Tagged: comics

ComicMix Radio: The Heat Continues

Coming off a weekend where Iron Man breaks movie records and 2 million free comics are handed out, the momentum for this week doesn’t slow down. Like good ol’ Ringo Starr, walk into your comic store and you will see:

— DC fills in some background for Final Crisis and finally finishes off the Donner story

— Secret Invasion #2 hits the stores

— Plus: 100 Hulks go on display

Before you Press the Button we should tell you that seconds after this photo was taken, Pete Best snatched this comic from Ringo and ran out the door as fast as he could, shouting, “Finally, revenge!”

 

 

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Wrath, by Dennis O’Neil

Don’t stop me if you’ve heard this one…

Harry is homeless. Once, he was a successful venture capitalist with three lavish homes, a beautiful wife and a charming daughter, but then he lost his money in a bad real estate deal, his wife ran away with a televangelist, and his daughter started living with a crack dealer and not answering her phone. While panhandling near his old office, Harry met an friend who knew of a deal that would restore Harry’s fortune – hundred percent, guaranteed – and with his bank account restored, Harry was sure he could reclaim his family and his lifestyle. The problem was, Harry needed a thousand dollars to get in on the deal and he had no way to get it; his credit was maxed out and no one he knew would lend him another cent. He’s now passing a church, his head bowed in misery, when he sees a thousand dollar bill laying in the gutter. He can’t believe it! He is saved! He bends over to pick up the bill and…he’s hit by a truck. Laying there alone in the filth, Harry knows he’s breathing his last. He looks up at the sky and cries, “Why?” And a voice booms from beyond the clouds, “Because you piss me off.”

One of my favorite jokes and one I’ve been thinking of this weekend because, somehow, I’ve run afoul, again, of my old foe Crankus, the spiteful god of technology. Ol’ Mr. Macintosh in front of me has been acting up and the gentleman, polite but not terribly helpful, at the Mac store wasn’t exactly sure why. Larry and his friend Perri graciously offered to reinstall the Microsoft Word program, because I don’t trust myself with even elementary technological tasks, and so far, so good.

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R.I.P.: Ted Key

Cartoonist Ted Key, creator of the popular newspaper comic panel Hazel and the classic cartoon characters Mr. Peabody and Sherman, died today at 95.

Born Theodore Keyser in 1912, Key created Hazel for the Saturday Evening Post in 1943. The panel shifted over to King Features Syndicate in 1969 after its creator acquired the rights when the Post ceased publication. In the interim, Hazel evolved into a hit television show that ran between 1961 and 1966, and in syndication thereafter.

In 1959 Key developed the surreal "Peabody’s Improbable History" cartoon series for producer Jay Ward and his program Rocky And His Friends.

Key retired from Hazel in 1993 but the panel has continued in newspapers in reprints ever since.

Name Dropping, by Mike Gold

I’ve been around the northeast quadrant a bit since the New York show a few weeks ago and I’ve seen a lot of people. Good people, old friends, new collaborators, strange and unusual folks. That’s what my life’s about, and I’m proud of that.

I enjoy going to the Windy City Pulp and Paper Convention. Compared with, say, the mass of hustling humanity at comics shows in New York, San Diego or on WizardWorld, the Windy City show is like a weekend at the spa. Anthony Tollin was there along with his latest Shadow and Doc Savage trade paperbacks; we talk about them here all the time. I was able to have a solid conversation with frequent ComicMix commentator Russ Maharas, I got to go over the next Simone and Ajax plot with Andrew Pepoy for a bit, FOC (that’s “friend of ComicMix”) George Hagenauer gave Adriane Nash a swell history lesson on 1950s pin-up art, Rob Davis and Ron Fortier told me about a new project that fascinated the hell out of me, and I had the chance to talk with master cartoonist Jim Engel once again.

The next day we had lunch and dinner with FOCs Charlie Meyerson and his wife Pam (Charlie of Chicago Tribune fame; Pam’s a lawyer and bon vivant) and Rick Oliver and his wife Jade (Honest Rick of First Comics, Jade was a swell comics colorist). George, Charlie and Rick have given us a lot of advice and opinion ever since ComicMix was just a gleam in our eye – Rick is a major commenter in these precincts – and the whole bundle of ‘em are brilliant conversationalists.

