Tagged: comics

Manga Friday: Done in One

One of the differences – I won’t say “advantages,” since opinion differs on that subject – of manga from Western-style superhero comics is that manga stories all have endings, eventually. Oh, “eventually” can be a long, long time coming – two decades, in some cases – but manga are created by one person or set of people, and all eventually come to an end, unlike corporate-owned characters, who live as long as their revenue stream does.

Some manga, though, end more quickly than others. Some even end in a couple of hundred pages – a story short enough to fit into one volume. And, by luck, I have two stories just like that in front of me this week.

Haridama: Magic Cram School
By Atasushi Suzumi
Del Rey Manga, May 2008, $10.95

Kokuyo and Harika are childhood friends who both ended up at the Sekiei Magic Cram School – named after its founder and apparently only teacher – studying to be magicians (who, once they’ve climbed the magic ladder as far as they can, we’re told are qualified to open cram schools of their own, which makes the whole thing seem like a pointless pyramid scheme). They’re “Obsidians,” people with only Yin or Yang power – instead of both, like proper magicians – and so they need swords with stones in the hilt to channel their lesser powers.

The other two main characters of this story are Sekiei, their young teacher – there don’t seem to be any other students in the school, in fact – and Nekome, a third-level sorcerer who recently graduated from the rival Torame school. Sekiei pushes Kokuyo and Harika to work harder and achieve more, while Nekome mildly torments them and puts down their abilities. (more…)

‘Dungeon Monstres, Vol. 1: The Crying Giant’ Review

The “Dungeon” series has gotten so full of stories, so complicated, that there’s a diagram on the back of this book to explain how all of the sub-series relate to each other.

Up top are the three main sequences – The Early Years (the creation), Zenith (the height), and Twilight (the downfall), as it says here – and below that are explanations of the other three clusters: Parade, Bonus, and Monstres. All are set in a giant castle in a standard fantasy world – the castle was set up by “the Keeper” as a habitat for various monsters, who could kill and devour the inevitable wandering adventurers. (So it’s a hack-n-slash D&D campaign turned on its head; the monsters win every time.)

Dungeon Monstres, Vol. 1: The Crying Giant
By Johann Sfar, Lewis Trondheim, Mazan, and Jean-Cristophe Menu
NBM, June 2008, $12.95

 

This particular subseries focuses on, as the back cover says, “great adventures of secondary characters.” So Monstres is the Cable & Deadpool of the “Dungeon” world, I guess…

The other different thing about Monstres is that the stories are illustrated by guest artists, not by series creators Johann [that’s how he’s credited on this book; though I’ve never seen the “h” in his name before] Sfar and Lewis Trondheim. In this case, the first story, “John-John the Terror,” has art by Mazan while the title story is illustrated by Jean-Cristophe Menu, head of the alternative comics publisher L’Association.

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Comic Book Cameo: Green Lantern on ‘Bones’

In the season finale episode of Bones, "The Pain in the Heart," an upset Doctor Brennan burst into her FBI partner’s bathroom and made a startling discovery. Special Agent Seeley Booth likes to relax in a hot tub with a beer helmet and comic book. In this case, Green Lantern. Booth is played by David Boreanaz, who previously played the brooding vampire Angel in Joss Whedon’s celebrated TV series Buffy the Vampire Slayer and his solo spin-off series, Angel.

Macho tough guy, and ex-Marine Corps sniper, who would’ve guessed Booth is a closet geek. But there you have it:

gl33-2735833

 

Of course, that wasn’t just any comic book he was reading, either. It was Green Lantern #33, a Silver Age comic of Hal Jordan fighting Doctor Light. The issue featured a Gil Kane cover and a story titled "Wizard of the Light-Wave Weapons."

Booth explained the hat by saying, "Cold beer plus hot tub equals warm beer." But no defense was offered for the comic — or for the unreported crime of exposing that old comic to steam. That’s a definite no-no.

ComicMix Six: The Best Movies Adapted From Comic Books

In a previous edition of ComicMix Six, I set forth my picks for The Worst Movies Adapted from Comic Books. Now, because a "worst" list is nothing without a "best" list, I’ve assembled another one for you. This time around, I’m casting the spotlight on the opposite of bad movies and highlighting The Best Movies Adapted from Comic Books.

In contrast to the worst films, these stellar examples of cinematic goodness are not only great comic book adaptations, they’re great movies, too. From brilliant direction, exciting visuals that enhance rather than obscure the story, to compelling peformances, these six films deliver in a big way.

