Tagged: Civil War

‘Secret Invasion’ So Far: The Main Story

So we’re more than half-way through Secret Invasion, the event that’s supposed to be the biggest thing to rock the Marvel Universe since Civil War, where the question was “whose side are you on?” Secret Invasion’s question is “who do you trust?”, which is almost the same question as Civil War’s but not as grammatically correct ( it’s "whom", people!) and concerns the revelation that several Skrulls (shape-shifting aliens who’ve had their asses kicked many times) have secretly been living among us for a while. This story is the brain-child of Brian Michael Bendis, who has been praised for his series Powers and his run on Ultimate Spider-Man and who has been writing New Avengers and Mighty Avengers since both titles were created.

This plot has been done before to lesser degrees. In the early 90s, the Fantastic Four discovered that the Human Torch’s wife had been impersonated by a Skrull since before they were even engaged. And a couple of years later, the X-Men found out that Wolverine had been replaced by a Skrull who then died because he didn’t know he didn’t have Wolvie’s powers too (idiot).

But there are three major elements that mark this particular invasion story as different from what we’ve seen in comic books a million times over. The first element is that what’s left of the Skrull Empire has now taken up religion. Their holy texts tell them that Earth is theirs by right and they have become quite creepy by habitually saying “He loves you” to everyone they attack. Secondly, they’ve learned how to infiltrate us in such a way that they are now beyond the detection of super-powers, magic and technology – very scary in this post-9/11 world. Finally, the Skrulls have finally figured out how to produce super-powers on a large scale. Where once the Super-Skrull and Power Skrull were unique, now there are thousands of Skrull warriors who have the combined powers of many different villains and heroes.

But how’s the execution? Well, in a nutshell, the main series started off very strong and has recently picked up steam again full force. Even when it was slow, it had some great scenes. But these are over-shadowed occasionally by pages of wasted space and repetitive recaps. And out of the eleven tie-in issues Bendis has written so far, eight of them can be ignored or have a smidge of substance that’s surrounded by filler pages.

But if you are one of those unfortunate souls who bought all the New Avengers and Mighty Avengers tie-ins and then realized you’d wasted over twenty bucks, don’t worry! Just do what I and my good friend Lisa McMullan did. With a little creativity, you can take those pages and make yourself a very smart looking jacket! Now you’re not a sucker, you are actually quite fashionable!

Don’t believe me? Just look at this photographic evidence, nay-sayer! All you need is scissors, tape and maybe an hour of free time.

And when people ask you "How did you think to make such a snazy and debonair sport coat?", you can simply say "I got the idea from those crazy guys at ComicMix and Alan ‘the Sizzler’ Kistler. He’s one nutty guy, that Sizzler."

Not a bad series, but I definitely have some criticisms. Hmmm? What’s that? You want more detail about what my problems are with the main series and the Bendis-written tie-ins? Not a problem, folks. That’s what I get paid for.

By the way, folks, if it pleases you, feel free to check out my old list of the Six Worst Moments in Skrull History! (more…)

Millar and Harris Talk ‘War Heroes’ and Kirkman

kickass002-1458099Laura Hudson (Publisher’s Weekly, Comic Foundry Magazine) interviewed writer Mark Millar and artist Tony Harris at Midtown Comics.

Along with discussing their new series, they also shared their thoughts on Robert Kirkman’s recent video concerning creators pursuing original characters.

MILLAR: "To me, it just seemed exciting, the idea of doing a no-holds barred super-hero war comic. I touched on a lot of this stuff in The Ultimates 1 and 2. And a lof of theses ideas I was going to bring in to The Ultimates 3 but we thought, we’re never getting away with this … We just thought, why not just go out and do our own thing? And he same thing happened with Wanted … That started off life as a proposal for DC Comics … We took risks that we wouldn’t have done with company-owned characters … Our time’s finite. We’ll always own Kick-Ass. We’ll always own Wanted … I do think there are a couple of good reasons for working at Marvel and DC. Kick-Ass would not sell … if we weren’t the Ultimates guy or the Civil War guy."