Since the best thing to do in Chicago is eat until you burst, we were particularly fond of our dinner with the aforementioned Mr. Pepoy, Simone and Ajax colorist Jason Millet, Hilary Barta (Munden’s Bar, The Simpsons, The Thing, Power Pack, New Mutants, Alan Moore’s Tomorrow Stories), and writer / professor Len Strazewski (Prime, Justice Society, The Fly, Starman, Phantom Lady). Sort of like the fabled Algonquin round table, but a lot more snarky. (more…)

Weekend Window-Closing Wrap-up

A bunch of things that have been open on my browser, but may not deserve a full post of their own…

  • I have no idea where this Power Girl image came from, but I’m thinking that there’s a fan film out there that I don’t know about. Can anybody help me out?
  • Digital drawing tutorials in a Lackadaisical style.
  • Bobby Crosby says it really wasn’t an April Fool’s joke: Last Blood, a story about vampires protecting the last humans on Earth from zombies, is being adapted for the screen.
  • Finally, you can scan your comics without cracking the spine! As somebody who occasionally has to do this when we don’t have the original film to reproduce from, this is a godsend. Now if only somebody had a cheap tabloid scanner for the Mac…
  • Neil Gaiman gets around– here’s an article by Yvette Tan about meeting him in a Phillipine magazine.
  • The ten sexiest cartoon women…? Uh, not quite. No animated Zatanna? (Might be NSFW, depending on your workplace.)
  • Ian Gibson! (For you young ones in the audience, he did Secret Invasion 20 years ago for DC.)
  • One of these panelists is not like the others… one’s wearing a hat.
  • Dan Grauman?
  • And finally, the comic movie premiere we were all waiting for this weekend– Super Ninja Bikini Babes! …what, there was another comic book movie premiering this weekend?

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Ian Shaughnessy Emerging, by Michael H. Price

shaughnessy-book-cover-2446541From V.T. Hamlin in the 1920s and Etta Hulme during the mid-century, through the Superman books of Kerry Gammill in times more recent, Tarrant County, Texas, has long yielded a wealth of storytelling artistry to the comics industry at large.

An ambitious new representative of that regional-breakout scene is graphic novelist Ian Shaughnessy, of Arlington, Texas. Shaughnessy’s books for Portland, Oregon-based Oni Press – including an edgy comedy-of-errors called Shenanigans, with the Canadian illustrator Mike Holmes – bespeak a childhood fascination with comics, filtered through a lifelong love of language and an interest in taking the words-and-pictures medium to provocative literary levels more commonly associated with the present day’s independent filmmaking sector.

“I find myself writing under the direct influence of Billy Wilder,” says Shaughnessy, 24, invoking the name of a great screenwriter-director whose career spanned from 1929 into the 1980s. “I discovered Wilder during the 1990s with The Apartment [1960], then with Double Indemnity [1944], and found myself very inspired – in a lasting way.

“With Shenanigans, I found myself attempting to honor the spirit of Billy Wilder – that mastery that he had of romantic tensions, with finding the humor in awkward situations – as a key influence.”

Any such talent needs a practical springboard. With V.T. Hamlin, the creator of a famous comic strip called Alley Oop that has survived him by many years, the springboard was a cartooning job at the Fort Worth Star-Telegram. Hamlin spent much of the 1920s at the daily paper, generating such local-interest attractions as a serialized feature about a formidable minor-league baseball club, the Fort Worth Cats. (A retrospective collection of Hamlin’s Oop-prototype Panther Kitten cartoons is in preparation, along with an earlier Hamlin gag strip called The Hired Hand, whose booklet edition has been out of print since the 1920s.)

For Etta Hulme, the Star-Telegram’s signature opinion-page cartoonist since 1972, an early breakthrough lay in a post-WWII comic-book series about a cowboy critter named “Red” Rabbit. Graphic designer and Web publisher Kerry Gammill spent the 1980s and earlier ’90s as an illustrator with Marvel and DC, then moved into motion-picture conceptual art on such productions as 1998’s Blues Brothers 2000 and 1999’s Storm of the Century.

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ComicMix Radio: Free Comic Book Day Draws Thousands

Take two million free comics and a planet full of hungry fans, and you get the industry’s biggest one-day event. We cover it all from coast-to-coast!

