Tagged: Colleen Doran

Mindy Newell: Weekend Hoosier?

dc-bombshells-8265958“I’ll make it.” •  Jimmy Chitwood (Maris Valainis) Hoosiers (1986)

Wow. Two weeks. That’s a long time to wait with bated breath. My apologies to everyone who turned blue while waiting to find out if I had broken my ankles.

To reprise: A little more than two weeks ago, Wednesday July 9 to be exact, I fell down the last flight of stairs of my apartment building. Immediate, serious pain in both feet and ankles – my knees weren’t doing so great either. Afraid to move, I yelled for help, but nobody came – it was 6 in the morning – and as I reached for my cell phone…duh! I had left it upstairs. But somehow, whether it was through the surge of adrenalin rushing through my veins or just pure stubborn idiocy, I got up, gritted my teeth, and shuffled/hobbled to my car.

Just using the gas and brake pedals sent sharp knives up my legs, but I told myself that if any bones were broken I wouldn’t be able to be doing this. I didn’t drive to my local hospital though; I wanted to get to work where my friends were, who happened to be nurses, plus of course there would be doctors. I wasn’t thinking clearly, I just wanted someone to tell me that nothing was broken;

I had some crazy idea that I could stick my feet under the C-arm and have Fantastic Frank, as Stan Lee would say, X-ray technician extraordinaire, also as Stan would say, take a picture and ease my fears – or not. I don’t know why I didn’t just go straight to the ER at the hospital across the street – it’s a Level One trauma center, and I had visions of sitting there all day while other, more seriously ill and wounded people were seen and attended to; and let’s face it, I didn’t want to know that I had broken anything, because I was supposed to fly out to Indianapolis on Friday – the day after tomorrow at the time – for the wedding of my cousin, Delightful Devin to his beautiful Marvelous Maria, as Stan would describe them.

See, I kept remembering a tale my brother had told me about how one autumn morning he and a bunch of his fellow residents were out having a game of touch football, and how one of the guys fell and was moaning and clutching his leg and saying that he had broken it, and how my brother and his band of merry medical men jeered him, saying “don’t be a baby, get up, walk it out,” and how they made this poor guy play out the rest of the game before taking him to the ER, where they all discovered that, yes, indeed, the guy had broken his leg.

So I was a mess, physically and emotionally.

But as I was laying on a stretcher in our Post-Anesthesia Care Unit – PACU, otherwise known as the Recovery Room – and realizing that the ice pack and cold soda cans weren’t do a thing, and that the pain was getting worse, not better, I admitted to myself that I was being really stupid, because the only way I was going to know if I had broken any part of my ankles or feet would be courtesy of an examination in the ER….

…where I discovered, that regardless of whether or not my bones were broken, I wouldn’t be going anywhere. I wouldn’t be getting on any plane in less than 48 hours…

because the second worse thing happened on that fucked-up miserable day:

My driver’s license wasn’t in my wallet!

Where the fuck was it!

Shit! Shit! Shit!

By the time I was admitted and seen (by a fabulous, young, handsome physician) and told that I wouldn’t need X-rays, that I just had majorly “soft tissue damage” to my ankles and feet, i.e, really bad sprains, and was discharged with the usual instructions about ice and heat and elevate and to “try to walk normally so nothing stiffens up,” all I could think about was oh my fucking god how the hell am I gonna get on the airplane for the wedding?

I was desperate. No, I was beyond desperate; I was a madwoman.

That afternoon I tore the house apart looking for my license. Then I called the New Jersey Division of Motor Vehicles; hell, I even went there – I swallowed three Advils before leaving the house – and, yes, I was trying to “walk normally so nothing stiffens up.” I brought everything I could think of to identify myself, including the driver’s license renewal form I had just received in the mail and my passport – which expired four years ago and of which the DMV informed me that the cut-off date for expired passports as identification is three years – and for my troubles the bitch at the DMV sneered after explaining my situation to her: “Well, I guess you’re just shit of luck.”

I should have reported her. But I was tired, my feet and ankles were really, really hurting me despite the Advils, so I just left.

