Tagged: Chicago Comicon

John Ostrander: Jack Kirby is Still King!

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I may have told this story before but I’m at an age where you repeat yourself a lot. And it’s germane to this column.

Years ago, when I was still somewhat new to the industry, I was working the First Comics booth at a Chicago Con along with my lovely wife, Kim Yale. A group of pros walked past me that included Julie Schwartz, the legendary DC editor, and Roz and Jack Kirby.

My jaw dropped and I started hyperventilating. Kim gave me a strange look.

“Pssst! Julie!” I whispered. I knew Julie from DC, at least somewhat. Ever affable, Julie came to the table.

jack-kirby-1-8120153“Whatcha want, kid?”

“Introduce me to the King!” Julie gave me a strange look.

“Whattaya talking about? It‘s just Jack. Come over and say hello.”

“No no no no no! I can’t! Don’t you understand?! He’s the King! Help a guy out, wouldja?”

Julie looked at me like I was demented, which I probably was. He just shook his head and said, “C’mon, kid.” I was still young enough to be called a kid… comparatively speaking.

Julie took me over to the group and made the intro and Jack Kirby shook my hand and said “Hi. Howareya.” I made noises resembling words. I think my voice cracked. Kim would later tell me that she watched her husband turn into a 14-year old boy, complete with zits a-poppin’.

I freely admit it. Jack Kirby was the King and, despite making my living in comics, I was still the fan-nerd I had always been.

And still am.

Many of you out there will know all about Jack Kirby and will need no explanation, but some of you might.

Jack Kirby (1917-1994) was born in Brooklyn as Jacob Kurtzberg and got into the comics biz in the Thirties which was the dawn of comics. He took out time for World War II and then came back and worked for a number of different publishers.

What makes Jack Kirby the King? For me, it’s this.

  1. Imagination – The word “prodigious” comes to mind. So many concepts, so many characters, bear his mark. So many styles of stories. From the spires of Asgard to the weird distortions of the Negative Zone to the brutal cityscapes of Apokolips, to Ego the Living Planet, no one could top his visuals.
  2. Storytelling – His figures leaped off the page. The panels couldn’t contain the events on them. Even standing still, they vibrated with potential power. There was energy to burn on his pages. You felt them as much as you read them. You couldn’t read the story fast enough and when one issue was done you wanted the next one right now.
  3. Artistry – Okay, his anatomy was not always perfect. And every woman’s face looked the same. He was still one of the best ARTISTS that ever drew a comic because comics are about storytelling and no one beat Kirby as a storyteller.

kirby-zappa-2498791He and the other titans of his era invented comic books, for cryin’ out loud! Without the King, there is no Marvel Universe, let alone the Marvel Movie Universe! He created or co-created Captain America, Iron Man, Thor, Ant-Man, Nick Fury, the Howling Commandos, S.H.I.E.L.D., the Avengers, Black Panther, the X-Men, the Inhumans, the Fantastic Four, Doctor Doom, Magneto, Loki, and the Hulk – among so many others… including Groot! At DC he created Darkseid, the whole New Gods, OMAC, Etrigan the Demon, Challengers of the Unknown (only one of the great titles in DC history), the Boy Commandos, The Guardian and gobs of others! And he did a whole posse of Westerns and co-created the genre of romance comics! He turned out three or more penciled books a month plus the occasional oversized Annual! My brain explodes!!!

(I don’t know if you can talk about Jack Kirby without using exclamation points!)

So here’s to the King! I did eventually wash the hand that you shook; Kim insisted. However, you were and are one of my comic book heroes and I’m glad I had the chance to meet you.

Marc Alan Fishman: Defending Wizard World

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Last weekend, Unshaven Comics were the guests of ComicMix, sitting in their booth at Wizard World Chicago. ComicMix was more than generous to allow the squatting, and I figure it behooves me to publicly thank them here.

So, after treating an insane bout of con crud upon coming home, I’ve had some time to troll social media to see what the world thought of the 39th variation on the original Chicago Comicon. The consensus amongst most of my friends was largely positive. But a few folks took to their feeds to take Wizard to task and dog-pile on the once crown-jewel of Chicago-based comic conventions. Perhaps it’s the massive dehydration I’m working myself off of, but I’ll be damned… I feel compelled to defend Wizard World Chicago.

