Tagged: comics

Which Comic is Getting a New 4-Player Arcade Game?

  • News
  • March 27, 2008

Who says comic book fans are antisocial? I grew up hanging out at pizza parlors and movie theaters with my friends, playing arcade games like <a href=”

America and the Avengers, Spider-Man, TMNT and X-Men.

Well, cue a flashback to the ’90s, because arcade developer Signature Devices announced in a press release that they’ve finished work on a four-player arcade game that featuring "several well known comic book and television superheroes."

The game will feature a four-player arcade style co-operative play. Players can play solo or as a team against the plot, which takes place in three separate locations on earth and other planets. Signature Devices has developed the game to allow players to control the powers and abilities of
earth’s mightiest heroes [Ed. Note: emphasis ours] in an action packed fight for justice against some of the greatest comic book villains. The Company has developed the game to truly come to life using the co-operative methods best utilized with two to four players at a time.

But they didn’t say which comic book heroes, probably because that’s the responsibility of the arcade game publisher. Meanwhile we’re left to speculate which superheroes it could be. It helps that they say they’ve been on television. Candidates include Justice League, X-Men, Spider-Man, Teenage Mutant Ninja Turtles or maybe even NBC’s Heroes, among others. One interesting phrase we highlighted in the quote is "earth’s mightiest heroes," a term commonly used by The Avengers, who had a brief cartoon run.

We’ll admit we’d be excited to grab a few beers and play this with friends at Dave & Buster’s. ComicMix readers, any ideas what you think this might be… or, of course, which characters you want this to be?

Review: Terry Brooks’ ‘Dark Wraith of Shannara’

Dark Wraith of Shannara
By Terry Brooks, Illustrated by Edwin David, Adapted by Robert Place Napton
Del Rey, 2008, $13.95

I am morally sure that the following conversation took place somewhere, among some people, before this book came into existence:

“It’s not fair! All of those other fantasy writers are getting comics based on their books!”

“Yeah! Why Salvatore and Hamilton but not Brooks?”

“What do they have that he hasn’t got? He’s at least as popular as Feist!”

I have no idea who said it, or who they said it to, but, somehow, the influence of the Dabel Brothers has led to ever more epic fantasy writers getting the urge (or maybe just the contract) to create graphic novels based on their work.

Not that there’s anything wrong with that; American comics have been a closed guys-in-tights shop for a generation now, and anything that opens that up is nice. But it is a bit weird, personally, when the two sides of my world collide quite so violently.

Dark Wraith of Shannara, unlike most of the recent epic fantasy comics out there, doesn’t adapt anything; it’s a brand-new story set in Terry Brooks’s very famous (and very bestselling) world of Shannara. For continuity geeks – and aren’t we all that, about something? – this takes place soon after the end of the novel The Wishsong of Shannara, and involves much of the cast of that book. Wishsong is the third of the original Shannara “trilogy:” they’re nothing like a trilogy, despite being three books about members of the same family published relatively quickly and all having the word “Shannara” in the title, but fantasy fans will call any conglomeration of three books a trilogy if you don’t stop them with heavy armament.

(more…)

German Authorities Use Comic to Combat Extremism

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  • March 26, 2008

In the great book Freakonomics, one of my favorite stories is the one detailing how the writers of the old Superman TV show used a storyline to give a negative depiction of the Ku Klux Klan, and that alone was one of the most effective methods of turning public opinion against the Klan.

That story came to mind when I came across a couple of articles detailing efforts to combat Islamic extremism through comics.

In Egypt, Hands Across the Mideast Support Alliance has been distributing copies of an Arabic edition of a 50-year-old comic based on Martin Luther King Jr.’s life. The comic is available for download in Arabic and English from the HAMSA Web site.

"The Montgomery Story" was published in 1958 and helped inspire the American civil-rights movement in the 1960s. In 2008, it was translated and designed by young reformers in the Mideast. It features full-color panels depicting the Montgomery Bus Boycott, a campaign to end segregation on buses in the capitol of Alabama. The comic book ends with a section on “how the Montgomery Method works,” outlining essential techniques of nonviolence.