Aside: Will someone please explain to me why the New Jersey DMV cannot simply look up your credentials via computer, including your picture, especially when you’re 61 and have been a licensed driver since the age of 17? Will someone please explain to my why the New Jersey DMV sends renewal forms – generated by computer – to licensed drivers but still requires six million forms of ID when you go to renew your license?

Aside continued: Especially when, after getting home and calling the Department of Homeland Security and finding out that yes, I should be able get on the plane even though I had lost my driver’s license because they could, by searching the system – looking up on their computers – identify Mindy Newell as a born and bred citizen of the United States with no stains on her record and not on any “No-Fly” list. And by the way, the person I spoke to at the DHS was really nice – she didn’t say, “Well, I guess you’re just shit of luck.”

Still, I was worried about my driver’s license. My writer’s imagination took over. What if someone had stolen it out of my wallet, and what if that someone was a terrorist/jihadist, and what if he or she used my driver’s license for some nefarious and horrible deed? Yeah, I went straight to that – never mind using my license to get into my bank accounts and screwing up my credit and finances.

I finally laid down and elevated my feet and put one of those gel ice packs on my ankles; I also lit a candle, and this nice Jewish girl said a prayer to St. Anthony, patron saint of lost things and lost causes. (I asked him to help me even though I’m Jewish, “because your boss was.”) And I threw in some Wiccan blessings, too.

Well, let me tell you, this Jewess’s prayers were answered.

Though not right away.

By Thursday my feet and ankles were black and blue and swollen, but by walking carefully (though “normally”) I could get around okay. Though more than once I stepped the wrong way and OWWWWWW! But still no license. I was very depressed and worried; called ye old editor Mike for some cheering up and a pep talk. It helped…some. (No offense to Mike.)

Thursday night. No license. I had just sent off the column you read two weeks ago. Then I noticed my checkbook, lying on the radiator cover that is next to my computer. What was it doing there? I picked it up. And something – or someone? St. Anthony? – made me open it.

There it was.

My driver’s license.

I don’t know how the hell it ended up inside my checkbook.

“Hey, St. Anthony,” I said. “It’s me again. Thank you. Thank you. Thank you.”

On Friday the only trouble I had at the airport was lagging way behind Alix, Jeff, and my grandson as we walked to the gate. Oh, and security did check my ace bandages for, I guess, any hidden weapons. They didn’t make me unwrap them; just ran a metal detector or something over them. So while so many of you were fulfilling your dream of attending the San Diego Comic-Con two weeks ago, I was in Indianapolis, that fair city, at the wedding of Delightful Devin and Marvelous Maria (as Stan would say), and telling everyone was a great guy good ol’ St. Anthony is.

Or maybe it was the Wiccan blessings?

 

•     •     •     •     •

And to bring this back to comics…I read Ed Catto’s column (She Made Me Do It! Fangirls Lead The Way at San Diego!) with interest and delight. It’s so gratifying to know that women are standing up and proudly proclaiming their fangirl status and being noticed and appreciated.

Back in the dark ages (the ‘80s) when I first became a professional writer at DC, I was so innocent of the “old boys club” in the comics world that I had no idea that it was considered weird for a woman to love comics and/or to write them. Besides, there was my editor, Karen Berger, our own Martha Thomases, and so many other women at DC; and over at Marvel there was Louise Simonson and Jo Duffy and Bobby Chase, just to mention three. So I walked around the halls of DC for a very, very long time before it dawned on me that I was “unusual” in any way – to me it was just about loving the medium, it had nothing to do with gender. And when I went to conventions, I met plenty of professional women creators: Kim Yale, Joyce Brabner, Colleen Doran, Jan Dursema, Trina Robbins, Jill Thompson, Wendy Pini, and so many others.

You want to know how innocent I was? When people – especially younger women–tell me that I was a “glass ceiling” breaker, or that I was an inspiration to them, I used to say “I was?” And not in any make-believe false modesty, either. I just didn’t get it.

Now I do.

But if I was, so then also were all the above and all the women who have worked in comics and newspaper strips and graphic novels and all “sequential storytelling and art” since the industry began.

Brava!

 

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Comic Art Negatives: Now With More Negativity

As a production person– and possibly the youngest person in comics production today who still worked in analog before digital– I found Colleen Doran’s discussion of reprinting A Distant Soil fascinating.

