Tagged: comics

Revised Diamond Sales Figures for January Released

  • News
  • March 4, 2008

Computers are one of the greatest inventions of all time. I love ’em. They make so many things possible and help us get things done more easily and efficiently. In fact, if it wasn’t for computers, you woudn’t be able to enjoy all the great content right here at ComicMix.

Unfortunately, computers can also occassionally make mistakes. Case in point the most recent sales figures for comic books, graphic novels and other periodicals for January. Apparently, there was a technical glitch in the Diamond Comics Distributors’ computer system which resulted in elevated sales figures for comics, graphics novels and other periodicals.

According to ICv2, this glitch has now been corrected and the sales figures adjusted. The new figures reveal a much different picture of sales for January. Some of the biggest differences were that instead of the previously reported 7% gain in comic book sales, it was only 1%. Graphic novels had an even bigger discrepency, with actual gains of only 3% instead of the relatively unrealistic 17% previously reported.

Even with the corrected figures, the news wasn’t all bad. Nine comic book titles, including Hulk #1, Captain America #34 and Astonishing X-Men #24, sold over 100,000 copies in January, which was up three from December’s total of six. And, periodical sales were slightly higher than the previously strong figures from January of 2007, which was considered a very successful month at the time.

If you’re curious about how well your favorite comic books and graphic novels actually sold and what the top ones in each category were, check these out:

The "Top 300 comic books in January 2008."

The "Top 100 graphic novels in January 2008."

The "Top 300 comic books in December 2007."

The "Top 100 graphic novels in December 2007."

Looking over these lists, a couple things stood out for me. I find it interesting that Hulk #1 is at the top spot on the comics list for January (I guess red is a good color on him), two titles in the top 20, Astonishing X-Men and Buffy: Season Eight, involve Joss Whedon and a third title in the top 40, Angel: After the Fall, does as well.

Plus, the number three spot on the graphic novel list is also a Whedon creation: Buffy the Vampire Slayer Omnibus Volume 3. I guess you should never underestimate the power of a great TV show, even one that ended its TV run five years ago — especially if Joss Whedon had anything to do with it.

 

Primary Sources, by Dennis O’Neil

  • News
  • March 4, 2008

bill_everett-8634197In days of yore – my yore anyway – I briefly wondered if my particular literary backwater, the writing of comic books, would be properly remembered. It seemed to me that young snots such as myself were getting attention – interviews and the like – and the guys who were around at the beginning, the guys who virtually created the form, were pretty much ignored, although many of them were still alive and frisky.

I needn’t have worried and I didn’t, which is good because, even more than most worry, this variety would have been a waste of time.

I do wish there had been more interviews with…oh, to cite the first name that pops into the shopworn old psyche, Bill Everett. And I don’t remember ever reading a Q and A with Carl Burgos: if none exists, too bad. Even Bill Finger doesn’t seem to have left many historical footprints, and some of what we know about him comes from people like me, whose memories are emphatically not to be trusted.

Having said all that: comics are undoubtedly the most documented medium/art form in history. They came to their early maturity just in time to benefit from the explosion of media and distribution, and the belated realization that every art form was pop culture once, and none are prima facie inferior. And guys like Gerry Jones know how to use the information sources available and have the patience and literary skill to put the pieces together.

(more…)

Interview: Fabian Nicieza Talks New ‘Captain Action’ Comic

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  • March 3, 2008

Writer Fabian Nicieza’s career spans over twenty years with stints at Marvel, DC and Darkhorse Comics. During that time he’s plotted, edited and written some of the most popular comic books around including Thunderbolts, Cable and Deadpool and Uncanny X-Men.

Recently, Nicieza competed against many other accomplished writers for the chance to bring one of the most beloved heroes from the ‘60s, Captain Action, back to the pages of a brand-new comic book series set to hit stores later this year. His pitch was selected and he’s now hard at work bringing Captain Action back to life.

ComicMix caught up with Nicieza to ask him a few questions about the Captain Action comic, his earlier work, his future and if a hero created and deeply-rooted in the ‘60s has a place in today’s comics culture.

COMICMIX: For people who might not know, can you give us a bit of info on your background? How did you get started writing comics? What were your favorites growing up?

FABIAN NICIEZA: I grew up reading comics. Out of college, I interviewed at both Marvel and DC, eventually landing a job at Marvel in 1985. After a couple years of learning the ropes, I started selling some stories to editors. I kept writing and working on staff, eventually, reluctantly, becoming a full-time writer.

