Tagged: comics

Thoughts on the Celibate Superhero

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  • June 13, 2008

hulk98-200-3160431With Incredible Hulk hitting theaters this weekend, the crazy cats over at io9 recently posted a list of popular comic book characters whose talents might allow them to save the universe — but cause problems when they start to feel a little frisky.

It’s a great read, but it also reveals a plot point from at least one upcoming film, so be warned.

Oh, and if you’ve ever wondered about the ol’ Green Goliath’s sex life, Charlie Jane has you covered:

Since I’ve read almost every Hulk comic ever published (except I admit Bruce Jones lost me after a while) I should stick in a little dissertation about the Hulk’s sexual history. Can the comics version of the Hulk really never have sex? We know that the Hulk is Incredibly, perhaps Unfeasibly, well-hung, because the Hulk gets naked in Incredible Hulk #400 and his arch-enemy The Leader remarks on how well-endowed he is. But it’s strongly implied, during the "gray Hulk" period, that the gray Hulk — who’s working as a Las Vegas leg-breaker — is getting laid on a fairly regular basis.

Well, that settles it, I guess. Head over to io9 for the full rundown of under-sexed superheroes.

Webcomic News Roundup: Garfield Hearts PvP, She-Hulk Has Powerful Lady Parts

  • News
  • June 13, 2008

The post-event reports from the MoCCA Art Festival are finally starting to dwindle, but in case you missed my Day One and Day Two reports, go back and check them out for a few earlier bits of news from the digital side of the comics world.

Here are a few more items of note from the week’s webcomics scene:

Fleen‘s Gary Tyrrell has posted his exceptionally comprehensive MoCCA report, which covers a lot of ground in and around the online comics community. He’s also posted a nice gallery of photos from the event, including this great shot of Octopus Pie creator Meredith Gran that illustrates the proper way to stretch every few hours during a show. Unfortunately, some guy ruined one of the last photos he posted.

Over at Diesel Sweeties, Rich Stevens recently contemplated the perils of sexing up She-Hulk. owch

I broke the solo format with my weekly webcomic interviews this time around, and asked some questions of the pair of talented creators behind A Softer World, Joey Comeau and Emily Horne. They had some great answers, too. (more…)

Manga Friday: Everybody Was Kung-Fu Fighting

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  • June 13, 2008

freak-4828629

This week it’s time to go back to what manga do best – or one of the things manga do best, anyway – stories about people fighting and killing each other, usually with long point bits of metal. To make it even more interesting, all three of the books I’m looking at this week are later books in series – and I’ve only seen the earlier books in one case. So this might just turn into another installment of Stump the Reviewer…

Freak: Legend of the Nonblonds, Vol. 3
Story by Yi DongEun; Art by Yu Chung
Yen Press, June 2008, $10.99

Three people –the increasingly oddly named Verna, Lorel, and Tublerun – live together (I think) and are the “Nonblonds,” a troupe of fighter/bounty hunter/martial artists, which apparently is a legitimate career in this world. (And that’s not unusual for manga, actually.)

None of them are blonde – which I wouldn’t have been sure about if Tublerun wasn’t the guy on the cover, but leave that aside – but I have no idea why that matters. Oh, and Verna – a dark-skinned woman, when the other two are light-skinned men – has been spending too much time in “Cerebro” lately, to make more money for someone who’s been in a coma for fifteen years.

Anyway, in this book, Tublerun – who I think was previously the goofball of the group, or perhaps even the explicit comedy relief, takes a solo job up near the North Pole. There, a girl named Marti, who calls herself the personal secretary of President Magnus and says the quest is an unofficial GIA event, tells an assembled group of tough characters that they are going to go into “an ancient site where the method of liquid metal-making was created” to find and retrieve a capsule for a vast reward.

With her is a guy who is, in order, Mr. Ecliptor, GIA’s security chief, and the son of “our President.” (He’s also, once he puts on a mask, the powerful and deadly Chroma – this may be a secret identity.)

(more…)

Free Download of ‘The Middleman’ Pilot Episode

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  • June 12, 2008

For those of you who are iTunes-enabled, the first episode of the new ABC Family series The Middleman, based on a comic book series by former Lost writer and producer Javier Grillo-Marxuach, is currently available as a free download. The series premieres this Monday, June 16, at 8 PM on ABC. 

The episode will only be available for a limited time, so make it a point to snag it as soon as you have a chance.

For those who aren’t familiar with The Middleman, the series chronicles the adventures of a secret agency whose slogan is "Fighting evil so that you don’t have to." The Viper Comics series was filled with well-scripted humor, crazy science-fiction gadgetry, over-the-top action and a never-ending supply of creepy-crawly tentacled things for the heroes to battle. After picking up a copy of the first volume a few years ago (there have been a total of three volumes published thus far), I became a big fan of the series — so the news that a television adaptation was in the works was a nice surprise indeed.

Grillo-Marxuach initially conceived the story of The Middleman as a television project, but Paul Dini convinced him to kick it off as a comic. The pilot episode of the series was written by Grillo-Marxuach, who also serves as executive producer of the series.