ComicMix QuickPicks – January 21, 2009

From a prone position while dealing with a strained back (ouch ouch ouch) here are the last few days wrap-up of comic-related news items that might not generate a post of their own, but may be of interest…

* E! Online: Veronica Mars Movie Finally in the Works . Because you just can’t get enough of Kristen Bell.

* Oh, and speaking of Kristen Bell, the long delayed Fanboys is finally coming to theaters February 6 and the first clip is now online, courtesy of Trailer Addict:

How come this never happened to me when I was working in a comics store?

* The 10 Most Unnecessarily Horrible and Horribly Unnecessary Cartoon Sidekicks. You just knew Marvin and Baby Plas were going to show up here.

* Colleen Doran posts a list of Graphic Novel Agents on her newly redesigned weblog.

* And even in bad times, Cowboys and Aliens and Platinum keep plugging along: Damon Lindelof Joins Hollywood Brain Trust On Cowboys And Aliens.

Anything else? Consider this an open thread.

World Horror and World Fantasy Award Winners Announced

The  International Horror Guild Awards, which recognize outstanding achievements in the field of horror and dark fantasy, were announced on Halloween (naturally). The Awards, first presented in 1994, will cease to be after this year.

Novel:
The Terror by Dan Simmons

Long Fiction: Softspoken by Lucius Shepard

Mid-Length Fiction: "Closet Dreams" by Lisa Tuttle

Short Fiction:
"Honey in the Wound" by Nancy Etchemendy

Fiction Collection: Dagger Key and Other Stories by Lucius Shepard

Anthology: Inferno, Ellen Datlow, ed.

Periodical: Postscripts

Illustrated Narrative: The Nightmare Factory, Thomas Ligotti (creator/writer), Joe Harris and Stuart Moore (writers), Ben Templesmith, Michael Gaydos, Colleen Doran and Ted McKeever (illustrators)

Nonfiction: Mario Bava: All the Colors of Dark by Tim Lucas

Art: Elizabeth McGrath for "The Incurable Disorder"

IHG Living Legend: Peter Straub

Fantasy Award Winners Named

Sunday night at the World Fantasy Convention in Calgary, the winners for this year’s World Fantasy Awards were announced.

Novel: Ysabel by Guy Gavriel Kay

Novella: Illyria by Elizabeth Hand

Short Story: "Singing of Mount Abora" by Theodora Goss

Anthology: Inferno, Ellen Datlow, ed.

Collection: Tiny Deaths by Robert Shearman

Artist: Edward Miller

Special Award, Professional: Peter Crowther (for PS Publishing)

Special Award, Non-Professional:
Midori Snyder and Terri Windling (for Endicott Studios’ Web site)

Life Achievement: Leo and Diane Dillon, Patricia McKillip

ComicMix Quick Picks: 8/11/08

The weekend window-closing wrap-up:

11 Superheroes That Look Like Supervillains: No. When one of them is called "Evil Ernie" and is, from your own article, "tasked with killing all of humanity" I don’t think he qualifies as a superhero.

From FailBlog: well, think of it as a strange kind of crossover.

Colleen Doran provides the most useful post of the day: how freelancers can get health insurance, complete with links and her own insurance stories. Just because you haven’t got an exclusive deal with one of the big publishers, you don’t have an excuse. Now if someone would take the time and do a similar post on freelancers and life insurance…

Wanted: pre-1965 money for time travel. So if the market is suddenly glutted with mint condition early Marvels, you’ll know why.

Via John Cole: One of the largest and most photographed arches in Arches National Park has collapsed. Wall Arch collapsed sometime late Monday or early Tuesday. The arch is along Devils Garden Trail, one of the most popular in the park. For years, the arch has been a favorite stopping point for photographers.

Before:

After:

 
Not pictured: the coyote at the bottom of the ravine with the defective Acme product.

SDCC: EW’s “Visionaries” Panel

jim_lee-00-4662950When Entertainment Weekly assembles seven of the most powerful men (and woman) in all of comics, obviously some massive news bombs are going to get dropped.

“Yes, I read comic books in the bath,” Grant Morrison announced, shocking the assembled fans and setting the blogosphere ablaze.