I grew up reading Batman and Superman, then gravitated towards Marvel — Fantastic Four, Spider-Man, Avengers. Then "offbeat" series like Conan and Captain Marvel. Offbeat for an 11 year old, I guess.

I also got lots of Superman, Justice League, the Engelhart/Rogers Detective run. I bought both Marvel and DC through the early ’80s, until I got the job at Marvel, then I got everything for free for a while.

CMix: Free is nice. How much did you know about Captain Action before you started 
writing the comic? Did you ever read the original?

FN: I read the original DC comic, but only because the toy was my favorite as a kid. I had the figures and lots of the costumes. (more…)

How Do You Give a Comics Reading?

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  • March 3, 2008

As graphic novels and comic books become more entrenched in the high-minded literature scene, comics creators likely will begin entering into the world of the author.

That could mean holding book signings at Barnes & Noble as well as Comic Con. It could mean facing the scrutiny of self-important book critics as well as snarky Internet fanboys. In the case of Exit Wounds creator Rutu Modan, it meant holding a reading.

For literature, readings are easy enough. You step in front of an audience, crack open your book and read. But because comics are so image intensive, a reading becomes much more difficult.

I’ll never forget hearing John Ridley on NPR discussing his comic series The American Way, and how awkward it was when he tried to not only read the dialogue and captions but also describe everything. Luckily, I’d already read the book and could follow along.

Speaking at Jewish Book Week, Modan tried another tack by showing a projection of the pages as she read. However, even that wasn’t ideal. Here’s how the Guardian writer described it:

Modan’s presence raised the interesting technical question of how to conduct a reading of a graphic novel. The answer was via a PowerPoint presentation and a lot of advice from a tech-savvy audience shouting: "Now go to ‘Slide Show’, now click ‘View Show’."

On This Day: Fred!

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  • March 3, 2008

Fred (Fred Othon Artistidès) was born on this day in 1931.

A French comic strip creator, Fred created his first comic in 1954. In 1960 he became art director of Hara-Kiri, and illustrated several pieces for the magazine (and its first 60 covers!) over the next few years.

He is best known for his comic Philémon, which appeared in Pilote magazine in 1965. He was awarded the Grand Prix de la ville in 1980.

Djimon Hounsou Set for Comics Trilogy?

  • News
  • March 3, 2008

djimon-6614754During a weekend press junket for the upcoming film Never Back Down, actor Djimon Housou told IESB that he’ll be taking a role in a comic book trilogy and referred to it as a dream project. The full article is right here.

Hounsou wouldn’t specify which trilogy, though, so the rumor mill can go ahead and start churning. Here’s what the folks at IESB theorized:

The obvious answer is that Hounsou is talking about staring as The Black Panther in the inevitable Fantastic Four 3. Tim Story mentioned in an IGN article nearly a year ago that Hounsou was his ideal choice for the Wakandan King. If this is the case, it’s actually perfect casting (outside of it being another Story-directed Fantastic Four film).

The other possibility, though, that I’m not entirely willing to shake is that Hounsou might be talking about Tintin.

Hounsou mentions that this is a dream project for him. While Tintin may not be the biggest bit of pop-culture this side of the Atlantic, it’s still extremely popular in Europe — especially in France where Hounsou moved when he was 13. Add in the Spielberg connection and the fact that Tintin‘s being done as a trilogy and I think its speculation with some potential.

Hounsou’s page at IMDB doesn’t have any mention of a project yet, and there aren’t a whole lot of other comic book trilogies on the horizon. Y: The Last Man is supposedly in the works, though Hounsou obviously wouldn’t have a place in that, unless the director decided to be very creative in casting Agent 355.

Son Of Filling The Big Shoes, by Mike Gold

  • News
  • March 3, 2008

Remember my column last week ? I’m sure you committed every hallowed word to memory. Well, this is a sequel. Fittingly, it’s about Hollywood.

I’m staring at this massive schedule of movies of interest to your average ComicMixer that are due to be released in the next 12 months or so: Iron Man 1, Indiana Jones 4, Incredible Hulk 2-but-1, Get Smart 1, Hellboy 2, The Dark Knight 6-but-2, X-Files 2, The Mummy 3, James Bond 22, Harry Potter 6, The Day The Earth Stood Still 1-but-2, Star Trek 74, Will Eisner’s The Spirit 1, and Green Hornet 1 (serials don’t count). I’m looking forward to about half of them, which is a pretty good average for me. But there’s one that I’m looking to with trepidation.