First, let it be said: I myself have taken to putting Wizard World on blast before. I’ve also given them helpful advice. Suffice to say, WWC is my home show. This was the first con I ever attended as a fan. This was the first con I ever showed in as a creator. I have a love/hate relationship with it, as it is for so many cherished memories of our youth that don’t hold up upon later scrutiny. But somehow, within reading the dour thoughts of a random Facebook friend left me desiring to stand over the limp body of WWC and shout “leave her alone!”

Let’s be honest with ourselves: The advent of the Mega Con has mutated what was once the Comic Con. The big publishers now save their budget for San Diego, New York, and maybe a small handful of others. Why the Chicago snub? Same reason I assume they aren’t showing in Austin, Seattle, Baltimore, or a handful of other large metropolitan shows: It’s expensive, and thanks to the marketing of the TV and movie brands, the need to remind people they publish comic books isn’t as needed as it once was. Erecting a large booth, paying the travel and hotel costs of big named talent, and hosting panels with executives (who should be back bean-counting, and figuring out ways to enrage the internet) just doesn’t make sense when balancing the books at the end of the year. Obviously I could argue that the millions of dollars of profit earned for those TV and movie licenses might otherwise bankroll a larger convention showing – especially in America’s third largest city – but even if that were true, the big boys would sooner show up at C2E2.

So, without the big named publishers (or, really, any named publishers), Wizard World Chicago has opted instead to promote its contractually obligated appearances of a litany of celebrity guests. Because of this, my wife got to meet Nathan Fillion, Jeremy Renner, and Brett Dalton – all of whom were super nice and gave my wife lasting memories and keepsakes. A large showing of fans making their way to WWC come primarily for these meet-n-greets. I was once amongst those who bashed this concept. Spending potentially hundreds of dollars for an opportunity to take a picture with someone, to me personally, seems like a complete waste. But on the same token, taking into account how many hundreds of dollars I once used to purchase comics, graphic novels, statues, and other miscellanea leaves me at a stalemate. Autograph seekers are a part of pop culture as much as comic book collectors. And as much as it pains me to say it: Nathan Fillion will bring far more paid attendees to a convention than the promise of that one penciler on that book you like.

Wizard World Chicago has been a show in flux over the last few years. Call it growing pains, if you will. The shift from being a show that celebrated comic books first and foremost to the more general pop culture has left some in a state of bitterness. I myself was one of them for a long time. But hindsight is always 20/20. Comic books are a part of pop culture. Wizard is a business, and as such, pop culture is larger than comics alone. The shift to truly becoming a pop culture show means larger attendance. More vendors. More exhibitors. More panelists and programs. To decry the death of the Chicago Comicon because of Wizard is to blame San Diego, Reed, and the other convention giants around the country.

Wizard World Chicago is many things to many people. So long as comic books are at least some of those things? Then, leave WWC alone. It will never be what it once was. But if it continues to draw a large crowd willing to checkout the always-expanding Artist Alley, then who are we to judge? For those seeking the old-school Comic Cons of yesteryear, well, there’s still plenty of fantastic one day shows. Wizard, simply no longer is one of them.

 

Mike Gold: The Big Booth 1105 Crossover

imagesIt was fated to happen. ComicMix is participating in our very first crossover.

This coming weekend – as in Friday, Saturday and Sunday – ComicMix will once again be appearing at the C2E2 comics and pop culture convention at Chicago’s McCormick Place, on the scenic downtown shore Lake Michigan near the Adler Planetarium, the Shedd Aquarium, the Field Natural History Museum, and that formerly beautiful football (and, next March, hockey) stadium Soldier (sic) Field – before that hideous flying saucer landed on top of it.

More prestigious still, we ComicMixers will be teaming up with our good buddies at Unshaven Comics. This means the “good” Marc Alan Fishman will be appearing at the same booth as the “evil” Marc Alan Fishman. And if they inadvertently touch… well, let’s just say people will stop bitching about Mrs. O’Leary’s improperly defamed cow.

Representing ComicMix: Glenn Hauman, Adriane Nash, either the good or the evil Marc Alan Fishman (I can never tell which one is which) and yours fairly truly. We will be making two – count ‘em two ­– major announcements at the show, each of which will be promptly detailed in this slice of the etherverse. I won’t tip our collective hand, but I will say this: the second of these announcements will reveal what “CMPS” stands for. I mean this in the acronymical sense, and not in any ethical sense. Certainly not.