Go to Laura Hudson’s own blog to check out the full video interviews.

ComicMix Six: Why Marvel’s ‘Secret Wars’ Was Better Than ‘Civil War’

 

[EDITOR’S NOTE: In last week’s edition of ComicMix Six, we told you why the Skrulls’ "Secret Invasion" probably isn’t worth losing sleep over, given our list of the worst moments in Skrull invasion history. This week, we’re playing in the sandbox of big events yet again, with a list of reasons why Marvel’s recent  Civil War event doesn’t stack up against one of its popular predecessors, the 1984 series Marvel Super Heroes Secret Wars. -RM]

Just over a year ago, Marvel shook up their universe with Civil War, a series-spanning event wherein the U.S. government decided, after a tragic accident involving super-powered heroes and villains, that anyone with superhuman powers would be required to register and become official federal operatives. Costumed crime-fighters picked sides, Marvel picked a slogan ("Whose Side Are You On?"), Spider-Man unmasked, and Iron Man’s pro-registration camp hunted down the anti-registration crowd led by Captain America. In the end, Cap tearfully surrendered, only to be "killed" for his troubles a few issues later.

Throughout the series’ seven issue (and countless tie-ins), the Merry Marvel Marketing team hailed Civil War as the most mind-blowing storyline since, well… ever.

Here at ComicMix, we’re not quite sure we agree. After re-reading Civil War and comparing it to one of the first epic Marvel crossover events, the ’80s action-fest Marvel Super Heroes Secret Wars, there’s a good argument to be made for the superiority of the earlier project.

Oh, and remember, what’s being discussed here is the 12-issue Secret Wars series, published by Marvel in 1984 (and featuring the first appearance of Spider-Man’s famous black costume), not to be confused with Secret War, the 2004-2005 five-issue series written by Brian Bendis.

Got it? Good. Now let’s begin…

6. REMEMBERING THE LESSONS ‘SESAME STREET’ TAUGHT THEM: In Civil War, heroes who fought alongside each other for years decide that the best way to debate the merits of a new law is to spy on one another and brawl at each and every opportunity. In Secret Wars, heroes who don’t necessarily trust each other decide that, despite their differences, teamwork and cooperation will improve their situation.

Sure, Spider-Man had a skirmish with the X-Men and the Hulk was shouting at everyone, but they still came together in the end. Wolverine and Captain America shared a heart-to-heart, and the heroes even accepted Magneto’s help, knowing that the greater good was more important than issues of mistrust.

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Mark Millar, Steve McNiven and Grandpa Wolverine

Marvel recently announced plans to reunite Civil War writer Mark Millar and artist Steve McNiven on an upcoming arc of Wolverine that takes the "ol’ Canuknucklehead" years into the future to a post-Apocalyptic Marvel Universe.

In this interview with IGN, Millar discusses the connections between Clint Eastwood, John Constantine, Hulk and Wolverine that influence his upcoming eight-issue storyline.

According to Millar, the arc begins with a Wolverine that has sheathed his claws and sworn off violence, but quickly becomes one of the bloodiest tales he’s ever scripted – quite the claim, given the page-after-page killing spree of Millar’s last turn on Wolverine, the ultra-violent "Enemy of the State" storyline.

I do have a theory on this. It’s that the guys that tend to do the funny animal comics in real life are really, really creepy. –laughs- They’re always really creepy! You feel uneasy around them like they’re undressing you with their eyes or something, you know? Whereas the guys that do the really violent stuff are always quite normal and quite nice. So I think we get it out whereas those guys that sit around drawing Bugs Bunny all day, you just end up a pervert. –laughs-

Millar goes on to hint at some of the current and future-born characters that will be making cameos in the arc, including Hawkeye, Bruce Banner and… Spider-Bitch?