Press the button for your Free Comic Book Day report, here on ComicMix Radio…

 

 

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Review: ‘Blue Pills’ by Frederik Peeters

blue-9583352Blue Pills
By Frederik Peeters; translated by Anjali Singh
Houghton Mifflin, January 2008, $18.95

This is another one of those semi-autobiographical graphic novels; I’m not going to assume that this is all “true” (whatever that means), but I will note that Peeters’s bio says that he lives with his girlfriend, her son, and their daughter — and that [[[Blue Pills]]] is the story of a man named Fred, his girlfriend, and her son. (And the main character of this book mentions that he working on a graphic novel about their lives.) So keep that in the back of your head — some proportion of this book is true, though we don’t know how much.

Fred, the narrator of Blue Pills, is a Swiss cartoonist, still in his mid-20s, who’s lived in Geneva his whole life. He remembers Cati vividly from a pool-party late in his teens, but never really knew her well. When he moves into the apartment building where she lives, though, he comes to see more and more of her and her young son (called “the little one” or “L’il Wolf,” but not named). Before long, Fred and Cati are drifting into a relationship, and Cati has to sit Fred down and tell him something difficult — both she and her son are HIV-positive.

(The “Blue Pills” of the title refer to their drug regimen to stay symptom-free, though they’re never called that in the body of the book. The fact that most Americans will immediately think of Viagra when blue pills are mentioned is unfortunate, but neither Peeters nor Houghton Mifflin seems to have taken a moment to worry about it.)

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Flash Rising, by Martha Thomases

So Barry Allen is coming back.

I like Barry Allen okay. I was sad when he died. Not as sad as I was when Supergirl died, but sad. He seemed like a nice guy, someone down-to-earth and genuine, at least as much as a comic-book character can be. His job as a police scientist seemed exotic to me in the days before the CSI shows made put it on television every night. Even when I was a long-haired freak, I liked his crew-cut sincerity.

When Wally West took over the role of the Flash in the comic, I was grouchy about it. He was different. The way Mike Baron wrote him, he was very different. Even though I like to think I’m an open-minded, progressive person, sometimes I want my comics to stay the same. I kept reading them, though, and was soon won over. Those stories were more like soap opera, making them much more addictive on a month-to-month basis.

Wally has been the Flash for 23 years. For my son, he’s the only Flash there is. I mean, he’s my son, so he’s read an abnormal number of old comics, but the Flash he knows from week-to-week is Wally. His reaction to Barry Allen’s return, as he read about it in the New York Daily News on Wednesday, is an unenthusiastic shrug. (more…)

The Comics-to-Film Review: How ‘Iron Man’ Matches Up

If you read fellow ComicMixologist Matt Raub’s review of Iron Man, you already know the new Marvel Studios movie is a relentless blast of entertainment. Even for those who’ve never picked up an [[[Iron Man]]] comic, it’s a top-rate summer film.

But there are also those of us who have picked up an issue (or a few hundred) of Iron Man over the years, and for us the movie is a different experience, as we can’t help but compare and contrast it to the comics that have come before. So, in that respect, how does the film hold up?

Tony Stark is the place to start, as he’s always been the real draw of any Iron Man tale (though the costume is plenty cool). In the comics, Stark is a calculating man both as a hero and in the business world. He enjoys his wealth at times, but is more taskmaster than playboy.

Robert Downey Jr.’s take on the character is much more like the raconteur persona that Bruce Wayne takes on, only for the movie version of Stark, it’s no act. Much like Johnny Depp in Pirates of the Caribbean, Downey Jr. offers a weird riff on his role that’s entirely new and impossible not to enjoy. Count that as a win for the film.

The film’s plot, meanwhile, is essentially an updating of the classic Iron Man origin story, and the modernization is handled quite well. There’s nothing directly lifted from the comics, and instead the comic references come in an array of winks and nods (S.H.I.E.L.D., War Machine, Nick Fury, Tony’s drinking, etc).

My main problem with the movie is a fault it shares with the comics, in how the plot tries to incorporate real-world issues without really delving into them. Comic books regularly feature stories set in vague, war-torn countries in the Middle East, and the Iron Man film follows suit with its shallow usage of terrorism and Afghanistan.

But those are forgivable defects, and Iron Man easily makes a successful transition from page to screen, thanks to a director and cast that know what elements to take from the books, and which to leave behind.

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