Tagged: comics

‘Buffy the Vampire Slayer’ Tarot Cards and Ouija Board

15340-tm-5260394Every now and then, a product announcement comes across the wire that catches my eye. Sometimes the product is connected to a property I’m a big fan of, and other times it piques my interest for no other reason than it seems like a creative, original idea for a tie-in.

Not being a big Buffy the Vampire Slayer fan (I was more of an Angel person, to be honest), it’s a case of the latter that prompts me to echo Dark Horse Comics‘ recent announcement that the publisher will be producing a set of tarot cards and ouija board based on the Buffy property. It’s the sort of tie-in that’s such a no-brainer I can’t believe it hasn’t been done already — and after a quick Google for Buffy-related tarot cards and ouija boards, I salute the good folks at Dark Horse for getting there first (until someone tells me otherwise).

From the official press release:

Named for an award-winning episode from Season Seven of the BVS television series—and written by Buffy Season Eight: Wolves at the Gate author Drew Goddard—the Buffy the Vampire Slayer “Conversations with Dead People” Board is a great game for fans, in this world and the next, to communicate with each other about life, death, and other mysteries. In the tradition of the Sunnydale Hellmouth, through which countless entities gained entry, fearless souls can let voices from the other side guide the planchette along the board to spell out the answers to their queries. Folks can channel their inner Willow and hone their witchy skills, providing hours of fun for the whole séance! Accompanying the game board and planchette, the Buffy the Vampire Slayer “Conversations with Dead People” Board includes an exclusive, comic-style instruction book featuring sequential art by Buffy SeasonEight guest illustrator Paul Lee!

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Wolverine: Superfrog?

Wolverine is one of those characters who has been presented dozens of different ways over the years, from the tightie-whiteys and metal helmet days of Weapon X to the crotchety senior years of Old Man Logan. One thing we haven’t seen until now, however, is Wolverine in his… amphibian years?

Thanks to a team of Harvard University biologists led by David Blackburn, science reports everywhere are turning an eye to the comics scene and comparing a species of African frog to the most popular Marvel Comics mutant.

From Science Magazine:

When the comic book warrior faces a fight, metallic blades spring forth from his hand. A new study concludes that certain African frogs are similarly equipped, having sharp, claw-shaped bones that pierce through their own fingertips when the animal is threatened.

While researchers think the "bone claws" might be more useful for climbing than for fighting, they also speculate that amphibians’ well-known ability to regenerate tissue also comes into play when sending their own bone fragments through layers of skin as these species do — "just like Wolverine."

Of course, the hardcore comic geek in me really wants to point out that these frogs might be more like another Marvel character, Marrow (who can grow extra bone mass to use as a weapon), than everyone’s favorite Canucklehead — but I appreciate what you were trying to do there, scientist-people.

And on a quick side note, anyone remember the frog version of another popular Marvel character — namely, Thor? Now that was a superfrog.

Video: Stephanie Vozzo on Coloring ‘Archie’

archie-swap-4424714Minnesota NBC affiliate KARE11 recently turned an eye toward the comics scene in an ongoing video series called "Job Swap" — in which a reporter trades jobs for a day with various professionals.

In the May 22 episode of the series, reporter Rena Sarigianopoulos traded jobs with Archie colorist Stephanie Vozzo.

"There are a lot of people that color comics for different companies but there are not many people who do it for Archie," says Vozzo.

And, she does it all by hand. "I work probably six to eight hours a day, depending on how busy the page is, it could take an hour or more to do a page."

There are a pair of videos you can watch on the KARE11 site here. Thanks go out to ComicMix reader Russ Rogers for tipping me off to this story.

Neil Gaiman to Write ‘Doctor Who’ in 2010?

Rich Johnston ignited a flurry of discussion among both comics fans and Doctor Who fans this week by reporting a rumor in his weekly "Lying in the Gutters" column that author Neil Gaiman had been approached to write an episode of the popular BBC series in 2010.

According to Johnston:

Such as the rumour running around my BBC sources that Neil Gaiman being approached to write an episode for 2010. That would be this Neil Gaiman, comic author, fantasy novelist, screenwriter, poet and writer of the Duran Duran Biography 1985. With possibly the most non-committal non-confirmation I’ve ever read. And I’ve read the responses of current Labour ministers.

In fact when I asked Neil if he’d care to comment, he pleaded the Francis saying, "You may very well think that, but I could not possibly comment."

I do very well think that. I do.

Of course, nothing will actually have been commissioned by the BBC at this stage, and there’s many a slip ‘twixt cup and prosthetic lip, but it’s looking good.

For more on the rumor, including other "potential facts" regarding the future of Doctor Who, check out this week’s "Lying in the Gutters."

And remember to check back here on ComicMix every week after a new episode of Doctor Who airs in the U.S. for our weekly Doctor Who in Review analysis of all the Easter Eggs, hints and continuity checks from the current series.

Joe Quesada on ‘When I Grow Up’

Any kid worth his Harry Potter books knows who Scholastic is; the multimedia publisher that educates and entertains school children.

As part of their When I Grow Up series of web articles, the publisher recruits adults to tell kids what their jobs are like. The latest grown-up to provide career advice is Joe Quesada, Editor-in-Chief of Marvel Comics.

Here are some of the highlights:

I  play with Spider-Man for a living!

When I was a kid, I wanted to be: A baseball player for the New York Mets.

My father bought me my first comic in 1968 because he had seen in the news that Stan Lee and Marvel were introducing a new comic book that preached against the evils of drug abuse, and he thought it would be a great way to get the message across.