No, it’s not The Day The Earth Stood Still, the original of which is the Citizen Kane of science-fiction movies. Let them take a shot; I wish ‘em luck. Nor is it Star Trek 74: The Reboot-To-The-Rear. I’d scoff at this attempt but, frankly, after the majority of Trek movies what the hell, maybe it’ll work. It did for James Bond in Casino Royale 3. Nope, I’m trepidatious about Will Eisner’s The Spirit. Make that Frank Miller’s Will Eisner’s The Spirit.

There’s absolutely no slight here against Frank. Of all the folks in comics, he has been one of the most publicly and most aggressively pro-creator rights activists around. His passionate arguments about the Comics Code and about the way Marvel treated Jack Kirby still ring loudly in my inner-ear. In fact, I’m glad to see The Spirit in the hands of a person who knows how to make comics work yet also has a solid background in movies. 

No, I’m afraid of Hollywood. (more…)

The 100 Best Reviewed Comics of 2007

  • News
  • February 29, 2008

I like lists. Lists often make things easier to understand and easier to digest. Which is why, in a previous post, I brought you the list of Eight Comic Books to Read Before You Die. Apparently, writer Dick Hyacinth also like lists because over at his site, he’s done a lot of research and compiled a list of the ‘100 Best Reviewed Comics of 2007.’

His list, which he referrs to as a "meta-list compiling critical reactions from the Internet and print publications" covers a huge cross-section of comics, manga and other writings and highlights some very popular work and some other work perhaps more unknown to mainstream comics fans. 

When compiling the list, Hyacinth discovered several interesting bits of information he wasn’t aware of including that he "vastly underestimated the popularity of Buffy the Vampire Slayer. I mean VASTLY underestimated", he also realized he "had no idea Captain America, Fables, or Y: The Last Man would pull down such huge numbers" and that "there’s a big gap between what made the lists on comics-oriented sites and what made the lists of the more mainstream-ish papers."

Here’s the Top 10 "Best Reviewed Comics" and their popularity rankings, according to Hyacinth. For the rest of the list, check out his site.

 
This time around, I’ve read fewer of these than I did from the previous list of eight. Guess I need to get reading.
 

‘Black Freighter’ Tale Confirmed For ‘Watchmen’

  • News
  • February 28, 2008

Tales of the Black Freighter, the story-within-a-story found in the original issues of Alan Moore and Dave Gibbons’ Watchmen, will indeed make it into the film adaptation of the groundbreaking graphic novel.

Actor Gerard Butler (300) confirmed to Empire today that not only will an animated version of Black Freighter be produced for the Watchmen DVD, but he will voice the main character of the tale.

“I actually read the script before reading the comic book and I thought it was awesome,” continued the 38 year-old. “Then I read the comic book and it’s great. The little bits that have been added define it so much more. It’s very dark and there’s just something so descriptive and scary. It’s this descent into madness but explained in such a sane way that you totally feel it yourself. By the end, my heart was pumping!”

According to Butler, the project will use anime-style animation.

Watchmen hits theaters in March 2009.

 

(via SHH)

Review: Brian K. Vaughan’s ‘Batman: False Faces’

batmanfaces-1-4292282With the recent and much heralded conclusion to Y: The Last Man, the continued strong run of Ex Machina and a gig writing for Lost, Brian K. Vaughan is living pretty high on the hog nowadays. But it can easily be forgotten that Vaughan wasn’t always a superstar writer, and the new collection of comics from his formative years at DC serves as a telling picture of the artist in progress.

In Batman: False Faces ($19.99), we’re taken back to Vaughan as a struggling writer, working a day job at the psychiatric ward of St. Vincent’s Hospital in New York. Three stories in the collection feature Batman or his rogues, and the fourth sets Wonder Woman against Clayface.

As Vaughan writes in his introduction: “[A]nyone who thinks that pitting a character made of magical clay against friggin’ Clayface isn’t a totally awesome idea is a dirty communist.” True enough. But while the setup is golden, the execution isn’t. What could have been a deeply introspective story is more cursory and trivial, while also moving a bit too slowly in places.

The Batman stories (which Vaughan wrote later) show the expected improvement. Further exploring issues of identity, Vaughan takes a thoughtful look at Batman’s two-bit-criminal alter ego Matches Malone in one story, and then he explores the diseased mind of the Mad Hatter. When Hatter says, “The only way you shall ever comprehend insanity is by ducking the shallow gerund,” Vaughan reveals the savvy and linguistic dexterity that would go on to make him a star.

[[[False Faces]]] isn’t for everyone, but for Vaughan devotees or those interested in the development of a talented creator, it’s a must-have collection.

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