 

(via beaucoupkevin)

Interview: Emily Horne and Joey Comeau on ‘A Softer World’

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  • June 12, 2008

asw3-200-7130368I’ve been reading A Softer World off and on for the last three years, but I have a good reason for my my irregular visits to Joey Comeau and Emily Horne’s photo-based webcomic.

The fact is, it’s hard to predict what emotion I’m going to feel when I take the plunge into a new iteration of ASW and its text-over-photograph, three-panel world. With other comics, I can usually anticipate the laugh or, in some cases, the snark-fueled sense of satisfaction the latest strip is likely to provide. Heck, with most strips I can at least anticipate learning the next plot point in an ongoing storyline.

ASW, however, is always a gamble.

One strip can prompt hysterical laughter, while the next can only make you shiver and and wonder what the unholy hell was going on in its creators’ minds when that strip was conceived. ASW can explore complex social issues one moment and the depth of depravity in the next.

The point is, I like having at least an inkling of what I’m jumping into before my feet leave the ground — so that’s why A Softer World has always been one of the more irregularly visited comics on my reading list. But I’m not too dense to realize that therein lies its appeal.

In fact, it was one of the more recent, controversial episodes of ASW, sent to me by a friend who is far more willing to suffer the emotional highs and lows of this tremendously creative series, that prompted me to roll the dice and become a regular reader once again — and to contact its creators about this interview.

COMICMIX: With most comics, script usually comes first and art later, but you go at it in reverse with A Softer World. Can you tell me a bit about the creative process for ASW? How does a strip typically come together for you?

EMILY HORNE: When we were both in Halifax, we used to be able to be much more collaborative about it. ASW started with us taking a typewriter and a stack of photos to the all-night copy shop and making a mess of comics all at once. Now that we live on opposite sides of the continent, it’s a bit more difficult. I usually make up three or four comics at a time and upload them for Joey to look at. He comes up with text for them as inspiration (and our 3x a week posting schedule) demands. If we are both online before it goes up, we’ll edit together.

JOEY COMEAU: Also, it’s worth noting that we try to keep the relationship between the images and text interesting and not always a literal illustration. Often times, the picture just feels like it goes with the text, even though they both seem to involve different things. Or, it’s also fun to have a conflict between the two. Very serious people making very serious faces, and ridiculous text.

(more…)

Archie Goes Digital With ‘Bronze Age’ DVD-ROM

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  • June 11, 2008

Following in the footsteps of previous digital media initiatives, Archie and the crew from Riverdale will soon be making their adventures available via the ol’ computer machines.

A recent press release from Archie Comics indicates that the publisher has put together a new DVD-ROM collection that will feature high-quality image files from a large number of Bronze Age Archie comics.

The specs, according to the official PR:

This includes a total of 97 comic books covering a span from February 1970 through December 1979, including annuals, all articles, and every single advertisement. All comics can be printed or viewed on your PC. The high-quality DVD-ROM is compatible with nearly every platform, including Windows 95 / Me / 98 / XP / 2000 / Vista, Mac OS X, Mac OS 9 and below, Linux, Mac OS X Intel. Purchase the Archie Bronze Age Series at your local computer software store or buy it online at http://stuffshop.archiecomics.com/arbragesedv.html

Since the Archie titles remain one of the only current series that seems to stay afloat selling in supermarket checkout lines, I have to wonder how well they’ll do in the new frontier of "computer software stores." I’m not going to bet against them, though, as it seems like anything is possible with Archie.

Thomas Scioli on Gødland, Day Jobs and Joe Casey

godland-200-4055403Over at The Comics Reporter, Tom Spurgeon has been conducting a great series of weekly interviews that, for no good reason whatsoever, I’ve been neglecting to point out here on ComicMix. It’s time to change that.

His most recent interview, with Gødland co-creator and artist Thomas Scioli, was a real gem. Much like Spurgeon, I’m not very familiar with Scioli himself, but I’ve enjoyed the way he’s channeled Jack Kirby in Gødland ever since I came across the first issue. However, despite the critical praise the series received, Casey and Scioli recently announced that Gødland would end with issue #36.

Spurgeon has a frank chat with the award-winning artist about Gødland, the reasons behind its cancellation, the collaborative process and what he has planned for the future.

Here, Scioli discusses one of the conditions that led to the series’ termination:

The collections did a lot better than the single issues. The first collection was far and away the most successful book. Most of my earnings from this series are from that single volume. Before this series came out, I had a lot of assumptions about what would sell, and I was pretty much wrong. I thought that there was more of a hunger for this type of material. I know this is the kind of comic I’d like to see more of. Maybe my expectations were too high, though. I mean it is the most successful thing I’ve ever been involved in. We sold a lot of comics, relatively speaking, but the number you need to consistently sell to really make a go of it is awfully high.

The main frustration is that I wish there was more room for us. It’s crowded out there. I kept hearing from people who couldn’t get a certain issue because their store sold out of it, or they ordered it but it never showed up at their store. Hearing that kind of thing makes me crazy.

Head over to The Comics Reporter for the full interview, and be sure to check back there every Sunday for more of Spurgeon’s interviews.

