Tagged: comics

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Paul Dini doing Battle of the Planets?

pauldini4-8607954Paul Dini back to animation already? Too much rough Countdown coverage from the blogs?

Imagi Animation Studios has inked a deal with writer/producer Dini to collaborate on the screen for its upcoming CG animated movie, Gatchaman.  Directed by Kevin Munroe and slated for release in early 2009, the movie is based on the original classic Japanese anime series Gatchaman (1970s), which aired in the US as both G-Force and Battle of the Planets.  Dini has written for and/or produced TV series including Batman: The Animated Series, Duck Dodgers and Lost and a range of comics such as Detective Comics, The World’s Greatest Superheroes and DC Comics weekly series Countdown. Imagi is best known to comics fans for its recent CGI TMNT film.

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MARTHA THOMASES: Hungry Heart

332903958-3622645Before he started to host The Daily Show, I saw Jon Stewart do his monologue on one of those charity benefits organized by Denis Leary. Comparing Yom Kippur to Lent and, therefore, Jews to Catholics, Stewart said, “You give up something for 40 days. We go one day without eating. Even in sin, you pay retail.”

When this is posted, I’ll be fasting. It’s true that, as a Jew, a woman and a New Yorker, I appreciate a bargain. However, that’s not why I don’t eat. It’s also true that going without a few meals is nothing new to me, being the compulsive bad dieter that I am. Most Saturdays, I eat a piece of fruit for breakfast and then, because I have a zillion chores, nothing else until dinner. So, this Saturday, I won’t have my morning apple. It’s not a big sacrifice.

The sacrifice is forgoing the errands. On Saturdays, I go to the Union Square Green Market. In the fall, it’s a riot of color and smells, with fresh herbs, heirloom tomatoes, summer and winter squash, and dozens of different apples, pears, peaches and pumpkins. For this city girl, it’s a reminder of the natural world, with its cycles of life and death, fertility and harvest. Going to the Green Market is a way for me to forgo the usual cerebral products with which I clutter my day, and to be a mom and a wife, caring for my family and being a part of my community. Plus, I get to talk to farmers, which is a rare and glamorous thing to do in Manhattan.

Yom Kippur, the Day of Atonement, is the culmination of the Days of Awe. I should have spent this time examining my behavior, accepting responsibility for my mistakes, and doing my best to fix them. Instead, I’m thinking about what I’ll be missing for one day. This is something I should fix. Ah, the circle of life.

There are many Jews who are fine people who don’t, for one reason or another, fast on Yom Kippur. There have been years when I haven’t fasted, when I went to work and ignored the holiday. I was in my twenties, determined to recreate myself as an individual separate from my family. For the last two decades, however, I’ve gone to services and enjoyed them. I enjoy them. It feels good to say the prayers on the same cycle every year, as my ancestors did. It’s funny to listen to the stomach grumblings of the people around me, the contrast between our spiritual and biological impulses.

Fasting is supposed to give your body a chance to detoxify, to eliminate the crud we accumulate in our regular lives. Fasting for one day probably doesn’t get rid of many toxins, but it allows me to clear my head, to consider how lucky I am to be able to go without food by choice, instead of being forced to starve by circumstances. Saying ritual prayers and fasting separates me from the mundane, and lets me see life as a glorious blessing.

When I walk out the synagogue doors, the air is usually clean and clear, and Central Park is bathed in sunlight. When the sun sets, and I dip my apple slice into honey, it can sometimes be so unbearably sweet that it makes my cheeks hurt. I’m so grateful to be alive that I know this year will be worthwhile.

Martha Thomases, Media Goddess of all things ComicMix, promises to write about comics next week.

Skating on Black Ice

black-ice-cover-4349382Neil Kofsky bets his buddies he can jump his motorcycle over a pile of bikes behind a bar. He clips the last cycle in the bunch, and has to escape from its owner through the alleys. He tries to hide in a coal chute when the bottom vanishes and he finds himself falling onto a floating man of war 15,000 feet in the air.

This is no ordinary floating boat. It’s battling fighter planes.

All this happens in the first three pages of Black Ice, the new graphic novel from the legendary Mike Baron and Nick Runge, a new artist whose first work was Mike Baron’s Detonator (October 2005).

Mike Baron has been one of the most innovative and honored creators in comics since he broke into the field with Nexus fifteen years ago with artist Steve Rude.

Mike has written numerous mainstream comics, including Marvel’s The Punisher and DC’s The Flash and Deadman. He is also the co-creator of Badger, Feud, Spyke and a number of other renowned titles.

He has been nominated for Best Writer in the Kirby, Harvey and Eisner Awards numerous times, and has won several Eisners for his work on Nexus. In his spare time, he writes novels, short stories and screenplays, works out, and rides his motorcycle through the countryside.

Nick Runge is 22 years old. His parents are both artists – his father teaching painting, drawing and design at a local college, and his mother is a graphic designer. He was studying art in Fort Collins, CO in 2004, when he met Baron, who saw Runge’s paintings in a gallery. His other work includes inking Gene Simmons’ House of Horrors for IDW and Fear Agent for Image. He’s also penciling and inking the covers for IDW’s new Badger mini-series.