We’ll be at booth 1105 in case you didn’t read the headline, and you should because the editor-in-chief spends a lot of time obsessing over them. We eagerly await the opportunity to meet you. Unless you’re rude or insulting; then, we eagerly await the opportunity to let out our pent-up convention aggression. In my case, well, I’ve been going to comic book conventions for 45 years now. But I also used to be among the crowd that founded and ran the amazingly perfect Chicago Comicon, so I know this won’t be an issue.

Truth be told, I like Chicago conventions that are actually held within the city limits. There’s a bunch of reasons for this: the fans are amazingly friendly, the food is unbelievable, the city is everything great that New York City says it is but isn’t and can never be, and – most important – the Fire Marshal, for some odd reason, actually enforces the fire laws at massive conglomerations of humans and paper goods.

Holy Odin’s Eyehole, I’m gotta get it from insecure New Yorkers, aren’t I? Well, as you read this I’m already in Chicago (meetings, meetings, meetings; all at amazing restaurants) so I can only respond in person on the convention floor. Please re-read the sentence above about rude or insulting people and my 45 years of pent-up convention aggression.

We’re gonna have us a swell time. And to take tongue out of cheek for a rare moment, I hope you-all can share those swell times with us.

I hope to see you this weekend.

THURSDAY: Dennis O’Neil

FRIDAY: Martha Thomases

 

Chicago Comicon: A Tale of Two Cons (Part Three)

  • News
  • August 25, 2010

Hello again, one and all. I’m back for this final day to wrap up my thoughts on the 2010 Chicago Comic Con, as presented by Wizard. See what they did there? Fooled you. Same way we all don’t know Xfiniity is actually Comcast, and Fox News is actually Satan’s News Network. When we last left off, I’d given a fairly positive review of the dealer floor. While it feels like the Swap-O-Rama had a child with that creepy guy who shows up at the comic store in sweatpants and an original 1978 Incredible Hulk shirt stained with brown mustard… the dealer floor offers a plethora of deals, steals, and hard-to-find collectibles that you’d just not find if not for the gaping square footage of a convention hall. With that said, it’s time we wrap up this little tour of the “Big-Con-That-Could… but didn’t.”

I want to start this final day’s wrap up with a little pull-quote from Wizard concerning former Illinois Governor Rod “1 count of fraud is better than 24” Blagojevich, and his attendance on Saturday.

“Wizard
World Chicago Comic Con is all about pop culture, and Rod Blagojevich is
as relevant to today’s news as it gets,” said Gareb Shamus, CEO of
Wizard Entertainment. “We think the court of public opinion will show
him to be a popular figure at the show.”

I couldn’t state it any better folks. Wizard World Chicago Comic Con is all about ‘pop culture’. Never mind that COMIC is in the title. Never mind that a SINGLE comic book publisher showed on the “exhibitor floor”. Never mind that the same floor was dominated by C, D, and Z level celebrities. Gareb Shamus has turned a show that once was the San Diego Comic Con of the Mid-West into a glorified flea market and three ring circus. I lamented earlier that for me, the meat and potatoes of a convention comes in it’s programming and exhibitors. At this con, the main floor boasted booths for everything BUT comics. In fact, aside from Avatar’s presence, a con goer walking into the show floor may not even reach an actual book until the dealer room. And with panels ranging from iPhone game demos to a “celebration of die-cast car collecting” … they might as well do themselves a favor and take COMIC out of the title. In all honesty, as a comic book fan, I resent that a casual con goer would think what they saw in that hall was a representation of what comic fans like.

(more…)

Chicago Comic Con: A Tale of Two Cons (Part Two)

  • News
  • August 22, 2010

When I last left you, gentile reader, my malaise for the Chicago Comic had permeated my very being. The deep sadness that seeped under my skin upon seeing my “home show” turn into a visceral flea market truly left me bitter after day one. But, I went to bed, telling myself “tomorrow is another day…”. I awoke with a rekindled spirit of optimism. I mean, yes, the major players of the comic book publishing industry weren’t gonna be there. The panels announced for Saturday were even less interesting than they were for Friday. And on top of all that, they’d announced at the end of Friday that former Illinois Governor, turned convicted fellon, Rod Blagojevich, would be on the show floor signed autographs for $50 a pop. But, I told myself… “It’s a new day. And you should be happy.” Thus, I slapped a smile on my face and I exited my car to boldly walk into the 2010 Chicago Comic Con once more.