I also came across this article in the Globe and Mail on a comic book designed to combat Islamic extremism produced by officials in a north-German state. The comic, Andi, follows a youth who dates a Muslim girl, and the girl’s brother comes under the sway of an Islamist "hate preacher." (Apologies for the small cover image, below, but it was all I could track down.)

The comic is distributed to schools and is intended for an audience from 12 to 16-years-old. It’s available online in PDF form right here. I learned German in grade school, but sadly since then my knowledge of the language has wittled away to a few numbers and swear words, so I couldn’t read the two available issues.

The article says Muslim response to the project has been positive. From the article:

The comic, printed in 100,000 copies and distributed to every secondary school in Germany’s most populous state, aims to show young people the difference between peaceful mainstream Islam and the violent, intolerant version peddled by militants.

"We were always careful not to hurt feelings and anger people by painting a caricature of Islam," said Hartwig Moeller, head of the NRW Interior Ministry. "We had to make clear we weren’t aiming against Muslims, but only those people who want to misuse Islam for political aims."

Happy Birthday: José Luis Garcia-Lopez, Brian Bolland, and Mark Verheiden

dcp1g1-4128278Today is a popular birthday for comic book creators! Three very different comic book luminaries all share March 26.

José Luis Garcia-Lopez was born in Spain in 1948 but moved to Argentina in 1952. Growing up he worked on several Argentinian comic strips, and in the late 1960s he began doing romance titles for Charlton Comics. Garcia-Lopez moved to New York in 1974 to work for DC. He’s best known for his art on Superman.

Brian Bolland was born in 1951 in Lincolnshire, England, and began drawing at age 10. He went to art school and published work in various underground magazines, then met Dave Gibbons at a comic convention in 1972. Gibbons recommended him to Bardon Press Features and Bolland began drawing comics professionally. In 1977, he found work on the new British comic 2000 AD, and soon became a regular artist on Judge Dredd. In 1979 Bolland began working for DC Comics, doing both covers and shorts. Perhaps his most famous image is the cover to Batman: The Killing Joke.

Mark Verheiden was born in 1956. He started writing comics in 1987, creating The American for Dark Horse. The following year he wrote his first Aliens comic. Verheiden then wrote several Superman stories and a Phantom maxi-series for DC Comics. He also works in television and film, and has contributed scripts to Smallville and other series. He currently serves as co-executive producer of the popular Battlestar Galactica television series.

Interview: Brandon Jerwa on ‘Battlestar Galactica: Season Zero’

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  • March 26, 2008

Writer Brandon Jerwa has had a varied and interesting career since beginning in comics early in 2001. Not letting rejection deter him, he persevered and eventually landed a job as a writer for the G.I. Joe comic book series. Later, Jerwa took on other television tie-in comics such as Highlander from Dynamite Entertainment — which he co-wrote with Michael Oeming.

During that time, he also wrote a backstory series about the Battlestar Galactica television character Tom Zarek. Due in part to his success with Zarek, Jerwa next took on a new comic for Dynamite titled Battlestar Galactica: Season Zero — a prequel of sorts to the Sci-Fi Channel TV series.

Now, with Season Zero rocketing towards a thriling conclusion in issue twelve, ComicMix caught up with Jerwa to talk about how he became the "go-to" guy for Battlestar Galactica at Dynamite, what we can expect from Season Zero as it finishes up and what other plans Jerwa has up his sleeve.

COMICMIX: Brandon, for people who might not know, can you give us a bit of info on your background? Did you read comics as a kid?

BRANDON JERWA: My first comic was an early issue of Star Wars when I was 4 or 5. I had all those early issues and they were definitely a huge thing to me, but I think Spider-Man and Batman made their way into the house pretty quickly after that! I don’t really remember a time when I didn’t have comic books.

My parents were supportive of the habit, so I’d always get at least one new book every time we’d go the grocery store or Kwik-E-Mart (ah, those were the days) and a long road trip was a surefire guarantee of a big pile of comics.

CMix: What were your favorites?

