Red-Hot Hulk!
Those of you brave enough to come out from under your beds after seeing Cloverfield might even bravely venture over to the keyboard to run down a couple of hot links we gathered for you this week:
Those of you brave enough to come out from under your beds after seeing Cloverfield might even bravely venture over to the keyboard to run down a couple of hot links we gathered for you this week:
The St. Petersburg Times reports that on Feb. 10, a group of notable black cartoonists will be running variations of the same joke in each of their comic strips in order to shed light on a perceived "lumping together" of cartoonists by ethnicity. With many newspapers looking to shake up their format by making changes to the comics section, many of the creators involved in the protest argue that their strips are only included at the expense of other strips created by people of color. This is due to an unwritten rule in the newspaper industry prohibiting more than a certain number of "ethnic" strips in a single issue, the creators claim.
According to The Times:
"…each of them will draw the same strip featuring their own characters – a joke about how readers and some newspaper editors see their work as interchangeable, simply because of the ethnicity of the characters they draw."
Creators named as participants in the protest include Darrin Bell (Candorville), Charlos Gary (Cafe con Leche and Working It Out), Cory Thomas (Watch Your Head), Stephen Bentley (Herb and Jamaal), Jerry Craft (Mama’s Boyz), Stephen Watkins (Housebroken), editorial cartoonist Tim Jackson and Keith Knight (K-Chronicles).

In today’s thrilling installment of The Black Lamb, Timothy Truman continues his tale of the vampire from space, The Black Lamb. Good guys, bad guys, magicians, scientists, bounty hunters, double-agents — what more could you want in a full-color, free comic?
A Hero’s Hero
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The ‘Net is buzzing this week over the potential implications of the writers’ strike on this year’s Comic-Con in San Diego. Sure, there’s a lot of chatter about the effect the strike will have on Hollywood’s participation in the event,with some arguing that less Hollywood means more comics, and that more comics means… well, more comics. Over at The Beat, however, Heidi MacDonald assesses whether there are any answers to the big questions, then takes a look at some of the other, equally important questions on the peripheral of the discussion.
"At this point it’s quite likely — but depressing — that the writer’s strike will last at least as long as the last one — six months. Networks are filling the space with reality programming, so we could just see more stars of Beauty and the Geek and How Clean is Your House on parade at Comic-Con (These shows have the strongest tie to the core demographic, in our opinion.) There are a number of movies in production that will still need to be flogged, as well, WATCHMEN for one,
So our prognosis? If the strike doesn’t end soon San Diego may be a little less manic, but not a whole lot less.
But that’s not even the really IMPORTANT question:
What does this mean for your chances of getting a hotel room?"

The Museum Vaults is the second of four graphic novels created through an unlikely publishing partnership: noted American art-comics publisher NBM and France’s cultural powerhouse museum the Louvre. All four of the stories will be about the Louvre in some way; the first book, Nicholas De Crecy’s Glacial Period, was published early in 2007.
Museum Vaults’ author, Marc-Antoine Mathieu, has been a prolific French cartoonist for the past twenty years, though very little of his work has turned up on this side of the Atlantic. (I’ll admit I didn’t previously know his work myself.)
As Museum Vaults opens, a young expert, Monsieur Volumer, arrives at a museum whose original name has been forgotten. His job is to delve into the subbasements beneath this museum to study, evaluate, and index the collections – to fully understand the museum. (more…)
Want to watch the birth of a comic? In today’s brand-new, totally free episode of EZ Street, Mark Wheatley and Robert Tinnell show brothers Danny and Scott starting their project, with the hopes that soon it will be a Major Motion Picture. 
China’s Communist ruling party plans to start off the Lunar New Year holiday by distributing comics depicting graft and various other forms of corruption in an effort to reduce crime in one of the nation’s most troubled provinces.
According to the Associated Press:
"The pocket-size comic book, which includes caricatures depicting common forms of graft and bribery, will be distributed as a gift to 100,000 party members in the central province of Henan, Xinhua news agency said."
And the Screen Writers Guild lurches into a tenth week and if there’s any end in sight, I haven’t heard about it.
Last time, I mentioned the Academy of Comic Book Arts and its failure to do any significant negotiating on behalf of its members. ACBA wasn’t the first attempt, though, to organize those glorious mavericks, the comic book community. In the 60s…
Wait! Better issue a warning before I go further. Do not regard anything that follows as gospel. (In fact, you might consider not regarding the Gospel as gospel, but let us not digress.) I have no reason not to believe what I’m about to tell you except one: About a year before he died, Arnold Drake, who was a busy comic book writer at the time we’ll be discussing, told me that the story I had wasn’t the whole story, or even necessarily accurate. I don’t know why I didn’t press him for further information, but I didn’t.
Okay, the story:
Paris collects a four-issue mini-series set in that city in the early ‘50s, written by Andi Watson and illustrated by Simon Gane. Watson is fairly well-known these days as the writer-artist of such relationship-oriented comics as Slow News Day and Love Fights, but I haven’t heard of Gane before. (From a quick perusal of his blog I think that’s because he’s mostly worked in the UK and for music magazines.) Gane has a very ornate, ornamented, even rococo style, which is a good artistic choice for a historical comic – it clearly distances the action, and keeps it from feeling contemporary.
The story of Paris is pretty straightforward, and focuses on two young women from elsewhere living in that city. Juliet is an American, studying at the Academie de Stael by day and painting society portraits by night to pay her rent. Deborah is an English aristocrat chaperoned by her hideous aunt Miss Chapman. (more…)