Here’s what the boys have to say about their new project.

CM: Tell us about Black Ice.

MB: Black Ice is a heroic fantasy about an American teen who falls through a wormhole into an alternate universe. Two civilizations are at war: the sky-dwelling Luftar, and the militaristic Helmut. Young Neil finds himself in the middle of the fight, attracted to the captain’s daughter, and forced to fight to the death against a jealous prince. And that’s just the first issue. The series is really about how alien technology (Neil’s) affects civilization. It’s A Connecticut Yankee in King Arthur’s Court for the space age.

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MICHAEL DAVIS: The Big Payback

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I had another S-No-C all ready to go when O.J. Simpson gets arrested! Damn, damn da-damn damn. As long time readers will know I have evoked O.J.’s name in the past so it’s falls on me to comment on these recent events. As I did when Paris Hilton was arrested. I was on her ass (figure of speech) long before her arrest so when she was arrested I had to comment.

How do I come to write about events and people before they become even more news worthy? Because I Michael Davis am really M.O.T.U. Master Of The Universe! Not to be confused with He-Man Master of The Universe, no I am M.O.T.U. Master Of the Universe and I have been calling myself that for well over 10 years, as my business cards and money clips proudly display. Ask anyone who knows me that’s been my line for a long long time. However over the last week or so I have gotten many calls saying that Jeremy Pivin on the television show Entourage called himself that on a recent episode. Just so we are clear, if you ever hear anyone say, ‘Hey, there goes The Master Of The Universe.’ They are referring to (wait for it) …me.

Sorry, as my friend Peter David says, I digress. Back to the idiot at hand. For those of you living under a rock or living in Atlanta, O.J. (which stands for original jerk) Simpson was arrested over the weekend for – get this-armed robbery, kidnapping and a host of other charges.

And he was arrested in Las Vegas, of all places! What a lot of you may not know is that Vegas has a less than stellar racial past. Oh you may know the glamour side of Vegas, but let me clue you in, Vegas is not the place you want to be arrested if you are black. When black people say ‘What happens in Vegas, stays in Vegas.’ We are talking about bodies.

So, now Mr. Simpson is facing life in prison because of his stupid, STUPID actions in, of all places, Sin City.

You can’t make this stuff up.

When I say stupid, I do mean stupid – as in dim, thick, dense, slow, brainless, din-witted, obtuse, just plain stupid. How did this guy think he could walk into someone’s hotel room with a bunch of guys (some with guns) and rob them? Yes, he says it was his stuff. Yes, it looks like he was set up. Yes, there is a lot more to this than meets the eye.

But no one cares. This is the Big Payback.

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MariFran O’Neil On The Mend

MariFran O’Neil, wife of columnist, comics sensei, and dear friend Denny O’Neill, is recovering from a stroke she suffered late last week.  She’s out of the hospital, in a rehabilitation facility, and we have no doubt that she’ll be out and teaching her students very soon.

ComicMix sends best wishes for a speedy recovery.

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JOHN OSTRANDER: The Way I Were

spectre_11-2029854For me, it seemed like this week was all about returning home. The news about GrimJack appearing here on ComicMix was broken… well, here on ComicMix. And DC published the first issue of my new Suicide Squad miniseries (Elayne also has a stake in this since her husband, Robin Riggs, is providing wonderful inks over Javi Pina’s pencils for the series). This is my first new issue of Squad in – well, in a long long time.

It’s interesting coming back to a series after a lengthy absence. When I began scripting GrimJack: Killer Instinct a while back, my concern was – would I get Gaunt’s voice right after so long? Not to worry – it was right there – as was Amanda Waller’s over on Squad.

I’ll be writing more about GrimJack as we get closer to the publication date. (October 2, if you’ve forgotten and, by the way, you’ll be able to see it here on ComicMix for free. Always bears repeating.) Today I’m going to talk instead about one other book with which I was closely connected and which, after a lot of thought, I don’t think I’d want to return to on a regular basis.

The Spectre.

Tom Mandrake and I had a longish run on that series which some people at the time said couldn’t be done. For those of you who don’t know the character, he was created in the late 1930s by Jerry Siegel  – co-creator of Superman – and Bernard Baily. Jim Steranko once said the Spectre had the toughest origin in comics – he had to die to get his powers. The Spectre was also the strongest character in the DCU – perhaps in all comics. Only God was stronger and He?She had better be eating His/Her Wheaties.

The concept: the Spectre was Plainclothes Police Detective Jim Corrigan who ran afoul of some gangsters and was dumped into an oil can of cement and dumped in the river. At the gates of Heaven, Corrigan just can’t let it go. The Voice (aka God) lets Corrigan return as a crime fighting ghost who can take an almost human form. His powers were magical – almost divine – and he meted out big time justice. Never more so in a series of stories by Mike Fleischer and Jim Aparo. The vengeance meted out was often horrific.

The Spectre then went through a bunch of different permutations depending on who was writing him when Tom Mandrake and I got him. We had just come off a stint on Firestorm together and were looking for another project and both of us loved the potential of the Spectre. We had very clear ideas of what we should and should not do with him.