They alse showcase adherence to, and reverence for, their source material and represent what happens when talented people who appreciate comics get together to make a movie. Plus, they’re just plain fun to watch.

So now, without further ado and in no particular order, here is my ComicMix Six list of The Best Movies Adapted from Comic Books.

 

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Hereville, Thereville and Everywhereville, by Elayne Riggs

Oregon has become the latest state to garner the national spotlight in this Democratic Presidential campaign "silly season." Just about every liberal blog I read had effusive reports of the huge turnout at last weekend’s rally for Barack Obama in Portland’s Waterfront Park. Now me, I can’t think of Oregon without thinking of two things: the annual Stumptown Comics Festival, which I’ve never attended but which sounds pretty neat; and the person who first introduced me to the idea of Stumptown, my friend of many years, Barry Deutsch.

Barry and I go back so long that, like ComicMix commenter Vinnie Bartilucci, he knew me before my first marriage. As I recall, he visited me a few times back when I worked in the East Village, we probably even shopped at St. Mark’s Comics together, and he was an utter delight to be around. He still is, whenever he comes back east to visit. But he currently makes his home in the wilds of Oregon, so I pretty much see him around MoCCA time and that’s it. Fortunately, I get to see his art whenever I want to.

Barry’s been sketching and doing comic strips for awhile now. His political work reminds me a lot of Matt Wuerker’s style, the way it relies on gentle caricature and well-thought-out illustration to get his points across easily and without straining the reader’s credulity. He’d been bending my ear for awhile about a special long-form project of his, and that project has finally come out. It’s called Hereville.  You’ve probably seen lots of reviews about it online already. Here’s another one. (more…)

Review: ‘The Facts in the Case of the Departure of Miss Finch’

finch2-6975608Neil Gaiman has been too busy lately to write much for comics unless it’s an event — like 1602 or his curiously pointless Eternals miniseries — but there’s still an audience for his stories in the direct market. So what’s a poor comics publisher to do? Well, if it’s Dark Horse, what you do is get various folks to adapt Gaiman stories into comics and publish them as slim trade-paperback-sized hardcovers. So far, Michael Zulli did Creatures of the Night, John Bolton adapted Harlequin Valentine, and P. Craig Russell tackled Murder Mysteries. And now Zullis is back again for:

The Facts in the Case of the Departure of Miss Finch
By Neil Gaiman, Michael Zulli, and Todd Klein
Dark Horse Books, May 2008, $13.95

Now, for most writers, “[[[The Facts in the Case of the Departure of Miss Finch]]]” would be by far their longest title ever, but Gaiman is not most writers. He’s also responsible for “[[[Being An Experiment Upon Strictly Scientific Lines Assisted By Unwins LTD, Wine Merchants (Uckfield)]]]” ” [[[Forbidden Brides Of The Faceless Slaves In The Nameless House Of The Night Of Dread Desire]]],” ” [[[I Cthulhu: Or What’s A Tentacle-Faced Thing Like Me Doing In A Sunken City Like This (Latitude 47º 9′ S, Longitude 126º 43′ W)?]]],” and ” [[[Pages From A Journal Found In A Shoebox Left In A Greyhound Bus Somewhere Between Tulsa, Oklahoma, And Louisville, Kentucky]]].” So “[[[Miss Finch]]]” may just be one of Gaiman’s more punchy and terse titles.

According to the Neil Gaiman Visual Bibliography — and why should we mistrust it? — “Miss Finch” is one of Gaiman’s more obscure stories, showing up in the program book for the convention Tropicon XVII and a magazine called Tales of the Unanticipated before turning up in one of his collections — though in a different one depending on which side of the Atlantic you live on.

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Women in Comics, Through the Eyes of Five Creators

There continues to be strong debate about the equality (or lack thereof) between female and male comic book creators, and a recent online panel discussion shines much light on the situation.

Hudson Phillips — screenwriter, designer, fellow Atlantan and all-around good guy — hosted the discussion on his blog. He spoke with artists Rebekah Isaacs (Hack/Slash, Drafted) & Amy Reeder Hadley (Fool’s Gold, Madame Xanadu), journalists Johanna Draper Carlson (Comics Worth Reading) & Angela Paman (Comic Addiction), and Web-comics creator Julia Wertz (The Fart Party).

It’s a wide-ranging chat, with a wide variety of viewpoints that give a lot of perspective to the many issues facing women in comics:

IN WHAT WAYS DO YOU THINK CREATORS & PUBLISHERS CAN BE MORE “FEMALE-FRIENDLY” WITH THEIR BOOKS?