Yup. That smile lasted until I took the escalator down to the main floor, with my group in tow. With us, both my wife and my Unshaven Cohort, Matt’s wife, Amy, joined us for our Saturday adventure. The girls, who needed passes, waited through a semi-long line in order to drop $30 on day passes. They were of course penalized for not purchasing their tickets online. For shame. Now, as we’d covered before, I’ve long been a goer to this show. In the past, with the purchase of a pass came a bag of schwag. Generally filled with a heroclix figure or two, a limited edition comic, advertisements and postcards of show vendors, and a few freebie books and posters. This year? Our wives returned to us with nothing more than alternatively colored cheap wristbands. Since we didn’t to leave our loves behind, we stood with them in a long snaked line, trying to get into the show. We were told “people were cutting” and apparently some skipped in without bands the day prior. In order to combat this, they simply slowed the line down to an inhuman crawl, and allowed us time to mill about like bank customers on payday… in an endless sea of costume cladded fans, and folks all confused at the speed at which the line was moving. “What are we all waiting for? Tickets to see Shatner?” (more…)

Chicago Comic Con: A Tale of Two Cons (Part One)

  • News
  • August 21, 2010

We, the true believers all have that “home show”. That convention we never miss because it’s in our backyard. We treasure the memories we build there. And for those of us who aspire to become creators (like me and my Unshaven Comics cohorts) the “home show” is also where we first took the plunge and moved to the other side of the aisle to become creators, not just conventioneers. For me, that home show has been the Chicago Comic Con. I, of course, knew it as “Wizard World Chicago” when I first walked in the doors a newly christened comic fan in 1999. Ever since, that show has been a stalwart in my calender. I’ve not missed it, now, for 11 years in a row. Suffice to say, I’ve had a ton of great memories over the years. From catching the first glimpse of The Dark Knight, sitting mere feet away from Christian Bale, Christopher Nolan, and David Goyer… to sitting in a jam packed ballroom, sharing a laugh over the secrets of Wonder Woman #219… to that first year I had to give up attending Wizard School panels, in order to sell my first graphic novel.

As the years have passed, my Unshaven family and I have noticed a rising trend. What started as just ribs and pokes from snottier fans who’d long proclaimed Wizard to be unhip and “mainstream”, changed to a general malaise from many of the fans we stood shoulder to shoulder with in lines for huge attractions like Kevin Smith Q and A’s to the aforementioned Dark Knight sneak preview. It seemed many Windy City con goers where feeling a slow and steady decline in attendance, in spirits, and most importantly in quality. As I touched on it in a previous article… it would seem that at last year’s Chicago Comic Con, a keystone had crumbled. Where once mighty booths manned by the biggest publishers stood greeting con-goers as they entered the center, were now gone, and replaced with questionable replacements. In 2009, where DC’s mighty banners once hung, and the DC Direct glass where my nose was pressed with palpable envy stood a Tonner Doll booth… where porcelain cherubic faced Harry Potters and Twilight Edwards now glared at me in monotone smiles. Where the Mighty Marvel erected it’s booth where cathartic creators sat and signed piles of books now sat a blacklight-rave music pumping-psuedo ninja weapon booth, manned by people who I can assure you couldn’t tell the difference between Deadpool and Deadshot. Thus, today it was with fearful steps that I entered that large hall once more… and hours later, I sit here, truly sad to type these words: My home show is a sorry shadow of it’s former self. (more…)

Roger Langridge Gonzo Davros art for Comix4Sight auction at Chicago Comicon

  • News
  • August 3, 2009

gonzodalekdavros-1425287Yes, it’s Doctor Who meets The Muppet Show!

At the 2009 Chicago Comicon, Comix4Sight has joined forced with Wizard Entertainment to hold a charity auction the evening of Saturday, August 8th.  The goal is to raise sufficient funds to help cover the costs of John Ostrander’s
treatments in his battle against glaucoma, and it is John’s expressed wish that should we raise funds
above his needs, that excess money is to be donated to The Hero Initiative to help them continue their great works aiding comic creators in their times of need.

Artwork is coming in for the auction, and we’ll be showing you stuff prior to the auction. We already showed you this Batman/Hawkman piece by Andy and Joe Kubert, now we have Gonzo becoming half Dalek, brought to you by Roger Langridge, writer/artist of The Muppet Show comics from BOOM! Studios. Roger did a bunch of other pieces for the auction as well, and we can’t thank him enough.