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Arrr! It Be Talk Like A Pirate Day!

Shiver me timbers, it be that time of the season again — that hallowed day where we be talking like scurvy bilgerats, it be International Talk Like A Pirate Day!

Truth be told, mateys, we’ve been a bit busy here to celebrate it, what with us be planning our broadside against the 32-page monthly paper comic that’ll be commencing in a fortnight. The only Gold we’ve been chasing has been the editor in chief. Tis a pity, it is. If only we had something that screamed "pirate!" but tied in with our launch, something… something…

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Arr, that be the stuff! Mister Grell, hoist the flag over the Jolly Roger!

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Living on EZ Street

colorpage-10-3-7188095Wednesdays at ComicMix will mean EZ Street, the new graphic story from writer Robert Tinnell and artist (and co-writer_ Mark Wheatley. It’s the story of brothers Scott and Todd Fletcher. They have a dream – they want to tell stories. Fabulous stories about heroes and adventure. They decide to create a comic book because, as young boys growing up on Ezelle Street in Pittsburgh, it’s what they can do. Scott, 14, writes the script and Todd, 12, draws the pictures about an amazing superhero, Lone Justice.

Fast-forward twenty odd years, and the brothers, older and more practical, have jobs. Todd is a graphic designer, and Scott tries to make movies in Hollywood. They want more from their lives. They resurrect their character and find that, by combining the imagination of youth with the skills earned by maturity, they can create magic.

A story about the love of stories, about ambition and dreams and fantasy, EZ Street is an involving look at the creative process, the dynamic of families, the true meaning of friendship and the quest for a really good comic.

Mark Wheatley is an award-winning creator of radically different comic books. Noted for comics with heart and integrity, he’s won the Inkpot, Mucker, Gem and Speakeasy awards and his projects have been nominated for the Harvey award and the Ignatz award. His work has been repeatedly included in the annual Spectrum selection of fantastic art and has appeared in private gallery shows. You can also find some of his original work in the permanent collection of Library of Congress.

His comic book creations include Mars, Breathtaker, Black Hood, Prince Nightmare, Hammer of the Gods, Blood of the Innocent, Radical Dreamer, Frankenstein Mobster, Miles the Monster and Titanic Tales. He’s also worked with established characters such as Tarzan the Warrior, The Adventures of Baron Munchausen, Argus, The Spider, and Jonny Quest; Dr. Strange for Marvel, and The Flash for DC.

Mark established the highly respected Insight Studios in 1978 as a home base for a team of talented comic creators. Insight Studios is the subject of an "insightful" coffee table style art book; IS ART: the Art of Insight Studios. In 2006 Mark was a guest lecturer on Storytelling in the Arts at the Library of Congress.

West Virginia-born Robert Tinnell has worked in the film industry for twenty years as a writer, producer, and director. Starting as a production assistant for legendary filmmaker George Romero, Tinnell used his on-set experience to gain valuable insight into the world of feature filmmaking. Starting at the age of twenty-three, he produced several independent films including South of Reno and the iconic Surf Nazis Must Die. In 1995, Tinnell traveled to Canada where he wrote and directed the ACE-nominated film Kids of the Round Table. A Disney Channel-favorite, Kids led Robert on a six-year-run with Melenny Productions. Over this period Tinnell directed Frankenstein and Me with Burt Reynolds and Louise Fletcher, Airspeed with Joe Mantegna, and Believe starring Ben Gazzara and Elisha Cuthbert)for Lions Gate.

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Speed Racer’s Return to Comics

pzsispr0001-8143206The deals are taking their positions by the pole, ready to make “Go, Speed Racer, go,” next year’s biggest catch phrase.  Just announced by Speed Racer Enterprises are a series of new licensing deals; the most interesting (to you readers) is IDW landing comic book rights.

In addition to all new comics, they have the rights to collect previous incarnations of the anime series, one of the earliest to be imported from Japan.  There have been eleven different comic series from publishers including Now, Malibu, and DC Comics with the earliest dating back to 1990.

IDW expects to have their first releases out in the first quarter of 2008 to catch the anticipation of the new feature length film from the Wachowskis, due May 9.  Speed racer joins IDW’s growing line of licensed books which already includes Angel, Star Trek, and Transformers.

A new animated series, entitled Speed Racer: The Next Generation, will also debut with twenty-six episodes on Nicktoons.  LionsGate has already announced the first DVD collection of this series will also be available in 2008. The original fifty-two episodes are already available in a multi-volume DVD set.

BIG BROADCAST: Ant-Man + Raid = ???

antman-2814420One before the Big Anniversary Big ComicMix Broadcast – we dive into the BIGGEST pile of new comics & DVDs to be offered in a long time, so you better get a paper route, pal! You will need the cash! Plus good news for Fraggles, bad news for AntMan and a tease about 100 pages of Black Canary and Zatanna in one comic.  And do you remember the time Evil Alice went soft – we do!

Stop thinking about all those fishnets & PRESS THE BUTTON!