Okay, so there was little in the way of truly newsworthy information disseminated by the esteemed panel of Jim Lee, John Cassaday, Matt Fraction, Mike Mignola, Robert Kirkman, Colleen Doran, and Grant Morrison. However, there’s something immensely satisfying about sharing an hour of time with some of the most creative individuals in the comic book world (and frankly, beyond). It’s the kind of panel that reminds a guy why he reads comics in the first place, because these guys work their hardest and embody the philosophy John Cassaday put forth, “There’ll be limitations in whatever you do, so you might as well go for it.”

Also, these people are really, really funny.

A topic that is nearly omnipresent at this year’s ‘Con, the specter of the film industry looming large over the conference, was addressed by the panel, with many attendees asking questions about the increasingly symbiotic relationship between film and comics.

“I see a lot of storytelling techniques in TV being effected by comics,” Lee commented, pointing out that the comic book has become so successful that mainstream has no choice but to adapt some of its devices. However, not everyone on the panel was as excited by the increasingly close relationship between comics and movies,

“I see people applying film rules to comic book visuals, let’s do the comic and then let someone else do the film,” Mike Mignola said, keenly aware of the difference between comics and film. Human quote machine Grant Morrison added, “Hollywood is more formulaic, comics allow you to break those rules.”

All of the panelists expressed some dread at the lure of comic to film adaptations limiting the ambitions of up-and-coming creators. However they all reasserted that this is a life they pursued not for money, but because its the only calling they ever felt, “I really can’t imagine doing anything else… everyone up here ha a compulsion,” Colleen Doran said.

Following the theme of creative expression, Jim Lee and newly minted partner at Image Comics Robert Kirkman were asked how that will effect their craft, “Once you’ve done all that stuff, it’s kind of hard to just go back to a table and just sit there drawing,” Lee said. Adding that there’s a liberation that comes with his executive status. As for Kirkman, “So far, it’s just making a few extra phone calls.”

Women visible in Lulu awards

As mentioned here and on many other news sites, the voting is now open for this year’s Friends of Lulu Awards.  Since the awards are all about enhancing women’s visibility in an industry that too often marginalizes and downplays them, and since there’s a lot of discussion currently going on about what real women look like, I thought I’d present the nominees pictorially:

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For the Women Cartoonists’ Hall of Fame (left to right): Colleen Doran, Lily Renee Phillips, Donna Barr

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For Lulu of the Year (left to right): Alison Bechdel, Abby Denson, Donna Barr (Torvald not eligible)

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For the Kim Yale Award (for Best New Female Talent): Top row, Rachel Habors and June Kim; bottom row, Rivka and Joelle Jones

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For the Women of Distinction Award (left to right): Jennifer deGuzman, Joan Hilty, Karen Berger

Links to all the fine work done by these women are at the FoL voting site.

 

Speedy recovery, Carla

strades-5632248Carla Speed McNeill, writer and artist of the "aboriginal SF" comic Finder, will be undergoing surgery in a couple weeks for what she describes as "moderate-to-severe carpal tunnel syndrome" in her drawing hand.  As someone who can’t remember the last time I woke up without hand numbness, my thoughts are with Carla during this frustrating time, and ComicMix would like to extend our best wishes that all goes well and she’ll soon return to drawing without pain.

Colleen Doran  notes that "Many people in the creative arts struggle with this painful and debilitating condition," and passes along some helpful advice to help prevent its onset.

Creators are fans too

By and large comics aren’t the best-paying gig around for writers and artists, so people who make a living telling comic book stories are primarily doing it for the love of the medium.  There’s far less of a dividing line between fan and pro than there is in other entertainment media — in comics it’s always been more of a continuum.

And thus we have some nifty posts by professionals talking about the comics they love.

Colleen Doran discusses the new Legion of Super-Heroes cartoon and, erm, a missing element.  Becky Cloonan talks about her love/hate relationship with an old X-Men story as a way of reminding us that "Comics is a teeny TEEENY tiny industry. Anything you say (especially on the Internet) will get back to you."  And Chris Weston presents his sugestions of five artists whom he thinks would be perfect for Judge Dredd, and illustrates why.