Millar explains:

You see Spider-Man’s granddaughter in it. She’s called Spider-Bitch.

Check out IGN for the rest of the interview, as well as several pages of interior art.

 

Creating the Annihilation: Conquest Covers

Sure, we heard about this whole Civil War thing that was going on in the Marvel Universe a while back, but as far as we’re concerned, that was small potatoes compared with the epic, universe-spanning shenanigans occurring throughout the Annihilation saga.

Okay, so Civil War left Captain America on a slab and Spider-Man unmasked. We’ll give you that, because they were all big deals at the time, but we challenge you to come up with a bigger event than the Annihilation Wave strapping Galactus to a freakin’ spaceship and using him as a gun, people! Seriously!

… But we digress.

Where were we again? Ah, yes, we were about to direct your attention to this great behind-the-scenes peek at the creation of the Annihilation: Conquest covers. The feature includes plenty of art from both cover artist Aleksi Briclot and Conquest editor Bill Rosemann, the mastermind behind the whole Annihilation event, and it serves as a great "director’s commentary" of sorts for both the storyline and the creative process.

"For the first cover, which I created for the Conquest Prologue, Bill gave me a lot of art suggestions (Joan d’Arc in space, a cinematographic and epic feeling, movies references…)," Briclot recalled. "Over time he also sent me new character concept art (all designed by Marko Djurdjevic), work in progress pages and lots of ideas. Then it was the usual process for each of those covers: sharing ideas and notes via e-mail, making some early quick sketches, a new discussion step, choosing the final content of each covers… Then it was up to me, polishing each picture and trying to produce the most impressive and attractive cover illustrations."

Bendis, Brevoort on Marvel’s Secret Invasion

Over at IGN.com, Marvel scribe Brian Bendis and editor Tom Brevoort discuss the House of Ideas’ plans for ’08, including the "trust us, it’s bigger than the  last event" Secret Invasion storyline set to rock the Marvel Universe in a few months.

If you believe the hype,  the real-world frights of Joe McCarthy’s hunt for Closet Communists will pale in comparison to the terror of Secret Skulls in the Marvel U. But just in case you need a little more convincing, the duo provided some covers from the eight-issue miniseries that forms the foundation of the storyline. The covers include an occasional homage to well-known Avengers issues, featuring green-chinned dopplegangers of Earth’s Mightiest Heroes.

Bendis: It’s definitely the biggest thing I’ve ever written in scope, but if you include the Avengers tie-ins as part of the story (and I do –laughs- ) its also the biggest story I’ve ever written period. It is the same size as Civil War as far as ramifications and amount of characters involved, but it’s a different animal in every other sense. It’s a different type of genre and it’s something we’ve been building to over years.

Doctor 13: Architecture & Mortality Review

Modernism and self-referentiality have been rampant in superhero comics for a good twenty years now; Alan Moore was the main instigator, with his great final Superman story and the Watchmen “pirate comics” motif. Some of the best and most entertaining stories since then have been knowingly "comics," from Grant Morrison’s "The Coyote Gospel" in Animal Man to John Byrne’s pleasant run on She-Hulk. But self-referentiality can also curdle like milk, or gnaw away its own belly like the fox under the Spartan boy’s cloak. There’s a huge streak of allegory in modern superhero comics – actually, "allegory" gives it too much credit; what we actually find are naked bids for audience identification and equally naked scornings of any connection to or interest in the supposedly puerile and retrograde wishes of that audience. (Pop quiz: who does Superman-Prime represent and why?)

Mainstream superhero comics have become a high-speed whirlwind of reader-response feedback done mad, with convoluted continuity one week and shredded history the next, and, no matter what, the anvil chorus of comics bloggers complaining that something or other is “raping their childhoods.” Doctor 13: Architecture & Mortality is not the first series to dive into the middle of that debate – hell, most of the big crossovers now are thinly veiled attempts to seduce the audience into believing in one propaganda version of continuity or other. (“Marvel has always been at Civil War with Eastasia.”)