Happy Birthday: Charles Vess

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  • June 10, 2008

Born in Lynchburg, Virginia in 1951, Charles Dana Vess fell in love with comic books and art while still a child—he drew his first full-length comic when he was ten years old.

He attended Virginia Commonwealth University and graduated with a BFA in 1974, then went to work as a commercial animator for Candy Apple Productions in Richmond. In 1976, Vess moved to New York City to try his hand as a freelance illustrator. In 1980, he joined Parsons School of Design as an art instructor.

He was getting regular comic book work, and drew books for Dark Horse, Marvel, Epic, and DC, but it was in 1989 that Vess became truly well-known in the field. He collaborated with Neil Gaiman on one of the issues of the original Books of Magic mini-series and also drew three issues of Gaiman’s Sandman series for Vertigo. One of those issues, #19 (“A Midsummer Night’s Dream”) won the World Fantasy Award for Best Short Story.

In 1994, Vess moved back to Virginia and organized The Dreamweavers, a traveling exhibition of 15 fantasy artists. Since then he has had many other showings and worked on many other comic books.

Another Vess-Gaiman collaboration, Stardust, won an Alex Award from the American Library Association, a Mythopoeic Award, and a World Fantasy Award for Best Artist. Vess has won a Will Eisner Comics Industry Award three times. He has also won a Comic Creators’ Guild award, a Silver Award, and an Ink Pot. He has won numerous children’s book awards as well, primarily for his collaborations with Charles de Lint.

Getting Reality Right, by Dennis O’Neil

  • News
  • June 10, 2008

Vinnie Bartilucci said it better than I did. Commenting on a couple of columns that asked, sort of, if the science in comics should be real, Vinnie wrote, “… once a writer chooses to mention actual, proper science, he should get it right.”

Yes. Exactly. Well put.

But I wonder if we shouldn’t extend the idea to other real life areas. Social problems, for example.  Or such knotty personal problems as addiction. One of the difficulties is, there isn’t the kind of consensus on personal and societal quandaries that there is on the basics of, say, physics. All but the most skeptical – or reactionary – can agree that Newton’s three laws are on the money and Einstein was right about relativity, both general and special, and even Heisenberg’s principle doesn’t seem terribly uncertain these days.

But, to pluck just one example from the ether…addiction? What, exactly, is it? My imperfect understanding is that many, if not most, addictions are caused by environment acting on genetics. In other words, nature and nurture combine to rot out somebody’s life. But, with patience, determination, and rigorous self-honesty, the addict can put his demons in the coal bin, and if he’s able to continue being patient, determined, and honest, they’ll stay there until he dies and they die with him. Addiction is not exactly a disease, in the conventional sense, but it’s more that than character defect.

That was, more or less, the version of addiction I posited in an extended comic book continuity some years ago, and most people who saw the stories seemed to agree with me. But not everyone. A source I trust told me that a person much higher on the corporate food chain than either my editor or me thought that the fictional addict should have just…I don’t know – snap out of it? (In fairness to all concerned, the executive in question never confronted me personally, so I am taking a trusted somebody’s word for what happened.) On another occasion, an excellent artist, a man I respect, refused, politely, to draw a one-page shot of a hero dreaming he was drunk – just dreaming, mind you – because, in the artist’s opinion, heroes don’t behave like louts, even when snoozing.

(more…)

News Roundup: Comic Theft Solved, Aimee Mann Goes Graphic, ‘Middleman’ Debuts

Here’s what’s been going on in the world of comics over the past few days to give you some Monday afternoon I-don’t-feel-like-doing-any-real-work reading.

In an interview with the Toronto Star, Shooting War illustrator Dan Goldman talks about why he doesn’t draw Spider-Man:

"I could be doing that kind of stuff, but … I feel like you’ve got a microphone; if you’re going to step up, you really should have something to say."

Goldman is concerned with what he sees as the degradation of the United States. "I have my days when it’s tough to look over at my desk and see my little American passport and I feel ashamed."

You may have heard about the sad news out of Seattle, where a man’s collection of about 6,000 comics was stolen from a friend’s house. The case is now closed. The original owner tracked down the thief, got back his books, and no one was arrested. Priceless quote from the police spokesman: "We didn’t want to spend any more time on it,"

Buried deep in this CNN story about singer/songwriter Aimee Mann (you probably know her from the Magnolia soundtrack) is the news that she’s slowly become a graphic novelist: "I take a sketchbook and I bring it out at dinner … and I’ve got this one friend who always says something ridiculous, so I’ll try to write it down and put it in [graphic] form, and it kind of amuses everyone at the dinner table," she says, while saying it’s "kind of a long-term project."

Lastly, Lost writer Javier Grillo-Marxuach reveals to Comics2Film that Paul Dini is responsible for Grillo-Marxuach’s The Middleman going from proposed TV series to comic (and now it’s set to be a TV series again): "Of course, I was a huge comic book fan already, but something about talking to Paul and realizing here’s a guy who’s doing it sort of inspired me to say, ‘Here I have a property that, in a comic book, without the constraints of budget, would be spectacular.  So why not go in that direction and try to fulfill this creative need that I have to see this thing made?’"

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