic Industry Awards were announced at a gala ceremony held during Comic-Con International: San Diego, at the Hilton San Diego Bayfront, on Friday, July 19.

Best Short Story: “Moon 1969: The True Story of the 1969 Moon Launch,” by Michael Kupperman, in Tales Designed to Thrizzle #8 (Fantagraphics)

Best Single Issue (or One-Shot): The Mire, by Becky Cloonan (self-published)

Best Continuing Series: Saga, by Brian K. Vaughan and Fiona Staples (Image)

Best New Series: Saga, by Brian K. Vaughan and Fiona Staples (Image)

Best Publication for Early Readers (up to age 7): Babymouse for President, by Jennifer L. Holm and Matthew Holm (Random House)

Best Publication for Kids (ages 8–12): Adventure Time, by Ryan North, Shelli Paroline, and Braden Lamb (kaboom!)

Best Publication for Teens (ages 13–17): A Wrinkle in Time, by Madeleine L’Engle, adapted by Hope Larson (FSG)

Best Humor Publication: Darth Vader and Son, by Jeffrey Brown (Chronicle)

Best Digital Comic: Bandette, by Paul Tobin and Colleen Coover (Monkeybrain)

Best Anthology: Dark Horse Presents, edited by Mike Richardson (Dark Horse)

Best Reality-Based Work (tie): Annie Sullivan and the Trials of Helen Keller, by Joseph Lambert (Center for Cartoon Studies/Disney Hyperion); The Carter Family: Don’t Forget This Song, by Frank M. Young and David Lasky (Abrams ComicArts)

Best Graphic Album—New: Building Stories, by Chris Ware (Pantheon)

Best Adaptation from Another Medium: Richard Stark’s Parker: The Score, adapted by Darwyn Cooke (IDW)

Best Graphic Album—Reprint: King City, by Brandon Graham (TokyoPop/Image)

Best Archival Collection/Project—Strips: Pogo, vol. 2: Bona Fide Balderdash, by Walt Kelly, edited by Carolyn Kelly and Kim Thompson (Fantagraphics)

Best Archival Collection/Project—Comic Books: David Mazzucchelli’s Daredevil Born Again: Artist’s Edition, edited by Scott Dunbier (IDW

Best U.S. Edition of International Material: Blacksad: Silent Hell, by Juan Diaz Canales and Juanjo Guarnido (Dark Horse)

Best U.S. Edition of International Material—Asia: Naoki Urasawa’s 20th Century Boys, by Naoki Urasawa (VIZ Media)

Best Writer: Brian K. Vaughan, Saga (Image)

Best Writer/Artist: Chris Ware, Building Stories (Pantheon)

Best Penciler/Inker (tie): David Aja, Hawkeye (Marvel), Chris Samnee, Daredevil (Marvel); Rocketeer: Cargo of Doom (IDW)

Best Painter/Multimedia Artist (interior art): Juanjo Guarnido, Blacksad (Dark Horse)

Best Cover Artist: David Aja, Hawkeye (Marvel)

Best Coloring: Dave Stewart, Batwoman (DC); Fatale (Image); BPRD, Conan the Barbarian, Hellboy in Hell, Lobster Johnson, The Massive (Dark Horse)

Best Lettering: Chris Ware, Building Stories (Pantheon)

Best Comics-Related Periodical/Journalism: The Comics Reporter, edited by Tom Spurgeon, www.comicsreporter.com

Best Comics-Related Book: Marvel Comics: The Untold Story, by Sean Howe (HarperCollins)

Best Educational/Academic Work: Lynda Barry: Girlhood Through the Looking Glass, by Susan E. Kirtley (University Press of Mississippi)

Best Publication Design: Building Stories, designed by Chris Ware (Pantheon)

Hall of Fame: Lee Falk, Al Jaffee, Mort Meskin, Trina Robbins, Spain Rodriguez, Joe Sinnott

Russ Manning Promising Newcomer Award: Russel Roehling

Bob Clampett Humanitarian Award: Chris Sparks and Team Cul deSac

Bill Finger Excellence in Comic Book Writing Award: Steve Gerber, Don Rosa

Will Eisner Spirit of Comics Retailer Award: Challengers Comics + Conversation, Chicago, IL

See more at http://www.comic-con.org/awards/eisners-current-info#sthash.7hRCavEx.dpuf

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HARD BOILED WESTERN OMNIBUS DEBUTS FROM PRO SE-SAVAGE NOIR BY GREG NORGAARD!

An untamed land of lawless men and deadly decisions.  Evil hides in the shadows of alleys and Good dies on blood soaked streets. Loose words lead to skinned sixguns and flying lead.  A land where a man has to be of a certain breed.  Tough, relentless, unforgiving.  A land where a man has to beSavage.


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Pro Se Productions, a leading publisher of Genre Fiction and New Pulp proudly presents SAVAGE NOIR: The Complete Adventures of Frank Savage.  Written by Greg Norgaard, SAVAGE NOIR is a hard boiled two fisted western.  This omnibus features the original two novels featuring Norgaard’s raw, exciting protagonist-Frank Savage- as well as a never before published short story chronicling Savage’s last adventure.

There is only one way to deal with murderous souls when killing is their modus operandi and revenge is on their mind. When the West was wild, one man knew this better than any other. His name was Frank Savage.

A SAVAGE RETRIBUTION – On a cross country stagecoach trip, Frank’s destiny causes him to cross paths with people from his past.  Unaware that they are being followed, Frank must come to terms with his old ways.  With the help of his friends, he will face his past and fight for their lives against a madman who will stop at nothing to get his savage retribution.

A SAVAGE DARKNESS –The violent story of four lawmen in search of a murderous group of psychopaths.  Frank leads his new found partners into Chicago’s dangerous underworld in order to destroy the killers who savagely murdered one man’s family.

AN AMERICAN SAVAGE- Never Before Published!  This trek takes Frank to England for his final mission- to stop a killer from continuing his rampage.  A killer that he should have disposed of when he had the chance.  It will not be a mistake Savage makes twice!

According to Paul Bishop (Fight Card), “Savage Noir is not your father’s western.  Frank Savage is a flawed hero riding hell-bent for violence.  Nasty.  Brutish.  Twisted.  I loved every page.” 

Gordon Dymowski (Zone 4/Blog THIS Pal) recommends, “If you like your Westerns a little wilder than most, you’ll dig SAVAGE NOIR.”

SAVAGE NOIR: THE COMPLETE ADVENTURES OF FRANK SAVAGE by Greg Norgaard is currently available from Pro Se Productions at https://www.createspace.com/4190844 and at Amazon and Barnes & Noble!  Coming Soon to Kindle, Nook, and Other E-Readers!

For Interviews with the author or more information on Pro Se Productions, contact proseproductions@earthlink.net!