But Doctor 13 does have the advantage of trying to be fun – and, even better, at generally succeeding. It does feel a bit like special pleading in the end; Azzarello is yet another guy who grew up with comics and wants to celebrate the stuff he loved as a kid. (Exactly the kind of comics writer, I’m afraid, that we need less of today.) The art is also very nice: Cliff Chang has clean, confident black lines defining crisp space, and is particularly good at drawing people. (more…)

Mark Millar not doing Superman movie

When Michael Dougherty and Dan Harris (screenwriters for X-2: X-Men United and Superman Returns) stated that they would NOT be writing the new live-action Superman sequel, Warner Bros. Pictures announced they would be looking at new pitches. Mark Millar (Ultimates, Civil War) was immediately vocal in his desire to take on the task. “I want to revamp Superman like Hillary wants thin ankles. Revamping this franchise is what I as given fingers for and so, invited or not, I’m putting my plan together now. I’ve been asked to work on half a dozen screenplays lately, but this is the only one I have ever truly wanted. As most here know, I have literally hundreds of pages of notes and sketches just waiting for this opportunity. This would be my dream gig and, as a fan, I know exactly what this project needs to work. This has to be Superman for the 21st Century, keeping everything we adore, but starting from scratch and making the kids love it as much as the 30-somethings. I would honestly write this thing for free.”

Sadly for Millar, it looks like it’s not going to happen. A couple of days later, he made the following statement: “I spoke to some friends at DC and they explained this has happened with a couple of big Marvel writers in the last couple of years and I absolutely respect that. It’s a business after all and to have a guy writing ‘Fantastic Four’ … which would be mentioned in every article about a Superman movie is not only an insult to their own writers, but makes bad business sense. I have nothing but respect for the DC high-ups and, though obviously disappointed, can absolutely appreciate their position. They’re the custodians of these properties and they obviously know what they’re doing.”

Who will write the new film and whether or not he’ll be an established comic book writer remains to be seen.

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Oh, wow. Secret Invasion.

secretinvasion-9997502Hey, you’ll never guess what Marvel’s doing next year!

Go on, guess!

Did I hear you say "ummmm… it can’t be as easy as another mind-numbing, universe-shaking mega-character crossover, can it?" Of course it can. DC and Marvel have but one thought: between them: "hey, let’s do another mind-numbing, universe-shaking mega-character crossover! The fans love it!"

Sadly, this one comes on the heels of that rarest of all superhero comics events: a mind-numbing, universe-shaking mega-character crossover that actually worked. Mostly. Tony Isabella had a nice review of Civil War, and he says it at his own site.

Oh, this new thing is called Secret Invasion; Bendis is writing it; it seems to have something to do with Spider-Woman mating with Iron Man to create a bunch of radioactively charged exoskeleton robo-bugs that enter your comic book collection and rewrite the continuity-du-jour.

This one’s unique, though. It’s got a TRAILER! Well, at least that’s what Marvel’s calling it. It’s really just PowerPoint with public domain music, but it’ll only take a minute out of your life.

Not counting the NFL trailer that is attached to it.

Related: You might be a Skrull if…

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Today’s Smoky Comics Links

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Marvel editor Tom Brevoort posts Mark Millar’s original memo/pitch for Civil War.

Comic Book Resources presents the third part of their look at Homosexuality in Comics.

Blogcritics reviews a pile of DC and Image comics, starting with Dynamo 5 #3.

Blogcritics also has a Marvel comics review, and is particularly fond of Nova #4.

Forbidden Planet International reviews a couple of Marvel Comics from years past..

Comics Reporter reviews Ted May’s Injury #1.

Chris’s Invincible Super-Blog reviews the saga of the Mighty Marvel MegaMorphs.

Hannibal Tabu reviews his purchases this week for Comic Book Resources.

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