BJ: My favorites as a kid were Star Wars, Avengers, all the Spider-titles, including the most awesome  one, Marvel Team-Up; along with Marvel Two-In One, Detective Comics, Power Man and Iron Fist, Justice League of America and Teen Titans. G.I. Joe obviously made a huge impression on me.

I also have an undying love for Rom: Spaceknight.

CMix: How did you get started writing comics?

BJ: Well, I’m told that I’m the exception to the rule. I was living with my wife and infant son in Portland, Oregon when I started. It was 2001 and I was unemployed, so I thought I’d use my time playing stay-at-home dad to shoot for the Big Dream.

I wrote two scripts – one a G.I. Joe pitch for Devil’s Due and an original superhero piece for Dark Horse. A few months later, Dark Horse had given me my first rejection letter, but Devil’s Due apparently thought I was the man for the job.

My two-part script was extended to four parts and became my G.I. Joe: Frontline arc "History Repeating." Just a few months after those issues hit stands, I was the new regular writer of G.I. Joe.

CMix: How much did you know about Battlestar Galactica before you started writing any of the comics? Are you a fan of the Sci-Fi Channel show or the original ’80s version? (more…)

R.I.P. Fletcher Hanks Jr., Son of ‘Stardust’ Creator

  • News
  • March 25, 2008

In last year’s collection of Fletcher Hanks comics, I Shall Destroy All The Civilized Planets, one of its best features was an epilogue written and illustrated by Paul Karasik that explained his effort to track down Hanks, or at least one of his relatives.

Karasik ended up at the door of Fletcher Hanks Jr., a great man in his own right who shed a lot of light on his father. Strangely enough, Hanks Jr. had never even known that his father illustrated comics, let alone had become something of an idol in the indie comics community.

According to a story posted on Karasik’s Web site, Hanks Jr. died on March 16 after a March 8 auto accident. He was 90.

Among comics fans, Hanks Jr. will always be known as the son of the evil genius of the Golden Age. But it’s important to recognize his accomplishments, many of which overshadow his father’s legacy:

Hanks, known for his action-adventure life and strong opinions, is best known for his experience "flying The Hump," both in wartime and years later in the commemoration of his fallen comrades, and his book, Saga of CNAC 53, which chronicled those events. He often said his life’s work was remembering his 23,000 friends who died in the war.

From July 1942 to August 1945, Hanks, sometimes called "Christy" by his colleagues, flew 347 trips in unarmed C-47s delivering supplies to inaccessible areas of China using a path from India over the south ridge of the Himalayas called "The Hump." Years later, in 1997, he returned to China and he and a group of Chinese soldiers found the wreckage of CNAC 53, the airplane piloted by American Jim Fox and his Chinese co-pilot and operator.

A ‘Buffy the Vampire Slayer’ Movie? Stars Say They’re Game

  • News
  • March 25, 2008

I guess it has to do with comic book culture becoming ever more enmeshed in celebrity culture, but it seems like MTV has become the place to go for interesting material in the world of comics and comics-related movies and TV shows.

The latest: At a reunion of Buffy the Vampire Slayer cast members, several spoke favorably of the potential for an all-new Buffy movie. And, of course, they also brought up the recent lesbian tryst in the Buffy comics series.

"I don’t know if Sarah [Michelle Gellar] wants to be kissing girls, so for Sarah’s sake, we’d say, start from the TV show," said Nicholas Brendon, who played Xander. "But I think for everyone else, start from the comic book. I want to see Sarah kissing girls."

Beyond the question of whether or not to include girl-on-girl action, a few other pitfalls stand in the way of a movie. No script or studio is in place, and Joss Whedon is busily crafting a superhero musical.

Speaking of Whedon, he certainly didn’t sound opposed to the project, although he seemed far to dismissive of the comics:

As Whedon said on the panel, "many stars" would have to align — not the least of which would be a certain lead actress wanting to participate. "But if I had to shoot down everything that we’re doing in the comics because we’re doing a film," Whedon said, "I wouldn’t lose a lot of sleep over it."