Kubert Batman and Hawkman art for Comix4Sight auction at Chicago Comicon

  • News
  • July 28, 2009

ostrander-auction-kubert-batman-hawkman-400px-5899120Now that San Diego is over, we can look ahead ten days or so to the next convention.

At the 2009 Chicago Comicon, Comix4Sight has joined forced with Wizard Entertainment to hold a charity auction the evening of Saturday, August 8th.  The goal is to raise sufficient funds to help cover the costs of John Ostrander’s
treatments in his battle against glaucoma, and it is John’s expressed wish that should we raise funds
above his needs, that excess money is to be donated to The Hero Initiative to help them continue their great works aiding comic creators in their times of need.

Artwork has begun to come in for the auction, and we’ll be showing you stuff prior to the auction. We start off with this piece by Andy and Joe Kubert.

Chicago Comic-Con To Host John Ostrander Benefit

  • News
  • July 12, 2009

comix4sight-small1-6989470An auction will be held at the Chicago Comic-Con (nee Wizard World Chicago) the evening of Saturday, August 8, 2009 to raise funds for comics veteran John Ostrander, who is undergoing a series of operations and medical treatments to fight off blindness.

A 27-year veteran of the comics field, Ostrander, has long
been suffering from glaucoma. Recently, John underwent a series of operations that might have saved his remaining eyesight. Progress has been made but he faces considerably more treatment in the months ahead.

To help Ostrander cover his costs, a committee has been
organized called Comix4Sight. Solicitations for the benefit auction have gone out, and the response from the comics community has been overwhelming.

“The cost of these John’s procedures has been astronomical, and are only partially covered by insurance. And by ‘partially,’ I’m being polite,” committee co-chairperson Mike Gold disclosed. “John has to
go up to Boston repeatedly for treatment, and on two occasions thus far he had to spend a week there for the actual surgery.

“Like so many other Americans John is without sufficient
medical coverage to cover these types of expenses; sadly, his insurance will
expire in about a year,” Gold noted. “With the assistance of Peter Katz and
Wizard Entertainment, Adriane Nash, Mike Raub and I have organized a benefit auction to raise funds for John’s medical expenses. We will be having this auction Saturday night at the Chicago Comic-Con to be held at the Rosemont Convention Center near O’Hare Field on August 6th through 9th.”

Original art, signed scripts, comics memorabilia,
autographed books and similar items are being donated to the auction. “Within the first 24 hours we’ve received pledges of contributions including original art and signed books by Howard Chaykin, David Lloyd, Dave Sim, Norm Breyfogle, Dick Giordano, Dennis O’Neil, Hilary Barta, Kevin Van Hook, Mark Badger, Michael Davis, Rick Stasi, Paul Gulacy, Joe Landsdale, and, of course, John’s GrimJack collaborator Timothy Truman. We’re getting commitments every day,” committee co-chairperson Adriane Nash stated.

“We’ve set up a website – www.comix4sight.com
– that will be carrying updated information about both the benefit and the
auction items,” Nash continued. “We’ll also be posting the results of the
auction, and any items that came in too late for the benefit will be auctioned off at the site. We will donate any excess revenue to other comics
professionals suffering from major vision issues or to The Hero Initiative.”

Monetary contributions would also be gratefully accepted by check or through PayPal at www.comix4sight.com.
Individuals and corporations interested in making contributions should send them to:

Mike Gold and Adriane Nash
arrogantMGMS
304 Main Avenue,
#194
Norwalk, CT 06851

Roger Price Retires From Mid-Ohio Con

  • News
  • January 20, 2008

The man who founded the Mid-Ohio-Con, one of the best run and most entertaining of the hundreds of comic book conventions held each year, is retiring after 27 years.

Roger A. Price issued an announcement today that essentially said it was time for a change. Having helped run a large convention (the Chicago Comicon) for merely 10 years, I can certainly sympathize. The man is leaving while on top.

He is entertaining offers from those who might be interested in taking over this classic show. Roger can be contacted at info@midohiocon.com, or at R.A.P. Promotions at P.O. Box 3831, Mansfield Ohio 44907.

Speaking for both my family and for ComicMix, Roger, thanks for all the great fun. We wish you well.

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