Angela: I think if they came out with more books similar to the format like the Minx line but had topics or stories catered to not just one specific age group but for different age groups. Comics got me to loving reading again and I think to myself, “if comics got me into reading at my age, what more someone younger than me”. Publishing more books for the younger audience would also help as well.

Johanna: The biggest gap still remaining is work that adult women can find interesting and appealing. Manga is mostly teen-targeted, and many “indy/alternative” books still reflect a male perspective.

Rebekah: I truly believe that so much of what’s being published today IS female-friendly, but is not being marketed towards females in any way. I don’t believe that simply adding strong, “empowered” female characters to a book makes any difference, since women with enough good taste to appreciate a well-written story will equally love books with both male and female-dominated casts. So doing such can come across as condescending. Publishers just have to find a way to get their ads and press out there to a more diverse audience. And comics readers, suggest your favorite titles to ALL of your friends, not just the ones who also read comics.

Women In Comics – Etta Hulme, by Michael H. Price

hulme-red-rabbit-02-7958746During 1992–1993, my newspaper-of-record became a sponsor of a traveling exhibition of art tracing the centuried history of editorial-opinion cartooning in Texas. Curators Maury Forman and Bob Calvert, seeking to preserve the display as a book, enlisted me to edit their program notes into manuscript form. The finished result, Cartooning Texas (Texas A&M University Press; 1993), has outlived the exhibition by a good many years – but of course could use an update by now.

One timely offshoot was that our expo-opening ceremonies involved such working cartoonists as Ben Sargent, of the Austin American-Statesman, and Etta Parks Hulme, of the Fort Worth Star-Telegram, in panel discussions and sketch-demonstration sessions that served to bring the exhibition into the here-and-now. Or the there-and-then, as it were. Etta and I officed within shouting distance of one another at the Star-Telegram, and I had been pressing the Powers That Did Be for a couple of years about devoting a Telegram-spinoff book to her cartoons.

The leverage of the exhibition proved sufficient, if only just, to encourage a Hulme book from the Star-Telegram. More of a pamphlet, actually, but it rounded up a fairly generous selection of ’toons, with a page for each piece. I had suggested that we call the thing Ettatorials, but the newspaper’s marketing office preferred UnforgETTAbly Etta. (more…)

ComicMix Radio: Shake-Ups On TV – We Need A Hero!

cmixradio-200-4020296The fall lineups for the major networks continue to be revealed and you may  not be happy at where a few of our favorites landed. To ease the pain, we poke Heroes‘ star Milo Ventimigila to find out what he picked up at his local comic shop, plus:

Iron Man buzz hits the comic racks with two sellouts

— You can see Indiana Jones early – if you fly to Cannes

BSG‘s Number Six meets Spidey!

Stop looking at the goofy TV stars and press the button!

 

 

  And remember, you can always subscribe to ComicMix Radio podcasts via badgeitunes61x15dark-7593382 or RSS!

Gene Colan’s Health Issues Prompt Industry Fundraising Efforts

colan_batman_cover-3861728While Warner Bros./DC is actively shutting down fundraisers, the friends and family of artist Gene Colan are continuing to put the word out about their need for donations to help with the cost of Colan’s medical bills due to dangerous liver problems.

Dirk Deppey over at Journalista has made it the top story for the entire week and like many other sites, provided a link to auctions of Colan’s original art that his family has posted. He’s also offered up an alternate strategy for getting much-needed money into the right hands:

Do as I did, and make a direct donation via Paypal, where the Colans are registered as genecolan@optonline.net — just log into your account, hit the “send money” button, and insert said email address and the amount you wish to donate into the appropriate boxes. Oh, and you might want to mention the word “donation” prominently in the comments box, so the Colans don’t have to sort through a bunch of listings to find the eBay payments.

Tom Spurgeon also offered up a host of links and information about Colan, his predicament and how you can help, while ComicMix pal Mark Evanier posted a long message about Colan on his website:

I don’t know what else to write here. It just seems appropriate to send a whole lotta love the Colans’ way this morning. I hope the dire reports on his health will prove to be overstated. I hope we’ll have Gene around for many more years. I hope — and of this, I am the surest — that Gene is well aware how many fans he has and how, whenever he goes, he’s leaving behind an incredible body of work that will be praised and studied and appreciated by comic book fans who aren’t even born yet. I just think we oughta postpone losing a guy like that as long as possible.

A message from Colan’s wife Adrienne can also be read here. (more…)