ComicMix Exclusive Interview: Joe Lansdale on ‘Pigeons from Hell’

  • News
  • March 25, 2008

Joe Lansdale is a prolific author of horror stories, both short and novel-length, including Drive In and Bubba Ho-Tep.  He’s also no stranger to comics, having partnered with Timothy Truman for projects featuring  such characters as Jonah Hex and The Lone Ranger, and has even written for Batman: The Animated Series and other television series.

This spring, Dark Horse Comics is releasing his four-part miniseries, Pigeons from Hell, adapting a story by Robert E. Howard.  It’s Lansdale’s first time working with artist Nathan Fox, and he recently sat down for a brief chat with ComicMix and a preview of the first issue.

COMICMIX: Thanks for agreeing to chat, Joe.  This is not your first work with Robert E. Howard.  You previously wrote a Conan miniseries. So tell me, what is it about Howard that you like?

JOE LANSDALE: Howard has always appealed to me because there is a raw storytelling talent at work, and he has a Texas background, and like me, he lived in a small town where the sort of profession he pursued was not entirely understood. I always thought he appealed to the little boy in all of us, and by that, I mean that part of us that loves a good raw story. He appeals to that aspect in all of us. Like Jack London, The Call of the Wild is eternal. I don’t think Howard had the same depth that some of London‘s work had, but it has the same primal element, if not the social element. Thing is, I don’t consider that bad or lesser, just different.

CMix: Did you ask to write Pigeons from Hell, or was it an assignment?

JL: I think it was mentioned to me by the film company that has Howard’s work, because I had written the Conan miniseries. It had been well-received, and I mentioned Pigeons From Hell, and it was thought an update might be fun, since Dark Horse had already done a literal adaptation, so, it just sort of snowballed from there and Dark Horse was for it. [It was] kind of an accident.

CMix: How did you approach expanding and adapting a prose work into a four-issue miniseries?

JL: I tried to use the original story as the frame, and I tried to bring younger contemporary characters into it. Howard’s work was of its time, and it could be casually racist, so I wanted to avoid that. I also added more mystical elements. Again, a perfect adaptation had already been done for the comics before, and there was a really good Thriller episode of the story years ago, though now it seems a little dated, so I wanted to approach it in a different manner. I think the story is still true to the original in most ways.

CMix: What is it about Howard’s work that you think still makes it relevant today?

JL: I think it’s the pure storytelling. You can learn to be a better writer with effort and time, but that is something that seems almost inborn, though I’m not sure how to explain it. But he has it, and the work is recyclable and constant. (more…)

Dark Horse Offers ‘Making Of’ for ‘Serenity: Better Days’ #1

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  • March 24, 2008

If you’re reading ComicMix, chances are you’re a fan of sci-fi, movies, TV and, of course, you probably read comic books on a regular basis. Being a fan and reader of comics, perhaps you’ve wondered how all the elements from script to art to color to lettering come together to form the finished comic you hold in your hands and read each week?

If you have wondered about this magical process, the folks at Dark Horse Comics have got something for you. At their website, they’ve put up a "How-To" guide which takes you through the steps from script to finished page of their brand-new Serenity: Better Days comic book.

Clicking through the guide you can see the original script pages written by Joss Whedon and Brett Matthews, rough sketches of the panel placement, art and pencils by Will Conrad, colors by Michele Madsen and letters by Michael Heisler — all the elements that go into a finished comic book page.

It’s an interesting look at how things go from normal-looking words on a page to a colorful and exciting final product. Check it out.

Beware the Underworked!

  • News
  • March 24, 2008

 We have a special treat today from Bo Hampton.  It’s his classic story, Underworked, about a cartoonist and his quest to find love, labor, and a way out of his mother’s basement. If you ever read a comic from the 1990s and wondered how that happened, this story has the answer.

Next week: More Demons of Sherwood

Credits:Bo Hampton (Artist), Bo Hampton (Colorist), Bo Hampton (Writer), Mike Gold (Editor-In-Chief), Tracy Munsey (Letterer)

More: Underworked

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