It’s a cute article, aAnd let’s face it, we all want to grow up to be the guy who runs a comic book company, right?

ComicMix Six: Biggest Tease in Comics (Male)

[EDITOR’S NOTE: In previous editions of ComicMix Six, our contributors have given you their lists of comics’ top political campaigns, the best and worst movies based on comics, and even a few reasons why a Skrull invasion isn’t anything to worry about.

This week, ComicMix Media Goddess Martha Thomases ranks some of comics’ most desirable — but unattainable — men, and the reasons why they always remain just out of reach. -RM]

Some of us yearn for a man’s touch. Sometimes, that man refuses. The very beauty that drew us to him now taunts us.

Here are the worst offenders, in no particular order, for my ComicMix Six list of The Biggest Tease in Comics (Male):

6. MORPHEUS: The Sandman only comes to you when you’re already asleep. This limits how much fun you can have, and more important, how much fun you can remember.

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ComicMix Radio: Grab Your Wallets, Kids – We’ve Got Comics!

While you’re back to daily grind today, take solace in the fact that, in 48 hours, your local comic shop will be filled with a pile of surprises — including many of the titles we’ve been waiting on! We cover them all,  plus:

— Indy conquers the box office – big!

— A second Watchmen movie set for 2009

— Battlestar Galactica sees ratings glory!

It’s a four-day week anyway – so kill a little time and  press the button!

 

 

And remember, you can always subscribe to ComicMix Radio podcasts via badgeitunes61x15dark-4515150 or RSS!

Science Friction, by Dennis O’Neil

The following will be about a column I didn’t write and it’s Vinnie Bartilucci’s fault. But that’s okay. I forgive him.

What Mr. Batilucci did was beat me to recommending Physics of the Impossible, by Michio Kaku. This Mr. B. did in a comment on last week’s column which, some may remember, described how awkward I felt being a published science fiction writer who was abysmally ignorant of science and how one of my earliest attempts at remedy of this ignorance was reading One…Two…Three…Infinity, by George Gamow.

My plan was to save recommending Dr. Kaku’s much more recent book – it’s on current best-seller lists, in fact – for this week.

Said recommendation would have come at the end of a blather that would have mentioned yet another elderly book, The Two Cultures, by a remarkable man who was both a scientist and novelist named C.P. Snow. According to the endlessly useful Wikipedia, “its thesis was that the breakdown of communication between the “two cultures” of modern society – the sciences and the humanities – was a major hindrance to solving the world’s problems.” I encountered Mr. Snow’s slim volume in college, probably when I should have been reading something some teacher had assigned, and it must have impressed me. (I mean, here we are, all these years later, and I still remember it.) The unwritten column would have culminated in the reiteration of something I mentioned some months ago, advice from my first comic book boss, Stan Lee. Stan said, in effect, that it’s a waste of space to “explain” comic book “science” because readers will accept what we tell them.

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Review: The Complete Peanuts, 1967 to 1968 by Charles M. Shulz

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The Complete Peanuts, 1967-1968
By Charles M. Schulz; foreword by John Waters
Fantagraphics, February 2008, $28.95

By 1967, [[[Peanuts]]] wasn’t just another comic strip in the local newspaper, it was a media phenomenon. The first TV special, A Charlie Brown Christmas, had won an Emmy amid universal acclaim two years earlier, and You’re a Good Man, Charlie Brown was about to open on Broadway. It was the epitome of mainstream entertainment – on May 24th, California Governor Ronald Reagan and the state legislature even proclaimed it “Charles Schulz Day.” The strip hadn’t quite hit its ‘70s mega-merchandising heyday, but it was getting there.

At the same time, not all that far from Schulz’s Santa Rosa home, Berkley was roiling with anti-war fervor and the Summer of Love had hit San Francisco. Peanuts had been seen as an edgy, almost countercultural strip in the early 1950s, but those days were long past, and Peanuts was the Establishment. In those days, you were with the pigs or with the longhairs, right? And where did Peanuts stand?

From the evidence here, Peanuts stood where it had always stood: on its own, only rarely commenting on specific issues of the day (such as the “bird-hippie” who would become Woodstock in another year or two), but talking around those issues in ways that most of America could laugh at… some more uncomfortably than others. Schulz was never one to declare himself on one side of an issue or the other; he’d just write and draw his cartoons, and let others make their interpretations.

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Happy Birthday: Carmine Infantino

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Flash Fact: Born in 1925 in Brooklyn, New York, Carmine Infantino might have been expected to go into music—his father was a musician, though he also worked as a plumber—but turned to art instead. While still in high school Infantino started working for Harry Chesler’s comic-book packager. Next he became an art assistant at Quality Comics. His first actual drawing job came at Timely Comics in 1942, where Infantino inked "Jack Frost" in USA Comics #3. After finishing high school Infantino continued to work for several places before finally landing a staff job at DC as the regular artist on the Golden Age Flash, Black Canary, Green Lantern, and the Justice Society of America.

He is probably best known for his work creating the second Flash, Barry Allen, and his distinctive red uniform. In 1967 Infantino became an art director at DC, and was promoted to editorial director a short while later. In 1971 he became publisher, but eventually left that position to go back to drawing on a freelance basis. He retired in 2005, though he still appears at comic book conventions. Infantino has won a National Cartoonists Society award and twelve Alley Awards, including a special Alley in 1969 for being the artist who “exemplifies the spirit of innovation and inventiveness in the field of comic art.”

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